Tag Archives: Stockard Channing

The Fortune (1975)

fortune

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Trying to murder heiress.

Oscar (Jack Nicholson) and Nicky (Warren Beatty) are two inept con men living in the 1920’s who think they’ve come up with the perfect plan for gaining a lot of money by having Oscar marry Fredericka (Stockard Channing) who is set to inherit millions from her father as she is the sole heiress to his fortune.  Unfortunately for them once the wedding is over Fredericka suddenly announces that she plans on donating her entire fortune to charity convincing the two that they must murder her before she does.

I found this to be a highly enjoyable movie and was laughing-out-loud in a lot of places, which is something that I don’t typically do. So it made me surprised to find that there were quite a few people on IMDB that were critical of it, or that it did so poorly at the box office when it was initially released. I admit that for the first hour the script meanders and things don’t really get going until the final 30 minutes when the two try to implement their hair-brained murder attempts, which they hope to make look like a suicide, but instead encounter one unexpected disaster after another.

Two of the funniest moments include the scene where Jack Nicholson walk out onto the wing of a flying airplane and scares Fredericka who is sitting as a passenger inside in a sort of comic spin of the famous ‘Twilight Zone’ episode that starred William Shatner. Another great scene is when Nicky and Oscar put Fredericka’s unconscious body inside a trunk and then try to throw if off a bridge only to inadvertently hold up a long procession of honking cars and angry drivers.

The three leads are in top form and play completely against type here. Beatty, who usually plays laid-back and detached characters, is more cantankerous and belligerent and Nicholson, with his hairstyle resembling that of singer Art Garfunkel’s is very funny as the dimwitted second-banana. Channing looks great in a flapper style hairdo and the segments detailing her desperate attempts at cooking are quite amusing. Florence Stanley is also good in support as the noisy landlord.

The film has the ingredients for a perfect comedy although it will appeal more to those who enjoy their humor on the dark side. The twist ending is kind of clever and the final camera shot that rotates to an almost complete turn is excellent.

My Rating: 7 out of 10

Released: October 16, 1975

Runtime: 1Hour 28Minutes

Rated PG

Director: Mike Nichols

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Instant Video

The Girl Most Likely to…(1973)

girl most likely 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Ugly girl gets revenge.

Miriam (Stockard Channing) is a homely student attending college who can’t seem to find a boyfriend or even any friends. Instead she is ostracized and rejected constantly in the cruelest ways possible. Upset by her depressing life she one day gets into her car and drives recklessly down the highway only to get into a crash, which forces surgeons to do major reconstructive surgery on her face that amazingly turns her into a beautiful woman. Now she can have any guy that she wants, but the bitterness of the way she was treated in the past eats away at her and she instead decides to get revenge by killing off all the people that rejected her using increasingly novel methods.

This made-for-TV film was written by Joan Rivers and it has the same humor that she used in her stand-up comedy act, which mainly focused on women’s deep seated insecurities involving their looks and the need to get married and please their husband. To some degree the whole thing is quite dated particularly the idea that a woman’s sole purpose in life is to use their looks to snare a rich husband who will then take care of them for the rest of their life. The humor and characters are also extremely clichéd and broad, but it still manages to have some funny bits.

Channing’s presence helps immensely and she manages to somehow carry off the role with dignity despite being degraded and humiliated at every turn. Her ugly makeover is impressive particularly the way they wadded up her nose to make her left nostril much larger than the right one, which had me reluctantly focused on it every time it came into view.

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The supporting cast features many familiar faces in small, bit parts some of which are quite funny including Joe Flynn as a surgeon unable to find a patient’s appendix, Larry Wilcox as a dumb football player named Moose, Warren Berlinger as Miriam’s plumber fiancée and Susanne Zenor as the haughty roommate. This also marks the acting debut of Larry Manetti who can be spotted in a small role as a football player.

The murders themselves are what help stand this film apart from the others in what otherwise could be described as a Carrie precursor. The scene where Miriam kills off the Wilcox character while skydiving is impressively captured as is the segment where Berlinger drowns in a flood in his own bathroom. The only one that doesn’t quite make sense is when she tries to kill a pool player by having him hit the eight ball that is secretly a bomb. However, when it does finally go off, it explodes the entire pool hall, which would’ve easily killed Miriam along with the others had she not been inadvertently lead away at the last minute.

Fans of black humor should especially enjoy this and for a TV-movie it is far and away better than most. It also scores better than River’s theatrical feature Rabbit Test, which she did five years later and wasn’t funny at all.

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My Rating: 6 out of 10

Released: November 6, 1973

Runtime: 1Hour 15Minutes

Not Rated

Director: Lee Phillips

Studio: ABC Circle Films

Available: DVD

Sweet Revenge (1976)

sweet revenge

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Pretty lady steals cars.

Despite squatting in an abandoned house, having no job, no money and virtually no life Vurrla (Stockard Channing) becomes obsessed with getting herself a brand new Dino Ferrari. She knows how to steal cars, so she decides to steal a Porsche, resell it to unsuspecting buyers and then a few days later steal the same car back and resell it again and continue this process until she has secured enough to pay for the Ferrari. The plan works smoothly, but public defender Le Clerq (Sam Waterston) has been following her and determined that she turn herself in before she gets herself into even deeper trouble.

As I watched this movie I found myself quite perplexed as to how Leonard Maltin in his Movie Guide could’ve given this thing a ‘bomb’ rating. This is certainly not a four-star flick, but it’s far from being bad one either. The plot moves along at a nice breezy pace with an engaging combination of drama, action and humor. The characters are believable and interact with each other in interesting ways. The on-location shooting of Seattle, which was done by renowned cinematographer Vilmos Zsigmond who died just this past New Year’s, is quite vivid and focuses on some of the city’s lesser known neighborhoods, which should be fun for those from the area as it is sure to bring back a flood of memories.

Channing is dynamic and especially enjoyable when she puts on different wigs and a variety of accents as she tries to sell the cars to different people and I wished these segments were played up more. Waterston’s character is much more controlled and practical making the two play off each other in revealing ways. Franklyn Ajaye lends great support as Vurrla’s streetwise friend and Richard Daughty is amusing as Vurrla’s dimwitted cohort and I was surprised that he seemingly disappeared off the face of the planet and never did a thing after this. This also marks the acting debut of Daryl Anderson who appears briefly getting out of his car and going inside only to have Vurrla sneak up and steal it a few minutes later.

On the negative side the film could’ve used a little more action. There is one car chase that occurs near the end, which turns inexplicably tragic and hurts the film’s otherwise lighthearted tone. The ending is frustratingly vague and outside of watching a Ferrari burn into a cinder offers no finality to the character’s eventual fate. There is also a segment where Channing and Daughty go shopping at a grocery store and for a brief couple of seconds the scene is shown through the lens of a black-and-white security camera making the viewer believe that the two are being monitored and will soon be arrested since they are shop lifting, but nothing ever happens, so why insert that shot if it serves no purpose?

My Rating: 6 out of 10

Released: June 16, 1976

Runtime: 1Hour 30Minutes

Rated PG

Director: Jerry Schatzberg

Studio: MGM

Available: DVD (Warner Archive)

Meet the Applegates (1990)

meet the applegates 1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Bugs turn into people.

Giant Brazilian Beetles take human form and disguise themselves as a typical suburban family. The father beetle Richard (Ed Begley Jr.) gets job at a nuclear plant, which he plans to use to destroy mankind and thus save their species and the rainforests from human progression.

This cultish-like comedy pretty much kills itself from the beginning by having a farfetched premise that it never bothers to explain. Just how do these giant beetles learn to take human form? Nothing is shown or mentioned. Even a really, really stupid explanation would be better than nothing at all.

The film does have a few good points, which allows you to stick with it despite the complete absurdity. One is the fact that it tackles the very serious issue of environmentalism. If anything it gets the general viewer a little more aware of the problem and by putting the bugs in human form makes them sensitive to their situation.

The film also has its witty moments as it analyzes the different habits of both bugs and humans. The best part may actually be a rather simple bit when the bug wife Jane (Stockard Channing) is not in the mood for sex so Richard grabs a science magazine with large pictures of insects and then ‘gets-off’ on it in the bathroom. There is also a side story dealing with the wife’s obsessive use of credit cards that is right-on-target.

Yet within all the offbeat humor there is also an amazingly high level of inconsistencies. These bugs seem to know a lot about certain technical gadgetry, but then not in other areas. They respond to some things in an odd creature-like way and then at other times like a regular person would. The scenes involving sexual relations between these bugs and other humans seem very unnatural and highly preposterous.

The acting runs hot and cold. Begley can be good in offbeat and nerdy roles, but as a family patriarch he just does not cut it. Robert Jayne as the son Johnny is terrible. He has a dazed expression on his face throughout like he was hit on the head a few times and acts like he was never in front of a camera before. On the plus side it’s nice to see Stockard back to doing comedy as she has a good knack for it. Dabney Coleman is fun even though he is pretty much wasted though seeing him dressed in drag and calling himself ‘Aunt Bea’ is genuinely funny.

Overall the film looks rushed and may have had studio tampering. The special effects are cheap and although some of it is passable most of the time it is downright deplorable. The ‘feel good’ ending is excruciating. Director Michael Lehmann seems to be another casualty to the dreaded sophomore jinx. Heathers, which was his first feature was a great success, but even though this film has its moments it cannot come together as a whole.

meet the applegates 2

My Rating: 4 out of 10

Alternate Title: The Applegates

Released: November 8, 1990

Runtime: 1Hour 30Minutes

Rated R

Director: Michael Lehmann

Studio: Triton Pictures

Available: VHS (as ‘The Applegates’)