By Richard Winters
My Rating: 6 out of 10
4-Word Review: Somebody is stalking her.
Kit Preston (Doris Day) is an American who has just recently married Anthony (Rex Harrison) and moved with him to London. Shortly after her move she begins receiving phone calls from a man who speaks in a strange sounding voice and who threatens her bodily harm. When she goes to the police about it they’re not helpful and soon both her husband and friends begin to question her sanity and whether she is simply making the whole thing up.
The film is based on the stage play ‘Mathilda Shouted Fire’ by Janet Green and for the most part is well-done. I enjoyed the glossiness of it particularly the sumptuous interior design of the large home they lived in. So many times movies with this type of theme are given the low budget treatment, so it’s nice to have one done more on the highbrow level.
The pace is slow and there’s way more talking than action, but I still found myself intrigued. The voice of the stalker though could’ve been done better. I guess it’s nice not having it conform to the stereotype of a madman by having his voice deep and menacing, but this guy sounds like a cartoon character and it’s unintentionally funny. The set-up could’ve also been improved as it starts out right away with her being threatened by him in a park that seems a bit surreal and confusing since we know nothing about this character and a previous backstory would’ve helped.
The villain’s ultimate identity may surprise some, but the film tries so hard to throw in these red herrings to make you think it’s all these other people that a truly savvy viewer will start to consider the one that seems to be the least likely. The plot logistics aren’t particularly well thought out either, but this is clearly not something you’re expected to think about too hard anyways.
The film’s main selling point is Day who’s tremendous. This was a big stretch for her, but she comes away in impressive fashion. She vowed afterwards that she would never do another thriller because it was too emotionally draining and I felt emotional drained just watching her. What I liked is that instead of screaming when she panics she breaks out into a teary-eyed wail that makes her seem quite helpless, but still endearing. She stated that during the filming of these scenes she would think back to the real-life abuse that she suffered from her first husband, which makes her emotions genuine and raw and manages to strongly connect with the audience.
My only quibble and this was probably more the fault of the screenwriter than hers, is when her husband is struggling to fight off the bad guy and all she does is stand there and whimper. This was most likely a product of the era where women were expected to be more ‘dainty’ and not get involved in physical altercations, but when a guy is trying all he can to save his life and hers he might appreciate her offering him some assistance.
There’s another scene where she gets stuck in an elevator that is a bit botched too because in her attempt to sound like a hysterical women she comes off more like a gal having a weird orgasm, but overall she’s great. It might even be her best performance as she far outshines Harrison who looks too old to be her husband and wasn’t a good fit at all.
My Rating: 6 out of 10
Released: October 13, 1960
Runtime: 1 Hour 48 Minutes
Director: David Miller
Studio: Universal Pictures
Best for Day’s riotous over-the-top dramatics in a tedious, talky mix of Dial M for Murder and Gaslight.
Clumsily executed and rather silly thriller with a deliriously overwrought Day playing to the rafters opposite Rex Harrison who seems embalmed. With
Roddy McDowall and John Gavin as red herrings Gaslight is so superior.
Thank you for the review. I haven’t seen a Doris Day movie yet.