By Richard Winters
My Rating: 2 out of 10
4-Word Review: Marrying for the money.
Luke (Art Hindle) is set to receive a very large inheritance from his recently deceased grandfather (Jonathan Winters) who was the owner and founder of a prosperous toy company. The problem is that the will stipulates that he must marry within 24 hours, or the money will go to his father (Logan Ramsey) instead. Luke isn’t even dating anyone and so he must immediately go looking for a virtual stranger who’s willing to marry him on-the-spot simply for the profit. He finds that person in the form of Annie (Lissa Layng) who is a country girl visiting the big city and who Luke finds to be more down-to-earth than his other past girlfriends who now want to marry him simply so they can get their lecherous hands on his newfound fortune, but as they move ahead with their impromptu wedding his father tries everything in his means to put a stop to it.
Writer/director Larry Yust rose to some prominence in the film scene with his controversial film short The Lottery, which was based on the Shirley Jackson short story about a small town who stones one member of their community each year after their name gets randomly picked from a lottery. He followed it up with the Blaxploitation favorite Trick Baby and after that the offbeat horror flick Homebodies. While none of these films were masterpieces they still showed flair and creative potential, so why he would end up helming this dud, which is his last film to date, is a mystery, but the humor in this thing is excessively lame and the storyline utterly ridiculous.
Hindle makes for a very transparent and bland lead, but my real qualm came from his costar Layng who is a complete turn off in every way. I really hated her rural sounding accent and her phone conversation with her mother, who has even more of one, gets particularly annoying. Why Luke would choose her at random and become so very attached to her so quickly when a horde of other woman are chasing after him is never made clear and doesn’t make much sense.
Winters is the only good thing about this otherwise forgettable flick and it’s a shame he wasn’t made the star, but his ad-libs actually manages to elicit a few chuckles and what he does with his tongue at one point is rather obscene looking. I also enjoyed Logan Ramsey as his son even though in real-life he was four year older than Winters.
A slightly surreal segment where they go into a factory where workers are conditioned to crack open eggs in unison, which eventually leads to an egg throwing fight is the film’s one-and-only highpoint and even this isn’t much. I also got a kick out of the scenes with Anne Ramsey playing the part of a street preacher who tries to marry the couple first on the back of a speeding junk truck and then later while the three are floating in water with lifejackets on.
My Rating: 2 out of 10
Released: June 12, 1986
Runtime: 1Hour 29Minutes
Director: Larry Yust
Studio: Cinetel Films