Tag Archives: John Crawford

The Ballad of Cable Hogue (1970)

ballad of cable hogue

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Desperate man finds water.

After he is betrayed by his two friends (L.Q. Jones, Strother Martin) and forced to survive in the middle of the desert without the benefit of food, water, a gun or even a horse Cable Hogue (Jason Robards) goes on a mad search for an oasis. After four days in the heat he collapses and just as he is ready to die he suddenly finds water in the most unlikely place. He uses this untapped spring to create a way station for the stagecoaches that travel through the area and becomes quite rich, but deep down he harbors the dark desire to get revenge on the two who wronged him and one day he finally gets his chance.

Theoretically a person can survive up to 4 ½ days, or 100 hours, without water if they are in a climate with a temperature of 72, but in much hotter conditions such as the one shown here it would be far less, so having the character survive like he does seems to be a an extreme stretch, but if you can get past that then the film is quite enjoyable at least at the beginning. The script was written by John Crawford and Edmund Penney who spent the majority of their careers working as character actors in B-movies and this was their one and only foray as writers. The story’s biggest asset is the main character that is expertly portrayed by the gifted Robards. His determination to beat long odds and find success even as he starts from rock bottom should resonate with most viewers and the character’s grit meshes well with director Sam Peckinpah’s perennial theme of rugged individualism.

The addition of David Warner as a dubious minister who helps Cable build his station is excellent and the film could’ve been an engaging buddy movie had it remained at this level. Unfortunately it felt the need to add in a love interest in the form of Stella Stevens, sans make-up, who portrays a whore that takes a liking to Cable. Stevens is not as strong of an actor as Warner and doesn’t know how to carry a scene like he does, so her time in front of the camera is boring and does nothing but bog down the pace while pushing Warner’s character out, which severely hurts the film’s rugged but whimsical chemistry.

Spoiler Alert!

Strother Martin’s character becomes yet another issue. He again gets straddled with the creepy, cowardly bad guy role of which is plays to perfection, but eventually made it seem almost like typecasting. To some extent I was happy to see him become humanized as it went along, but I didn’t like how Cable decides to leave his way station to him instead of the Warner character as he was the one who helped build it. Maybe Cable realized that with the invention of the automobile his station would no longer be prosperous and he would then be sticking Martin with a stinker instead of the goldmine that he thought, which is okay, but then he saves Martin’s life just a few minutes after he was ready to kill him, which became too much of a contradiction.

End of Spoiler Alert!

The film has some funny moments, but I didn’t like the fast motion running as it made it seem too cartoon-like. The numerous potshots at religion and those that expound on it are hilarious and I enjoyed how Peckinpah looks at capitalism from both sides where it is shown to greatly benefit an individual who is able to take advantage of a market demand, but also how it can coldly abandoned that same person the second that demand goes away.  The first 40 minutes are great, but then the story loses steam with comical moments that become too drawn out and have little to do with the main story as well as a protracted ending that really fizzles.

My Rating: 6 out of 10

Released: March 8, 1970

Runtime: 2Hours 1Minute

Rated R

Director: Sam Peckinpah

Studio: Warner Brothers

Available: DVD, Amazon Instant Video, YouTube

Outlaw Blues (1977)

outlaw blues

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Singer on the run.

When country music giant Garland Dupree (James T. Callahan) visits a Texas prison in order to hold a Johnny Cash-like concert for the inmates he meets up with Bobby Ogden (Peter Fonda) a prisoner who while spending time in jail has written a song called ‘Outlaw Blues’. Garland likes the song so much that he decides to steal it and make it his own only to be confronted by Bobby who once out on parole will stop at nothing to get it back and expose Garland for the fraud he is. With the help of Tina (Susan Saint James) who acts as his manager he does just that, but finds himself again on the run from the cops after accidently shooting Garland during a confrontation inside a recording studio.

This film is notable for not only being filmed in Austin, Texas, but also being the first film to ever use Austin as a setting. The movie can be fun for people from the area especially those living in the city during the mid-‘70s. There are a lot of car chases that occur in the center of town making it entertaining to see all the old buildings some of which still stand today. The scene that takes place at what was then called Texas Memorial stadium during halftime of a Longhorn’s football game where Tina and Bobby take part as members of the marching band is pretty cool as is Tina’s serene houseboat that she lives in and has docked on the Colorado River.

Unfortunately the story itself evolves little and relies heavily on a lot of car chases and clichéd one-dimensional characters. Bobby’s hit song is too low key and melodic making it hard to imagine why so many people would get so crazy about it as a more up tempo country/rock sound would have worked better and given the soundtrack more of a kick.

The film also suffers from a few goofs and lapses of logic. The biggest one is when a lone cameraman films Bobby accidently shooting Garland and it gets replayed on the evening news. Yet when it gets shown it has several edits and footage of the incident from different viewpoints and angles, which if truly shot by just one camera wouldn’t have been possible. The idea of having Garland chasing Bobby down through the streets of Austin in broad daylight while shooting at him is utterly insane even for a deluded, egotistical character that he is as it would just get him thrown into jail. Since the Garland character is portrayed as having a lot of money then he should do what most rich people do when they want someone dead, which is hire someone else to do it while creatively covering up the paper trail.

Fonda too laid back in the lead and comes off as transparent and boring. Saint James, Callahan and John Crawford as an obsessed police chief lend some amusing support, but their presence as well as a nifty boat chase at the end cannot save a film that is otherwise generic and silly.

My Rating: 4 out of 10

Released: July 15, 1977

Runtime: 1Hour 40Minutes

Rated PG

Director: Richard T. Heffron

Studio: Warner Brothers

Available: VHS, DVD (Warner Archive)