Tag Archives: Strother Martin

Pocket Money (1972)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Herding cattle for money.

Jim Kane (Paul Newman) is a not-too-bright modern-day cowboy living in Arizona that is broke and without a job. In desperation he takes an offer from a shady businessman named Bill Garrett (Strother Martin) who promises Jim a lot of money to buy a certain breed of cattle in Mexico and then bring them up to the US. Jim has his suspicions about the deal, but decides he has no choice but to take it. He elicits the help of his longtime pal Leonard (Lee Marving) another down-on-his-luck loser. Together they find the cattle and herd them to the states despite a lot of obstacles along the way, but when they return Bill and his cronies are nowhere in sight forcing Jim to seek him out and right the injustice.

Many people have complained about the film’s slow pace and the script, which was written by Terrence Malick and based off of a novel by J.P.S. Brown, has a lackadaisical quality, but to some extent I really didn’t mind it. Too many Hollywood movies are compelled to rush right into the plot while leaving atmosphere and characterizations behind, but here Laszlo Kovacs cinematography brings the rustic western locations to life. I had traveled just recently to a small town in Mexico earlier in the year and this film captures the same ambience that I saw including all the feral dogs running around, the old rundown buildings that make up the town center, as well as the pot-holed filled roads. It was almost like I can gone there a second straight time.

Newman is brilliant in a rare comedic turn. His character is dopey, but in a funny, lovable way where you laugh at his ineptness one minute and cheer him on the next. Marvin is good too and the banter the between them as well as their contrasting approaches to things help keep things interesting. Reports where that the two did not get along and Marvin even admitted as much in interviews stating that Newman ‘finessed’ him during their scenes and when you get two big name actors with heavy egos this sometimes happens, but they were at least professional enough not to let their animosity show through on the screen. Both Wayne Rogers and Strother Martin, who co-starred with Newman just 5 years earlier in the classic Cool Hand Luke lend great support and in Martin’s case should’ve been seen more.

Spoiler Alert!

My biggest beef comes with the ending, which is a complete letdown. The intention was to show the life of two aimless men who are going nowhere, which is fine, but there still needs to be a payoff at the end. Instead when Newman and Martin finally confront Rogers and Martin in a hotel room, after searching everywhere for them, nothing happens. They never get their money, or revenge, or anything. Even losers can have a random moment of small victory, which is what I felt was needed here, and to have nothing of substance occur makes the viewer feel like the joke was on them and sitting through this, despite the marvelous production values, becomes sadly a big waste of time.

End of Spoiler Alert!

This was another case of where Leonard Maltin’s review, or whoever wrote it for him, is off from what you end up seeing. He commends the performance by Jean Peters, who plays Newman’s ex-wife, like it’s something special when in reality it’s just a throw-away-bit that lasts for a couple of minutes and isn’t too memorable. He also comments on Marvin’s car, which he states is ‘the damnedest thing you’ll ever see’ even though despite a few multi-colored panels I didn’t see what was so unusual about it. The craziest car I’ve ever seen in a movie is the one the two teens drive in Robert Altman’s 1985 flick O.C. and Stiggs, but again watch both movies for yourself and then decide, but I believe most would end up agreeing with me.

My Rating: 6 out of 10

Released: February 1, 1972

Runtime: 1 Hour 42 Minutes

Rated GP

Director: Stuart Rosenberg

Studio: National General Pictures

Available: DVD-R (Warner Archive), Amazon Video

The Ballad of Cable Hogue (1970)

ballad of cable hogue

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Desperate man finds water.

After he is betrayed by his two friends (L.Q. Jones, Strother Martin) and forced to survive in the middle of the desert without the benefit of food, water, a gun or even a horse Cable Hogue (Jason Robards) goes on a mad search for an oasis. After four days in the heat he collapses and just as he is ready to die he suddenly finds water in the most unlikely place. He uses this untapped spring to create a way station for the stagecoaches that travel through the area and becomes quite rich, but deep down he harbors the dark desire to get revenge on the two who wronged him and one day he finally gets his chance.

Theoretically a person can survive up to 4 ½ days, or 100 hours, without water if they are in a climate with a temperature of 72, but in much hotter conditions such as the one shown here it would be far less, so having the character survive like he does seems to be a an extreme stretch, but if you can get past that then the film is quite enjoyable at least at the beginning. The script was written by John Crawford and Edmund Penney who spent the majority of their careers working as character actors in B-movies and this was their one and only foray as writers. The story’s biggest asset is the main character that is expertly portrayed by the gifted Robards. His determination to beat long odds and find success even as he starts from rock bottom should resonate with most viewers and the character’s grit meshes well with director Sam Peckinpah’s perennial theme of rugged individualism.

The addition of David Warner as a dubious minister who helps Cable build his station is excellent and the film could’ve been an engaging buddy movie had it remained at this level. Unfortunately it felt the need to add in a love interest in the form of Stella Stevens, sans make-up, who portrays a whore that takes a liking to Cable. Stevens is not as strong of an actor as Warner and doesn’t know how to carry a scene like he does, so her time in front of the camera is boring and does nothing but bog down the pace while pushing Warner’s character out, which severely hurts the film’s rugged but whimsical chemistry.

Spoiler Alert!

Strother Martin’s character becomes yet another issue. He again gets straddled with the creepy, cowardly bad guy role of which is plays to perfection, but eventually made it seem almost like typecasting. To some extent I was happy to see him become humanized as it went along, but I didn’t like how Cable decides to leave his way station to him instead of the Warner character as he was the one who helped build it. Maybe Cable realized that with the invention of the automobile his station would no longer be prosperous and he would then be sticking Martin with a stinker instead of the goldmine that he thought, which is okay, but then he saves Martin’s life just a few minutes after he was ready to kill him, which became too much of a contradiction.

End of Spoiler Alert!

The film has some funny moments, but I didn’t like the fast motion running as it made it seem too cartoon-like. The numerous potshots at religion and those that expound on it are hilarious and I enjoyed how Peckinpah looks at capitalism from both sides where it is shown to greatly benefit an individual who is able to take advantage of a market demand, but also how it can coldly abandoned that same person the second that demand goes away.  The first 40 minutes are great, but then the story loses steam with comical moments that become too drawn out and have little to do with the main story as well as a protracted ending that really fizzles.

My Rating: 6 out of 10

Released: March 8, 1970

Runtime: 2Hours 1Minute

Rated R

Director: Sam Peckinpah

Studio: Warner Brothers

Available: DVD, Amazon Instant Video, YouTube

Love and Bullets (1979)

love and bullets

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Chuck falls for Jill.

Jackie Pruit (Jill Ireland) the one-time girlfriend of mob boss Joe Bomposa (Rod Steiger) is being marked for death by him as she has the potential to turn states evidence. Undercover cop Charlie Congers (Charles Bronson) is hired to go to Switzerland and nab her before they do so that he can bring her back to the states and allow her to testify for the FBI, but along the way he ends up falling in love with her.

Ireland and Bronson where married in real-life, which is why this is just one of many movies that they did together during the 70’s. The strange thing is that they really don’t seem to have much chemistry. Bronson is much older and has more of a grounded, stoic personality while Ireland, at least here, comes off as ditzy and flighty making it seem more like a father and daughter relationship than two equal adults.  The ditzy behavior of Ireland’s character is not amusing or interesting and eventually becomes annoying making most men want to kill her instead of falling for her. Her character initially wears a wig and gaudy make-up, but Charlie insists that she take it off and when she does he states that she looks much better, but personally I thought she looked better with it on.

For whatever reason the Bronson character does not use a gun and is required to resort to unusual weapons for defense one of them being a standing lamp that he finds in a hotel room. He takes off the top and bottom of it and then uses the middle part as a pipe in which he blows nails through to kill off the bad guys. Initially this seemed like a neat idea, but I found it hard to believe that he would have such good aim and able to hit victims from several yards away. He also makes himself highly conspicuous walking around the busy streets of Zurich carrying a pipe.

Steiger gives another interesting performance. Although his character is the villain Steiger manages to give him depth and a humanistic quality. He speaks with a stutter and wears big glasses making him seem almost like a lovable galoot. The part where he stresses over ordering the hit on Jackie and at the end when he sits alone watching a classic romantic movie and insists that he not be interrupted for any reason are two of his best moments.

The supporting cast is full of familiar faces, but Bradford Dillman and Henry Silva are wasted and Michael V. Gazzo gets killed off too quickly. Paul Koslo has the perfect face for a cold-blooded hit man and it is neat seeing Strother Martin dive into the water because in his younger years before he got into acting he was a gifted diver and almost even made it onto the Olympic team. His death scene is good because it is done from his perspective as he is pushed under water giving the viewer a definite drowning feeling.

The action and story are standard and the scenic wintry landscape of Switzerland can help it only so much. The explosive finale gives it a few points, but the drama is weak and the action is only fair. Nothing real impressive and made for die-hard action fans only.

My Rating: 5 out of 10

Released: September 14, 1979

Runtime: 1Hour 43Minutes

Rated PG

Director: Stuart Rosenberg

Studio: AFD

Available: VHS, DVD (Region 2), Amazon Instant Video