Tag Archives: Tim Conway

Private Eyes (1980)

privateeyes

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Inept detectives investigate case.

Inspector Winship (Don Knotts) and Dr. Tart (Tim Conway) are two American detectives hired by Scotland Yard to investigate the murder of two people at a country estate in the 1920’s. Despite receiving a letter from one of the murdered victims asking them to investigate their murder the two prove to be quite inept. The various members of the mansion’s staff begin to turn-up dead one-by-one, which further deepens the mystery as a figure shrouded in a dark robe menaces the two as they investigate the case.

After the surprise box office success of The Prize Fighter, which became one of the most profitable films ever released by New World Pictures, screenwriter John Myhers, who had co-wrote that one, convinced Conway and Knotts to do another one. This one also did well earning a big profit, but for whatever reason it was the last of the Conway/Knotts comedies and they appeared together only once more in a brief cameo as two highway cops in Cannonball Run II

To some degree this is an improvement over their other one because here the entire cast is allowed to be funny and there’s none of the awkward, corny drama. Conway has a few good moments like when he stuffs his mouth full of apricots, or tries to cut a rope tied around Knotts’ hands with a sword that’s still connected to a knight’s armor. These two also get to reveal that they have a sex drive as they fight with each other over who gets to look through a tiny peephole to see the ravishing Mistress Phyillis, played by Trisha Noble, undress.

On the negative end a lot of the comedy falls flat. The opening animated bit, styled after the Inspector Clouseau Pink Panther films, is especially lame and should’ve been nixed. The running gag where the killer leaves notes where the last word never rhymes with the others is amusing for awhile, but gets overplayed. The stunts, pratfalls, and special effects are cheap and despite being filmed on-location at the Biltmore Estate in Asheville, North Carolina you really only get to see a few rooms of it making it seem like a waste.

Conway and Knotts can certainly be amusing at times, but they’ve played these types of characters for so long that they now have become predictable and boring. The Sherlock Holmes-styled parody has been done many, many times and this adds nothing new to the mix. It’s also hard to understand why if these guys are really this hopeless and everyone in the world seems to know it how they’d continue to find work and why Scotland Yard continues to give them employment and doesn’t just let them go. Inspector Clouseau was also very inept, but he always managed through irony and dumb luck to solve the case and come-out still looking like the ‘hero’ to the public, which only helped to bolster his career. These guys though don’t ever get anything right and are perpetually clueless, so why are they detectives to begin with?

A much better idea would’ve been to have placed the setting into the modern day especially since none of the humor, or pratfalls are contingent to the period. They could’ve played two guys who were out of work and saw an ad in the newspaper looking for amateur private eyes and they decide taking a stab at it as a ‘fresh start’. Then all of their bungling would make more sense and actually would’ve been funnier since the comedy would’ve had a more plausible setting.

Spoiler Alert!

Beyond just the bland comedy the case itself, particularly the final explanation, is illogical as it has one of the victims, Lord Morley, played by Fred Stuthman, coming back to life at the end as he essentially faked his own death. This though doesn’t make sense as we see a screaming newspaper headline at the beginning stating that two people were killed, or two bodies found when the car that Lord and Lady Morley were in drove into a lake, so if Lord Morley wasn’t one of the bodies then whose was it?

My Rating: 3 out of 10

Released: April 17, 1980

Runtime: 1 Hour 31 Minutes

Rated PG

Director: Lang Elliot

Studio: New World Pictures

Available: DVD, Blu-ray, Amazon Video

The Prize Fighter (1979)

prize1

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Boxer wins rigged fights.

Bags (Tim Conway) is a former boxer who lost all 20 matches that he was in and now helps his former trainer Shakes (Don Knotts) train new fighters, but neither of them is having much luck. Bags decides to go back into the ring during an amateur fight night and this gets the attention of local crime boss Mike (Robin Clarke). Mike is trying to build a convention center, but is stymied by Pop Morgan (David Wayne) who owns a gym on the block Mike wans to build on and he’s refusing to sell at any cost. Mike decides to rig the fights that Bags is in, unbeknownst to both Bags and Shakes, to the extent that it looks like Bags is ‘unbeatable’. He then will entice Pop to bet on the fight that Bags has with the The Butcher (Michael LaGuardia). Pops will be under the presumption it’ll be a ‘safe bet’, but this time Mike won’t rig it and presumably Bags will go down and Mike will be able to get his hands on Pop’s gym and tear it down for his new building. 

While Knotts and Conway had success with their pairing in The Apple Dumpling Gangthis foray, an attempted parody of Rocky, goes nowhere. Instead of being filled with a lot of gags and pratfalls, which is what you’d expect, it’s a slow story filled with every cringy cliche from a fight movie out there. Comedy is supposed to make fun of the cliches instead of propping them up, but unfortunately that’s the approach taken and it bombs massively.

Comedy movies should also have all the characters be funny in some way, but here most of them are not. Possibly that was for vanity reasons as Conway, who also wrote the script, didn’t want to be upstaged, but this forces the viewer to go through long periods of trite drama in every scene that he’s not in. The supporting characters are extreme caricatures of the 1930’s which the film is set in. Robin Clarke is particularly annoying (not necessarily his fault as that was just the way the part was written) as he attempts to channel Al Pacino from The Godfather while speaking like a poor man’s Marlon Brando. David Wayne is cast to resemble Burgess Mereridith who was in Rocky (ironically both men played villains in the 60’s ‘Batman’ TV-show with Meredith as the Penguin and Wayne as The Mad Hatter). Here though Wayne speaks, in an effort to sound like Meredith, in a gravely voice that makes him sound like a duck. I also found John Myhers, who co-wrote the script, put-on Irish accent to be equally irritating.  

Even Knotts gets wasted. Some enjoy the moment where he cracks a bunch of raw eggs in a glass and then tries to force Conway to drink it, but other than that he doesn’t elicit too many laughs. Yes, Conway is amusing at times, but his perpetually clueless shtick gets a bit old by the end. The only performer that had me laughing was Mary Ellen O’Neill who plays Mike’s senile old mother and who does some wildly bizarre things while in Conway and Knotts’ presence. She’s a scene stealer and should’ve been in it more and while she’s at the boxing match as she watches the fight with Mike she should’ve continued to do weird things while the fight was going on, which outside of swearing she doesn’t, and it was a missed opportunity.

I will give credit for the climatic bout, which is surprisingly well choreographed and effectively has a large crowd watching, which gives it an electric atmosphere, but everything else falls flat. The irony I suppose is that the film ended up being a money-maker and in fact was one of the most successful films released by New World Pictures, but I think this was mainly because a lot of people went to it based off the reputations of the two stars more than the movie itself being good. I remember I went with my dad and two siblings to see it at the local theater because we were fans of Conway and Knotts, but all of us, our dad included, were quite bored and went home unimpressed and it clearly hasn’t improved with age. 

My Rating: 1 out of 10

Released: November 16, 1979

Runtime: 1 Hour 39 Minutes

Rated PG

Director: Michael Preece

Studio: New World Pictures

Available: DVD

 

The World’s Greatest Athlete (1973)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Better than Jim Thorpe.

Sam Archer (John Amos) is the hapless head coach of the sports teams at Merrivale College where none of them have managed to win a single game in the 4 years that he he’s been there. He blames the problem on the inept student athletes and travels to Zambia with his assistant coach Milo (Tim Conway) to get back to his African roots. It is there that he comes upon Nanu (Jan-Michael Vincent) who possesses an amazing athletic ability. Sam is able to get Nanu to travel back with him to the US where he hopes he can place him on his many teams to get them to win, but finds an obstacle in the form of Gazenga (Roscoe Lee Browne) an African witch doctor who raised Nanu and has different ideas about what he thinks Nanu should become.

This film lost me right from the start with its inane and completely unbelievable plot. While I realize this was aimed at kids I still think it’s important to get a child to build a good logical foundation even in their early years and in that respect this film fails pathetically. The idea that all the sports teams at one school would be unable to win one single game in 4 years defies all laws of probability. Yes, there are many bad teams out there in both the pros and amateur level, but they can usually win a couple of games per season and the fact that none of them could here seems almost impossible.

Besides, isn’t it the coach’s responsibility to get the players to perform better and if he couldn’t shouldn’t he be blamed and not the players? Coaches are also in charge of recruiting prospects to come to the school, so if all he can bring in are inept stooges then that should be on him too. Most teams would’ve fired a coach with such a dismal record and yet in this film John Amos resigns when a school administrator puts ‘pressure’ on him to start winning even though 4 years should’ve been enough time to turn things around and anyone else in the same situation would’ve been given the boot long before.

The comic segments involving the athletes exaggerates their ineptness in an extreme way. One bit has a football players (played by David Manzy who later went on to star in the title role in the cult hit The Baby) hand the ball off to a player wearing the opposing team’s jersey and not realizing this was a stupid thing to do even though any first grader would know it was. For the comedy to be funny it has to have some bearing in reality and the ‘hilarious’ moments of sports bloopers that take up the film’s first several minutes don’t come even close.

On the plus side I did enjoy seeing Dayle Haddon in her film debut. While her character doesn’t have all that much to do or say I still found her youthful beauty nice to look at. Jan-Michael Vincent is at his attractive peak here too as this was fortunately filmed years before his self-destructive tendencies got the better of him. However, the character he plays, which is a lame parody of Tarzan, is incredibly dull. It would’ve been more interesting had he had some weakness that he had to overcome instead of just being super great at everything, which gets boring real fast.

Amos is quite amusing for his funny facial expressions alone and Conway has some engaging moments as well. I particularly liked him in the scene where Amos gives a televised interview and the camera zooms into him while Conway  desperately tries to get his face into the picture. The segment where Conway is shrunk to miniature size features some impressive special effects.

Some may enjoy Howard Cosell essentially playing himself as an obnoxious sportscaster who won’t allow his on-air partner, played by Joe Kapp, to say anything. However, this same bit was redone just 3 years later in the movie Gus where Bob Crane played the same type of egotistical announcer, but he was much funnier at it.

My Rating: 3 out of 10

Released: February 4, 1973

Runtime: 1 Hour 32 Minutes

Rated G

Director: Robert Scheerer

Studio: Buena Vista Distribution Company

Available: DVD, Amazon Video, YouTube

The Apple Dumpling Gang Rides Again (1979)

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Bumbling buddies cause havoc.

Amos and Theodore (Tim Conway, Don Knotts) are two former members of an outlaw gang who are now trying to go straight, but as they enter the western boom town of Junction City they find their hopes of living life free of their old criminal ways to be dashed when they get mistakenly accused of robbing the town’s bank. They go on the run from the town’s relentless sheriff (Kenneth Mars) by enlisting in the United States Calvary, but accidentally cause a fire there that ends up burning the whole fort down and getting them into even more trouble.

This very weak sequel to  The Apple Dumpling Gang, has little to recommend and barely any connection to the first one. Besides Knotts and Conway no one from the original cast appears here except for Harry Morgan who plays an entirely different character. It was also the kids in the first film that were called the Apple Dumpling gang and not the two bumbling men, which just cements how unnecessary this film really is.

It’s not like any of the cast from the original film was all that memorable, but they at least helped balance the story from being just one long inane slapstick act, which is all you end up getting here. Knotts and Conway can be good comic relief in brief sporadic spurts, but trying to tie a whole movie around their bumbling act makes it quite one-dimensional.

The supporting cast isn’t any good either with Tim Matheson as bland and transparent as ever as a heroic officer and his romance with the feisty Elyssa Davalos is formulaic and cliched to the extreme. Mars goes overboard with the arrogant sheriff who goes crazy act until it becomes just as annoying and overdone as everything else in the film.

I’ll admit as a child I thought this movie was entertaining, but as an adult I got bored almost immediately despite finding the first installment to be genuinely enjoyable. Part of the problem is that the first one was based on a novel and had an actual story mixed in with the gags while this one is centered exclusively on extreme coincidences to help propel its thin plot along while throwing in slapstick bits that are predictable and unoriginal.

The only thing that surprised me at all was seeing Conway get top billing even though Knotts displayed a wider acting range while Conway merely stands around looking perpetually befuddled. Knotts also had the majority of lines and a little more dimension to his comedy while Conway just acts like a cross-eyed dope, which to me got boring real fast.

I understand that these films have a certain nostalgic appeal for those adults who remember watching it as a kid, but I honestly think that appeal will wear off quickly after about 5 minutes. If you’re under 10 you may like it better, but others should beware.

My Rating: 1 out of 10

Released: June 27, 1979

Runtime: 1 Hour 29 Minutes

Rated G

Director: Vincent McEveety

Studio: Buena Vista 

Available: DVD, Amazon Video, YouTube

The Apple Dumpling Gang (1975)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Orphaned kids strike gold.

Russell (Bill Bixby) is a slick gambler living in the old West who finds that he has unwittingly become the guardian to three orphaned children ( Clay O’Brien, Brad Savage, Stacy Manning). Initially he tries to pawn them off on other people, but eventually he takes a liking to them when he realizes that they’ve inherited a mine that has gold in it, which soon makes everyone else in town want to adopt them.

This Disney film, which was based on the 1971 Jack Bickham novel of the same name, fares better than most of their other films and in fact became its biggest money maker from the 70’s. It helps that the main character of Russell isn’t as squeaky clean as the typical Disney leading man as it’s strongly implied that he cheats at the poker games that he wins and the fact that he gradually softens towards the kids through time creates a nice character arch. Susan Clark, who’s the love interest, is good here too as she plays against type for a Disney leading lady by being more tom boyish and masculine despite the fact that apparently behind-the-scenes she was scared to death of horses and every scene that required her to ride one had her instead on a mechanical one although you could never tell.

The typical Disney comical trappings are given a unique spin here too, which also helps. Instead of having another boring barroom brawl, which is so common in many western comedies, we are treated to a funny lovers spat between Clark and Bixby inside the bar where props get thrown around between the two while everyone else sits frozen and unsure of what to do. There’s no cartoonish car chase at the end either, but instead a genuinely hair-raising battle between Bixby and Slim Pickens, who plays one of the bad guys, down the white rapids of a river. The shooting was also done on-location at Deschutes National Forest in Oregon, which improves the setting from the usual studio back lot.

Even the kids are tolerable without having their cuteness or innocence get overdone even though the running joke dealing with the young girl constantly having to go pee isn’t as funny as it seems when you think about it and most likely in reality would’ve been a warning sign of a very serious medical condition instead. Also, the scene showing the kids getting trapped in the mine after an earthquake should’ve also shown how they were able to get out instead of simply cutting to the next scene with them back in town of it without any explanation as to how they got there.

The real stars of the film though are Don Knotts and Tim Conway as the comically bumbling would-be crooks. This marked the first of five film appearances that the two did together and in many ways this is probably their best effort. I always liked seeing them together because it was a rare chance for Knotts to play the smarter of the two instead of always being the dope himself although some may find Conway’s extreme ineptness more annoying than funny. In either event they help enliven the proceedings and became the stars of the sequel The Apple Dumpling Gang Rides Again, which will be reviewed next week.

My Rating: 6 out of 10

Released: July 1, 1975

Runtime: 1 Hour 40 Minutes

Rated G

Director: Norman Tokar

Studio: Buena Vista

Available: DVD, Amazon Video, YouTube

The Longshot (1986)

longshot

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Betting on a horse.

Four middle-aged losers (Tim Conway, Harvey Korman, Ted Wass, Jack  Weston) who’ve spent years attending the racetrack and betting on horses, but never making any money off of it, finally get a tip from an insider. Santiago (Jorge Cervera Jr.) tells them to place a bet on a horse with a longshot of winning because he will feed the animal a certain drug, which will make him run faster. Since the four do not have any funds of their own they decide to borrow the money from a local gangster (George DiCenzo) who gives them $10,000, but with heavy interest added. The men are convinced that they will be able to easily pay it back, but then just as the bet is placed they find out that it’s been a set-up, which sends the four into a panic.

The screenplay was written by Conway who has been an avid horse racing fan for years and even considered becoming a jockey before entering into acting. Like with his other films that he also scripted it is poorly paced with long stretches where nothing much happens. Very little of the runtime is spent on the actual plot and the majority of the film instead deals with meandering conversations and wacky/sketch-like comedy that has nothing at all to do with the main story.

Some of it is mildly amusing like with different euphemisms the men use to describe the male sex organ, but overall it’s pretty desperate. Some of it is too dumb to be believable: for instance what sort of person in their right mind, even a complete idiot, would light a grill inside a parked car with the windows up and not expect problems? The scene dealing with Conway’s rendezvous with the Stella Stevens’ character inside her hotel room is needlessly prolonged and pointless and the segment where Korman eats his beef stew while making loud slurping noises is gross sounding and should’ve been cut out completely.

The one thing that I found interesting is the fact that this film is a bit edgier than most of Conway’s other ones. During the ‘70s he was locked into perpetually G-rated material, but here it gets more PG-13 with one character even using the F-word and Conway close to using it himself a couple of times. He also plays more of a normal person instead of the vapid, dopey one that he usually does. Instead Ted Wass handles the duties of the numskull and in many ways is much funnier with it.

The supporting cast is the only thing that saves this otherwise limp excursion. Anne Meara is great as Conway’s sarcastic wife and Jack Weston becomes a scene stealer as his pal. Other familiar faces pop-up in minor bits including Frank Bonner as a real estate agent, Susan Tolsky as a would-be topless waitress, Jonathan Winters as a pick-up truck driver and Eddie Deezen as a carhop. Edie McClurg is seen briefly as Korman’s wife and Paul Bartel, who has the dubious honors of directing this flick, can be spotted as a racing spectator during the opening credits.

Conway fans will most likely be more forgiving, but others beware. If you do watch it you’ll be treated to an opening rap duet between Conway and Ice-T, yes you read that right, and a closing song done by Irene Cara.

My Rating: 3 out of 10

Released: January 17, 1986

Runtime: 1Hour 29Minutes

Rated PG-13

Director: Paul Bartel

Studio: Orion Pictures

Available: DVD, Amazon Instant Video