Tag Archives: Rebecca Balding

The Boogens (1981)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Creatures unleashed from mine.

It’s decided that a Colorado mine, that has been closed for 100 years, should be reopened and Brian (John Crawford) and Dan (Med Flory) are the two men heading the company that has been paid to excavate it. Unbeknownst to them there are large, scaly creatures hidden inside the mine that have been dormant for a century, but with the recent activity, have been awakened and begin to terrorize the people renting out a house nearby.

The film starts out with some potential. I enjoyed the turn-of-the-century photos seen over the opening credits depicting miners and settlers from when Colorado was just becoming a state. The amusing dialogue features some quick-witted responses and interplay. Too many horror films, particularly from the 70’s and 80’s would have stilted conversations, so at least here it’s snappy. It’s also great that it was filmed on location where they get the sights and sounds of living in a cold climate just right particularly the noise that is made when someone walks over freshly packed snow. The nudity by Rebecca Balding, brought on by the suggesting of director James L. Conway, whom she later married, as a way to ‘spice things up’, isn’t bad either.

Unfortunately, on a horror scale it’s pretty limp. The biggest issue is how long it takes for the scares to get going. It’s not until the 52-minute mark where we get a glimpse of the creature and even then, it’s only a tentacle. It then takes another 15-minutes before we see its face and body. I’m okay for some horror films to take their time to build up the tension as long as the payoff is good, but here that’s just not the case. There are too many gimmicks like the people, and the viewer, thinking there’s something frightening lurking only for it to turn out to be the pet dog. It’s okay if this is done once, but here it goes to the well too often until it seems like the dog is the star and maybe he should’ve been.

Exactly what these creatures are, and how they got there, needs better explaining. Why do they only inhabit this one little mine and how can they last so long without food? I know bears can hibernate during the winter, but that’s only for a few months, but we’re expected to believe that these things can do it for over a century? If they are hungry for flesh as the movie’s tagline suggests, then why don’t they eat the people when they do catch them instead of just clawing them up a bit? Watching one scarf down an adult human or two could’ve been cool and might’ve made the long wait seem worth it.

It’s unimpressive that only one creature was made for the production and that’s all you end up seeing if only fleetingly. They resemble a gargoyle from a gothic mansion and in fact gargoyles would actually be scarier. We also never get a full perspective of its body as only its head and front side is shown.

What shocked me the most though was how they only attack this one home. I was fully anticipating that the whole town would be under siege. Part of what made Tremors, which has a similar storyline, so good is that it took a whole community to bring the creatures down. Having more variety of onscreen personalities as well as weaponry and traps would’ve given the plot the imagination that it needed and deserved. Would’ve worked better as a horror film/disaster flick with some scientific ‘expert’ on hand to explain the origins of the species and an elaborate way to defeat them.

My Rating: 2 out of 10

Released: September 25, 1981

Runtime: 1 Hour 35 Minutes

Rated R

Director: James L. Conway

Studio: Taft International Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

The Silent Scream (1979)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Family’s dark secret exposed.

Scotty (Rebecca Balding) is a student away at college who finds nearby housing at a large stately mansion owned by Mrs. Engels (Yvonne De Carlo) and her son Mason (Brad Reardon). When Scotty moves in she meets three other college students (Steve Doubet, Juli Andelman, John Widelock) who are also living there, but during the next couple of day those other students start turning up dead. Scotty fears she may be the next victim and suspects the killings may have something to do with the mysterious person that’s hiding in the attic.

In the summer of 1977 Denny Harris, who was at that time a successful commercial director who owned his own studio, decided to take a try at directing a horror movie and he put down $450,000 of his own money to do it. Unfortunately when production wrapped the footage shot was deemed unreleasable, so Jim and Ken Wheat, two brothers, were brought in to try and salvage it, but instead decided to completely rewrite the script and reshoot almost the entire film leaving only 12 minutes of the original footage in the final cut. This includes a scene where the Mason character watches what looks to be a soft core porn flick on his TV in his bedroom, but was actually a scene from the original version with Susan Backlinie, the lady who got attacked by the shark in the opening bit of Jaws, playing one of the characters.

It would be interesting if a Blu-ray could be issued that would show the version that Harris shot alongside the Wheat brother’s one because I suspect it might not have been any worse than what we end up getting here. For one thing the plot is too skimpy and the pacing slow. Too much extraneous footage of Scotty looking for an apartment and conversations she has at a bar with friends, and even her making love with Jack that doesn’t help build the tension at all and should’ve been cut out.

When the ‘scares’ do come they’re not all that great. The stabbing sequences are particularly annoying because the same Bernard Herrmann-like score that was used in Psycho gets played here making it all seem quite cliched. The blood is another issue as it conveniently collects on a hanging white sheet as the victim gets pummeled with a knife as well as a pool of it on the floor, which our protagonist somehow misses seeing when she goes to investigate. Yet I’ve watched enough true-life crime shows to know that blood splatter doesn’t work that way, but instead sprays out all over with droplets of it splattering on the walls, ceiling, and other appliances until it would be quite obvious to anyone entering a room that a murder had occurred there and unlike what happens here.

Spoiler Alert!

The flimsy plot gets played-out too quickly. In a matter of just two days of staying there the dark family secret and all the ugliness behind it gets completely revealed, which makes for an anti-climactic feeling when it’s over. The protagonists seem to be nothing more than dressing with have very little to do as they ultimately stand helplessly on the sidelines while the bad guys kill-off each other, which isn’t very gripping.

A better idea would’ve been to have the villainous family, which are far more interesting and better acted than any of the college kids, be the stars of the film. Then having the film show how they bring in tenants through the years to help defrays costs, but reluctantly forced to kill them when they get too noisy, only to ultimately meet their match with one of them similar to how What Ever Happened to Aunt Alice? was structured.

The only riveting moment in the movie comes when a young woman, played by Tina Tyler, tries to hang herself via a noose hung from a light fixture in her bedroom. Most of the time hangings in films are either shown from the waist up or down, but here we get a bird’s eye shot where her feet clearly leave the floor with the rope around her neck and nothing else to support her making it seem like she really is hanging herself especially as her body begins to struggle, which is impressively graphic.

My Rating: 3 out of 10

Released: November 16, 1979

Runtime: 1 Hour 27 Minutes

Rated R

Director: Denny Harris

Studio: American Cinema Releasing

Available: DVD, Blu-ray, Amazon Video