Category Archives: Action/Adventure

Hennessy (1975)

hennessy

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Blow up the Queen.

This review will be the first in a month long series analyzing movies from the 70’s that starred Rod Steiger. Steiger was an interesting performer with a long and varied career who always brought a unique intensity to all of his roles. He performed in a wide variety of movies from Hollywood pictures to foreign films and from big productions to the low budget as well as going from the leading man to character actor. Every Friday during the month of January I will select films of his that will hopefully be able to spotlight a little bit of all of these.

Today’s film deals with the story of Niall Hennessy (Steiger) an Irishman with ties to the IRA. When his wife and daughter are killed during a riot in Belfast he plots revenge with a plan to blow up the House of Parliament with the Queen Elizabeth inside.

The movie has a great concept, but the execution is a bit lacking. For one thing the police immediately pinpoint Hennessy as the man they are looking for as well as figuring out his plan. How they were so easily able to do this not only seemed a little farfetched, but also sapped a lot of the intrigue and tension out of the story. Having the police come to this conclusion more slowly would have plotted the suspense out longer and been more interesting.

This also opened the door to a few loopholes the biggest one being that they know Hennessy wants to blow up the Parliament so one would expect that the police would have their men staking out the place and on alert to spot Hennessy if he came near the premises, but instead Hennessy is able to go on a guided tour and able to canvas the building unheeded. Another scene later on has Hennessy trapped in an upstairs apartment by the police who have surrounded the building and yet he is somehow able to escape even though it is never shown how.

The scene showing his family getting killed during a bomb attack is not effective. We see the mother and daughter leave a nearby building and then the film cuts away from them and goes back to the fighting in the street only to go back to the two a few minutes later lying in the street motionless. However, there is neither blood on them nor any type of make-up effects to show injury making it look more like two people lying down with their eyes closed. Seeing them actually hit by the bomb and screaming would have been more jarring for the viewer and allowed them to get more emotionally attached to Hennessy’s plight. Also, when Steiger is shown standing over them I was expecting him to let out another one of his patented primal screams much like he famously did in The Pawnbroker, but here he doesn’t and the sequence is quite brief making me wonder why would they hire an actor known for his onscreen intensity and emotionalism if they aren’t going to allow him to do what he does best especially when the scene calls for it.

Steiger for the most part does well with the part although he is surprisingly restrained during most of it. It is a bit of unusual casting given that he wasn’t Irish or a native of the region however, the accent he uses is alright and I kind of got a kick out of the way he runs especially at the end. His biggest obstacle though was his wig. Rod became bald as he aged and instead of just appearing that way in his roles, which he finally did during his later years, he instead wore a variety of wigs for his parts. Some of them were okay and some weren’t and the one used here definitely wasn’t.

Richard Johnson is quite good playing the relentless Inspector Hollis and I liked seeing him with a moustache. The talented Lee Remick appears as Kate Brooke a lady friend to Hennessy who allows him to hide out at her home and although she has a few good lines she is ultimately wasted. Legendary Trevor Howard is wasted as well and only seen briefly as a police commander.

The best part about the movie and the one thing that gives it distinction is the ending when Hennessy goes into the parliament building with a bomb strapped to his body. Actual footage of the Queen is shown and it looks so authentic that many people thought she had been involved in the production, but she really wasn’t. Their ability to crop this footage in with the action is well done and almost seamless and certainly helps to heighten the tension. Seeing a young Prince Charles looking bored with the proceedings and the elaborately decorated interior of the building as well as its many large and majestic hallways and rooms is fun and interesting.

My Rating: 6 out of 10

Released: July 31, 1975

Runtime: 1Hour 43Minutes

Rated PG

Director: Don Sharp

Studio: American International Pictures

Available: Amazon Instant Video

Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)

dealing

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Drugs are a trip.

This review was originally slated to post in February, but due to the death on Christmas Eve of Charles Durning I decided to post it now. Durning was one of the all-time great character actors who always brought an amazing amount of energy to every role he played and could do a wide variety of character types well. Although he has very few lines of dialogue in this movie he still manages to become the most interesting part of the proceedings and helps enliven an otherwise slow moving film.

The plot, based on a novel by Michael Crichton, pertains to Peter (Robert F. Lyons) who is a recent Harvard graduate hired by John (John Lithgow) to transport a suitcase full of marijuana from Boston to Berkeley, California. Peter is new at this and things do not go as planned, but he meets beautiful Susan (Barbara Hershey) along the way and the two fall in love. John next hires Susan to transport another suitcase of narcotics, but when she loses the luggage at the airport and then tries to go back and get it she is arrested by corrupt cop Murphy (Durning) who resells some of the recovered stash back out onto the street. In order to get Susan out of jail Peter plays an elaborate game of cat-and-mouse with the cop, which culminates in a violent showdown.

The story is done in a laid-back style similar to the approach taken by many European films. The emphasis is on mood and subtle nuance yet when the Europeans do it this style seems refreshing, but here it is more off-putting. I really had a hard time getting into it as the first hour is slow with too many scenes going on longer than it should. The set-up is too quick and there is not enough background, or history shown to the main character.

The second hour improves. Durning gives the proceedings some pizazz and Peter’s scheming is fun. The shootout done in the snow has flair and style.

The music by Michael Small is impressive. It is one of the most original scores I have heard and really fits the mood of the script. The best is over the opening credits.

Hershey is as always gorgeous and fans may like that she is shown topless. The part of a free-spirited hippy chick seems to be her forte and she excels. However, having her fall for a guy that is rather dull and ordinary didn’t make sense. Sure they make love right away, but I thought that was more just because it was a part of her lifestyle and she does after all go around in a dress without wearing any underwear. She just seemed to be diving into the free love atmosphere of the era. Obviously having Peter fall for her made sense because she is hot, but why would she go head-over-heels for this schmuck when there are so many other guys that would be more than willing to do it with her. The romantic angle was forced and hurt the credibility of the story.

Lithgow is okay in his film debut, but I had problems with the character. One minute he is cool, conniving, brash, and arrogant and then in the next instant he becomes scared, confused, and meek, which was too much of a quick transition.

The under-rated Lyons is excellent and makes for a terrific lead especially with this type of part. Despite being in his 30’s he looks and acts very much like a college kid from that period. His performance is nicely understated and believable throughout.

The on-location shooting in Boston is vivid and people from the area may like to view this just to see how much it has changed. The DVD transfer from Warner Archive is excellent with a nice clarity and vivid colors. The movie itself is slick, but it also has a detachment to it that doesn’t allow the viewer to get as connected with the characters, or the situations like they should and thus making it an interesting period artifact, but nothing more.

Also, Demond Wilson can be seen briefly as one of the drug dealers. He did this just before his signature role of Lamont in the hit TV-series ‘Sandford and Son’. Ellen Barber is real cute as Peter’s girlfriend and so is Joy Bang who later became a registered nurse. Normally I don’t like women with buck teeth, but with her it actually looks sexy.

My Rating: 5 out of 10

Released: February 25, 1972

Runtime: 1Hour 28Minutes

Rated R

Director: Paul Williams

Studio: Warner Brothers

Available: DVD (Warner Archive)

Dead Heat on a Merry-Go-Round (1966)

dead heat on a merry go round

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Robbery at an airport.

Eli Kotch (James Coburn) manages to con his way out of jail by playing on the affections of his pretty jailhouse psychiatrist (Marian McCargo). His plans are to rob the bank at the Los Angeles International Airport while they are hosting the arrival of a Soviet Premier, which he figures will sufficiently keep the security personal distracted. The blueprint for the bank will cost him a hefty sum, so to help finance it he travels across the country seducing rich women and making off with their expensive possessions and money. Once the blueprint is purchased he assembles his men and executes the daring and elaborate scheme.

The film, which was written and directed by Bernard Girard, is by all means slick although it goes a bit overboard. The first hour is hard to get into. The filmmakers seem intent to keep the viewer guessing about the Kotch’s motives and intricate plans as the rest of the characters. There is so much cutting back and forth between scenes in L.A. and Boston as well as all the lady victims that Kotch finds that it becomes confusing and off-putting. Everything comes off too easily for our protagonist. I suppose that is the intended charm, but a few hiccups here and there to their plans might have offered more tension and reality.

He also beds too many women almost like he is some sort of modern day Don Juan. Having even just one of them slap him across the face when he makes his advances instead of just robotically disrobing and hopping between the sheets with him would’ve been funny. If this film were to be remade the women characters would have to be updated as here they are simply caricatures of a bygone era.

Camilla Sparv’s character and the way Eli treats here was a particular problem with me. Sparv looks drop-dead gorgeous to the point of being breathtaking. Most men would feel blessed at having such a beautiful woman fall in-love with them, but Eli takes it all for granted. He callously lies to her and uses the genuine feelings she has for him to take advantage of her and use it for his own gain. It gets to the point where Eli starts to come off as a real cad and makes the viewer dislike him. There is a twist at the end involving the Sparv character, but it is not enough. I was really hoping that she would somehow manage to screw-up his plans whether intentional or not, but that doesn’t happen even though it should’ve.

Coburn’s toothy grin and deep laugh manages to carry it and probably no other leading man would’ve been able to pull off this type of part as well. The supporting cast is equally good. Rose Marie is fun in a brief part as an older woman that Eli cons. Severn Darden is effective as the nerdy and smart, but very nervous member of Eli’s group. Nina Wayne is funny as one of Eli’s first female victims, a ditzy blonde filled with very quirky philosophies on just about everything. Yet it is Robert Webber, a very under-rated character actor, who steals the show as the high-strung head of the airport security. You can also spot a young Harrison Ford in a brief bit as a bellhop.

The excellent on-location shooting gives the film an added flair. The shots of the Los Angeles International Airport are good especially the way it captures the iconic and modernistic Theme Building. Images of a wintry Boston during Eli’s jaunts to that city are quite scenic particularly all the tree branches covered with snow.

The film’s final half-hour is captivating and even intense. The editing is excellent and the sheer brazenness of the crime is amusing. There are certain things though that seemed implausible and whether such a plan could be pulled off in real-life is doubtful. Still, if you’re a fan of heist films this should offer two hours of suitably fluffy entertainment, but just don’t think about it too hard.

My Rating: 6 out of 10

Released: October 12, 1966

Runtime: 1Hour 44Minutes

Rated NR (Not Rated)

Director: Bernard Girard

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Oklahoma Crude (1973)

Oklahoma Crude

By Richard Winters

My Rating: 8 out of 10

4-Word Review: They want her land.

Lena Doyle (Faye Dunaway) runs a wildcat oil rig on land that she owns in Oklahoma. She is convinced that there is oil there and protects it with a feisty independence. Her father Cleon (John Mills) decides to hire Mason (George C. Scott) a lazy drifter that he picks up in town. Mason’s job is to guard against the impending invasion of the oil company headed by Hellman (Jack Palance) who wants the land and potential profits for themselves. Lena and Mason do not get along at first, but when Hellman and his men seize the land in a hostile takeover Lena and Mason form an uneasy alliance in an attempt to take it back.

Director Stanley Kramer can be considered overrated by many and I am pretty sure that he and critic Pauline Kael never exchanged Christmas gifts. However, this film has an edginess to it that I liked. The script, by Marc Norman, is full of original scenes and snappy dialogue. The on-going banter between Lena and Mason is particularly good with their conversation of how Lena wished she could be both a man and woman at once and which sexual organ she would favor being the best.  Although the line where is states “You gutless men don’t know your balls from teabags” is good too.

The movie nicely mixes in the feminist issues of the 70’s within the western motif and approaches it in an even keeled way. It was very in vogue at the time to arbitrarily label the male as the chauvinist, but here it examines the strengths and weaknesses of both sides while ultimately showing how both need to rely on the other to succeed.

Dunaway has always been a personal favorite of mine no matter what that silly Hilary Duff says. Is anyone going to remember Miss Duff in 20 or 30 years? I think not. Sure Dunaway can have her bitchy side, but maintaining a career in Hollywood can sometimes create that. Either way her bitchiness is put to terrific use here. Her pouty, icy cold stares that she gives to Mason were alone worthy of an Oscar nomination.

Scott was always known to have a strong and stubborn personality both in front of and behind the camera, so seeing him play a character that is meek and aloof is fun. His performance here rates as his most amusing second only to the one he did in Dr. Strangelove.

Palance again scores as the bad buy. He played a lot of heavies during his career, but this one is his best. There is just something about his deep, raspy voice and leering grin that make him a memorable villain.  Having him wear a bowler hat and black suit along with all of his henchman is perfect.

Mills comes close to stealing the film. The man has some very endearing moments and I felt the idea of pairing his refined British sensibilities along with Dunway’s caustic and vulgar manner was interesting. The scene where he climbs to the top of the oil rig in order to reattach the cable while Hellman and his men busily shoot at him is quite intense.

Why this great movie has never been released on VHS, DVD, or Blu-ray is a mystery. It has many fans and sure to gain more once they see it. The version existing right now on Amazon Instant Video is excellent. It is a widescreen with vivid colors and clarity. It nicely brings out the barren wide-open landscape and although it was not actually filmed in Oklahoma still gives one a good idea as to why the region is called ‘Big Sky Country’.

My Rating: 8 out of 10

Runtime: 1Hour 48Minutes

Rated PG

Director: Stanley Kramer

Studio: Columbia Pictures

Available: Amazon Instant Video

Red Dawn (1984)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Fight for your country.

Due to the recent release of the remake of this film I decided it would be a good time to review the original.  One thing that has always surprised me about this movie is the fact that out of all the 80’s movies out there why this one would remain such a perennial hit to the point of remaking it even though the cold war has technically long been over has always been a bit of a mystery. I know the ladies at my office are young and don’t know many old movies, but for whatever reason they are familiar with this one, which kind of compelled to check it out.

I remember when the film came out many liberals complained that this could never happen and tried to boycott it much like they did with the ‘Amerika’ mini-series that came out a few years later and dealt with the same plot. My position on the matter remains the same, which is freedom of speech comes first and if someone wants to make a movie about a Soviet invasion more power to them and if they want to make a movie about Sweden invading us then they can do that too.

Now with that said I still felt it seemed farfetched. The explanation for how the Soviets were able to invade us so very easily and quickly is spotty, but I guess if you are going to enjoy the film then you’re going to have to overlook it.

The plot consists of soviet troops parachuting out of the sky and shooting up a classroom before taking over the rest of the small Colorado town. A group of teens manage to escape and hide out in the nearby mountains. Eventually they start to wage guerrilla warfare against the invading troops and name themselves the ‘Wolverines’.

I liked the way the teens are portrayed. They are not just a bunch of spoiled, superficial suburban kids concerned with being hip and trendy and talking in some irritating slang. Instead they seem very much like young men growing into being real men. The fact that there are a few casualties and that they change and become hardened by what they go through makes it all the more authentic. I also liked that the two young women they pick up along the way end up fighting and shooting up the bad guys just as well as the males.

Patrick Swayze does a terrific job as the group’s leader. He makes a strong presence and I wished the movie had focused more on him. It is fun seeing Charlie Sheen looking very boyish and older actor Harry Dean Stanton has a good bit as the father of one of the boys who is now imprisoned in a labor camp and instructing them on how to toughen up.

My favorite performance though was Lea Thompson. She is real young and cute. I loved her volatile temper, her willingness to use a rifle without hesitation, and her infatuation with Andy Tanner (Powers Boothe) a much older man who joins them.

I liked that the point-of-view is exclusively with the kids. There is no attempt to show things from the Communist side, or even try to humanize them at least not until the very, very end. They are portrayed as monstrous and evil lining up civilians and savagely shooting them. If there is anything that can resonate with the masses it is emotionalism and this film keys in on it well and I think that is why it has remained a hit. It becomes like a David and Goliath story with the teens showing up the evil empire and disrupting their plans. I found myself rooting for them even though I kept wondering how they were able to find all that ammunition that they use as well as the warheads.

Action wise it is pretty good. It starts from the very beginning and doesn’t let up. In fact this film was in The Guinness Book of World Records at the time for having the most violent acts of any movie. The film averages 134 violent acts per hour and 2.23 per minute. I enjoyed that the special effects are all real and none of this computerized crap like you see today, which to me still looks phony and makes movies seem too much like a video game.

After about the first hour the movie started to drag and I kept looking at my watch wondering when it would be over. The ending had some satisfying elements as they attack the building housing all the leaders of the invasion, but it is not enough. If you take away the novelty of the Communist invasion then this thing is really just a standard action flick that is no better or worse than the thousands of others out there. The only reason to watch this is to compare it to the remake, or vice-versa.

My Rating: 5 out of 10

Released: August 10, 1984

Runtime: 1Hour 53Minutes

Rated PG-13 (The First movie ever to have this rating)

Director: John Milius

Studio: MGM/UA

Available: VHS, DVD, Blu-ray, Amazon Instant Video

La Femme Nikita (1990)

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Don’t mess with her.

Nikita (Anne Parillaud) is a member of a punk street gang who gets caught by police after a particularly brutal gangland robbery. She gets a light sentence only to be given a chance at becoming a specially trained undercover police agent. She takes it and thus begins a very stylized, action packed variation of Pygmalion.

I do have two grumbles, which I will get out of the way now. First it is hard to believe that such a drug addicted, slender built young thing could be so seasoned in the art of street fighting and gun shooting. It is also hard to believe that these agents can always remember the directions they are given of who to shoot and where to go to escape without it ever having to be repeated or written down. I was sitting on my easy chair and I wasn’t sure I had gotten it all especially since it was said very quickly and quietly. Yet our lady hero gets it all even in the stress of the moment.

Outside of that this it is a very entertaining movie. Actually it is a fun movie, a really fun movie. The action is well choreographed and exciting. The editing is crisp. It makes fun of the action genre and even tries to pull it in different directions and yet still delivers the goods at the same time. Each scene has its own tongue and cheek joke complete with set-up and punchline.

The film also has some unique perspectives. It shows how draining a spy job can be both on the person and their personal life. It also reverses the gender roles by showing the woman as being more assertive and the men (especially her boyfriend) as more passive.

One of the funniest elements of the film is Victor the cleanup guy (Jean Reno). He is similar to the Harvey Keitel character in Pulp Fiction, but far funnier. He takes the flippant, gruff persona to new heights.

My Rating: 8 out of 10

Released: February 21, 1990

Runtime: 1Hour 58Minutes

Rated R

Director: Luc Besson

Studio: Gaumont

Available: DVD, Blu-ray, Amazon Instant Video

Southern Comfort (1981)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Watch out for Cajuns.

A National Guard unit goes on a training exercise in the Louisiana swamps and finds themselves fighting for their lives from a group of vindictive Cajuns that lurk in the woods.

Just about all the characters are obnoxious, unlikable, and incredibly ignorant. These guys have to be the most undisciplined and poorly managed guard unit out there. It becomes like a comedy of errors and one almost begins to side with the Cajuns. The suspense ebbs and flows poorly and most of the time there is no tension at all. The final sequence takes too long to play out until you end up not caring what happens. It would have been better had the Cajuns not been so hidden and given a face and some distinction. It also would have been a better atmosphere had the story taken place in the summer instead of the winter. The film though is really hurt by the fact that it is too reminiscent of Deliverance which is a better film simply for the fact that it created a more lasting eeriness. Also, the sequence involving the killing and gutting of what looks to be a wild hog is just about as gruesome and graphic as the infamous turtle killing scene in Cannibal Holocaust.

On the positive side there is one good scene involving a very intense attack by a group of vicious dogs as well as a nicely photographed knife fight between actors Powers Booth and Fred Ward. The Cajuns are portrayed as being more cunning and clever than in Deliverance, which makes this a little more of a slick thriller. Ward is very good in his role as one of the surly soldiers and Keith Carradine is surprisingly engaging in his part.

Ultimately this is a grade C Deliverance that despite some good attempts just never comes together. It would be best to just watch the original and avoid this one completely.

My Rating: 4 out of 10

Released: September 25, 1981

Runtime: 1Hour 46Minutes

Rated R

Director: Walter Hill

Studio: EMI

Available: VHS, DVD

Batman and Robin (1997)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: This is getting bad.

This is a tired rendering of the Caped Crusader (George Clooney) and Robin (Chris O’Donnell) battling Mr. Freeze (Arnold Schwarzenegger) and Poison Ivy (Uma Thurman) while also joining forces with Batgirl (Alicia Silverstone).

The series has definitely lost its original inspiration and doesn’t resemble anything like the first film. This was supposed to be a whole new direction away from the TV-series and yet now it is not only as campy, but even worse. The characters are just props for one-liners with no real dialogue just cutesy little barbs. Mr. Freeze spews out so many cold clichés that it becomes nauseating. There is also no tension or suspense as the villains are a couple of eccentric clowns with no frightening qualities to speak of.

Thurman as Poison Ivy is good, but it really doesn’t help. The idea of a nerdette turned into sexy siren seems like an extension of the Catwoman character. She has poisonous lips and can kill a man simply by kissing him. The ploy Robin uses to survive this kiss is an idea taken right out of an episode of the old “Get Smart” TV-series.

Gotham is no longer used as a third character and at times only seems like an afterthought. It is missing that unique set design and atmosphere as well as the dark undercurrent. The lighting and color is loud and garish with the overall production values looking cheap. The set for Mr. Freeze’s hideout look dangerously close to the same sets used in the TV-show.

The story is cluttered and nonsensical. It peaks with calamity every other minute and there are way too many loopholes. The editing of the action sequences is too fast and makes it hard to follow and it’s processed with a permeating sense of glibness.

Clooney is by far the best Batman as he is relaxed and poised with just the right amount of wit. O’Donnell seems like he was born to be Robin and their ongoing banter creates a nice added element. However, when shown side by side without their costumes they look more like brothers than father and son, which is the type of relationship that this was supposed to be. A little more gray in Clooney’s hair would have given that needed distinction.

Silverstone is all right, but she actually doesn’t turn into Batgirl until the very end. She has a good one-on-one fight with Poison Ivy, but it should have been played out more. It would have also been nice, like in the TV series, where she worked independently from Batman and didn’t have to share his batcave or necessarily take his orders. Also her background relationship with butler Alfred is completely absurd.

Overall this is silly and strained. The Batman revitalization has hit a brick wall and this is easily the worst of the series.

My Rating: 3 out of 10

Released: June 20, 1997

Runtime: 2Hours 5Minutes

Rated PG

Director: Joes Schumacher

Available: DVD, Blu-ray

Those Magnificent Men in Their Flying Machines (1965)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: A big airplane race.

This is a wide open comedy in a similar vein as It’s a Mad Mad Mad Mad World dealing with a 1910 cross country plane race and involving a wide assortment of over-the-top characters.

This is a good film for family viewing and has enough pratfalls to elicit at least a chuckle or two from everyone. The aerial photography is impressive and most of it looks like the actors are actually flying the planes instead of just being propped up in front of a blue screen. Stuart Whitman makes for a solid lead and Gert Forbe is funny as a German Commander. However, it is Benny Hill that practically steals it as the besieged fire captain constantly rescuing the participants from their many accidents.

On the negative side the film seems too similar to all the other comical race movies from that era without offering anything new or original.  The characters are broadly sketched and become tiring after a while. It also takes too long for the race to get going and when it does it isn’t all that exciting, or gripping. The film also has a tendency to miss out on potentially interesting, or even inventive comical moments. One segment has a French pilot crashing into a convent and requiring the services of the nuns to help repair the plane. I thought this scenario could’ve been loaded with hilarious possibilities, but the film pursues none of them.

The non-discriminating viewer may consider this funny and amusing, but everything gets played-out by the standard formula of that era without offering anything that is memorable.

My Rating: 4 out of 10

Released: June 16, 1965

Runtime: 2Hours 18Minutes

Rated G

Director: Ken Annakin

Studio: 20th Century Fox

Available: VHS, DVD, Amazon Instant Video

Batman Returns (1992)

By Richard Winters

My Rating: 8 out of 10

4-Word Review: This version is cool.

Genuinely twisted, marvelously executed superhero tale in this the second and by far the best in the series. This time Batman (Michael Keaton) must battle both Catwoman (Michele Pfeiffer) and The Penguin (Danny DeVito) who is running for mayor.

The big reason I feel that this film works so well is because director Tim Burton continues to use the city of Gotham as the major centerpiece. It’s a consistently gray apocalyptic setting with a surreal element that has its own unique set of rules that correlates well with the story. It also emanates a cold and lonely feeling that creates the desperation and madness that the villains show.

The villains themselves are terrific. The film nicely captures their dark nature and all the components that drive them to it. They are colorful, but still menacing and funny without being silly. Also, unlike a lot of today’s action flicks they are not used merely as props to spew out clever one-liners.

Devito as The Penguin makes one of the better villains. He is physically perfect for the role. He wears some nice ghoulish make-up and is not one-dimensional. We are shown that he was a ‘freak baby’ and how badly he was treated and thus understand his personality. He does get vicious, but in a funny way kind of like the Louie De Palma character he played on the TV-show ‘Taxi’. The only thing that is missing is the Penguin walk that Burgess Meredith had in the 60’s TV series.

Pfeiffer as Catwoman does her part without a fault and yet doesn’t seem completely right for the role. I found it hard to believe that with such a great looking face and figure that she could be overlooked by all the men even if does wear glasses and act nerdy. Also, the sinister cat has always been portrayed as being a black one and therefore the Catwoman character would have been better played by a raven haired actress. Sean Young competed for the role and might have been a better fit as her complexion is darker and her voice deeper. Pfeiffer though is still quite good and her constant dual personalities make her character interesting.

Keaton is the weakest link and continues to seem uncomfortable in his superhero role. Having the boy wonder beside him would have helped.

This feature comes together much better than the first one and has a more complete vision. It is kind of like a Grimm fairy tale, cult comedy, sci-fi, and modern day actioner all rolled into one. There is a good set-up and a nice emphasis on atmosphere. The humor never gets out of hand and is always laced in dark origins. It stays consistently twisted including the finale which features bomb wearing penguins marching into Gotham ready to blow it all up. Lots of fun!

My Rating: 8 out of 10

Released: June 19, 1992

Runtime: 2Hours 6Minutes

Rated PG-13

Director: Tim Burton

Studio: Warner Brothers

Available: VHS, DVD, Blu-ray, Amazon Instant Video