Monthly Archives: July 2017

Three (1969)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Two guys one chick.

Taylor (Sam Waterston) and Bert (Robbie Porter) are two college chums spending their summer traveling through Europe. When they get to Italy they come upon a free-spirited young woman named Marty (Charlotte Rampling) who agrees to become their traveling companion, but underlying sexual tensions soon rise to the surface. Both men want to make a play for her, but resist because they fear it will ruin their friendship yet as the trip progresses the temptations get too strong to ignore.

Normally I enjoy a film with a laid back pace as I feel American movies tend to be too rushed and leave the viewer no time to allow the characters, story, or imagery to sink in. However, here it’s too slow with plot and character development at a minimum. The extraneous dialogue is not interesting and too much footage is given to capturing the Italian countryside, which makes this seem more like a travelogue.

Waterston is transparent as usual, which makes me wonder how he has managed to have the long career that he has had. Porter, who is better known as a composer, is better looking and much more dynamic and I was surprised that Rampling’s character doesn’t just gravitate towards him immediately as Waterston is dull and wimpy and not what most attractive women would want to consider.

Rampling is great and gives each scene an extra kick, which makes sitting through this meandering production slightly worth it, but the sexual tension is lacking. Supposedly this is what it’s all about, but for the most part it shies away from examining it even though it should’ve been constantly reinforced either through imagery, flashback or dialogue instead of being largely forgotten until the very, very end when it no longer mattered.

This was writer James Salter’s one-and-only foray behind the camera and it’s no surprise he never directed another one as he clearly shows no ability or understanding for pacing.  The characters are not unique enough to be captivating and one eventually begins to wonder why they’re bothering to watch it or what point the filmmakers had for even making it.

My Rating: 3 out of 10

Released: December 23, 1969

Runtime: 1 Hour 46 Minutes

Rated M

Director: James Salter

Studio: United Artists

Available: None at this time.

A Small Circle of Friends (1980)

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Three friends sleep together.

Leonardo (Brad Davis), Jessica (Karen Allen), and Nick (Jameson Parker) are students attending Harvard University during the late ‘60s. As they become intertwined with the events of that turbulent era they also form a strong bond that lasts through their school years and on into young adulthood. Leonardo has a relationship with Jessica at first, but it doesn’t work out, so Nick steals her away. Initially Leonardo is angered, but he eventually adjusts and the three later form a ménage a trois.

This was the first film directed by noted producer Rob Cohen and overall I liked the feel. The narrative is fragmented and dreamlike, but it also has a nice nostalgic quality. The script is broadly written, but still gives one a good sense of what life was like on a college campus during that period. The final scene where Leonardo visits an underground student revolution movement where they resort to violent, unlawful means to achieve social change I found to be the most compelling.

Davis gives another great performance and I’m always amazed at the way he can play an effective gay character such as he did in the homoerotic Querelle, but still manage to pull off being a flaming heterosexual too. Allen says little, but her piercing emerald eyes had me hooked on her regardless. Parker is stiff and boring, but still successfully works as an anchor to the other two who are aggressively idealistic.

It’s also fun to see Shelley Long in her film debut. Her character has little to do with the main plot, but watching her portray a man during a stage production while wearing a mustache and male body hair glued to her chest is a hoot.

Usually with these types of films the viewer gets treated to a plethora of overplayed period rock hits, but not here. Instead it’s a loud, booming orchestral score that gets both obnoxious and pretentious as it makes it seem like this is an epic of some kind when in reality it’s just a simple story of young people learning to cope in the real world and the music should’ve reflected that with a quiet folk rock sound.

The film also doesn’t take advantage of the unorthodox sexual activity of its main characters. Three friends, even in these more liberal times, rarely end up becoming a sexual trio. Having this story element introduced late and then quickly dropped is frustrating and should’ve been more explored as it is the one unique thing in an otherwise derivative film that is good enough to get a passing grade, but not much else.

My Rating: 5 out of 10

Released: March 12, 1980

Runtime: 1 Hour 53 Minutes

Rated R

Director: Rob Cohen

Studio: United Artists

Available: DVD