Tag Archives: Dean Jagger

Evil Town (1987)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Old people kidnap travelers.

Chris and Julie (James Keach, Michele Marsh) along with another couple (Robert Walker Jr., Doria Cook-Nelson) are traveling through rural California from Los Angeles when they begin to have car trouble and stop-off at a rundown gas station in a small town. Earl (E.J. Andre), the old man who runs the station, inspects the vehicle and tells them it’s a water pump issue that will take at least a day to repair. Since it’s late at night he and his wife Mildred (Lurene Tuttle) offer them their spares room to sleep over in, but the couples decide they’d rather camp-out. However, they become harassed by unknown peepers, so when that car is found to have even more issues the next day and forced to spend yet another night there, they agree to stay at the elderly couple’s home. It is here that they get fed a poison that knocks them-out and they are then taken to a nearby hospital run by Dr. Schaeffer (Dean Jagger) who needs bodies of young people in order to conduct his experiments on the aging process.

This film is a great example of how funding is so crucial to a production and once it runs out there isn’t much else to do. Filming began under the working title ‘God Bless Grandma and Grandpa’ in the fall of 1973 in Mendocino, California and was directed by the talented Curtis Hanson, but money ran out before they could shoot the ending. In 1977 a different production company bought the unfinished footage and tried to market it as a movie under the title Dr. Shagetz, but with no real ending it failed to catch-on and the entire thing fell into obscurity. Then in 1984 another independent studio bought the lost footage and attempted to again redistribute it, but this time by adding in new footage, which they hoped to edit around the old footage in an effort to make it seem like a complete movie and then ultimately released to select theaters on June 2, 1987.

Unfortunately by the time they were ready to shoot the new stuff many of the elderly actors from the original were already dead, or to old at that point to perform. The four younger stars who made-up the two couples had no interest going back to finish shooting a movie the had long ago forgot about. This resulted in new actors getting hired to play both the roles of the protagonists and the bad-guys and while it’s edited in a way to make it seem like the new stars are interacting with the old ones from the lost footage it’s quite clear that they really aren’t and whole thing ultimately comes-off as two bad movies compressed into one really lousy one.

The story idea I liked and has definite similarities with Homebodies that also featured old people as the killers. There are a few good moments like having the actions scenes done in slow-motion and Keach forced to fight-off the old people who attack him by jumping on him one after the other. The scene where he gets surrounded by a group of chanting old folks while trapped in an old, nonoperational car isn’t bad either, but the pacing is slow and takes too long to get going.  The added footage is highly exploitative and basically consists of Playboy Playmate Lynda Wiesmeier running around topless in the night as she tries to avoid two killers.

Jagger, who was clearly at the tail-end of his long career, which at one point featured winning an Academy Award in 1949 for best supporting actor, gives an interesting performance. His shiny bald head along with the shaded glasses he wears gives him a creepy look and the odd speech pattern that he uses here make him seem genuinely menacing. Had the story stayed focused solely on him and had the original production been better funded and retained the first director this thing might’ve had a chance and even cult potential, but the way it is now it’s just a sad curio showing what might’ve been.

My Rating: 2 out of 10

Released: June 2, 1987

Runtime: 1 Hour 22 Minutes

Director: Curtis Hanson (70’s footage), Mardi Rustam (80’s footage)

Rated R

Studio: Trans World Entertainment

Available: Blu-ray

Alligator (1980)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Reptile in the sewer.

In 1968 a young girl (Leslie Brown) brings home a baby alligator, which she stores in her small aquarium, but her father decides to flush the thing down the toilet where in the sewer it feeds off the carcasses of dead animals which were given an experimental growth formula from a nearby clinic. 12 years later the alligator having ingested this formula for years has grown to massive lengths and escapes from the sewer where he now terrorizes the citizens of the city.

The screenplay was written by John Sayles and has a nice blend of comedy and scares. In most other horror films there are usually some long boring segments in between the shocks that get filled with awkward drama or banal dialogue, but here these same segments convey a playful sense of the absurd and are some of the best moments in the movie including showing all the street vendors who come out and try to cash in on the alligator scare by selling alligator related merchandise at the river where the police are searching for the beast. I also enjoyed the ad-libbed lines by the supporting characters mentioning Robert Forster’s receding hairline, which become the movie’s running joke.

The scares are still present and for the most part effective although the scenes inside the sewer work best. I liked the way the beams from the flashlights reflected off of the tunnel walls and created a surreal look as well as how quiet it would get when the police and S.W.A.T. went into the underground caverns, which helped accentuate the tension.

When the gator breaks out of the sewer is when the thing starts to go south especially when it attacks guests at a dinner party, which is too graphic and ghoulish and destroys the film’s otherwise playful tone. I also didn’t like when the alligator breaks through sidewalk having the camera shake, which is something directors would do in old movies to create an earthquake-like visual effect, but comes-off as quite tacky looking. Having the gator roam the city for as long as it does and not get caught seemed implausible as something that big would attract lots of attention no matter where it went and most likely would get cornered by the authorities a hell of a lot sooner than it does.

The film also suffers by not effectively conveying the size of the beast visually. We see a lot of quick shots involving its open mouth, but not much else. An animatronic one was built, but it malfunctioned and was little used and then later donated to the Florida Gators as their mascot. An actual gator got used in some shots, which they superimposed onto a miniature set to make it look bigger, but the final result of this looks awkward.

The truth is alligators are by nature very timid towards humans and will usually swim away if approached by one and only attack if they feel threatened. They prefer much smaller prey that they can eat with one gulp and thus avoid people altogether. It’s actually the crocodile that  is much more dangerous and in fact the saltwater and nile crocodile kills hundreds of people each year, which for the sake of accuracy should’ve been the species that got used.

I also thought it was a bit bizarre that someone could keep an alligator as a pet like the young girl does at the beginning. Now don’t get me wrong watching them flush the baby gator down a toilet is one of the best parts of the movie, but what would’ve happened had the gator been allowed to grow into an adult? How would they be able to house or control him, which only makes the father, who gets portrayed here as being obnoxious, look smart by getting rid of it when it was small and he still could.

The cast though still makes it worth watching. Forster is great in the lead as he plays against his stoic tough guy image by conveying vulnerabilities with his finest moment being the horrified expression on his face when his partner gets attacked and he’s unable to save him. I also liked Jack Carter as the corrupt Mayor and Dean Jagger, in his last film role, as the nefarious animal clinic owner. Angel Tompkins can be seen briefly as a news reporter as well as Sue Lyon in her last film appearance to date.

My Rating: 6 out of 10

Released: November 14, 1980

Runtime: 1 Hour 31 Minutes

Rated R

Director: Lewis Teague

Studio: Group 1 International

Available: DVD