Tag Archives: Joseph Wambaugh

The Onion Field (1979)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Guilt over partner’s death.

Los Angeles police detectives Ian Campbell (Ted Danson) and Karl Hettinger (John Savage) are on-duty driving around in an unmarked police car when they spot two men, Gregory Powell (James Woods) and Jimmy Smith (Franklyn Seales), driving suspiciously, so they pull them over. While Campbell is talking to Powell, Powell is able to pull out a gun he had hidden in his trousers forcing Campbell to drop his weapon. Hettinger is then told to give up his weapon as well, which he does, or risk seeing his partner get shot. The two cops are then taken at gunpoint to an remote onion field where in the darkness of night Campbell is shot and killed, but Hettinger escapes and manages to run 4 miles until he finds someone and gets help. While the two criminals are eventually apprehended and found guilty it is Hettinger that suffers the most from the guilt of surviving when his friend and partner didn’t and from the humiliation of being the subject of a police video detailing what not to do when stopping a vehicle, which leads him to a severe mental breakdown in both his personal and professional life.

The story is based on the actual incident that occurred on March 9, 1963 with the traffic stop happening on the corner of Carlos Avenue and Gower Street in Hollywood and the murder happening off of Interstate 5 near Bakersfield. It was written into a novel by former cop turned author Joseph Wambaugh in 1973. I remember reading it when I was 14 and finding it captivating from beginning to end. While the film stays faithful to it I still felt it wasn’t as effective and in a lot of ways not as gripping. Even though it was a long time ago I remember the part about Powell’s ‘disguise’ where the only thing he changed about his features was putting a distinctive mole on his left ear lobe, which sounded completely absurd. This is discussed in the movie, which gets a subtle eye roll from Smith his partner, but the irony is, which is talked about in the book and not the film, is that the witnesses from the robbery that Powell was in described the mole to the police and this litrerally threw the detectives off for awhile as they kept searching for a man with a distinctive mole that Powell had since removed, so as silly as it sounded, his idea had actually worked, but the movie never gives this pay-off.

The chase through the onion field is also really hurt. I remember finding this section the most captivating part of the book and finding it a truly tense and horrifying moment that seemed to go on forever and a major element of the story, but in the movie this moment gets trimmed down significantly. Years ago, when I first saw the movie on TV, I thought it was because they had edited it down due to time constraints in order to get more commercials in, but when I finally viewed the full version on DVD I found this wasn’t the case. For whatever reason the chase in the onion field lasts for only a few minutes and not done from Hettinger’s perspective, which is what made it such an intense reading and it’s a real shame as it makes the movie much less impactful then it could’ve been. It turns the whole onion field incident into a side story instead of the main event.

The performances by Woods and Seales are outstanding and the element that really gives the film its energy they also look exactly like the people they’re playing to the point it’s almost freaky. Woods is especially creepy and he literally demands your attention with each moment he’s in it. Seales though, whose career never really took off and he died at the young age of 37 from AIDS, is excellent too as he plays someone who is very timid especially when initially with Powell, but brazen at other points and the way his and Powell’s relationship evolves both through their criminal and then when behind bars is quite fascinating. The scream that he lets out when Campbell gets shot, which was not in the script and completely improvised, has a very riveting effect and the one thing about the film that I had remembered from watching it decades earlier.

Unfortunately the two leads, the people we’re supposed to be the most connected with, are quite boring. It’s not like it’s the actors faults either. Danson, this was his film debut, is not bad, but his character isn’t fleshed out enough. Other than enjoying playing the bagpipes we don’t learn much else about him and nothing he says his captivating, or interesting. The same with Savage his inner turmoil and mental breakdown really doesn’t have the intended emotional impact in fact his moments bogs the movie down and you can’t wait until they get back to the bad guys who as rotten as they are what gives the movie its liveliness. I realize that Wambaugh felt it was very important to get Hettinger’s story out there and it was the whole reason that motivated him to write the book, but I came away feeling, at least movie wise it would’ve worked better had it just focused on the two crooks and their weird ‘friendship’.

On the whole it’s still an adequate production that holds enough interest and makes some good points about an important event that shouldn’t be forgotten, but at times it also seems like an overreach. Wambuagh’s insistence that everything be as accurate as possible gives the narrative a cluttered feel particularly with all the various court proceedings with each one having a different set of attorney’s, judges, and courtrooms which becomes dizzying instead of riveting. Pairing certain elements down would’ve helped as it’s not quite a completely effective, despite the great effort, as it could’ve been and without question another incidence where the book is far better.

My Rating: 7 out of 10

Released: September 19, 1979

Runtime: 2 Hours 6 Minutes

Rated R

Director: Harold Becker

Studio: AVCO Embassy Pictures

Available: DVD, Blu-ray

The New Centurions (1972)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Rookies on the force.

Roy Fehler (Stacy Keach) is a young law student who decides to join the LAPD until he can complete his degree. After graduating from training he gets partnered with Andy Kilvinski (George C. Scott) a veteran with almost a quarter of a century of police work under his belt. Roy likes Kilvinski’s unique approach to cop duty and enjoys his police work more and more to the point that he puts his law studies on hold, much to the consternation of his wife (Jane Alexander). Then one night Roy gets shot while on-duty forcing him to go through a painful recovery, but his determination to return to the force puts a major strain on his marriage and when his wife leaves him he turns to liquor for solace.

The film is based on Joseph Wambaugh’s debut novel, which he wrote in 1970 and based loosely on his own experiences and observations while working as a cop. The novel though differs greatly from the film in that there were three main characters in the book while the film focuses mainly on Keach while leaving the other two, which are played by Eric Estrada and Scott Wilson, as only secondary players that are seen only sporadically. The novel also delved into the Watts Riots at the end, which the movie completely ignores.

The film though does succeed at humanizing those that work on the force as we see them as regular people who just so happen to wear a badge as opposed to authority figures. The story thankfully avoids police cliches and seeing how Keach’s job affects both his home life and personality is quite interesting and something I wished had been explored even more.

The best moments come during the first act as the viewer gets thrust onto the street scene along with Fehler and Kilvinski where in almost cinema vertite style we see what an average night patrolling a poor African American neighborhood in Los Angeles is really like. Some of the time their experiences are quite lighthearted like when they pick up a group of black prostitutes, one of which is played by Isabel Sanford, who later went on to star in the TV-Show ‘The Jeffersons’, who get put into a paddy wagon where they drink hard liquor and tell bawdy stories. Other moments though become tense and serious particularly when they have to wrestle a crying infant away from his abusive mother.

Keach plays his part quite well and one of the reasons that the film is successful, but his character isn’t well defined. We have no understanding why he enjoys patrolling the streets so much and ignores his family life the way he does. Without any insight to what drives him it makes his obsession to return to the force after his shooting injury seem bizarre and confusing. In the novel he was portrayed as being quite arrogant and thinking he was smarter than everyone else, which gets toned down considerably here.

Spoiler Alert!

Scott’s character is another confusing mess. For most of the film he’s shown as being rather laid-back only to suddenly shoot and kill himself without warning after he retires. Yet the character is not fleshed-out enough making what he does senseless. The film seems to imply that he was bored in retirement, which is what lead him to do it, but do other policemen who retire also kill themselves at a high rate? I haven’t heard of that many who do so it seemed to me there needed to be a better reason than just that and without one being sufficiently supplied it makes the scene come-off as unnecessarily jarring that creates confusion instead of clarity.

The segment where Fehler joins the vice squad are quite funny and manage to be both outrageous and believable at the same time. However, his sudden descent into alcoholism gets too rushed and the film would’ve worked better had it reflected the same structure as its source novel where the character’s lives are examined every August of each succeeding year after graduating instead of keeping the time period undefined, which makes everything that occurs look like broad composites instead of a fluid situation.

The scene where Scott Wilson’s character shoots and kills an innocent black man gets poorly presented too as we never get to see the aftermath of his actions as the subsequent investigation is never addressed at all. We simply see him back on the force in later scenes like it never happened. The moment is startling, so not answering the question of what penalty he may or may not have faced is frustrating.

My Rating: 7 out of 10

Released: August 3, 1972

Runtime: 1 Hour 43 Minutes

Rated R

Director: Richard Fleischer

Studio: Columbia Pictures

Available: DVD