Tag Archives: Robert Mulligan

The Other (1972)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Twin brother causes havoc.

Niles and Holland (Chris and Martin Udvarnoky) are twin brothers living with their mother (Diana Muldaur) and aunt and uncle (Norma Connolly, Lou Frizzell) on an isolated farm. Niles becomes good friends with Ada (Uta Hagen) a neighbor lady who taps into Niles’ special abilities. She teaches him a technique in which he can separate his mind from his body and then have it harbor in another body be it a person, or animal, or even a bird. Ada though fears Niles is using this ability for evil purposes when those around him begin turning up dead. When his mother is found at the bottom of the stairs unconscious and stuck to a wheelchair the rest of her life afterwards Ada tries to convince Niles to give up the game, but Niles insists it’s really his brother Holland that’s committing the acts of violence and not him, but Ada refuses to believe him as she’s in on a secret that Niles is refusing to accept.

Tom Tryon, who had been an actor throughout the 50’s and 60’s, became frustrated at the quality of roles he’d been offered and wanted to try novel writing. After watching Rosemary’s Baby and seeing the reaction it got he decided to write his own horror story basing it on some of the experiences he had gone through while growing up in a small New England town. It took nine different rewrites before he was able to get it published where it became a best seller and allowed him to quit acting and become an author fulltime. When it was bought into a movie Tryon retained the rights to the story, which allowed him to write the screenplay though he later admitted to not liking the finished product and blaming it on the casting and editing, which had cut out a significant portion of the story, over 25-minutes of it, based on feedback from test audiences.

On the surface the film really doesn’t seem much like a horror movie, or at least what modern audiences have come to expect from horror. There’s no gore, several of the killings aren’t even shown and just implied, there’s also no shocks, or scares and the majority of the plot takes place outside in the sunshine versus the darkness of night. Initially viewers didn’t take to it too well and it lost money at the box office with many feeling that Robert Mulligan, best known for having done To Kill a Mockingbird, was not the right choice for this type of material with the biggest complaint being that the movie was ‘too beautiful’ and made more like a drama, which had been my feeling when I first saw it years ago on TV. However, after viewing it again in its complete form without any commercials I was able to get into it more and if one is patient, it can have many benefits.

It still could’ve been played up more, and I didn’t like the setting at all. It was shot in Murphys and Angel Camp, California even though the setting in the book had been a small town in the east. Originally Mulligan had wanted to shoot it in Connecticut, but since the story took place in the summer and they weren’t able to begin production until the fall he felt the leaves changing color would have a negative effect and thus choose to do it in the west, but topography is all wrong as all you get is very dry, brown, parched earth that doesn’t allow for much atmosphere. The eastern autumn foliage would’ve been to its benefit and made it even creepier as it would’ve reminded one of Halloween.

Despite this there are some good moments like the twin’s trip to the circus where they sneak behind the curtains and view the participants of the freakshow including witnessing a fetus floating in a glass jar of liquid, which is a great foreshadowing. Niles ability to view things outside himself like witnessing the point of view of a crow as it flies around the property is well done too though the best moment comes at the end when a baby is found missing during the night that creates a panic and is quite riveting both emotionally and visually.

The Udvarnoky twins was an unusual choice as they hadn’t been in any movies before, nor did anything films afterwards and only became aware of the roles through their grade school teacher who sent in their headshots upon learning that a film was being shot in the area and searching for twins to star in it. Originally the part was meant for Mark Lester, who could’ve done it easily since neither twin is ever in the same shot, but the brothers do admirably especially Chris, who sadly died at the young age of 49 from kidney disease, who’s able to carry the film throughout and in just about every scene though their constant whispering may eventually become irritating to some. Uta Hagen, who was known for being an acclaimed acting teacher as well as for her stage work, but had never been in a movie before, is splendid and the one element that keeps it both compelling and unnerving. Good work too by Victor French in a small, but pivotal bit and a young John Ritter.

Spoiler Alert!

The story was actually given three different endings. In the book we find that Niles is sitting inside a mental hospital as an adult and describing what happened through flashbacks. In the version broadcast on TV Niles is able to escape the fire set by Ada, but then through voiceover is heard talking to his dead brother where he states that they’ll be ‘taken away’ (most likely an institution) and will be able to ‘play the game’ there. In the film though we see Niles looking out his bedroom window before being called down to dinner revealing that he had escaped detection by the others who did not suspect him of committing the killings and thus was still free to kill again, which is the scariest.

My Rating: 7 out of 10

Released: May 26, 1972

Runtime: 1 Hour 41 Minutes

Rated PG

Director: Robert Mulligan

Studio: Twentieth Century Fox

Available: VHS, DVD-R

Summer of ’42 (1971)

summer-of-42

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Boy loses his virginity.

During the summer of 1942 Hermie (Gary Grimes) vacations on Nantucket Island with his two friends (Jerry Houser, Oliver Conant) along with their parents. He soon becomes smitten by a neighboring lady named Dorothy (Jennifer O’ Neill) whose husband has just gone off to fight in the war. One day he offers to carry her groceries as well as help her out with other chores around her home. When her husband gets killed Hermie finds that he can be of service to her in other ways too.

The script was written by Herman Raucher and based on his real-life experiences while growing up as a teen on Nantucket Island. He had originally written the script in the 1950’s, but at that time no one was interested. It wasn’t until he met with director Robert Mulligan that the project got off the ground and even then the studio was reluctant to pay him anything up front and promised only to give him a percentage of whatever the film grossed. The film though ended up becoming a huge hit and made Michel Legrand’s melodic score almost synonymous with romances everywhere.

I enjoyed the film immensely when I first saw it back when I was in college, but now many years later I have certain issues with it and much of it is due to the Dorothy character. I felt she was was too naïve as she brings this 15-year-old boy in the form of Hermie into her home, but apparently no clue that boys at that age can have raging hormones and that he could quite possibly be viewing her in a sexual way. I felt that Dorothy should’ve shown a little more awareness to the situation and created boundaries from the start and been just a little more defensive than she was. Some may argue that she may have been attracted to the teen despite his age and secretly open to him coming on to her, but if that was the case it should’ve been made clear. In either event the character is too much of an enigma and playing off more like a fantasy figure than a real person.

These same issues continue during their eventual consummation, which ends up being the film’s most well-known scene. On a purely cinematic level I loved the moment because it nicely recreates a dream-like quality of a teen boy’s fantasy particularly by having no dialogue and only the background noise of the crashing ocean waves. However, the woman has just committed an intimate act with a minor that could get her into a lot trouble if it was ever found out. The next morning as the two are lying next to each other in bed she looks over at him and I would’ve expected some expression of guilt, confusion, or even fear, but none of that is conveyed. Also, the idea that getting news that her husband has just been killed would be enough to ‘disorient’ her and get her to submit herself to a teen boy who just randomly walks in is a bit far-fetched.

In the real-life incident Raucher describes it as occurring much differently. There Dorothy was highly intoxicated and yelled out her dead husband’s name several times. He also caught up with the real Dorothy many years later and she told him that she had been ‘wracked with guilt’ over what she had done long after it had happened. All of this makes much more sense and although it would’ve ruined some of the romantic elements it still should’ve been added in as it would’ve helped both the characters and movie become more multi-dimensional and believable.

The setting is another liability. Due to budget constraints it was not filmed on Nantucket, but instead Mendocino, California and the differences are glaring. The landscape is very dry and brown, which is something that would not occur on the east coast, which routinely gets more rain than the west. The voice-over narration states that they had “9 days of rain” that summer, so the foliage should’ve been green and lush.

On a completely superficial level the film still works. The performances are excellent and there are a few really funny scenes including Hermie’s visit to a drug store where he reluctantly tries to buy some condoms as well as his subsequent visit later that night to the beach.

My Rating: 7 out of 10

Released: April 18, 1971

Runtime: 1Hour 44Minutes

Rated R

Director: Robert Mulligan

Studio: Warner Brothers

Available: DVD (Warner Archive), Amazon Video, YouTube