Category Archives: Romance

They Might Be Giants (1971)

Posted on March 19, 2014 | 1 comment

they might be giants

By Richard Winters

My Rating: 4 out of 10

4-Word Review: He thinks he’s Holmes.

After the death of his wife Justin Playfair (George C. Scott) starts to think he is Sherlock Holmes and begins playing the part by smoking a pipe, wearing a deerstalker cap and playing a violin. His brother Blevins (Lester Rawlins) feels he needs to be institutionalized and hires a psychiatrist named Dr. Watson (Joanne Woodward) to analyze him. Watson finds Justin’s fantasy role-playing to be intriguing and reluctantly begins following him around on his fanciful jaunts to find clues from the evil Professor Moriarty and eventually the two begin a quirky romance.

The film, based on a play written by James Goldman, starts out with some potential. The musical score by John Barry has an interesting ominous quality to it. The idea of pitting the practical minded Dr. against the fanciful Playfair is initially engaging. Watching Woodward getting more and more exacerbated by Scott’s constant whims of fancy and refusal to ever to see reality is funny and lightly satirical. The film though drops off terribly when Watson loses all judgment and falls in love with the man despite the knowledge that he is clearly mentally ill. Watching the two frolic through New York City searching for meaningless clues to a mystery that doesn’t really exist makes the film pointless as well as losing all tension, momentum and plot. Having her fall in love with him at the very end might have worked, but having this otherwise sensible and intelligent woman get sucked into Playfair’s fantasy world so quickly is jarring and unbelievable. What is worse is that initially Playfair seems to be working on a real case and there is even a scene where he gets shot at, but then this side-story is frustratingly dropped without any explanation or conclusion.

Scott is in top form and this is an interesting follow-up to his Patton role that he did just before this. Woodward though steals it. She has never done much comedy in her career, but proves to be quite adept to it here. One of the funniest scenes has her trying feebly to cook a meal for Playfair in her cramped apartment despite having no skill at it.

Anthony Harvey’s direction is okay. I liked the way he captures the downtown streets of Manhattan during the rain. However, the film’s most interesting segment takes place in an all-night grocery store where over a loudspeaker are announcements of great sales and deals despite the fact that there are no customers. Eventually a police chase takes place inside there, which ends up being genuinely amusing on a silly level.

The vague wide-open ending cements this as being a complete waste of time and makes the whole thing a big build up to nothing. I realize that this is intended to be whimsical, but even then there needs to be some grounding and this film has none.

My Rating: 4 out of 10

Released: June 9, 1971

Runtime: 1Hour 38Minutes

Rated G

Director: Anthony Harvey

Studio: Universal

Available: VHS, DVD, Netflix streaming

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Posted in 70's Movies, Campy Comedy, Movies Based on Stageplays, Movies that take place in the Big Apple, Mystery, Romance, Surreal/Fantasy

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A Lovely Way to Die (1968)

Posted on March 16, 2014 | Leave a comment

a lovely way to die

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Cop protects sexy defendant.

Jim Schuyler (Kirk Douglas) is a tough guy cop who leaves his job after his superiors put pressure on him to change the brutal way he treats criminals, which he refuses to do. Tennessee Fredericks (Eli Wallach) a high profile defense lawyer hires Jim to protect his client Rena Westabrook (Sylva Koscina) who is on trial for conspiring with her lover (Kenneth Haigh) to murdering her rich husband. Jim takes a liking to Rena and the two soon begin a torrid affair while he tries desperately to prove that Rena is innocent even though everything points against her.

This film sat in complete obscurity for almost 4 decades having never gotten released on either VHS or DVD until Universal finally made it part of their Vault Series. Why it took so long to get out I don’t know why as it is on the most part pretty good. The mystery is intricate and entertaining and full of unusual twists. The woodsy New Jersey scenery isn’t bad and the large mansions where most of the action takes place are impressive. This film isn’t any different from any of the other myriad crime noir mysteries of that era, but it manages to be slick enough to keep it intriguing until the very end.

The opening credit sequence is a definite drawback as it shows freeze frames of scenes from the film and seems almost like an ad or movie preview that does not help the viewer get into the mood of the story. The music also gets overplayed to the point of being distracting and irritating. It also has too much of a playful tone to it that does not coincide with the dark, moody overtones of the plot or characters.

Douglas who was already in his 50’s at the time of filming looks too old for the part and his love scenes with Koscina look almost like a father and daughter, which comes off as creepy and unnatural. The part would have been better served had it been played by an actor that was at least 20 years younger, which would have made the romantic angle much more believable. Wallach’s attempts at a southern accent are futile, but his arguments and theatrics during the trial are still fun.

The film also offers a great chance to see young up-and-coming stars including Conrad Bain as the prosecuting attorney, Doris Roberts as a snoopy housekeeper and Ralph Waite as the star witness. There is also Philip Bosco and John P. Ryan as bad guys. Richard Castellano is a bartender and David Huddleston is one of his patrons. You can even spot the beautiful Ali MacGraw in her film debut at the very beginning.

My Rating: 6 out of 10

Released: July 12, 1968

Runtime: 1Hour 43Minutes

Not Rated

Director: David Lowell Rich

Studio: Universal

Available: DVD (Universal Vault Series)

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Posted in 60's Movies, Court Drama, Mystery, Police Drama, Romance

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For Love or Money (1963)

Posted on March 2, 2014 | Leave a comment

for love or money

By Richard Winters

My Rating: 3 out of 10

4-Word Review: A lawyer becomes matchmaker.

Deke Gentry (Kirk Douglas) is a lawyer appointed trustee of Chloe Brasher’s (Thelma Ritter) estate and is shocked to learn the terms of her will state that any of her three daughters will be cut off from their inheritance if they marry a man that she does not approve of. After debating with her about this Deke agrees to try to match up the girls with men that Chloe has already picked for them, but finds it to be much more difficult than he expected.

This was an odd career move for Douglas who is best known for his westerns, dramas and adventure roles. In some ways seeing him do light comedy is a nice change-of-pace, but the plot is too banal and the character is dull and gets overshadowed by the supporting cast of old comic pros. His best moment is when he hoists actor Gig Young over his shoulder and carries him from the hospital to his apartment and even gives him a spanking along the way.

The three actresses who play the daughters (Julie Newmar, Leslie Parrish, Mitzi Gaynor) are all quite attractive, but in the case of Newmar and Parrish aren’t given enough screen time. Gaynor is solid in the lead in what is to date her last film appearance. I am also happy to note that all three actresses as well as Elizabeth MacRae who play’s Deke’s girlfriend are still alive and well as of this writing.

Young is a very talented character actor who manages to come into his own during the second hour. Having him end up getting stuck out at sea while clinging in the nude to a pole sticking up out of the water is funny, but the scene where he starts throwing some vintage bottles of champagne overboard had me cringing.

The story is too lightweight for a feature film and although it starts out okay ends up becoming quite stretched and tedious during the second half. The scenarios are more silly and inane than actually funny and the only time it is ever amusing is when Ritter and William Bendix are in front of the camera and otherwise it falls flat. The contrived ‘happy ending’ merely emphasizes how predictable and formulaic the whole thing is.

My Rating: 3 out of 10

Released: August 7, 1963

Runtime: 1Hour 48Minutes

Not Rated

Director: Michael Gordon

Studio: Universal

Available: DVD (Universal Vault Series)

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Posted in 60's Movies, Comedy, Romance

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Say Anything (1989)

Posted on February 25, 2014 | 2 comments

say anything

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Geek dates honors student.

Lloyd Dobler (John Cusack) is a classic underachiever living with his sister Constance (Joan Cusack) and no real idea what he wants to do with his life after graduation. He has a crush on Diane Court (Ione Skye) who is a valedictorian. Lloyd manages to ask her out, but finds that she is set to go to England in the fall on a scholarship. Her father (John Mahoney) feels that Diane can do better and tries to convince her to dump him, but it turns out he has some serious problems of his own.

The film is a refreshing change of pace from most Hollywood romances that tend to portray relationships in too much of a shallow way. Here you see things build slowly and are full of all the awkward moments and obstacles that come into play with any blossoming relationship. The two don’t just jump into the sack right away either. In fact after their first date they don’t even kiss, but instead share a nice little hug, which I really liked.

Both characters are likable, but in opposite ways and I enjoyed how the film cuts back and forth between the two during the beginning and shows the viewer just how different their personalities and lifestyles are. Skye has a highly appealing face and the fact that she is not some partying ditz, but instead a studious student who even enjoys working with old folks at a retirement home makes her all the more interesting. Cusack’s inability to decide on a career path is quite relatable and it is nice seeing him share some scenes with his real-life sister, who strangely appears unbilled.

The humor is subtle, but amusing. I loved the part where Diane accepts a date with Lloyd after he calls her up and then when she hangs up the phone she takes out her yearbook to see what he looks like. The best moment though is where Lloyd is getting advice about women from his guy friends only to turn around and ask them why if they know so much about women are they sitting on a street corner all alone on a Saturday night.

The talented Lili Taylor appears in an early role as Lloyd’s friend and famous model-turned-actress Lois Chiles can be seen briefly as Diane’s mother. I was a bit shocked to see Eric Stoltz in such a small and insignificant role that had only a few lines as he was at the time only four years removed from his starring role in Mask.

The only complaint that I have about this otherwise gentle slice-of-life flick is the secondary story thread concerning Diane’s father who gets into trouble for embezzling money from the senior citizens at the retirement home that he runs, which when compared to the romantic angle seemed very jarring and out-of-sync. In a way it kind of tarnishes the coming-of-age quality of the story and I felt the film would’ve have been more successful had this part been left out completely. I also wasn’t quite sure what the meaning was for the title or how it had anything to do with the story.

My Rating: 7 out of 10

Released: April 14, 1989

Runtime: 1Hour 40Minutes

Rated PG-13

Director: Cameron Crowe

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Netflix streaming

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Posted in 80's Movies, Adolescence/High School, Comedy/Drama, Romance

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Ginger in the Morning (1974)

Posted on February 21, 2014 | Leave a comment

ginger in the morning

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Older man/younger woman.

Joe is a middle-aged, recently divorced man trying to stumble his way back into the single scene. He passes by Ginger (Sissy Spacek) who is hitchhiking alongside a roadway and decides to pick her up. He is attracted to her youthful carefreeness and hopes to take advantage of her ‘free-love’ hippie attitude by bringing her back to his place for some quick easy sex. However, Ginger is secretly pregnant and looks at Joe’s maturity as a good father-figure for her child, which Joe is not ready for. Charlie (Mark Miller) is Joe’s best friend who along with his wife Sugar (Susan Oliver) barrages in and disrupts everything.

The story starts out okay with the budding relationship between the two leads and their attempts to try to get beyond the generation gap I found to be appealing. The film though shifts gears in jarring fashion by allowing Charlie and Sugar to enter into it and then gets even further away from the main theme by having the third act dealing with the male bonding between Charlie and Joe. It is only at the very end that it gets back to the romantic concept, but the whole thing ends up coming off like three movies crammed into one. All three story threads are weak and better suited for an episode of ‘Love American Style’ than a feature film.

Screenwriter Miller casts himself as Charlie who is obnoxious and dumb and given too much screen-time. Blonde actress Oliver wears a black wig that looks hideous and their incessant bickering is contrived and the cutesy way they magically make-up at the end is strained.

Markham who has been acting consistently since 1966 and remains busy even today, but has never achieved stardom is okay in a rare leading film role. His character of a middle-aged man trying to ‘connect’ with the much younger Ginger by making broad assumptions about her generation is quite relatable. Spacek though comes off best out of all of them. Her character seems like a real person while the rest are caricatures and her twangy Texas accent fits the part. She even sings the film’s theme song, which isn’t bad.

Character actor David Doyle can be seen at the beginning as a yapping man who gives Joe the ‘finer points’ of picking up women and one-night-stands. Slim Pickens is essentially wasted as the town’s sheriff, but he manages to make the most of the few scenes that he is in.

The use of a hard spotlight gives the production a cheap, low budget look and some soft lighting would have created a better mood and artistic design. There is also a boom mike that can be seen for several minutes in one scene. Yet despite the film’s amateurish look I still liked its unpretentious quality as well as the cute climatic sequence that takes place on a bus, which propelled me to give this thing a rather generous 5 rating.

My Rating: 5 out of 10

Released: July 17, 1974

Runtime: 1Hour 34Minutes

Rated PG

Director: Gordon Wiles

Studio: Kyma-Circle

Available: VHS, DVD, Amazon Instant Video

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Posted in 70's Movies, Cold Climate/Wintertime Movies, Comedy/Drama, Low Budget, Romance

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Into the Night (1985)

Posted on February 20, 2014 | 4 comments

into the night 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Insomniac gets into espionage.

Ed Okin (Jeff Goldblum) is an insomniac, who has a boring job and an unfaithful wife and is unexpectedly thrown into espionage and intrigue when a beautiful jewel smuggler named Diana (Michelle Pfeiffer) literally lands on his car in the middle of the night while he is out taking a drive.

If you are expecting the surreal, cult-like comedy of Martin Scorsese’s After Hours then you can forget it. This thing actually tries to play it straight and does it in a low key way that makes for a lot of slow stretches intermingled with some slight comedy and action.

It’s a pedestrian caper with some ‘novelties’ thrown into to try to get you to forget how pedestrian it really is. The novelties are director John Landis’s casting fellow directors in cameo roles. Sure it’s nice to put faces to names, but the cameos really aren’t that interesting or funny. Only French director Roger Vadim gets anything remotely flashy. In fact it’s Landis who gets the best part casting himself as a crazed gunman with a large scar on the side of his face.

Goldblum is a solid everyman, but he underplays it and eventual becomes too dull. He doesn’t even react when a loaded gun is put into his mouth!! Pfeiffer is beautiful, but there really isn’t any chemistry between the two so having them end up ‘falling in love’ shows just how contrived this whole thing is.

David Bowie and Dan Aykroyd have very little screen time and are badly wasted.

My Rating: 4 out of 10

Released: February 22, 1985

Runtime: 1Hour 55Minutes

Rated R

Director: John Landis

Studio: Universal

Available: DVD

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Posted in 80's Movies, Action/Adventure, Drama, Romance, Spy/Espionage

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How to Steal a Million (1966)

Posted on February 10, 2014 | 3 comments

how to steal a million 2

By Richard Winters

My Rating: 8 out of 10

4-Word Review: They steal a statue.

Bonnet (Hugh Griffith) is a successful art forger who lends his Cellini Venus statue to a Paris Museum. He also has it insured, but doesn’t realize that for the coverage to take effect it would have to go through a test by the insurance company to make sure it is authentic, which sends him into a panic. His daughter Nicole (Audrey Hepburn) decides to help him by enlisting the help of Simon (Peter O’Toole) who she thinks is a professional burglar. Simon though is actually an investigator who is on to Bonnet’s racket, but decides to play along and steal the statue back despite the place being under tight security simply because he has fallen for Nicole and she for him.

Directed by William Wyler this film is engaging from beginning to end and perfectly blends the comedy with the caper. The story itself has limited action and a moderately slow pace, but I was never bored and enjoyed the plush sets and wide array of supporting characters making this a perfect tonic for those looking for light forget-your-troubles entertainment.

O’Toole’s detached manner works well with the character who allows Nicole to take charge or at least think she is while still secretly holding all the cards. The chemistry between the two is good, but I felt the romantic angle got played out too quickly. Sometimes it is more interesting not knowing if they are going to fall in love or not until the end and having them get all romantic with each other while trapped in a cramped janitor’s closet at the museum and during the tension of the robbery seemed a bit of a stretch.

Hepburn is elegant as ever and as usual it is her chic outfits that become almost as fun as her performance and the one that she wears to a restaurant when she meets Simon to set-up their plan has to be seen to be believed. The funniest one though is when she dresses in a very frumpy un-Hepburn-like dress and hat and then gets down on her hands and knees to pretend to be a cleaning lady.

Griffith hams it up marvelously as the crazy father and makes the most of every scene he is in. His cross-eyed stare makes him look almost like the twin brother of character actor Jack Elam.

Eli Wallach is underused in a supporting role that really doesn’t offer much and there is never any explanation of why he becomes so infatuated with the statue like he does. However, the way he describes his love for the statue in an aroused type of way is funny.

The robbery itself features some interestingly intricate moments. The best is when the couple is locked in a closet and Simon uses a magnet to take the key, which is hanging on the other side of the wall off of its hook and along the wall and into the lock, which I found to be totally cool.

how to steal a million 1

My Rating: 8 out of 10

Released: July 13, 1966

Runtime: 2Hours 3Minutes

Not Rated

Director: William Wyler

Studio: 20th Century Fox

Available: VHS, DVD, Amazon Instant Video

3 Comments

Posted in 60's Movies, Comedy, Heist Movies, Movies Based on Short Stories, Romance

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Coast to Coast (1980)

Posted on February 4, 2014 | 3 comments

coast to coast

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Kooky couple goes truckin’

Maddie (Dyan Cannon) escapes from a mental hospital after she finds out that her husband (Quinn K. Redeker) had her committed there simply so he could avoid an expensive divorce. On the run she hitches a ride with truck driver Charles Callahan (Robert Blake) who reluctantly takes her in despite having troubles of his own including running from a man named Jules (William Lucking) who is after him for late payments on his truck. Together the two ride all the way from New York to California dealing with calamity and even some romance along the way.

Cannon has not had a lot of success in films where she has been the star, but she scores here and pretty much saves it and deserved top billing over Blake. Her energetic upbeat personality that has just a tinge of the fun-loving despite the circumstances helps keep things moving and entertaining. I loved the fact that she had herself trained on how to drive a big rig, so she could go through exactly what her character did when she first gets behind the wheel. The part where she climbs into some stalls housing a bunch of cows including a wild steer deserves mention for her tenacity, which is something some other plastic Hollywood stars wouldn’t even consider.

Blake on the other hand doesn’t fare as well and his attempts at trying to leave Maddie behind and stranding her in the middle of nowhere does not make his character very likable. He is also a poor choice for a romantic lead and the scenes in the snow where they finally do kiss seem forced and unnatural.

The casting of 60-year-old Maxine Stuart as a tough talking bounty hunter out to nab Maddie is interesting simply for its novelty. Lucking literally puts his body on the line getting chased by a steer that comes very close to nailing him. Michael Lerner is entertaining as the psychiatrist who gets knocked out by a bust of Sigmund Freud and then put into a strait-jacket and left on the side of the road.

The film though is disjointed and the first hour runs flat and fails to gain any momentum. The broad humor is not very funny and the couple’s constant bickering is more tiring than engaging. There is also the problem that the story is all about this great big cross-country trip that they take and yet it was entirely filmed within the state of California. Obviously this was for budgetary reasons, but when the film’s theme centers on a big trip then they should’ve taken the extra step and done everything on-location where the scenery could have helped during the slow parts of which the film has many.

The second hour manages to be a bit of an improvement. The part where Maddie takes her big truck and drives it through her husband’s posh garden party is amusing especially when she proceeds to crash the rig right through the wall of their big house and then careen’s the thing straight through their living room, which is done in slow-motion. This scene as well as the shocked reactions of the snotty party guests is enough to save what is otherwise a misfire.

My Rating: 4 out of 10

Released: October 3, 1980

Runtime: 1Hour 35Minutes

Rated PG

Director: Joseph Sargent

Studio: Paramount

Available: VHS

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Posted in 80's Movies, Farce, Obscure Movies, Road Movies, Romance

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Love and Pain and the Whole Damn Thing (1973)

Posted on January 29, 2014 | 1 comment

love and pain and the whole damn thing

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Introverts fall in love.

Walter (Timothy Bottoms) is a shy young man in his early 20’s riding through Spain as part of a cycling tour group. Impulsively he ditches this group and joins a bus touring one of which Lila (Maggie Smith) an equally shy woman in her 30’s is a part of. At first the two hardly speak, but eventually they get past their social quirks to form a tight, romantic bond.

The awkwardness and insecurities of the two characters is wonderfully captured and it is nice to see a film examine a romance between people that are not physically beautiful or affluent. The music score is subtle and Alan J. Pakula’s direction approaches the material in a nicely sensitive fashion along with the Spanish scenery that gives the production an exotic feel.

Smith is excellent as usual. Her performance and character is different from anything else that she has done making it a real treat to watch. The scene where she calls home to her family as well as the one where she gets locked inside a remote outhouse is quite amusing.

I would have liked to have seen a little more interaction with the other people on the bus as the supporting cast is almost non-existent and focuses too much on the two main characters making it seem like there are the only ones in the entire country of Spain, which gives the viewer a very isolated type of feeling. This may have been the intention and done as a way to show what it is like being introverted, but I didn’t care for it.

Although the two characters are offbeat the film follows too much of a romantic blueprint that eventually makes it formulaic despite a good start. Its biggest transgression is having one of the characters like in Love Story get afflicted with some mysterious illness that is never explained and put in to create cheap dramatic turmoil.

Overall though the film is okay and has a few touching moments. Those that enjoy romance may like it a bit better as well as fans of Maggie Smith.

My Rating: 6 out of 10

Released: April 19, 1973

Runtime: 1Hour 50Minutes

Rated R

Director: Alan J. Pakula

Studio: Columbia Pictures

Available: DVD

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Posted in 70's Movies, Comedy/Drama, Road Movies, Romance

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Smokey and the Bandit (1977)

Posted on January 24, 2014 | 5 comments

smokey and the bandit 1

By Richard Winters

My Rating: 7 out of 10

4-Word Review: On the road again.

Hal Needham is to bad movies like a cow is to milk and yet when compared to his later efforts this really isn’t too bad especially when you factor in that the main goal was to create light entertainment, which is what this amounts to.

The ‘story’ involves truck driver Cledus (Jerry Reed) bootlegging beer across state lines. Partner Bandit (Burt Reynolds) acts as a decoy by driving in front of the truck in a car with a souped up engine. Jackie Gleason plays the sheriff out to get them.

The set-up could have been played out more and would have been funnier if it had. Sally Field is a nice addition and has a rare turn of being portrayed as a sexy lady. Her initial banter with Reynolds is fun, but having their relationship immediately turn romantic bogs everything down. It would have worked better had things stayed slightly antagonistic and then turned lovey-dovey only at the very end.

Reynolds has always had great charm and it’s played to the hilt here. His laugh alone is infectious, but he seems a little bit too laid back and detached. He goes through all sorts of wild car chases, but neither he nor is car ever receive even a little scratch. The police are also too inept and it would have been nice if they had, even momentarily, apprehended Reynolds just too prove they were a viable threat and given this thing a little tension.

Gleason is fun and his presence gives this film most of its points. Unlike Reynolds he isn’t so detached and he infuses his part with a lot of energy. His ad-libbed scatological lines at the beginning are great as is his coined “sumbitch” phrase. Seeing him stubbornly continue to drive his squad car even as it becomes increasingly smashed up is a good piece visually.

However, the film tends to water-down his character, which was a mistake. The biggest problem is the fact that he is initially portrayed as an intimidating figure. Then it proceeds to show him constantly out ranked and out managed by the other police forces in all the other counties he goes into while chasing Reynolds. Eventually it makes him seem too ineffectual and stupid. It would have worked better had the chase taken place solely in Gleason’s county, therefore having him stay funny, but still maintaining his menacing presence. It also would have been nice to have more direct confrontations between him and Reynolds although the one they do have is pretty good.

Needham was a former stunt man so the actual star of the picture is supposed to be the stunt work, but this area seems pretty derivative and features stuff that has been done hundreds of times before. The chases should’ve been extended and shot from more exciting angles. The climatic chase sequence is weak and can’t even hold a pinkie to the one used in The Blues Brothers.

Overall though it has enough good banter and star chemistry to be amiable.

smokey and the bandit 2

My Rating: 7 out of 10

Released: May 27, 1977

Runtime: 1Hour 36Minutes

Rated PG

Director: Hal Needham

Studio: Universal

Available: VHS, DVD, HDDVD, Blu-ray, Amazon Instant Video

5 Comments

Posted in 70's Movies, Farce, Fast Cars/Car Chase, Movies that take place in the South, Road Movies, Romance

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