Tag Archives: Eugene Levy

Running (1979)

running 1

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Life of a runner.

Michael (Michael Douglas) is suffering, at the age of 32, a midlife malaise. He goes from one dead end job to another and his marriage is crumbling. He runs to relieve the stress and finds that he has a major passion for it. When he qualifies for the Olympics he is initially excited, but it’s short lived because his former coach (Lawrence Dane) is on hand to constantly remind him how he has a tendency to ‘choke’ at the last minute and can never win a race when the pressure is on, which begins to wear on him psychologically.

The theme of a middle aged man having a passion for something that isn’t exactly ‘practical’ and resisting the pressures from the rest of world that tries to get him to conform to something that is, is highly relatable. I also liked the side-story dealing with the psychological element, which plays a far stronger factor in sports and amongst athletes than one might think. However, the majority of the screen time is spent with Michael trying to reconcile with his wife Janet (Susan Anspach) making it seem more like a romance and seemingly added in as ‘filler’ because the filmmakers believed that the running theme wouldn’t be enough to  carry it.

I also had a hard time understanding why the kids at high school, or at least his daughter’s friends, which gets played by Lesleh Donaldson in her film debut, would make fun of Michael simply because he was frequently seen around town running. I see joggers and runners every day and saw a lot of them back in the ‘70s too, so I don’t get why that would be a source of mockery and it seems like it was yet another manufactured dramatic element put in to give it more conflict. What’s even worse is when Michael finally qualifies for the Olympics then the kids do a full 180 degree turn and get excited about it and even run with him down the city streets, which gets corny to say the least.

Halfway in you realize this is just another variation of the Rocky formula and normally I would’ve found it annoying, but for some reason I actually got into it. I even liked the scene where he spots a giant cross standing on a hill and decides to run up the incline to reach it much like Rocky climbing the steps of the Philadelphia Museum of Art and to some degree it’s invigorating although it would’ve been nice had it shown him standing next to the cross once the climb was achieved. The final segment that takes place during the climactic Olympic race even has a twist to it that I didn’t see coming and to a degree it’s interesting though pushing plausibility. I won’t give it away I’ll just say that he doesn’t win the race, but he doesn’t exactly lose it either.

Douglas did all of his own running and to prepare for the role he would run many miles a day; IMDB states that he ran 50 to 60 miles a day, which I found hard to believe, so we’ll just say it was ‘many’. Anspach is good as the sympathetic wife particularly when the character has a conflict of emotions and breaks out in tears. Eugene Levy appears with a full afro in a rare serious turn as Michael’s attorney. Lawrence Dane is okay as the hardened coach who dispenses a lot of ‘tough love’, but little else.

My Rating: 5 out of 10

Released: November 2, 1979

Runtime: 1Hour 42Minutes

Rated PG

Director: Steven Hilliard Stern

Studio: Universal

Available: DVD (Italian Import Region 0)

Splash (1984)

splash 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Man falls for mermaid.

Allen (Tom Hanks) is stuck in a hapless job and a string of loveless relationships. After his last live-in girlfriend leaves him he becomes convinced that he will never find true love. Then on a whim he takes a trip to Cape Cod and goes out into the harbor in a small boat despite not being able to swim. When the engine conks out and he attempts to restart it he gets knocked into the water and his saved by a mysterious mermaid (Daryl Hannah). He returns to his New York home and mundane life only to find that the mermaid has sprouted legs and followed him. Allen doesn’t recognize the woman as the one who saved him, but he’s immediately smitten by her beauty nonetheless. They start up an awkward relationship, but when Allen proposes marriage she tells him she can’t as she has a dark secret, which is the fact that when she gets wet her legs turn into fins.

This was Ron Howard’s third foray behind the camera on a theatrical film and for the most part it’s a success. I enjoyed the mix of fantasy and surrealism and a love story that is cute, but not too cute. I loved the big city ambience including a scene involving classical street musicians and a visit to an outdoor ice skating rink. The climatic car chase through the downtown is funny especially when a group of soldiers manually overturn a taxi cab that is in their way.

Unfortunately the script, which is credited to four different writers, is full of major loopholes that to me ended up getting in the way of my enjoyment. I realize as a budding/struggling screenwriter that it is difficult to write a plot that is completely logical in every way and every story even the really good ones will usually have a few minor implausibility’s that one can overlook and forgive, but this one goes way beyond that.

For one thing I thought it was absurd that this mermaid who knew nothing of the English language when she came could somehow learn the language in one day simply by watching television. Yes, she may be able to pick up on some words, but to be able to learn their meanings and context is another story that just wouldn’t be possible for anyone to realistically grasp in such a short period of time. Besides I thought it was more interesting when she didn’t speak and it could’ve worked on that level alone. And while we’re at it who ended up paying for all those televisions in the department store that she destroys while in front of the sales staff when she states her name in such a high pitch that it explodes all of the screens?

I was also confused how the Eugene Levy character was able to track down the Hannah character and able to stalk her in his attempt to get her wet and expose her as a mermaid. He initially spots her under the ocean, but then later reads about her in a newspaper, but the article did not mention her name or whereabouts because at the time she hadn’t reconnected with Allen, so how would he know where to find her especially in the big, congested metropolis of New York?

I also had trouble with the scene where John Candy, who plays Allen’s brother, helps the Levy and Allen sneak the mermaid out of a science lab, but then ends up staying to take the blame while the others leave. The Candy character had no invested interest in the mermaid and came along only to help out, so why should he be the fall guy, or even agree to it?

Spoiler Alert!

There is also a scene where the mermaid buys Allen a giant water fountain and has it placed in his bedroom, which makes no sense because the doorway was clearly not big enough to get any of it through it. My biggest beef though is with the ending where the viewer learns that as long as Allen is with the mermaid he will be able to breathe underwater without any apparatus, which defies all laws of physics and seems thrown in to appease the hopelessly romantic masses who will buy into any contrived ‘happy ending’ no matter how utterly illogical. In some ways the idea that he couldn’t go with her and she would come back to visit him on occasion would’ve worked better because then they wouldn’t have to be with each other 24/7, which usually ends up being the cause of most break-ups anyways.

End of Spoiler Alert!

There is also the issue of how the mermaid manages to sprout human legs. Apparently there is a scene in the special edition DVD showing an old sea hag casting a spell on the mermaid, which allows her to have legs, but only for a short time. This scene was cut from the original release, which was a mistake as it was necessary to help explain the rest of the plot.

The movie does have its share of good points especially the casting of Hannah who seems born to play this role, but the truly great films do not require the viewer to overlook so many logic loopholes and unanswered questions in order to enjoy it.

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My Rating: 5 out of 10

Released: March 9, 1984

Runtime: 1Hour 51Minutes

Rated PG

Director: Ron Howard

Studio: Buena Vista

Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube

Club Paradise (1986)

club paradise

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Life on the beach.

When firemen Jack Moniker (Robin Williams) is able to collect a large insurance settlement after being injured while on the job he decides to retire and move to Jamaica. There he meets Ernest (Jimmy Cliff) who owns a rundown resort and has gotten far behind on his taxes and now being harassed by the Island’s Prime Minister (Adolph Caesar) for payment. Jack decides to help his friend by fixing up the place until it becomes a snazzy destination that attracts people from all over. Soon a bunch of tourists, many of them on the eccentric side, are flocking to stay there, but Jack finds it hard to keep up with their demands while also battling Voit (Brian Doyle-Murray) a competing resort owner who feels Jack is infringing on his territory.

The film starts out pleasing enough. Cliff’s reggae songs are great and the island scenery, which was shot on-location in Port Antonio, Jamaica is soothing to the eye and spirit. Unfortunately the laughs are sporadic and the plotline minimal. Part of the problem is that it doesn’t stay focused on the Jack character. The story jumps completely past him buying the resort and rebuilding it and instead goes directly to the eccentric guests and their cartoonish behavior and dilemmas. The script is more like a patchwork of goofy skit-like ideas than a movie and the cast is made up almost entirely from the stars of the first couple of seasons of SCTV.

Williams is much more subdued here, which is nice to a degree as sometimes he can get a bit too hyper, but he is also not as funny. Peter O’Toole is good when he’s seen, but his screen time is so limited I was surprised that he even took the part as it’s a slap-in-the-face role for an actor of his stature.

The supporting cast is too hammy. Eugene Levy and Rick Moranis are mildly amusing as two clueless dweebs trying desperately to hit on some of the hot chicks, but when their story thread deviates to Moranis going on a surfboard that takes him on a 16 hour ride out to sea, it gets stupid. Andrea Martin comes off best and has a few enjoyable moments including most notably her battle with an overpowering shower.

Even a comedy needs some character development and this film, which boasts having 6 writers to its screenplay, has none. Too much emphasis is put on throwing in any type of joke or humor that it can much of which is on  a childish, preadolescent level that will bore and annoy most adults.

My Rating: 3 out of 10

Released: July 11, 1986

Runtime: 1Hour 36Minutes

Rated PG-13

Director: Harold Ramis

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video, YouTube