By Richard Winters
My Rating: 3 out of 10
4-Word Review: Womanizer tries to rehabilitate.
Zach (John Ritter) is a successful, best-selling author, but hasn’t written a novel in quite awhile and his constant philandering has gotten his wife Alex (Alyson Reed) to leave him. Depressed about his circumstances he becomes an alcoholic, but uses the advice of his kindly bartender (Vincent Gardenia) to try and win her back, but finds fighting his hedonistic urges to be challenging.
This marked Blake Edwards fourth film dealing with the mid-life crisis issue that started with 10 in 1979 and was followed up with S.O.B. in 1981 and then That’s Life in 1986. All four had a similar setting (Malibu/Hollywood) and involved middle-aged men at a crossroads in their career/marriages. When 10 came out it was considered ‘fresh’, but by 1989 the storyline was becoming quite redundant and came-off looking like Blake’s creative well had run dry. Edwards also exposes himself as being too entrenched in the Hollywood scene and out-of-touch with the middle-class lifestyle as Zach is never in any type of financial distress despite a career lull and having his mansion burn down (he wasn’t able to collect on the insurance money due to it being caused by arson) and yet still able to stay at posh beach houses and luxury hotels. In the end his only concern is his insatiable appetite for hot women, which ultimately comes-off as plastic problems for plastic people.
The women look too much alike, including Chelsea Field, who plays Amy and Jean Marie McKee who is Rebecca. Both of these women were brunettes, the same age, and with similar hairstyles and when seeing them from behind I thought they were the same person. Zach also states that he loves ‘all women’, but only beds the hot ones. The film tries to make-up for this by having him have a sexual encounter with a female bodybuilder (Raye Hollitt), but overall they still end up looking too much like the caricature of a Hollywood Hooker.
Even Ritter, as engaging as he usually is, flops here. A lot of it has to do with his beard, which I hated. I suppose they wanted him to look different from his more famous Jack Tripper character, but turning him into an image resembling the guy on the packages of Brawny paper towels wasn’t it. Since his character does go through a transition they should’ve had him start-out clean-shaven and then as his life goes into turmoil gotten the beard only to shave it off once things returned to normal.
Zach’s incessant whining at trying to win his wife back is what really got on my nerves the most. She was right to walk out on him and he didn’t deserve a ‘do-over’. Besides not everyone is going to find happiness in a committed relationship and, even though this might’ve been ahead-of-its-time for 80’s audiences, an alternative lifestyle would’ve been a better fit like having him get into polyamory, or sex workers. As mentioned the women all looked like hookers anyways and since he seemed to have a boundless cache of cash he could’ve easily afforded them.
I did like the glow-in-the-dark condom scene, which is the film’s only funny moment and happens at the 50-minute mark. Gardenia as the intuitive bartender is amusing too and I didn’t think there was any need for Zach to see an actual therapist as the bartender’s advice was just as good and much less costly.
There are a few bits that have not aged well including Zach’s penchant for kissing a bar maids without her consent and with him sitting on a small dog and seemingly killing it. Overall, I found it superficial and trite and the only successful thing about it is that it lives up to its title.
My Rating: 3 out of 10
Release: February 28, 1989
Runtime: 1 Hour 41 Minutes
Director: Blake Edwards
Studio: 20th Century Fox
Available: DVD, Blu-ray, Amazon Video, YouTube