By Richard Winters
My Rating: 1 out of 10
4-Word Review: Same house, new owner.
John Baxter (Tony Roberts) is a reporter for Reveal magazine that specializes in investigating paranormal activity. He takes on the challenge of moving into the infamous Long Island home to prove that it really isn’t haunted, but when he does strange things begin to occur. At first he ignores them convinced that there must be a ‘rational explanation’ instead, but as the frights intensify he becomes convinced otherwise.
I hate having to give every one of the horror movies that I’ve seen so far this month only 1 point as I would legitimately like getting scared a little, but it’s just not happening. I was hoping this one would be better as some reviewers implied that it was, but it’s just as bad as the other two and actually even worse. At least the first two had some overreacting that I found unintentionally funny, but this lacks even that.
I liked the concept of having a protagonist in a horror flick not behaving like a scared victim, but being more arrogant towards the superstitions. Yet this doesn’t get played up enough. The character’s egotistical side should’ve been stronger and thus making it fun watching the shit eventually get scared out of him.
Candy Clark’s character has the same issue. Initially she partners with Roberts as a fellow skeptic, but shifts into frightened mode too quickly. What should’ve helped differentiate the film from other horror movies by having characters not falling into the hapless victim trap gets downplayed so badly that by the end it’s completely forgotten and they come off as cardboard caricatures.
There’s also no connection to the first two movies, which creates a lot of discrepancies. The famous red room in the basement, which had been such a big deal in the first installment, is none existent and instead the viewers get treated to some bottomless well from hell. The quarter shaped attic windows, which were the home’s signature trait, aren’t even present at least not from the side facing the road.
The special effects are tacky and the 3-D effects underused. I spent the majority of the time irritated at how slow it was. The buzzing insects are annoying and in the segment where one flies around in Candy Clark’s car you can clearly see that it is attached to a string.
The fact that this film received only a PG rating is a red flag as no self-respecting horror movie should ever accept anything less than an R-rating as it signifies that it hasn’t gone for the gusto, which this doesn’t. Seeing a young Meg Ryan in an early part may be worth it to some, but there’s nothing else to recommend.
My Rating: 1 out of 10
Released: November 18, 1983
Runtime: 1 Hour 33 Minutes
Director: Richard Fleischer
Studio: Orion Pictures