Monthly Archives: June 2021

Lookin’ to Get Out (1982)

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By Richard Winters

My Rating: 5 out of 10

4-Word Review: Hiding out in Vegas.

Alex (Jon Voight) is a high stakes gambler in debt for $10,000. Joey and Harry (Allen Keller, Jude Farese) work with the syndicate and when they come around to collect their debt from Alex he escapes out of the city with his pal Jerry Feldmen (Burt Young) where they go to Las Vegas in hopes of recouping the money by playing blackjack. Alex employs the services of Smitty (Bert Remsen), an expert card counter, to help him at the dealer table, but just as he and Jerry think they’ve got their situation solved Joey and Harry reappear and chase the two through the hotel demanding that the debt be repaid immediately.

The script was written by Al Schwartz who based it on some of his own life experiences as he struggled to make it in the entertainment world. While working as the business manager to singer/songwriter Chip Taylor he showed him the script to get his opinion and Chip suggested that Al send it to Jon Voight, Chip’s brother, and when Jon read it he purportedly ‘fell in love with it’ within the first 30 pages. The story is a bit different as the situations itself aren’t necessarily funny, but instead it relies on the desperate nature of the characters and the way they interact with each other for its humor.

It was filmed at the MGM Grand Hotel, which at 6,852 rooms is the largest single hotel in the United States and third largest in the world. The ambience of the place is well captured and reminded me of the atmosphere of a lot of casinos I’ve stayed at where everyone is looking to ‘get lucky’ while in the process living very much on the edge. Having the plot that place over only a two-day period nicely reflects how gamblers live for the moment without any concern for either the past or future. It’s all just about the risk and excitement of beating the odds, which on that level, the film captures admirably well.

The acting helps, particularly from Voight who gives a souped-up rendition of his more famous Joe Buck character from Midnight Cowboy, playing a clueless schmuck who believes he can con his way out of anything and it’s also great seeing him share a scene with his real-life daughter Angelina Jolie, who at age 4 makes her film debut, appearing briefly as Alex’s daughter near the end and to date has been the only project that the two have done together. Young is also quite good as his more sensible friend and to an extent that he becomes the person the audience connects with. Remsen has a few key moments too playing a character that initially seems insignificant to the story, but slowly begins to have a much more meaningful presence by the end. As a buddy formula it works, but throwing in Ann-Margaret as Alex’s former girlfriend who comes back into his life, doesn’t gel and she should’ve been left out.

The foot chase where Alex and Jerry try to outrun Joey and Harry by dashing throughout the hotel is the film’s single best moment and I was impressed with how unlike other movie chases scenes there were no jump cuts and you can visually follow the action even as it shifts between different rooms. The other segments though get overly drawn-out. While his trademark was a slower, more subtle pace, which worked in his previous movies, director Hal Ashby would’ve been wise to have paired this one down. The plot isn’t intricate enough to justify the long runtime and a 90-minute version would’ve been ideal. The original theatrical cut was 105 minutes, which had issues too, but the longer director’s edition isn’t perfect either and in this instance less definitely would’ve been more.

My Rating: 5 out of 10

Released: October 8, 1982

Runtime: 2 Hours (Director’s Cut)

Rated R

Director: Hal Ashby

Studio: Paramount

Available: DVD, Amazon Video

You Can’t Hurry Love (1988)

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By Richard Winters

My Rating: 1 out of 10

4-Word Review: From Ohio to L.A.

Eddie (David Packer) is tired of living in the Midwest and after a failed relationship decides to pack his bags and head out west looking for new opportunities. He moves in with his cousin Skip (Scott McGinnis) who already lives in Los Angeles, in order to check-out the scene, but finds everyone to be weird and wacky. He goes on several job interviews, but none of them hire him. He meets pretty Peggy (Bridget Fonda) who works at a video dating service and makes a video of his own, but his attempts to be somebody he really isn’t backfires at every turn. Can Eddie find true love and happiness and will anyone who watches this movie really care if he does or doesn’t?

One of the main problems is Packer, who strangely enough went on to star in another movie, The Runnin’ Kind, just a year later that had almost the exact same storyline. Quite frankly I was surprised he got any part at all as he came into this already with baggage, which stemmed from what occurred on October 30, 1982. On that night he was at the home of actress Dominique Dunne rehearsing a scene for the upcoming TV-miniseries ‘V’ when her ex-boyfriend John Thomas Sweeney came over and preceded to attack and kill her. Some felt that Packer should’ve/could’ve intervened and had he done so she might still be alive today. While I’ll refrain from passing judgement in that area I will say that his acting here is one of the worst I’ve ever seen in a mainstream Hollywood production. His eyes have a glazed over appearance and his face a shit-eating grin. His vocal delivery is quite monotone like someone who’s high and only half there. Fonda on the other hand (this essentially constitutes as her film debut since the 4 films she did previously were either animated, shorts, or non-speaking parts) is quite engaging despite her part being just as poorly written as his, but her superior acting ability shines through while Packer’s drags it down.

The script by Richard Martini tries too hard to recreate the surreal atmosphere from After Hours, but the cultish vibe from that one doesn’t click here. That one starred Griffin Dunne, (who was ironically Dominique’s real-life brother) who was better able to create a believable character that the viewer could identify with and emotionally connect to while Packer is a transparent guy you wish would just go away. It also overly plays-up the flaky stereotype of those living on the west coast. I resided in L.A. or 6 months and I can attest that some of the people out there are a bit eccentric, but they’re not all that way and the film should’ve brought in a few normal ones for balance.

Cameo appearances by famous actors do help a little. Charles Grodin is amusing as the blue collar-like father of one of Packer’s potential dates, who gives Packer, before they proceed on their date, some very brash and straightforward advice. Kristy McNichol is engaging too as a punk girl who harbors a man-hating streak. The funniest of them all though is Lu Leonard as the director of the video dating service that Packer joins who helps coach him on how to present himself to his potential dates. In fact the video dating aspect, of which I admit I was a part of back in the 90’s, is kind of funny and the movie should’ve centered everything around the inner-workings of a dating service franchise, which would’ve been far more interesting and insightful.

My Rating: 1 out of 10

Released: January 20, 1988

Runtime: 1 Hour 32 Minutes

Rated R

Director: Richard Martini

Studio: Lightning Pictures

Available: DVD, Amazon Video, YouTube