Tag Archives: Scott Hylands

The Boys in Company C (1978)


By Richard Winters

My Rating: 7 out of 10

4-Word Review: Going through boot camp.

Tyrone (Stan Shaw), Billy Ray (Andrew Stevens), Alvin (James Canning), Vinnie (Michael Lembeck), and Dave (Craig Wasson) are five young men from varying backgrounds and wildly different temperaments who get drafted into the army in August of 1967. Their experiences in boot camp, which is harshly run by the demanding Sergent Loyce (R. Lee Ermey) and the equally stern Sergeant Aquilla (Santos Morales) prove challenging both physically and psychological, but the real test comes when they’re put out onto the battlefield and their personalities begin to disintegrate.

While the film acts like everything that goes on is based on fact and even includes specific dates for each event and at the end small bios of what occurred to the characters after they returned to civilian life it’s actually all fictional and based on a screenplay written by Rick Natkin in 1972 while attending a film class at Yale and then later expanded. It’s noted as being the first film in the 70’s to deal with the Vietnam War on the field of battle as well as the film debut of R. Lee Ermey playing a similar role to the more famous one that he did in Full Metal Jacket. Here though he’s thinner and while the things he says are certainly still aggressive it’s not in quite the over-the-top way as in the Stanley Kubrick film. In fact I sympathized with him here and the challenges he faced in trying to get the rag-tag group conditioned and how he supported the Tyrone character and the racism he had to deal with. Morales also plays the same type of drill sergeant and found it ironic that both men had some missing front teeth in the same areas of their mouths and wondered what the story was behind that.

Shot in the Philippines where its similar type of topography to Vietnam lends an authentic look and the viewer is given a vivid feeling for what wartime life was like where things could be calm and peaceful one moment and then bombs going off the next. While I’ve had my issues with Wasson, Stevens, and Lembeck in some of their other films where I considered their acting to be weak here their performances are solid and the transitions their characters go through during the course of the movie are compelling though without question Shaw is the standout.

While the first half shows the realities of war the second part becomes mired in the darkly comical absurdities. This was clearly inspired by the era where such films as M*A*S*H took the Korean conflict and turned it into a surreal comedy, but mixing the grittiness with moments of levity cheapens the reality. Scott Hylands’ character is particularly off-putting. He plays a captain who makes one insane blunder after another until he becomes more of a caricature. I’m sure it’s quite possible for high-ranking officials to make the occasional misjudgment, but this guy becomes clownish to the top degree making it almost farcical in the process. The climactic soccer game has the same issue where the soldiers can get out of fighting on the front line if they just agree to lose the game, but this scenario never actually occurred to any veteran I’ve ever known and it’s jarring to go from action on the battlefield to kicking a ball around like a war movie that suddenly turns into a sport’s one.

It’s still well enough directed to keep it engaging and there are some strong even profound moments despite the severe shifts in tone, but it would’ve been better had it maintained the realism from the beginning and not thrown-in stuff that would’ve been better suited for satire.

My Rating: 7 out of 10

Released: February 8, 1978

Runtime: 2 Hours 5 Minutes

Rated R

Director: Sidney J. Furie

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video

Daddy’s Gone A-Hunting (1969)

daddys gone a hunting

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Don’t kill his baby.

Cathy (Carol White) moves from England to San Francisco and almost immediately meets Kenneth (Scott Hylands) and the two get into a relationship. Cathy though slowly sees a dark side to him that she doesn’t like so she breaks up with him, but only after she finds out that she is pregnant. Since she is struggling to make it on her own she decides to have an abortion, which her friend Meg (Mala Powers) informs her is no worse than having a ‘hangnail’. When Kenneth learns of this he becomes enraged and promises revenge. He continues to stalk her from afar as she gets into a new relationship and then eventually marries prominent politician Jack Byrnes (Paul Burke). When she becomes pregnant again Kenneth reappears and tells her that this baby must be killed to make up for the one she ‘murdered’. After the baby is born he kidnaps it setting off a police manhunt throughout the city to find him and save the child.

Although this is a thriller you would hardly know it at the beginning as the movie starts out with a bouncy jazz score that does not create any type of menacing mood. It also initially dwells on Cathy and Kenneth’s early courtship and even has a sappy love song played over scenes of them kissing and walking hand-in-hand, which is awkward and even corny. I believe all thrillers should give some clue or warning to the tension and horror that is coming right from the start and this one doesn’t, which is weak.

However, after the first fifteen minutes it starts to get going from the suspense end and the rest of the way it is good if not excellent. I liked how the viewer is kept in the dark as to whether Kenneth is really stalking Cathy or it is all in her paranoid mind, which helps add an extra level of intrigue.

Director Mark Robson’s career was up and down, but he really scores here. The shot of a close-up of a cat’s eye showing the reflection of Cathy and Kenneth making love on a sofa was novel. I also liked how the abortion sequence is handled by showing a stark shot of the operating table coupled with Cathy’s nervous expression, which is surprisingly quite effective and brings out the horrors of the procedure, but without going overboard. I also appreciated that a real infant is used and not just a doll wrapped in a cloth like with some films. Showing a real live kicking and crying baby especially in close-ups makes it all the more emotionally compelling for the viewer when Kenneth tries to harm it.

Hylands is fantastic in the lead and one of the reasons this film works. He has the perfectly creepy face and menacing ability and this is by far his best performance in his long, but otherwise undistinguished career. White is also really good although she was far from being the producers first choice. Her blonde hair, accent, and angelic features make a perfect contrast to Hyland’s. Paul Burke is solid as the husband. It’s a bland part, but he tends to be good in those.

Although the abortion issue continues to be a hot and emotional topic for most this is not a political film and the emphasis is on being a thriller. However, when you couple this with screenwriter Larry Cohen’s It’s Alive movies you can probably assume he has an agenda in this political arena. Some may enjoy the way Kenneth relentlessly torments Cathy and refuses to allow her to forget what she did. He also kills the doctor who performed the procedure and what he does with the dead body afterwards is well…interesting.

Cohen and co-scripter Lorenzo Semple Jr. put their very creative minds in full gear here. The scenarios are well thought out and the tension builds at a great pace. The climatic sequence that takes place on top of the Mark Hopkins hotel at the Top of the Mark bar is exciting and visually well captured.

The only major flaw I saw with the film is at the beginning when Kenneth first sees Cathy standing on the sidewalk in downtown San Francisco he grabs some snow that is on a nearby car, makes it into a snowball, and then throws it at her to get her attention, but why in the world would there be snow on a car in downtown Frisco? This is never explained, but I felt it should have been.

My Rating: 7 out of 10

Released: July 2, 1969

Runtime: 1Hour 48Minutes

Rated M

Director: Mark Robson

Studio: National General Pictures

Available: VHS, DVD (Warner Archive), Amazon Instant Video