Monthly Archives: December 2019

Posse (1975)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Everyone has their price.

Howard Nightingale (Kirk Douglas) is an ambitious Marshall looking to run for U.S. Senate and realizes his best bet of winning the seat is by bringing in the notorious train robbing gang led by Jack Strawhorn (Bruce Dern). Howard manages to kill off the gang by having his posse set fire to the hideout that they were in, but Jack escapes only to be captured later and brought to jail. While on the train ride to Austin where he’ll be hanged Jack comes up with an elaborate escape and turns-the-tables by handcuffing Howard and returning him to the town where they came from and holding him prisoner inside the local hotel. When the posse returns to the town everyone is convinced they’ll free Howard, or will they?

In an era where revisionist westerns were all the rage it’s confusing, at least initially, not to understand why this one, which story-wise goes completely against-the-grain of the conventional western, isn’t propped up there with the best of them and a lot of the blame could possibly be put on the direction. There’s nothing really wrong with the way it’s presented and there are some exciting moments including a realistic shootout as well as a running train being set on fire while also exploding from dynamite, but the rest of it does have a certain static feel. There’s too much reliance on music and not enough on mood or atmosphere as well as actors looking more like modern day people in period costume.

The script though, which is based on a 1971 short story called ‘The Train’ by Larry Cohen is full of many offbeat twists that keeps the viewer intrigued. Of course in an attempt to stretch out the short story into feature length there are some slow spots, particularly in the middle and the emphasis is more on concept than character development, but Jack’s crafty way at escaping is quite entertaining and the surprise ending is one of the best not because it’s a gimmick, which it isn’t, but more because it’s quite believable and yet something that’s never been done in any other western.

Douglas gives his conniving character just the right amount of pompous camp to make him enjoyable and it’s great to see James Stacy in his first movie role after his tragic motorcycle accident where he lost both his left arm and leg. In any other film this handicap would have to become a major issue, but here it doesn’t even get mentioned. The character doesn’t use it to feel sorry for himself nor is he treated any differently than anyone else, which I found to be quite refreshing.

A minor drawback though it that it’s supposed to take place in Texas and my hometown of Austin even gets mentioned a few times, which is kind of cool, but it was actually filmed in the state of Arizona. To some this might not be a big deal, but Arizona’s landscape is much sandier and has more mountains. Their cacti is of the upright kind while in Texas the cactus is of the bushy variety known as the prickly pear. All of which helps to ruin the film’s authenticity. If they didn’t have the funding to film it in Texas then have the story’s setting take place in California or Arizona, but trying to compromise it and hoping that astute viewers won’t know the difference doesn’t work.

My Rating: 7 out of 10

Released: June 4, 1975

Runtime: 1 Hour 32 Minutes

Rated PG

Director: Kirk Douglas

Studio: Paramount Pictures

Available: DVD, Amazon Video, YouTube

Andy Warhol’s Bad (1977)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Paying women to kill.

Hazel (Carroll Baker) runs a beauty parlor out of her home that specializes in unwanted hair removal, but secretly on the side she hires beautiful women to carry out contract killings of which she gets a part of the take. L.T. (Perry King) is a vagabond in desperate need of money who’s looking to get into the business, but Hazel prefers her killers to be women and is reluctant to take him, but eventually decides to hire him on a trial basis, but then everything starts to go wrong.

One of the best things about this movie is how truly dark it gets. Too many movies that proclaim to be dark comedies always pull back and never get as deliriously twisted as they initially convince you they will, but this film proudly takes things to the darkest extremes becoming a measurement to what true underground filmmaking once was where pushing the envelope was the only goal.

For the most part, depending on one’s sense of humor, it’s outrageously funny. Some of the more wicked moments feature twin sisters (Geraldine and Maria Smith) setting a movie theater on fire and then going home to watch the coverage of it on the TV. There’s also Warhol alum Brigid Berlin as an overweight woman with flatulence issues who’s obsessed at getting brutal revenge on anyone that she perceives as making fun of her weight.

The film also takes satirical jabs at the American obsession of making money and how one’s social standing hinges on how much they have without any concern with what exactly they had to do to get it. This come to a perfect hilt when Hazel throws L.T. out of the house when he refuses to go through with a hit but still somehow feels she’s the morally superior one by taunting him with “At least I pay my own way”.

Due to this being the biggest budgeted film that Andy Warhol produced they  were able to hire some well-known faces into the roles. Baker though was not their first choice as they originally wanted Vivian Vance, whose presence would’ve made this even more of a gem than it already is, but she turned it down fearing it would ruin her reputation with her fans. Shelley Winters, who was their second choice, also rejected the offer, which was rare as she usually accepted anything that came along and she would’ve been brilliant, but I’ll give props to Baker, who took the role simply in an attempt to resuscitate her career, for not holding anything back here and giving it her all.

King is also superb and I enjoyed seeing his character arch as he’s the only in the film that has one, but was disappointed that there was never a final, fiery confrontation between him and Hazel as the film spends the whole time priming you into believing that there will be. Tyrrell is also memorable in a rare sympathetic part where she becomes the only one with a conscious although I have no idea where they got the baby that she is seen constantly carrying around as he’s one of the stranger looking tykes I’ve ever seen.

The cinematic quality though is lacking with almost all of the action taking place inside the drab house. The basic concept isn’t completely well thought out either. While I appreciated the bad cop character, played by Charles McGregor, who gets paid to look the other way, which helps to explain how Hazel is able to get away with these killings for as long as she does, I was still confused with how she was able to bully people. Everyone adheres to her authority, which is never challenged, but you’d think someone running a dicey operation would have some sort of backup plan and weapon on hand should someone get out-of-line, which she doesn’t and for me this seemed questionable.

The film is notorious as well for a scene showing a young mother throwing her baby out of a high story building and watching it go splat on the ground. Supposedly Baker, King, and Tyrrell refused to do the film unless they were promised that this scene be taken out of the script and director Jed Johnson complied only to end up filming it once the rest of the production had wrapped. Years ago when  I first saw this I thought it was pretty funny especially as another mother walks by and says to her young child “that’s what’s going to happen to you if you don’t behave”. It’s clearly a doll anyways and no real baby was harmed, but when I viewed it this time around I found it unsettling, so like with a lot of things in this movie, it’s up to a person’s age and perspective on how much of it they may or may not enjoy.

My Rating: 7 out of 10

Release: May 4, 1977

Runtime: 1 Hour 45 Minutes

Rated X

Director: Jed Johnson

Studio: New World Pictures

Available: DVD