Category Archives: 70’s Movies

Another Nice Mess (1972)

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By Richard Winters

My Rating: 2 out of 10

4-Word Review: Spiro and Tricky Dick.

This film is an odd, misfired concoction from writer/director Bob Einstein (Albert Brooks’ older brother) who had just won an Emmy for his writing on ‘The Smothers Brothers Show’ and decided to try his creative muscle at filmmaking. The idea might’ve seemed clever at the time, but it has not aged well. The premise has President Richard Nixon (played by Rich Little) and Vice President Spiro Agnew (played by Herb Voland) behaving like Laurel and Hardy and spending the entire runtime going through some of that classic duo’s more famous routines.

If you were alive during Nixon’s administration than this may come off as being a bit funnier than to those who weren’t however, taking potshots at the President is no longer fresh and for the most part even a bit tiring to watch. The vaudeville-like routines are predictable and this thing had me bored two-minutes in and even with its brief running time still was a major drag to sit through.

Voland is much funnier than Little and seems to imitate the comic legend of Stan Laurel far better than Little does with Hardy, but the characters are played up to be completely moronic and having to watch them do and say one mind numbingly stupid thing after another becomes very one-dimensional.

The film Hail was a Nixon satire that came out around the same time, but that film fared much better and was even quite clever at times. The main reason was that they had a plot while this one is just a non-stop gag reel with a first-graders level of sophistication.

If there’s one redeeming quality for watching this it would be in seeing Steve Martin in his film debut playing a hippie. He doesn’t have his patented white hair here and instead it’s long, curly and brown. I probably wouldn’t have even recognized him if it weren’t for his voice and mannerisms.

My Rating: 2 out of 10

Released: September 22, 1972

Runtime: 1Hour 6Minutes

Rated PG

Director: Bob Einstein

Studio: Fine Films

Available: None at this time.

Nicholas and Alexandra (1971)

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By Richard Winters

My Rating: 9 out of 10

4-Word Review: The last Russian Tsar.

This film chronicles the life of Tsar Nicholas II (Michael Jayston) of Russia and his marriage to Alexandria (Janet Suzman). Based on the novel by Robert K. Massie it examines the height of his power and his apathy to the poverty of his people and his reluctance to listen to their needs, or consider a more democratic form of government. It also looks at his personal life including the birth of his son Alexei (Roderic Noble) who is diagnosed with hemophilia and his wife’s over-reliance on Grigori Rasputin (Tom Baker) a man pretending to have divine connections who ultimately uses his influence on Alexandra to take control over her political affairs when her husband is away. The film also portrays Russia’s involvement during WWI as well as the Tsar’s downfall and eventual exile in Siberia with his family.

The film is basically split up into three parts with the first hour looking at Nicholas’ family life while intercutting with scenes showing the discontent of the Russia people and the efforts of Vladimir Lenin (Michael Bryant) to create a revolutionary form of government. The second hour examines Russia’s war involvement and the many warnings that Nicholas is given not to get involved in it, but foolishly decides to anyways, which ultimately creates massive upheaval. The third hour looks at his abdication of power and the family’s exile and virtual imprisonment at the Ipatiev House in Yekaterinburg where they nervously await their fate.

Initially I thought the third hour would be the weakest as we all know they get shot and killed execution style, but to my surprise it is actually the strongest part of the film. To an extent tearing the characters away from their plush surroundings and forcing them to exist in bleak, squalor-like conditions actually humanizes them and allows the viewer to empathize with them particularly the four daughters who had nothing to do with their father’s harsh policies and just wanted a chance to grow up and live a normal life. The scene where the family is herded into the basement of the home in the early morning hours and forced to sit silently while awaiting their executioners is quite possibly one of the most intense moments ever captured on film.

The performances are uniformly strong particularly Suzman’s as well as Baker as the evil Rasputin who’s drawn out death scene may be one of the longest in movie history. Laurence Olivier in a small, but pivotal bit as the Prime Minister gets two commanding moments including his speech after the Bloody Sunday massacre and later his strong misgivings about the country’s war involvement.

The film is full of brilliant cinematography, direction, costumes and set pieces and is certainly something that must be watched on the big screen to be fully appreciated. I enjoyed the lavish interiors of the Winter Palace especially their walks down the elegant hallways that are lined with Royal guards, but found it equally interesting when Nicholas returns there after the war and forced to walk down these same hallways, which are now darkened and rundown. The many long distance shots of the flat and majestic landscape is also impressive particularly a view of a rolling sunflower field.

Although this film has never attained the well-known classic status of Doctor Zhivago, and in fact this was producer Sam Spiegal’s answer to that film when he was blocked from working on it, I still found it to be every bit as compelling and well directed.

My Rating: 9 out of 10

Released: December 13, 1971

Runtime: 3Hours 8Minutes

Rated GP

Director: Franklin J. Schaffner

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Instant Video

 

The Honkers (1972)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Rodeo star is selfish.

Lew Lathrop (James Coburn) is an aging rodeo star who returns to his hometown after an extended absence, which stirs up resentment and trouble wherever he goes. His wife Linda (Lois Nettleton) still has feelings for him despite her anger at him leaving her and never being able to stay faithful. It seems that the only true friend that he has and one that remains loyal to him even through his many shortcomings is rodeo clown Clete (Slim Pickens), but even this gets put to the test when Lew decides to jeopardize is family life once again when he decides to go after local hottie Deborah (Anne Archer) a young woman just past the age of consent who enjoys flirting with older men and shows no reluctance in having her way with them.

The film was directed by actor Steve Ihnat who never saw the final product put on the big screen as he died from a sudden heart attack at the young age of 37 five days before the film’s release. Much like with Junior Bonner and JW Coop, which came out at the same time, this has an authentic feel with the necessary level of grittiness and good rodeo footage,  but the scenes go on too long and the pace is too laid back. One shot has Coburn walking down the city sidewalk for a full several minutes with nothing else happening. Extended shots of a downtown parade and broncos bucking off cowboys in the rodeo ring are all nice, but fail to propel the plot, which seems pretty thin anyways and almost makes this come off like a documentary than a feature film.

Coburn is his usual engaging self, but seems genuinely uncomfortable getting on the broncos and even a bit out-of-place in the role. Pickens is outstanding in support it what may be the best film role of his career. Usually, especially with his country accent, he would get subjugated to hillbilly parts, but here he gets to show his dramatic side by playing a rodeo clown, which is what he did for many years in real-life before becoming an actor. Archer, in only her second film role is quite seductive and possibly at her most beautiful though the many shots showing her wearing headbands start to make her resemble Pocahontas.

Filmed entirely on-location in Carlsbad, New Mexico director Ihnat manages to take full advantage of the rustic western landscape and brilliant blue sky of the region, which is a major plus. The ending has a nice surreal quality and the story does manage to pick up a bit during the second half, but it still could’ve been better trimmed and more compact.

My Rating: 5 out of 10

Released: May 17, 1972

Runtime: 1Hour 42Minutes

Rated PG

Director: Steve Ihnat

Studio: United Artists

Available: None at this time.

“something big” (1971)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: Kidnapping the colonel’s wife.

Joe Baker (Dean Martin) is an aging bandit looking to do “something big”. He becomes aware of a hoard of treasure being hidden inside a church that sits just across the border and safely guarded by a throne of Mexican bandits. Joe figures that to be able to overpower them he’ll need a Gatling gun and turns to black market dealer Jonny Cobb (Albert Salmi) who agrees to sell him one in exchange for a woman as he’s been without the company of one for “too long”. Joe then begins robbing stagecoaches in a mission to find a woman attractive enough for Jonny’s tastes. After several attempts he finds one who just happens to be the wife of the cavalry colonel (Brian Keith) who then goes on a mission to rescue her while attempting to put a kibosh on Joe’s plans.

This is another film that was given a ‘bomb’ rating by Leonard Maltin that I didn’t think was all that desrved. It’s certainly no classic but James Lee Barrett’s script if full of dry humor and offbeat touches that manages to keep things consistently amusing. Some of my favorite bits include Martin traveling around with a small pooch in his saddle pocket, or his horse having gold crown teeth. Don Knight as his Scottish travel companion Tommy who carries his bagpipes with him at all times and will even occasionally play them as they enter new frontier towns is funny too.

Keith is spot-on as the slightly stuffy colonel who is stuck with incompetent underlings and just wants to move on with his impending retirement in peace, but can’t. His facial expressions alone are terrific and he gives a far more nuanced performance than co-star Martin and should’ve been given top billing.

The attractive and sassy Honor Blackman is great as Keith’s wife and could easily be considered a ‘milf’ by today’s male audience. Joyce Van Patten and Judi Meredith as two women living on a lonely ranch willing to have sex with any man that comes along, including the uptight colonel, are quite funny as is Salmi with his garishly discolored, tobacco stained teeth.

The climax features some nifty gun action including seeing Martin use his Gatling gun to shoot down the bandits in domino-like fashion, but for the most part the script is too leisurely paced and in desperate need of more confrontation and elaborate scenarios. Marvin Hamlisch’s soft-rock score is out-of-place for the time period and the theme song sung by former Paul Revere and the Raiders front man Mark Lindsey doesn’t have any type of western feel to it. I also got tired of hearing the phrase “something big” mentioned over and over again. Initially it seemed cute and clever to repeat the film’s title in the dialogue, but it eventually goes overboard.

My Rating: 4 out of 10

Released: November 24, 1971

Runtime: 1Hour 48Minutes

Rated GP

Director: Andrew V. McLaglen

Studio: National General Pictures

Available: DVD

Oh! Calcutta! (1972)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: No clothes no problem.

This film is based on the long running stage play that ran from June 17, 1969 to August 12, 1972 and later revived in the ‘80s to become one of the longest running shows in Broadway history. This version was taped in front of a live audience on a closed sound stage and then broadcast on pay-per-view, which eventually was transferred to theaters in ’72. It has a mainly nude cast performing in skits with a sex related theme and later became popular for featuring Bill Macy who went on to star as Walter in the hit TV-show ‘Maude’.

The film starts out interestingly enough as it shows the audience members filing in and examines the nervous looks on their faces as this was when nudity on stage was all still quite new and controversial. The film then cuts back and forth between the audience and the backstage cast who are in-the-buff and getting ready to perform.  They then come out on stage in bathrobes and do an Avant-garde-like dance sequence in which their names get matted over the screen while they flash the audience.

It then goes into the skit portion and everything goes rapidly downhill from there. The first segment isn’t funny at all and actually quite disturbing. It deals with two adults pretending to be teens who are starting to become aware of their sexual awakenings. The boy, who is named Jack, takes out a ruler in order to put it up Jill’s ‘thing’ to make sure it will be deep enough to fit in his ‘thing’. She becomes reluctant, so he tackles her and forcibly rapes her while killing her in the process. Unable to grasp what he has done he props her up and has a ‘conversation’ with the corpse before walking away and allowing the camera to zoom in on a close-up of her vacant, empty eyes.

The second segment deals with the cast reading letters of sexual fantasies written by anonymous authors that isn’t as titillating as it sounds. The third segment deals with a man who has become bored with his sex life and wants his reluctant girlfriend to try out some new fetishes. This segment is particularly boring because during the time the couple is having sex the viewer is treated to watching three minutes of a matted picture of a city skyscraper instead.

After this there is a skit dealing with a conservative couple inviting over some swingers as well as a segment dealing with an examination done at a doctor’s office, which is has a vaudeville theme and comes complete with cheesy cartoon sound effects.

There was a time when the mention of sex or nudity shown of any kind would be deemed ‘controversial’, but that period is long gone and this insipid thing hasn’t aged well at all. In fact there are old episodes of the ‘Love Boat’ that are more provocative and funnier than anything you’ll see here.

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My Rating: 1 out of 10

Released: June 16, 1972

Runtime: 1Hour 40Minutes

Not Rated

Director: Jacques Levy

Studio: Cinemation Industries

Available: DVD (out-of-print)

A Man, A Woman and a Bank (1979)

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: A very large withdrawal.

Small-time crook Reese (Donald Sutherland) teams up with his computer expert friend Norman (Paul Mazursky) to pull of what they hope will be the perfect crime. Their plan is to reprogram the alarm system of a bank while the building is still under construction. Then when it finally gets completed they’ll break into the vault undetected and walk away with a cool 50 million dollars. Things though get off to a rocky start when commercial photographer Stacey (Brooke Adams) snaps of picture of Reese as he is stealing the blueprints of the building. In an effort to get the negatives back he tracks her down, but ends up falling in love with her instead putting their elaborate plan at risk.

There’s been a million and one bank robbery films done and many of them can be quite entertaining, but this one misses the mark from the very beginning. For one thing it gives us no backstory to the characters, or how they were able to come up with the idea in the first place. Giving a compelling reason for the viewer to become emotionally attached to the characters and their quest helps and this film fails to give it. The plan itself seems too easy and full of a lot of potential pitfalls that the script conveniently overlooks. The idea that the Norman character would be able to break into the bank’s security system by simply feeding the computer with a lot of useless usernames until it finally breaks down and starts spitting out the secret information is in itself quite questionable.

The pacing is poor and the story meanders onto several different story threads that have nothing to do with the crime. Analyzing Norman’s marriage difficulties and Stacey’s troubles with her possessive boyfriend (Allan Kolman) seems like material for a whole different movie and does nothing to help keep the interest going in this one. In fact the movie spends so much time on these other tangents that the robbery begins to seem almost like a side-story.

Stars Sutherland and Adams reunite after starring in Invasion of the Body Snatchers just a year earlier. The two share a good chemistry, but Sutherland is too laid back in the role and Adams’ hyper energy helps only so much. The film’s best performance and ultimate scene stealer is Mazursky who is completely on-the-mark as the nervous friend and gets quite a few good lines.

The film does have a couple of unique scenes that I liked including a collection of candles made to look like well-known game show hosts and a security guard who does jumping jack exercises only to light up a cigarette the minute he sits back down. The crime though is boring and does not offer enough tension. I was almost hoping they’d end up getting caught as they are able to pull it off too easily with a plan that I don’t think would ever work in real-life.

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My Rating: 3 out of 10

Released: September 8, 1979

Runtime: 1Hour 41Minutes

Rated PG

Director: Noel Black

Studio: AVCO Embassy Pictures

Available: DVD

Lucky Lady (1975)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Three’s not a crowd.

Walker (Burt Reynolds) and Claire (Liza Minnelli) make money by helping people illegally cross the Mexican border into the states, but when their third partner in the business dies and they almost get arrested they decide to get into an easier line of work. With the help of Kibby (Gene Hackman) they become rum-runners who transport liquor by boat under the cover of night during the prohibition era. As the three start to have some success and get to know each other they also form a love triangle and spend their evenings involved in a ménage-a-trois.

If you’re in the mood for non-think, grandiose style entertainment made in the same vein of classic movies from Hollywood’s golden era then you should find this more than satisfying. The plot moves along at a nice breezy pace with characters that are distinct and fun and full of snappy dialogue. The majority of the story takes place on water, but manages to remain quite exciting and ironically only becomes waterlogged when it goes on land. The lavish sets are splendid and the film could be enjoyed by simply taking in those alone.

The three leads are in top form and play against type. Minnelli, who actually looks sexy here in a flapper styled hairdo, is quite amusing with her acerbic one-liners. Reynolds is great as the klutzy member of the trio and Hackman is solid as always playing someone who seems meek at first, but eventually takes over things with his patented strong personality. Unfortunately John Hillerman, best known for playing Higgins in the ‘Magnum P.I.’ TV-series, is the only weak link of the cast playing a bad guy that never conveys enough menace to be truly threatening.

A young Robby Benson who was 18 at the time, but looks more like 14 is quite good in support. I was never all that impressed with the former teen heart throb, but here he is effective playing a shy kid who says little, but when he does say something it’s a gem. Geoffrey Lewis is also quite funny as an inept Captain of the Coast Guard. Mills Watson, who is best known for playing Deputy Perkins on the ‘The Misadventures of Sheriff Lobo’ TV-series can be spotted in a couple of scenes. IMDb does not have him listed here, but I recognized him and his name does come up on the closing credits as a character named Giff.

For lightweight entertainment the film does have quite a few action sequences that are surprisingly well choreographed and even quite bloody, but the climatic sequence becomes too cartoonish. I was also disappointed that the one unique element of the story, which is the three getting into a relationship, is only mildly touched upon and basically forgotten after the first hour. The film could’ve gone a lot farther with that and even made it the centerpiece of the plot, which would’ve helped make it more character driven and groundbreaking.

My Rating: 6 out of 10

Released: December 25, 1975

Runtime: 1Hour 58Minutes

Rated PG

Director: Stanley Donen

Studio: 20th Century Fox

Available: DVD

 

The Fortune (1975)

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By Richard Winters

My Rating: 7 out of 10

4-Word Review: Trying to murder heiress.

Oscar (Jack Nicholson) and Nicky (Warren Beatty) are two inept con men living in the 1920’s who think they’ve come up with the perfect plan for gaining a lot of money by having Oscar marry Fredericka (Stockard Channing) who is set to inherit millions from her father as she is the sole heiress to his fortune.  Unfortunately for them once the wedding is over Fredericka suddenly announces that she plans on donating her entire fortune to charity convincing the two that they must murder her before she does.

I found this to be a highly enjoyable movie and was laughing-out-loud in a lot of places, which is something that I don’t typically do. So it made me surprised to find that there were quite a few people on IMDB that were critical of it, or that it did so poorly at the box office when it was initially released. I admit that for the first hour the script meanders and things don’t really get going until the final 30 minutes when the two try to implement their hair-brained murder attempts, which they hope to make look like a suicide, but instead encounter one unexpected disaster after another.

Two of the funniest moments include the scene where Jack Nicholson walk out onto the wing of a flying airplane and scares Fredericka who is sitting as a passenger inside in a sort of comic spin of the famous ‘Twilight Zone’ episode that starred William Shatner. Another great scene is when Nicky and Oscar put Fredericka’s unconscious body inside a trunk and then try to throw if off a bridge only to inadvertently hold up a long procession of honking cars and angry drivers.

The three leads are in top form and play completely against type here. Beatty, who usually plays laid-back and detached characters, is more cantankerous and belligerent and Nicholson, with his hairstyle resembling that of singer Art Garfunkel’s is very funny as the dimwitted second-banana. Channing looks great in a flapper style hairdo and the segments detailing her desperate attempts at cooking are quite amusing. Florence Stanley is also good in support as the noisy landlord.

The film has the ingredients for a perfect comedy although it will appeal more to those who enjoy their humor on the dark side. The twist ending is kind of clever and the final camera shot that rotates to an almost complete turn is excellent.

My Rating: 7 out of 10

Released: October 16, 1975

Runtime: 1Hour 28Minutes

Rated PG

Director: Mike Nichols

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Instant Video

And Hope to Die (1972)

and hope to die

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Kidnapping a dead girl.

Tony (Jean-Louis Trintignant) is on the run from a gypsy group out for revenge and as he is being chased by them he encounters another group of criminals headed by Charley (Robert Ryan) who after some conflict take him into their fold and gives him the nickname of Froggy. Their plan is to kidnap a teen girl who is set to be the star witness at a trial of a major head of a criminal organization. Unfortunately she commits suicide before they can get to her, so they pretend that she is still alive and go through the motions of the kidnapping so as to be able to collect the payout by the organization that hired them.

This is the second of director Rene Clement’s trilogy dealing with the theme of kidnapping. The first was The Deadly Trap and the third being Scar Tissue. Of the three this one is the best mainly because of its many offbeat touches. The wry sense of humor, which is deftly interwoven into an already intricate plot, is terrific and helps make the entire thing engaging from beginning to end. My favorite parts include a contest that Froggy plays with Charley where he can stand three cigarettes on end straight into the air, which he can do with ease while Charley can’t despite his repeated efforts. The eulogy that Charley gives during a makeshift burial of one of their cohorts is priceless and the action isn’t bad either including an exciting sequence in which the group walks across a thin ladder hundreds of feet in the air that connects one skyscraper to another.

The characterizations are well done and played to the hilt. Trintignant plays another one of his outsider-looking-in roles and the way he manages to mesh himself into the group that is initially reluctant to have him is quite amusing. Aldo Ray is a scene stealer playing the gang’s resident bonehead and Tisa Farrow, who is Mia’s younger sister and looks almost like she could be her twin, is appealing in her role as a volatile young lady who knows how to use a gun and not afraid to shoot it whenever she gets the least bit riled.

The actual kidnapping, which is based on the novel ‘Black Friday’ by David Goodis, doesn’t occur until the final thirty minutes with the first hour dealing exclusively with Froggy’s assimilation into the group, which may sound boring, but really isn’t. In fact there is very little about this movie that I didn’t like and my only complaint would be the lackluster ending that doesn’t offer much of a payoff. Otherwise I feel this is a great example of how to mix humor with action, but still managing to keep things believable, fresh and inventive.

My Rating: 7 out of 10

Released: September 15, 1972

Runtime: 1Hour 39Minutes

Rated PG

Director: Rene Clement

Studio: 20th Century Fox

Available: DVD (Region 2)

The Girl Most Likely to…(1973)

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By Richard Winters

My Rating: 6 out of 10

4-Word Review: Ugly girl gets revenge.

Miriam (Stockard Channing) is a homely student attending college who can’t seem to find a boyfriend or even any friends. Instead she is ostracized and rejected constantly in the cruelest ways possible. Upset by her depressing life she one day gets into her car and drives recklessly down the highway only to get into a crash, which forces surgeons to do major reconstructive surgery on her face that amazingly turns her into a beautiful woman. Now she can have any guy that she wants, but the bitterness of the way she was treated in the past eats away at her and she instead decides to get revenge by killing off all the people that rejected her using increasingly novel methods.

This made-for-TV film was written by Joan Rivers and it has the same humor that she used in her stand-up comedy act, which mainly focused on women’s deep seated insecurities involving their looks and the need to get married and please their husband. To some degree the whole thing is quite dated particularly the idea that a woman’s sole purpose in life is to use their looks to snare a rich husband who will then take care of them for the rest of their life. The humor and characters are also extremely clichéd and broad, but it still manages to have some funny bits.

Channing’s presence helps immensely and she manages to somehow carry off the role with dignity despite being degraded and humiliated at every turn. Her ugly makeover is impressive particularly the way they wadded up her nose to make her left nostril much larger than the right one, which had me reluctantly focused on it every time it came into view.

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The supporting cast features many familiar faces in small, bit parts some of which are quite funny including Joe Flynn as a surgeon unable to find a patient’s appendix, Larry Wilcox as a dumb football player named Moose, Warren Berlinger as Miriam’s plumber fiancée and Susanne Zenor as the haughty roommate. This also marks the acting debut of Larry Manetti who can be spotted in a small role as a football player.

The murders themselves are what help stand this film apart from the others in what otherwise could be described as a Carrie precursor. The scene where Miriam kills off the Wilcox character while skydiving is impressively captured as is the segment where Berlinger drowns in a flood in his own bathroom. The only one that doesn’t quite make sense is when she tries to kill a pool player by having him hit the eight ball that is secretly a bomb. However, when it does finally go off, it explodes the entire pool hall, which would’ve easily killed Miriam along with the others had she not been inadvertently lead away at the last minute.

Fans of black humor should especially enjoy this and for a TV-movie it is far and away better than most. It also scores better than River’s theatrical feature Rabbit Test, which she did five years later and wasn’t funny at all.

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My Rating: 6 out of 10

Released: November 6, 1973

Runtime: 1Hour 15Minutes

Not Rated

Director: Lee Phillips

Studio: ABC Circle Films

Available: DVD