Tag Archives: James Stacy

Posse (1975)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Everyone has their price.

Howard Nightingale (Kirk Douglas) is an ambitious Marshall looking to run for U.S. Senate and realizes his best bet of winning the seat is by bringing in the notorious train robbing gang led by Jack Strawhorn (Bruce Dern). Howard manages to kill off the gang by having his posse set fire to the hideout that they were in, but Jack escapes only to be captured later and brought to jail. While on the train ride to Austin where he’ll be hanged Jack comes up with an elaborate escape and turns-the-tables by handcuffing Howard and returning him to the town where they came from and holding him prisoner inside the local hotel. When the posse returns to the town everyone is convinced they’ll free Howard, or will they?

In an era where revisionist westerns were all the rage it’s confusing, at least initially, not to understand why this one, which story-wise goes completely against-the-grain of the conventional western, isn’t propped up there with the best of them and a lot of the blame could possibly be put on the direction. There’s nothing really wrong with the way it’s presented and there are some exciting moments including a realistic shootout as well as a running train being set on fire while also exploding from dynamite, but the rest of it does have a certain static feel. There’s too much reliance on music and not enough on mood or atmosphere as well as actors looking more like modern day people in period costume.

The script though, which is based on a 1971 short story called ‘The Train’ by Larry Cohen is full of many offbeat twists that keeps the viewer intrigued. Of course in an attempt to stretch out the short story into feature length there are some slow spots, particularly in the middle and the emphasis is more on concept than character development, but Jack’s crafty way at escaping is quite entertaining and the surprise ending is one of the best not because it’s a gimmick, which it isn’t, but more because it’s quite believable and yet something that’s never been done in any other western.

Douglas gives his conniving character just the right amount of pompous camp to make him enjoyable and it’s great to see James Stacy in his first movie role after his tragic motorcycle accident where he lost both his left arm and leg. In any other film this handicap would have to become a major issue, but here it doesn’t even get mentioned. The character doesn’t use it to feel sorry for himself nor is he treated any differently than anyone else, which I found to be quite refreshing.

A minor drawback though it that it’s supposed to take place in Texas and my hometown of Austin even gets mentioned a few times, which is kind of cool, but it was actually filmed in the state of Arizona. To some this might not be a big deal, but Arizona’s landscape is much sandier and has more mountains. Their cacti is of the upright kind while in Texas the cactus is of the bushy variety known as the prickly pear. All of which helps to ruin the film’s authenticity. If they didn’t have the funding to film it in Texas then have the story’s setting take place in California or Arizona, but trying to compromise it and hoping that astute viewers won’t know the difference doesn’t work.

My Rating: 7 out of 10

Released: June 4, 1975

Runtime: 1 Hour 32 Minutes

Rated PG

Director: Kirk Douglas

Studio: Paramount Pictures

Available: DVD, Amazon Video, YouTube

Flareup (1969)

flareup

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Stalker terrorizes go-go dancer.

Michele (Raquel Welch) is a Las Vegas go-go dancer that attracts the unwanted attention of Alan (Luke Askew) who blames her for the breakup of his marriage. After killing his wife he then sets his sights on Michele who moves to Los Angeles in an attempt to lose him, but he figures out what club she is dancing at and continues his reign of terror. When Michele finds a new boyfriend named Joe (James Stacy) the psycho decides to add him to his already growing hit list.

Raquel is the whole movie. Her acting ability is definitely limited and at times even annoying, but in the looks department she gets an A+. In fact I’d say she is at her best looking here out of all the movies she has done. The scene where she gets on stage to gyrate her body during a provocative dance number is pretty much the highlight of the whole film. Although some of the other girls dance topless she does not and she very angrily rejects another female dancer who offers her some ‘woman love’, so there is no lesbian scene either, which could be a disappointment to some oversexed male viewers, but her presence offers enough eye candy to propel the movie on nonetheless.

Askew who wears a tacky bowl haircut looks a bit too clichéd, but he is a good enough actor to keep it tolerable. Stacy is decent as the love interest, but the romantic scenes bog down the pace. This was the last movie he did before he got into a motorcycle accident and lost his left leg and arm, which spiraled both his career and personal life downward and eventually led to a child molestation charge in 1995 that sent him to prison.

James Neilson’s direction is okay. The best part is the on-location shooting, which makes you feel like you are right back on the streets of Las Vegas from forty years ago and its fun seeing the different shops and billboards that were out during that era. The foot chase between Welch and Askew that occurs late at night in a zoo with wild animal noises heard in the background has potential, but should’ve gotten more extended.

The script though is one-note and gets stretched much too thin. The action starts out right away, but the pacing is poor and there is really never any tension. Everything gets done in a formulaic way with nothing that is unique or memorable.

Although I will give some credit to the finale that features a burning man the special effects are overall pretty shoddy. The psycho shoots at and kills people, but we never see any bullet holes or blood on the dead bodies. One scene has a security guard (Gordon Jump in an early role) shooting at Askew’s car and putting two bullet holes in its rear window, but then when the camera cuts away to a long view of the car the bullet holes have somehow miraculously disappeared.

My Rating: 3 out of 10

Released: November 10, 1969

Runtime: 1Hour 40Minutes

Rated M

Director: James Neilson

Studio: MGM

Available: VHS, DVD (Warner Archive)