Tag Archives: Peter Benchley

The Deep (1977)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Couple finds sunken treasure.

David (Nick Nolte) and Gail (Jacqueline Bisset) are a couple scuba diving off the Bermuda coast when they come upon a shipwreck and some artifacts left from it. They meet with treasure hunter Romer (Robert Shaw) who tells them it is a part of a Spanish treasure and works with them to try to unearth the rest of it. Problems arise when a shipwreck from World War II, the Goliath that had carried a cargo of medicinal morphine rests right next to it. To get at the Spanish shipwreck they must also go through the Goliath. Cloche (Louis Gossett Jr.), a local drug kingpin, wants to get his hands on the morphine, which could be worth a tidy sum of money and he tries to scare away Romer and the couple from continuing their diving activities, so Romer makes a deal with Cloche, but it backfires and turns the expedition into an intriguing game of underwater double-cross.

The film is based on the novel of the same name by Peter Benchley, who because of the success of his first novel Jaws, was given an almost immediate green light to turn this book into a movie. The inspiration for the story was based on the real-life shipwreck of the Constellation, which occurred off the coast of Bermuda in 1942. Great effort was put into the underwater footage, which lasted for 153 days and consisted of 8,895 dives.

Unfortunately despite the title and underwater storyline the film lacks depth where it counts, which is with the characters. The movie starts out immediately with the couple scuba diving and finding the treasure before we have any idea who these people are or why they are even there and no suitable backstory is ever given, which makes them come off as bland people lacking any real distinction and that you care little about. Character development is still an integral part of moviemaking and the main ingredient that gets the viewer hooked into a story and yet this film completely lacks it.

I’ll give credit to both Nolte and Bisset for doing their own diving and Nolte looks great with his bleach blonde hair almost like he’s a surfer dude, but his presence really wasn’t needed. Bisset, despite the extreme limitations of the weak script, still gives a far better performance and I felt she could’ve easily carried the film without him and I’m not just saying that because she looks great in her skimpy underwater gear, which was purportedly the whole reason why this film did well at the box office. Sure she’s beautiful, but she’s also quite talented.

Shaw should’ve added an extra boost in support, but he doesn’t. Normally his strong personality literally eats up the screen in any movie that he is in, but he’s stifled by the benign characterization and unable to rise above it. In retrospect he should’ve never have accepted the part until he had actually read the script, but because he was offered $625,000 plus a percentage of the profits, he took the role before the script was even written and hence the whole problem.

Gossett is weak as the bad guy and is not seen enough to create any genuine feeling of menace. The segment where he and his cronies try to ‘terrorize’ Bisset by performing some very clichéd type of black magic voodoo on her is almost laughable. The only actor that is actually good here is Eli Wallach and it is a testament to his superior thespian abilities that even though he was straddled with a pointless, bit role he was still able to own every scene that he is in anyways.

The film’s only interesting moment, which apparently took 1,080 hours to shoot, is when a pack of grey sharks converge for an eating frenzy and get tangled up in the air hoses of the crew, but even this becomes unintentionally funny because every time one of the sharks move an air hose the crew is forced to suddenly jump up in the water making them look quite literally like a puppet on a string.

The script desperately needed some added element as the concept is too basic and one-dimensional.  Watching one dull group of people trying to get at a treasure while another equally dull group of people try to stop them does not make for a riveting cinematic experience.

My Rating: 3 out of 10

Released: June 17, 1977

Runtime: 2Hours 4Minutes

Rated PG

Director: Peter Yates

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Jaws (1975)

By Richard Winters

My Rating: 10 out of 10

4-Word Review: Shark in the water.

A young woman (Susan Backlinie) goes out for a swim late one night only to have her severed hand wash up on shore the next day, which causes the Amity Police chief Martin Brody (Roy Scheider) to fear that her death may have been caused by a shark. Amity mayor Larry Vaughan (Murray Hamilton) doesn’t want his town to risk losing business, so he has his coroner deny that a shark was responsible and hence the beach remains open, but then more attacks occur. Eventually an eccentric shark hunter named Quint (Robert Shaw), Matt Hooper (Richard Dreyfuss) from the Oceanographic Institute and Brody head out on a small fishing vessel called Orca to locate the shark and then kill it, but they find the underwater beast to be far bigger and more cunning than they had ever imagined.

With its exceptional ability to slowly build tension and keep the viewer riveted from the first frame to the last easily makes this the quintessential thriller. John Williams’s legendary score adds to the murky ambience and in many ways is more memorable than the shark itself. Director Steven Spielberg wisely adds a secondary layer to the narrative by creating colorful and distinctive characters, most notably Quint, who gives the proceedings a flavorful nuance and makes the conversations and interactions that occur between the three inside the boat more interesting than what happens in the water.

The most amazing thing though is how little the shark is actually seen and in fact you don’t even get a glimpse of him until about an hour in. Part of this was due to the difficulty of getting the mechanical creation to perform properly in salt water, but in the end this became a blessing in disguise as it’s the mystery and allusion to its large size that makes it so riveting. The viewer feels as helpless and confused as the men on the boat, which makes the climactic sequence when the shark suddenly does jump onto the boat all that more impactful.

Spoiler Alert!

The film though does deviate heavily from the Peter Benchley source novel and a legitimate argument can be made as to which one presents the story better. In the book the tone is darker and the characters less likable. For me this makes it more intriguing from a psychological bent as it conveys the idea that humans are like the shark that they hunt as they both selfishly devour everything around them. Spielberg though didn’t care for this interpretation so the novel’s darker subtext gets erased, but it still made me intrigued, as much of a classic as this movie is, to see a reboot where the narrative stayed more faithful.

Some of the book’s subplots got too involved particularly the one dealing with the mayor’s connections to the criminal underworld, so I’m glad that one got toned down.  However I felt the one though dealing with Hooper’s affair with Brody’s wife (Lorraine Gary) should’ve been left in as it would’ve added extra tensions between the two while on the boat while also seeing how people can learn to work together even when they hate each other.

In the book Hooper dies when the shark attacks the cage that he is in while in the movie he is able to escape and somehow hide from the shark. This though seemed unrealistic as sharks have special sensing organs known as electroreceptors that allow them to detect the electromagnetic field emitted from a moving animal or at close range even the heartbeat of an immobile one, which means the shark most likely would’ve figured out where Hooper was hiding and gotten him.

In the book the shark dies from its many wounds just as it gets a few feet from Brody while in the movie it’s killed when the scuba tank that it has in its mouth explodes when hit by a bullet, but a 2003 episode of Mythbusters proves that in reality this wouldn’t have happened. My main beef though is that by having the shark literally blow-up into little pieces it denies the viewer the chance at seeing what the beast looked like as a whole. Supposedly this was one giant of a shark, so viewing it strung up at the end would’ve been a cool thing to have seen.

End of Spoiler Alert!

Despite these many differences the film still works splendidly and I don’t mean to imply that it doesn’t, but I would still suggest reading the book afterwards as it gives the story and characters an added dimension.

My Rating: 10 out of 10

Released: June 20, 1975

Runtime: 2Hours 4Minutes

Rated PG

Director: Steven Spielberg

Studio: Universal

Available: DVD, Blu-ray, Amazon Video, YouTube