By Richard Winters
My Rating: 4 out of 10
4-Word Review: They buy a piano.
Spence (Ted Danson) works as an actor and during a break in shooting, which is being done at a local horse track, decides to take a rest in a nearby horse stall. While he is there he overhears a conversation between two men (Stuart Margolin, Richard Mulligan) in the next stall discussing how they are going to inject a horse with a drug that will cause him to run faster and therefore make him a ‘sure thing’ in the his next scheduled race. Spence decides to use this information to bet on the horse and make a killing at the track with the help of his friend Dennis (Howie Mandel), but the bad guys realize that they’ve been found out and try to nab Spence and Dennis before they are able to place the bet. Spence and Dennis try to hide from their pursuers by attending an auction where they inadvertently purchase a piano, which they must later deliver to a rich customer (Maria Conchita Alonso) who is dating a mobster (Paul Sorvino).
I was genuinely shocked at how limp and threadbare this script was and how it routinely resorted to some of the most empty-headed humor I’ve ever seen. Much of it consists of long and extended chase sequences that aren’t particularly exciting or imaginative and rely on gags that we’ve all seen a million times before.
The casting is also off. Margolin can be a great character actor, but not in this type of role and Mulligan’s dumb guy routine and facial muggings is to me the epitome of lame. Danson doesn’t seem particularly adept at physical humor and shows no real chemistry with his co-star. Sorvino, who walks around with a limp, gets a few chuckles, but believe it or not I came away liking Mandel the best and actually found him to my surprise to be the most normal person in the movie.
The intention was to make this a completely improvisational exercise, which would give the actors free rein to come up with lines and scenarios as they went while relying on the broadest of story blue prints as their foundation, but the studio wanted more of an actual script and forced director Blake Edwards, who later disowned this project, to approach the thing in a more conventional way. The result is a mish-mash of nonsense that doesn’t go anywhere and makes the viewer feel like they’ve done nothing but waste their time in watching it.
All could’ve been forgiven had they at least played up the piano moving bit, which is what I was fully expecting. The inspiration was to make this a remake of the classic Laurel and Hardy short The Music Box with a scene, like in that one, where the two stars must somehow move an upright piano up a long flight of stairs. However, instead of showing this it cuts away to the next scene where the two have somehow without any moving experience gotten the piano up the stairs with apparently no hassle, but what’s the use of introducing a potentially funny comic bit if you’re not going to take advantage of it?
I still came away somewhat impressed with the way that it managed on a very placid level to at least hold my interest. I suppose in this era where scripts with a plethora of winding twists tend to be the norm one could almost deem this a ‘refreshing’ change-of-pace in its simplicity. Those that set their entertainment bar very low may enjoy it more.
My Rating: 4 out of 10
Released: August 8, 1986
Runtime: 1Hour 30Minutes
Director: Blake Edwards
Studio: Columbia Pictures
Available: DVD, Amazon Video
Blake Edwards one of Hollywood’s most over-rated directors. Breakfast at Tiffany’s (1961) may be his best even with a sentimental, happy ending!