By Richard Winters
My Rating: 1 out of 10
4-Word Review: Girl gets new face.
Michael Hillyard (Stephen Collins) is from a rich background and set to take over his family’s thriving business. He wants to marry Nancy (Kathleen Quinlan) who has a troubled past, but Michael’s mother (Beatrice Straight) does not approve and tries to prevent it. Michael and Nancy decide to proceed with their wedding plans anyways, but then get into a car accident that completely disfigures Nancy’s face. While Michael lies comatose his mother makes a deal with Nancy; she’ll pay for a plastic surgeon (Laurence Luckinbill) to repair her appearance as long as she agrees never to make contact with Michael again. Years later as Nancy becomes a successful photographer Michael by chance meets up with her and wants to use her photographs as part of his business. Nancy’s face is now different and her name has been changed so Michael does not know it is really her. Will the two be able to rekindle their relationship and will Nancy ever confide in him her secret?
The biggest loophole is with the plastic surgery. Face reconstruction even in this technology advanced age is still a very complex thing and most people that receive ‘new faces’ after an accident still look a bit ‘off’ and you can tell it’s not their natural one. Rich woman who pay plastic surgeons millions to look younger many times end up appearing disfigured instead and that’s after using some of the best surgeons they could find, so how then in the year 1979 could some doctor not only make a woman’s newly constructed face look completely natural, but actually even better than the original one?
Nancy’s face doesn’t really change either. No make-up effects are used on Kathleen Quinlan’s appearance to manipulate her looks outside of giving her a different hairstyle. She also speaks with the SAME voice, so Michael should still be able to recognize her when she spoke, so then why doesn’t he?
Michael’s character has issues too. When he comes out of his comatose state his mother informs him that Nancy was killed, but wouldn’t you think that after he recovered he would want to visit Nancy’s gravesite and when he couldn’t find it he would become suspicious that she really wasn’t dead?
Also, later on in the film Nancy decides to go to a spot in a park where the couple had years earlier hidden a necklace underneath a rock as a sort of symbolic gesture that the two would remain loyal to one another until death. When Nancy arrives she finds the necklace gone and then Michael walks out from the trees holding it like he was waiting for her to arrive, but the two hadn’t been speaking to each other, so how would he know that she was going to return there? Was he simply going to stand there for days, weeks, months holding that necklace and waiting for a chance encounter that at some point she might decide to come by?
The script also lacks conflict. The mother’s vindictiveness needed to be amped up. Michael and Nancy should’ve also formed other relationships and thus created more difficulties when they tried getting back together. Instead everything conforms to a chick-flick formula with an uninspired script that telegraphs it all from the get-go.
Even romantic diehards may have a hard time with this one, which includes an achingly awful opening song that for some weird reason was nominated for an Academy Award even though it may be enough to make some turn the film off even before it has begun. From a trivia angle I found it interesting that Carey Loftin, who played the mysterious truck driver who terrorized Dennis Weaver in Duel, plays the truck driver here as well who crashes into their car in a visually impressive fashion that is the movie’s only convincing moment.
My Rating: 1 out of 10
Released: March 8, 1979
Runtime: 1Hour 37Minutes
Director: Gilbert Cates