By Richard Winters
My Rating: 3 out of 10
4-Word Review: Psychopaths escape from hospital.
Dan Potter (Dwight Schulz) is a new doctor hired at a local mental hospital to oversee some of their more violent psychopaths. Unfortunately before he has any time to implement his new therapy techniques there is power failure, which allows three of the most dangerous ones (Jack Palance, Martin Landau, Erland van Lidth) to escape. They immediately track down the doctor at his residence and lurk outside while the frightened family stays trapped in their home and forced to somehow fight them off.
The story is dull and has a plot where you know exactly where it’s going right from the start. There are no unexpected twists and the gore is almost non-existent. The scares are sparse and not effective with several scenes that come off as unintentionally funny.
There is also never any explanation to what causes the power failure and the idea that it would last for two consecutive nights without some sort of major weather event being the factor is highly unlikely. The fact that the patients are housed inside an institution with electrical monitors and the people who ran the place had no backup plan implemented or considered if the power would ever go out is dumb and most likely an emergency generator would’ve been installed years earlier for just such a scenario, which would then make this whole stupid plot nonexistent from the get-go.
Landau gives a good performance, which makes this dumb thing slightly worth catching although overall the psycho characters are too cardboard and generic to be frightening. Hiring B-actors on the downside of their careers and who were most likely willing to accept any mindless dreck that was handed to them simply so they could keep the cash flowing in, was not a good idea as they approach the material in too much of a hammy way.
I actually came away liking Schulz’s performance best and was impressed how his character here was so much different from his most famous one in ‘The A-Team’ TV-show. It was also fun seeing Van Lidth, who is best remembered as Grossberger from Stir Crazy, with a full head of hair.
The film has only two scenes that are worth catching and even then it really isn’t much. However, I did like the part where the three crazies enter a sporting goods store during the blackout that is being raided by all the ‘sane’ people who act way more fringe than the actual lunatics. The scene where Palance attends a punk rock concert where the band The Sick Fucks is playing is pretty good too even though the atmosphere inside doesn’t effectively reflect a real mosh pit scene.
The overall scenario though dealing with these very clichéd psyhcos ominously lurking outside a home occupied by an equally clichéd All-American family that respond to everything with perpetual looks of fear is not interesting or intense. It also comes off as being too stagey and theatrical and might’ve worked better had it taken more of a modern day hand-held camera/ cinema vertite approach.
My Rating: 3 out of 10
Released: November 12, 1982
Runtime: 1Hour 32Minutes
Director: Jack Sholder
Studio: New Line Cinema
By Richard Winters
My Rating: 8 out of 10
4-Word Review: They want her land.
Lena Doyle (Faye Dunaway) runs a wildcat oil rig on land that she owns in Oklahoma. She is convinced that there is oil there and protects it with a feisty independence. Her father Cleon (John Mills) decides to hire Mason (George C. Scott) a lazy drifter that he picks up in town. Mason’s job is to guard against the impending invasion of the oil company headed by Hellman (Jack Palance) who wants the land and potential profits for themselves. Lena and Mason do not get along at first, but when Hellman and his men seize the land in a hostile takeover Lena and Mason form an uneasy alliance in an attempt to take it back.
Director Stanley Kramer can be considered overrated by many and I am pretty sure that he and critic Pauline Kael never exchanged Christmas gifts. However, this film has an edginess to it that I liked. The script, by Marc Norman, is full of original scenes and snappy dialogue. The on-going banter between Lena and Mason is particularly good with their conversation of how Lena wished she could be both a man and woman at once and which sexual organ she would favor being the best. Although the line where is states “You gutless men don’t know your balls from teabags” is good too.
The movie nicely mixes in the feminist issues of the 70’s within the western motif and approaches it in an even keeled way. It was very in vogue at the time to arbitrarily label the male as the chauvinist, but here it examines the strengths and weaknesses of both sides while ultimately showing how both need to rely on the other to succeed.
Dunaway has always been a personal favorite of mine no matter what that silly Hilary Duff says. Is anyone going to remember Miss Duff in 20 or 30 years? I think not. Sure Dunaway can have her bitchy side, but maintaining a career in Hollywood can sometimes create that. Either way her bitchiness is put to terrific use here. Her pouty, icy cold stares that she gives to Mason were alone worthy of an Oscar nomination.
Scott was always known to have a strong and stubborn personality both in front of and behind the camera, so seeing him play a character that is meek and aloof is fun. His performance here rates as his most amusing second only to the one he did in Dr. Strangelove.
Palance again scores as the bad buy. He played a lot of heavies during his career, but this one is his best. There is just something about his deep, raspy voice and leering grin that make him a memorable villain. Having him wear a bowler hat and black suit along with all of his henchman is perfect.
Mills comes close to stealing the film. The man has some very endearing moments and I felt the idea of pairing his refined British sensibilities along with Dunway’s caustic and vulgar manner was interesting. The scene where he climbs to the top of the oil rig in order to reattach the cable while Hellman and his men busily shoot at him is quite intense.
Why this great movie has never been released on VHS, DVD, or Blu-ray is a mystery. It has many fans and sure to gain more once they see it. The version existing right now on Amazon Instant Video is excellent. It is a widescreen with vivid colors and clarity. It nicely brings out the barren wide-open landscape and although it was not actually filmed in Oklahoma still gives one a good idea as to why the region is called ‘Big Sky Country’.
My Rating: 8 out of 10
Runtime: 1Hour 48Minutes
Director: Stanley Kramer
Studio: Columbia Pictures
Available: Amazon Instant Video
Posted in 70's Movies, Action/Adventure, Dry Humor, Movies with a rural setting, Obscure Movies, Westerns
Tagged 70's Movies, Entertainment, Faye Dunaway, Geroge C. Scott, Hilary Duff, Jack Palance, John Mills, Movies, Pauline Kael, Review, Stanley Kramer, Westerns