Category Archives: 70’s Movies

The Man Who Fell to Earth (1976)

Posted on July 25, 2014 | Leave a comment

the man who fell to earth

By Richard Winters

My Rating: 6 out of 10

4-Word Review:  Alien looking for water.

Thomas Newton Bryce (David Bowie) is a humanoid alien that has come to earth looking for water to bring back to his drought stricken planet. He works under the disguise as an inventor who uses the advanced technical knowledge of his home planet to patent many new inventions that eventually turns him into a millionaire head of a giant conglomerate. He even meets Mary Lou (Candy Clark) a hard-living, earthy girl who he falls in love with. Fuel technician Nathan Byrce (Rip Torn) suspects that Thomas may not be human and takes a secret picture of him with an X-ray camera that reveals his alien make up. Nathan then tips off the government and when Thomas tries to return to his home planet in a spaceship he built himself he is seized and taken into captivity and interrogated.
Director Nicolas Roeg has always had an incredible visual flair and able to take simple stories like Walkabout and Don’t Look Now and turned them into flashy masterpieces. I admire the way he can create atmosphere and attitude with every shot and tell a narrative in fragments and yet still have it come together into a fluid whole.

Watching this movie is particularly fun and the variety of music used is terrific. Whether it is a country oldie or new wave techno it fits and is always lively. The scenes are intoxicating and Roeg seems to be challenging himself by trying to come up with a unique way of capturing everything he shoots.

However, the story is light and proves to get even lighter as it goes along. The first hour, although fun, goes nowhere. The second half has some twists, but they are predictable. There are also tons and tons of loopholes with a letdown of an ending that explains nothing.

When compared to sci-fi films from the past it seems progressive, but in hindsight it is a victim of the 70’s era as it oozes too much with the irreverence of that period. Its main purpose seems to be turning-the- tables on all those sci-fi classics where the alien was always the threat by instead portraying the alien as the gentlest person in the picture. Yet they still could have made this message while giving it a more fleshed-out story and legitimate sci-fi leanings.

The overall glossiness maybe enough for some as it certainly does seem intriguing and promising at the start. Bowie is a perfect choice for the lead and unlike most rock singers, his foray into acting seems solid and almost like he is a natural.

Candy Clark is also outstanding. She is the perfect embodiment of a small town southern girl simple, sweet and generous yet also very to-the-point. Buck Henry is also good playing a part that most resembles his true self and his line describing his father’s advice on how to look a gift horse in the mouth is priceless.

My Rating: 6 out of 10

Released: May 28, 1976

Runtime: 2Hours 19Minutes

Rated R

Director: Nicolas Roeg

Studio: Columbia

Available: VHS, DVD-R, Amazon Instant Video

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Posted in 70's Movies, Moody/Stylish, Movies Based on Novels, Movies with Nudity, Sci-Fi

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The Boy Friend (1971)

Posted on July 18, 2014 | Leave a comment

Boy Friend, The

By Richard Winters

My Rating: 9 out of 10

4-Word Review: An eye popping musical.

I would not call myself a big musical fan, but I found this one to be excellent and the gold standard for all others. The whole thing is visually stunning from beginning to end with a wide variety of backdrops and settings used. You get everything from conventional dance numbers to a fairy tale recreation where the performers dress like ladybugs and live in giant mushrooms. There is even a fun take-off on Greek mythology done in a scenic forest setting.

The best segment has the dancers on not one but two giant record players shown side-by-side and from overhead. The performers dance on top of the huge turntables while as a group make unique symmetrical designs with their bodies. Another part has them on a gigantic playing card, which reminded me of an old Busby Berkley number and who has always been considered the godfather of splashy dance numbers and yet here it seems to outdo even him.

The film carries itself on the visual level alone with a story that can be best described as a standard musical plot. It involves a group of underpaid actors who put on a tacky musical for a small group of people. The film than interweaves between the low budget numbers, which are all still really good, and their fantasies of what things would look like if they had more money. Twiggy plays the shy awkward crew hand that comes on as the star when the leading lady breaks her leg.

Sure it is at times predictable, corny, and lightweight but it makes up for it with a really good sense of humor. The songs all sound great and the dance routines are certainly extravagant. Twiggy may never score as a great actress, but she hits the mark here. She has a cute bob haircut and a constantly perplexed expression that is really amusing. All the other characters have funny idiosyncrasies as well including Glenda Jackson as the injured leading lady who comes back and is none too happy to see how successful her replacement is.

Ken Russell has immense talent and is sadly one of the most unheralded directors around. Some of his films have been considered excessive and nonsensical, but that is not the case here as his visual flair and indulgence work to enhance the production including his use of primary colors in every shot.

This is a highly recommended visual delight that is impressive even by today’s standards and fun to watch for every member of the household.

My Rating: 9 out of 10

Released: December 16, 1971

Runtime: 2Hours 17Minutes

Rated G

Director: Ken Russell

Studio: MGM

Available: VHS, DVD, Amazon Instant Video

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Posted in 70's Movies, British Movies, Campy Comedy, Foreign Films, Moody/Stylish, Movies for the Whole Family, Musical, Romance

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Norman…Is That You? (1976)

Posted on July 12, 2014 | 1 comment

norman is that you

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Gay son comes out.

Ben (Redd Foxx) travels to L.A. to visit his son Norman (Michael Warren) after his wife Beatrice (Pearl Bailey) leaves him for his brother. However, unbeknownst to Ben Norman has come to terms with his closeted homosexuality and is now living with Garson (Denis Dugan). When Ben arrives unannounced Norman tries to keep his gay relationship a secret, but Ben eventually finds out about it and goes on a mission to have him ‘cured’.

The story was originally written as a play, but flopped and ran for only 12 performances in 1970. For whatever reason it was decided 6 years later to revamp the idea, but do it with a black cast instead. However, times have changed and most everything here seems quite dated. The Ben character could easily be considered homophobic by today’s standards and the gay jokes he makes seem out-of-line and even offensive.  The production, which was shot on video and then transferred to film, looks stagy and cheap with ‘the view’ of L.A.’s skyline that can be seen outside Norman’s patio door clearly being a painting. George Schlatter who is best known for producing the 60’s variety TV-show ‘Laugh-In’ makes his one-and-only cinematic directorial effort and is unable to overcome the script’s limitations.

Foxx is the only reason it is even slightly enjoyable. Just watching him walk around with his patented strut is amusing. However, the way he treats Garson simply for being gay is no longer considered funny and I felt the Garson character shouldn’t have put up with half as much as he does. Still, the part where Foxx dreams that he is a gay actor accepting the Academy Award is the film’s best moment.

Dugan plays up the flaming gay character relatively well, but Warren is a weak link as he says his lines like he is reading them off of a teleprompter and shows no emotion or variety of facial expressions. Having Bailey cast as Foxx’s wife seemed inspired, but the character gets wasted in trivial husband-and-wife arguments that knock this thing down to a TV-sitcom level. Jayne Meadows who appears as Garson’s mother is equally wasted and is in only one scene even though the character had great potential especially with the idea of setting her up on a date with Foxx.

There is enough comedic banter to save this from being a bomb, but just slightly. Although it is shown that the parents reluctantly come to terms with their son’s sexuality it still conveys the message that it is ‘okay’ to be openly prejudice towards the lifestyle, which likely could rub most of today’s viewers the wrong way.

My Rating: 4 out of 10

Released: September 29, 1976

Runtime: 1Hour 31Minutes

Rated PG

Director: George Schlatter

Studio: United Artists

Available: VHS, Amazon Instant Video, YouTube

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Posted in 70's Movies, Comedy, Gay/Lesbian, Low Budget, Movies Based on Stageplays, Obscure Movies

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Runaway, Runaway (1971)

Posted on July 4, 2014 | 6 comments

runaway runaway 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Teen girl runs away.

Ricki (Gilda Texter) is a teen girl who has had enough of her unhappy home life and decides to run away and meet up with a guy in California who she has strong feelings for but knows little about. Along the way she takes a ride from Frank (William Smith) whose job is finding young runaways and returning them to their parents. He tries to help Ricki, but she rejects it even though they remain on friendly terms. She then meets up with Lorri (Rita Murray) who works as a prostitute, but is also a closet lesbian. She gives Ricki a place to stay and then makes sexual advances towards her. Although Ricki at first resists she eventually gives in, but remains conflicted about her feelings towards Lorri and unhappy with her situation that seems no better for her than the one she ran away from.

Texter rose to fame after playing the nude blonde riding on a motorcycle in the film Vanishing Point. Her scene lasted for only a couple of minutes, but most male viewers came away remembering her part more than anything else and producers were quick to pick up on it. She was soon given a starring role here, which was hoped to jettison her into a full-time acting career, which never happened and eventually she settled down into the role of costume designer for films, which she did through 2006.

gilda texter 2

Either way she does quite well and shows more flair and ability than most young beauties that get acting jobs with only limited experience or training. She speaks her lines with a nice inflection and has some good facial expressions especially during the scene where she is attacked.

Smith who has made a career playing bulky tough guys is quite good in the sympathetic role as an older father figure. However, in these more cynical times his over concern for her welfare could seem more like a dirty old man with deep seated sexual desires. The fact that they do end up going to bed together seemed quite creepy and unnatural and I didn’t care for it and felt she would have been better off had she stayed with Lorri and formed a more lasting relationship with her.

Hank Beebe’s music score is distinctive and bucked the trend of the time by not having a psychedelic or rock sound, but instead it’s more on the jazz side. The bouncing vibrant song done over the opening credits is especially good and I would love to credit the lady who sings it, but none is given.

The opening sequence features a scene where Ricki gets attacked by a man at an isolated location of an abandoned dessert building that is played by Ron Gans, who later went on to be a famous voice-over narrator for movie trailers, and it is exciting. Another part that I found interesting is when Ricki goes to a party and gets drugged, which makes good use of the fish-eye camera lens, but overall this thing gets too talky and eventually becomes quite boring.

The Ricki character seems a bit too naïve as well. Most runaways I would presume would be practical enough to have some money in their pocket, but she has absolutely none. She barely knows this guy that she has ‘fallen in-love’ with and has no idea where he lives or even his phone number, but somehow expects to magically meet up with him anyways. She also makes no attempt to find a job once she gets to her new location even though that is the first thing most people, even movie characters will do in order to help them get back on their feet and give them some independence.

The story is derivative and predictable and gives us no new insight or slant into the runaway issue. The ending offers no real conclusion and despite some good attempts at realism and well-written dialogue the film is overall sterile and forgettable.

My Rating: 4 out of 10

Released: June 13, 1971

Runtime: 1Hour 30Minutes

Rated R

Director: Bickford Otis Webber

Studio: Meier-Mayer Productions

Available: None at this time

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Posted in 70's Movies, Adolescence/High School, Drama, Gay/Lesbian, Low Budget, Movies with Nudity, Obscure Movies, Road Movies

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WUSA (1970)

Posted on July 2, 2014 | Leave a comment

wusa

By Richard Winters

My Rating: 1 out of 10

4-Word Review:  Liberal working for conservatives.

A drifter (Paul Newman) travels to Louisiana and gets a job as a DJ at an ultra-conservative radio station. Despite being a professed liberal he decides to go along with the right-wing rhetoric because he has grown apathetic with things and now just wants to ‘blend-in’.

The idea has a lot of potential, but it is never able to take off. Part of the problem is that instead of trying to play it like satire in the Network vein it instead approaches it with pinpoint seriousness and saturates the viewer with a gloom and doom message. The long and winding stream of social complexities makes the viewer, as with the main character, grow apathetic. The ‘powerful’ statements are redundant and too engulfed with the politics of its day to give anything that is broadly insightful.

It is easy to see why this is probably Newman’s most forgettable film. There is nothing unique or even slightly diverting about it and it meanders badly with no action whatsoever. The ‘exciting’ mob scene at the end looks staged and unconvincing.

The film has leanings as a character study, but even they are weak. Newman’s angry loner role is simply a less intense version of his Hud character. Joanne Woodward as the prostitute with a ‘heart of gold’ is clichéd and dull. Anthony Perkins is the only one that comes off as interesting, but it’s not enough to save it.

This is a truly limp and lifeless picture and I would be amazed if there was anyone out there who would like it.

My Rating: 1 out of 10

Released: August 19, 1970

Runtime: 1Hour 55Minutes

Rated PG

Director: Stuart Rosenberg

Studio: Paramount

Available: DVD, Blu-ray 

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Posted in 70's Movies, Drama, Movies Based on Novels, Movies that take place in the South

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Your Three Minutes Are Up (1973)

Posted on June 27, 2014 | Leave a comment

your three minutes are up 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Road trip goes bad.

Charlie (Beau Bridges) is unhappy with his life. He is stuck in a dull job and engaged to Betty (Janet Margolin) who is constantly nagging him. He longs for a more carefree existence that is friend Mike (Ron Liebman) enjoys. Mike does not work a job and spends most of his time trying to cheat what he feels is a cold and impersonal system, but also has to deal with constant calls from bill collectors and the stress of trying to make ends meet with very little money. The two decide on a whim to take a little road trip, but during the course of their journey things begin to unravel as both men realize there are limits to everything and once you cross it you must pay the consequences.

The film like the characters spans the entire critical spectrum. The script, which was written by James Dixon who appears as the character Howard is incisive and taps into something every individual on the planet must deal with, which is learning how to balance individuals desires with societal demands. Other films have lightly touched on it, but few delve into it quite this deeply. I especially enjoyed the Charlie character who starts out as an obedient schmuck that gets ordered around by everyone, but also harbors a pent up anger that comes out slowly until it finally erupts into volcanic proportions that shocks even him.

Unfortunately the direction by Douglas Schwartz is dull and unimaginative. The budget was clearly low, which gives the movie a cheap TV-Movie look and feel. The framing and camera work is uninspired and could have used more close-ups, tighter editing and better lighting. The film also contains four generic sounding songs all sung by Mark Lindsey the former lead singer from Paul Revere and the Raiders that lack distinction and give the movie a dated quality.

I also didn’t care for the Margolin character. She is a beautiful woman physically, but the character is too much of a one-dimensional nag. Why she would continue to call Charlie and beg him to come back when he clearly lied to her while also openly telling her that she annoyed him didn’t make much sense. The scene where she walks in on him in bed with two naked women and instead of just ending the relationship immediately she stays and tries to ‘reason’ with him, which came off as pathetic and unrealistic.

This also marks the film debut of Nedra Volz a late bloomer into acting who at age 65 started a two decade career playing old lady roles in various TV-shows and movies. She can be briefly spotted at the 31-minute mark playing an old lady sitting on a bench at a bus stop and accepting a free newspaper only to become shocked and embarrassed at its provocative headline.

nedra volz

June Fairchild who appears as a woman who stuffs her face with food at a fancy restaurant thinking that she is being treated to dinner only to end up getting stiffed with the bill ironically had her real-life paralleling the lead character’s quandary in the movie. She was in a string of films during the 70’s, but when the offers dried up she became a homeless alcoholic living on skid row and the subject of a February, 2001 article in The Los Angeles Times. Friends came to her rescue and she managed to get back on her feet and now judging by some recent pics is looking happy and still quite attractive.

june fairchild 1

My Rating: 6 out of 10

Released: August 7, 1973

Runtime: 1Hour 27Minutes

Rated R

Director: Douglas N. Schwartz

Studio: Cinerama Releasing Corporation

Available: YouTube

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Posted in 70's Movies, Buddy Movies, Drama, Low Budget, Movies with Nudity, Obscure Movies, Road Movies

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Road Movie (1974)

Posted on June 25, 2014 | 4 comments

road movie 3

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Trucker and prostitute clash.

This is a captivating and interesting independent drama filmed on a shoestring budget and loosely based on director Joseph Strick’s own experiences while working one summer as a long haul driver. The story centers on Gil (Robert Drivas) and Hank (Barry Bostwick) a two-man truck driving team that pick up a prostitute named Janice (Regina Baff) who brings out unforeseen tensions and emotions.

The film is compact with characters and situations that are distinct and believable. It also gives the viewer a well-rounded look at the truck driving business and the tough, demanding job that it is.

Baff is convincing as a prostitute who isn’t pretty or educated, but sensible and street smart At times you feel sorry for her, but she proves to be quite a manipulative and shrewd when she has to.

Drivas, as the lead driver, is hardened, caustic, and controlling. He abuses the prostitute the way he feels life has abused him and thinks he can get away with it only to have her constantly outsmart him.

Unlike other road movies the scenery shown along their travels is neither exotic nor beautiful. Instead we are treated to farm fields, factories, and small towns. It’s all the sights and sounds of a working class world as this is really more about the deceptive American dream than anything else. It craftily brings out what an elusive ideal that really is and how no one is ever as independent as they would like to be and ‘moving up’ in the world can be much more difficult than at first perceived.

Strick takes full advantage of his low budget limitations by infusing a type of grittiness that Hollywood rarely touches. The interactions between the characters are interesting and the ending leaves a strong impression. For fans of obscure 70’s movies this one is worth seeking out.

road movie 2

My Rating: 8 out of 10

Released: February 3, 1974

Runtime: 1Hour 28Minutes

Rated R

Director: Joseph Strick

Studio: Laser Film Corporation

Available: DVD, Amazon Instant Video

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Posted in 70's Movies, Drama, Low Budget, Movies with Nudity, Psychological, Road Movies

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Alex & The Gypsy (1976)

Posted on June 20, 2014 | 3 comments

alex and the gypsy

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Gypsy out on bail.

Alex is a middle-aged bail bondsman who is down on life and masks his disappointments with cynicism. By chance he meets the beautiful Maritza (Genevieve Bujold) a young gypsy woman who travels the countryside reading people’s palms and futures for a living. When she is accused of trying to kill her father and thrown into jail Alex decides to post her 30,000 dollar bail in an attempt for a brief romantic fling, but she instead spends the whole time trying to escape and keeping the overly-stressed Alex constantly on guard to prevent it.

The film has a pleasantly laid-back, free-spirited style to it that at times does meander, but nicely reflects the attitude and feeling of the decade that it is in. Director John Korty wisely pulls back and doesn’t try to over-direct, but instead allows his talented cast to carry the picture by creating well-defined and relatable characters. The dialogue and conversations are full of dry, acerbic wit and just the right amount of jaded sensibilities to keep it hip and real.

Lemon is great and has grown as an actor by taking on roles that are more world-weary and edgy  and going light years from the clean-cut, all-American young man type characters that he played in the comedies from the 50’s and early 60’s where he always was naïve and in-over-his-head. Here the character is like an extension of the one he played in Save the Tiger that being a middle-aged man who has lost his faith in everything and everyone and yet still holds out for that elusive moment of magic. His side comments are amusing making this one of his funniest and most endearing performances.

Bujold is ravishing and in fact I don’t think I’ve ever seen her looking better. Korty seems to know how to photograph her in just the right way by making full use of her prominent and alluring eyes. Her moments on screen give off a subtly sensual quality. Her nude scenes aren’t bad either particularly when she is lying handcuffed to a bed almost emotionless while Lemmon, who is under the covers, attempts to have sex with her.

James Woods is also terrific showing a surprising knack for comedy as Alex’s nerdy and timid assistant. Although his character has only limited screen time he skillfully manages to almost steal the film from his two more established co-stars especially in a scene in the bail office where Alex gets bribed by a mafia criminal as well as another one inside a hospital where he tries to explain to Alex why he foolishly allowed Maritza to get away.

The ending is the film’s only real letdown. It is not a particularly bad one, but it is a little too cute and doesn’t seem to mesh well with the rest of the film. It also offers no real conclusion and leaves the viewer hanging as to what ultimately became of these characters. A little more of a side-story particularly the one involving the bounty hunter (Todd Martin) might have given the film a bit more excitement and dimension.

I also wasn’t too crazy about Henry Mancini’s melodic and serene score. He’s a great composer for sure, but something with more of an acoustic or modern folk rock tinge might have fit the story’s theme and mood better.

My Rating: 6 out of 10

Released: October 3, 1976

Runtime: 1Hour 40Minutes

Rated R

Director: John Korty

Studio: 20th Century Fox

Available: None at this time.

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Posted in 70's Movies, Dry Humor, Movies Based on Short Stories, Movies with Nudity, Obscure Movies, Romance

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Alice Sweet Alice (1976)

Posted on June 18, 2014 | 2 comments

alice sweet alice

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Murder in the church.

Surprisingly elaborate thriller detailing murders that happen in and around a Catholic church. It focuses specifically on a family whose one daughter Karen (Brooke Shields) is a victim and the other daughter Alice (Paula E. Sheppard) may have been the killer.

This is a well-crafted thriller and much more than just a chance to see a young Brooke Shields. The set design is meticulous with a unique look and sound that is different from just about any other horror film. There are even a few moments of truly creepy imagery. The twisting plot and suspense should be enough to get you caught up in it and keep you guessing.

This is also a multilayered film with a twisted look at the family unit, the 50’s era, and most importantly the Catholic Church. It paints a rather sinister portrait of the church and some of those who attend it while emphasizing the evilness that can unravel behind even the most pristine of pictures. It is harsh, but also revealing and at times even funny.

Sheppard is chilling as the evil sister and makes Patty McCormack from The Bad Seed look like a powder-puff-girl. Her unique eyes grab your attention and help accentuate her character and are able to convey both beauty and mischief at the same time. She falls into her difficult role effortlessly and it’s easy to see why she has gained such a wide cult following even though, to date, she has only done one other movie.

paula 2

Brooke of course was re-billed as the star when her fame shot up afterwards. Yet she doesn’t last past the first half-hour and her presence is really not all that significant.

The film’s first third is gripping, intriguing, and even surprising. The final thirty minutes though is a letdown and pretty much ruins the film as a whole. It gives away its final twist too early and then drags along until it culminates with a rather far-fetched climax. It also leaves open a few loopholes and no real closure.

My Rating: 6 out of 10

Alternate Title: Communion

Released: November 13, 1976

Runtime: 1Hour 38Minutes

Rated R

Director: Alfred Sole

Studio: Allied Artists Pictures

Available: VHS, DVD, Amazon Instant Video

2 Comments

Posted in 70's Movies, Horror, Moody/Stylish, Mystery

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The Runner Stumbles (1979)

Posted on June 14, 2014 | 1 comment

the runner stumbles 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Priest accused of murder.

Based on actual events the setting is 1911 in a northern Michigan town where Father Brian Rivard (Dick Van Dyke) presides over a small Catholic parish. He feels frustrated at being stuck in such a depressed town where many of the residents are out of work. In comes Sister Rita (Kathleen Quinlan) to help run the school and the Father immediately takes a liking to her youthful enthusiasm and fresh ideas, but gossip and rumors soon abound when it is found that they are spending too much time together and possibly becoming intimate. When the Sister is found murdered it is the Father who is accused and must fight for his life while straddled with an attorney (Beau Bridges) who seems glib and detached.

One of the biggest problems with the film is the miscasting of Van Dyke in the lead. His performance is stiff, wooden and affected. The chemistry between the two stars is non-existent making the romantic angle seem completely unbelievable. The film would have been better served had a younger man that was more Quinlan’s age and trained in method acting been cast in the part.

Quinlan is excellent in her role, but her efforts become lost as they bounce off Van Dyke’s almost corpse-like presence. Maureen Stapleton adds some excellent support and it’s great to see Ray Bolger in his final film role as the intrusive Monsignor. Bridges is also great as the lawyer and the one thing that livens the film up a little. Had his court scenes been more extended it would have helped the picture immensely.

Director Stanley Kramer, whose last film this was, seems to have lost touch with the modern movie goer. The presentation is stagy and the overly melodic soundtrack does not fit the mood and gets overplayed almost like a radio going on in the background that somebody forgot to turn off. The conversations revolving around the predictably stifling atmosphere of the era add little interest and go on too long as do the debates between giving in to human desires versus religious commitments. The surprise ending hardly makes up for a film that is slow and boring and ultimately making it as stale and stagnant as the small town it tries to portray.

My Rating: 2 out of 10

Released: November 16, 1979

Runtime: 1Hour 49Minutes

Rated PG

Director: Stanley Kramer

Studio: 20th Century Fox

Available: VHS

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Posted in 70's Movies, Court Drama, Drama, Movies Based on Actual Events, Movies Based on Stageplays, Mystery, Obscure Movies, Spiritual Movies

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