Tag Archives: Robert Vaughn

Superman III (1983)

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Computer whiz corrupts Superman.

August ‘Gus’ Gorman (Richard Pryor) is an unemployed man looking for a job and comes upon the idea of training to become a computer tech when he sees it advertised on the back of a book of matches. Much to his surprise he excels as a student and is soon able to use his newfound computer knowledge to hack other programs including the payroll department at his company where he’s able to give himself a large, unearned monetary bonus. Ross Webster (Robert Vaughan), the company’s CEO, becomes aware of what Gus is doing, but is so impressed by his computer skills that instead of firing him he hires him to hack a weather satellite that will cause a rain storm in Columbia that will destroy the coffee crops and allow Webster to corner the market, but Superman intervenes and tempers the storm, so it isn’t as bad. This causes Webster to realize how detrimental to his plans Superman is and orders Gus to come create some synthesized Kryptonite in order to impair Superman’s ability. Gus researches the elements that make up Kryptonite on his computer and finds all of them except for one, so he arbitrarely adds tobacco in it for good measure. Instead of weakening Superman it turns him into an uncaring, sinister person who ‘drops-out’ of the hero saving lifestyle and becomes an anti-social person who shows no concern for others.

When Richard Donner, who had directed the first installment and 75% percent of the second one, got fired, he was replaced with Richard Lester. Lester had a far different vision for the Superman films. He disliked what he considered the ‘dark tone’ that Donner had given the first two and wanted a humorous quality put in. While I don’t mind some campiness Lester clearly goes overboard including the segment done over the opening credits that features unending slapstick that makes a mockery of the Superman franchise and drives the whole thing down to such a silly level that I wouldn’t have blamed anyone if they had walked out of the theater and demanded their money back.

Pryor was a big fan of the first two Superman movies and said as much when he was a guest on the ‘Tonight Show’. The Salkinds, who had proved already to have an unhealthy proclivity to the so-called ‘star power’ by casting Marlon Brando in the first film and paying him an outrageous sum even though his acting was subpar and a lessen known actor could’ve done a better job at half the price. No one ever came to a Superman movie simply to see Brando nor any other big-name actor, but for whatever reason the Salkinds didn’t understand this, so when they heard Pryor was interested in being in one of their films and he was a trop draw at the box office at the time, they admittedly signed him up.

Pryor, for his part, is highly engaging, but his schtick is out of place here. The script centers too much on his character making Superman seem like he’s only a co-star in his own movie. The character he plays makes no sense either as he’s portrayed initially as being a dumb guy who can’t hold down any job and then suddenly becomes a super genius with computers. However, there needed to be something shown in his background that would connect this, like he was really good with math, or coding, but instead it’s never explained. The movie makes it seem like it’s ‘dumb luck’ that he’s such a programming whiz and even he himself doesn’t understand it, which is just plain ridiculous especially as he continues to become more and more sophisticated with it.

While I liked the gaudy set design of Webster’s penthouse, and his rooftop ski slope, as a villain he’s a complete bore and seems too similar to Lex Luthor and his ditzy lady friend Lorelei, played by Pamela Stephenson, coming-off as being simply a younger version of Luthor’s main squeeze Miss Tessmacher. Webster’s evil sister Vera, played by Annie Ross, is equally dull and I have no idea why she was even put into the story as she adds little and doesn’t play-up her domineering persona enough to be even remotely interesting or amusing. Her character shows the same flaw as Pryor’s where she becomes really good at running a complex computer system too easily and too quickly.

The Lois Lane character gets minimized to the extreme where we see her briefly at the start and then quickly at the end. Supposedly this was due to a falling out that Margot Kidder had with the producers, but the Salkinds insisted it was more because they wanted to explore Superman’s romance with someone else, but Lois and Clark Kent’s relationship had gotten quite intense during Part II, so there needed to be some explanation with why now they were in the ‘friend zone’ like maybe perhaps she had found another boyfriend. The film though never bothers to come-up with any answer making it feel like there was no story cohesion between this one and the other two. Annette O’Toole, who plays the new love interest Lana Lang, is benign and the romantic chemistry between her and Kent is nil. 

David and Leslie Newman’s script lacks understanding in regard to technology and extreme naivety with the way Pryor’s character is able to use his computer to hack into other programs. Viewers today, who are much more sophisticated about the topic, will find the stuff here to be quite antiquated. The way the giant supercomputer gets completed is absurd too as it’s never shown who builds it. Was it done by just the four villains single-handedly, or by a large crew? Even if a crew did do it, it would take months if not years to construct and yet here it’s done in seemingly a day, or two. When Gus and Webster create an economic crisis by redirecting oil tankers you’d think the U.S. government would certainly get involved and investigate and would have computer experts on hand to trace back how and where the hacking occurred and at some point the two would eventually, at the very least, come under suspicion and yet here that never happens, nor even gets touched upon.

Spoiler Alert!

Some have complimented Reeve’s performance as the evil Superman, which is good, but the giant showdown that he and Clark Kent have in which they use they’re individual superpowers to try and take the other down, is too reminiscent between Zod’s gang and Superman from part II and thus comes off as redundant instead of exciting. 

I didn’t agree with Pryor’s character getting off-the-hook at the end either. Yes, he did ultimately save Superman’s life, but he also stole money and got involved in nefarious projects that broke many laws, so instead of being transported to a new location where he could get another job and ‘start fresh’ he should’ve been taken to a prison to serve his debt to society. Even if he was at heart ‘a nice guy’ he still did some wrong things and should’ve had to pay some sort of consequence. 

My Rating: 2 out of 10

Released: June 17, 1983

Runtime: 2 Hours 5 Minutes

Rated PG

Director: Richard Lester

Studio: Warner Brothers

Available: DVD, Blu-ray, Amazon Video, YouTube

S.O.B. (1981)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: His wife goes topless.

Movie producer Felix Farmer (Richard Mulligan) is suffering from what they call in Hollywood as Standard Operating Bullshit. His recent film, a family oriented musical that starred his wife Sally (Julie Andrews) and was titled ‘Night Wind’ is a box office flop. Now no one wants to work with him and the studio tries to reedit the film in an attempt to ‘save it’. All of which sends Felix on verge of suicide until he gets the idea of turning the movie into a soft core porn flick and having  Sally bare her breasts in it.

The film is loosely based on experiences that writer/director Blake Edwards had along with his real-life wife actress Julie Andrews during the early ‘70s when their project Darling Lilli did not do well financially and his next several films after that met with lots of studio interference before he was finally able to rebound by resurrecting the Pink Panther franchise.

The satirical jabs are obvious but amusing and the real problems come more with the shallow/jaded characters. Even the wholesome Sally comes off as cold with her rather ambivalent reaction to her husband’s depression/suicide attempt. There is also a running gag dealing with a man (Herb Tanney) who has heart attack at the beach while jogging and his loyal dog stays by his side even though no one else pays attention to it, which starts out as darkly amusing, but eventually gets cruelly overplayed.

Mulligan makes a flat impression as the star to the point of being almost transparent. For the first half he doesn’t say a single word while behaving in an overly exaggerated despondent way. When he finally snaps out of this he then eagerly tries to sell-out on his own film vision simply so it can make a buck, which makes him no better than the rest of the scummy Hollywood elites that he is supposedly trying to fight. Andrews is boring too and her brief topless scene comes off as exploitive and ill-advised.

The best bits come from its supporting cast. Robert Preston as the perpetually inebriated doctor has a few great lines and Robert Webber does well as a very nervous, high-strung press agent. Loretta Swit is hilarious as a bitchy, cantankerous gossip columnist who gets cooped up in a hospital after an accident and an almost unrecognizable Larry Storch hams it up under heavy make-up as a spiritual guru. There is also Robert Vaughn wearing high heels and women’s clothing.

I enjoyed the film within a film approach and the tawdry dream-like sequence scene, but the story suffers from adding in too much slapstick including a drawn-out car chase that seems suited for a completely different type of movie. For mild comedy it is okay, but as satire it fails to make any strong or impactful statement.

My Rating: 6 out of 10

Released: July 1, 1981

Runtime: 2Hours 1Minute

Rated R

Director: Blake Edwards

Studio: Paramount

Available: DVD, Blu-ray, Amazon Video, Youtube

Demon Seed (1977)

demon seed 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Computer impregnates a human.

Based on an early Dean R. Koontz novel the story centers on Susan Harris (Julie Christie) who is married to Alex (Fritz Weaver) a man who has created a giant artificially intelligent computer named Proteus (voice of Robert Vaughn) as well as installing a computer inside their own home, which does all of their household chores and is fully automated via voice command.  Things seem to be going fine until Proteus starts to question the assignments that he has been given and his unhappiness with being ‘trapped inside a box’. To remedy the situation he decides to use the computer terminal inside the Harris’s home, so that he can overtake the house through his electronic commands and then impregnate Susan to have his child and therefore experience life as a person instead of a machine.

One of the things that got on my nerves right away was the way the film immediately telegraphs where it is going and reeks with ‘70s paranoia about computers ‘overtaking the world’, which was a prevalent fear during that era as computers were just in their infancy and their ultimate place in human society still not fully understood.

The Alex character is too ambivalent towards the warning signs and comes off like the clichéd super scientist with a child-like enthusiasm about his ‘creation’ and not the slightest concern for what might happen if things go wrong and the way he becomes so quickly shocked when the computer does start to behave in a way he had not considered seems almost laughable. Real-life scientists would most assuredly have considered these issues and had safeguards already put in place and the fact that the characters here don’t just doesn’t seem believable.

When the Proteus computer takes over Susan’s home I didn’t find it frightening, but more unintentionally funny for many of the same reasons. I don’t think that I myself could ever get used to a computer running everything for me and doing whatever I said at the sound of my voice. In the back of my mind, and in any sane person’s mind for that matter, I would be worrying about it malfunctioning and the consequences that it would entail, so when things finally do go wrong I found it laughable because anyone could have clearly seen it coming from the start. In fact the only thing that saves this thing from a being a complete dud is Christie’s brilliant performance and the fact that she gets you to see her character as a real human being and someone you care for and want to see rescued.

Spoiler Alert!

The script suffers from a myriad of other logical loopholes as well. One of them is the whole basic premise of how a computer can somehow manipulate human DNA in order to get supposedly his ‘genes’ into the child, so that it fully has his own traits and even his own voice. There is also no suitable explanation for how he was able to speed-up the gestation period from the 9 months to just 28 days. I was also surprised that the husband never bothers to call his wife during that 28-day period. Yes, I realize that they had just separated, but it was a very amicable one and I would still have thought he would’ve called-in at some point simply to check-in. There is also another character played by Gerrit Graham who comes into the house and tries to shut down the computer and is killed in the process making me believe that his disappearance would’ve caused suspicion and others would’ve come looking for him. There is also the issue of her mail, which I’m sure would’ve been piling up at her front door and causing both the mail carrier and neighbors to take notice.

End of Spoiler Alert!

The film is full of many colorful graphics and effects although they may no longer be considered as state-of-the-art as they once were. The idea is an intriguing one and Robert Vaughn gives the Proteus character a lot of menace with his voice, but he is still no HAL. The ending is really over-the-top, but in a wildly interesting sort of way even though it does nothing but create more questions than answers.

demon seed 3

My Rating: 6 out of 10

Released: April 8, 1977

Runtime: 1Hour 34Minutes

Rated R

Director: Donald Cammell

Studio: MGM

Available: DVD (Warner Archive)

The Caretakers (1963)

the caretakers 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Doctors with opposing viewpoints.

Two doctors working at a psychiatric hospital come at odds with each other over how to treat their patients. Dr. Donovan MacLeod (Robert Stack) believes in a more humanistic approach in treating mental illness including group therapy and more patient freedoms. Dr. Lucretia Terry (Joan Crawford) is hard-lined and exacts rules on her patients that have severe penalties if broken. The film examines their infighting and how it affects their patients.

Director Hall Bartlett has a nice cinema-verte style to the material that manages to avoid being ‘Hollywoodnized’ or overtly sanitized. The subject is approached in a matter of fact way and the patients are not portrayed as ‘crazy’ or ‘scary’, but instead as sick people looking to get well and learning how to do it. The opening sequence done over the credits and featuring all sorts of moody artsy drawings have an excellent avant-garde flair.

Polly Bergen is effective as Lorna a middle-aged mother and housewife who suffers a nervous breakdown and begrudgingly becomes a member of Dr. MacLeod’s therapy group. Some of her acting particularly when she is having her breakdown is theatrical and over-the-top, but I did like the way Bartlett shows things from her perspective allowing the viewer in a visual sense to feel what she is going through and makes one compassionate and sensitive to her condition.

It is great to see Crawford as always and the scene showing her in a leotard and teaching the other nurses judo lessons is a gem and much too brief. I was hoping to have her play up the part of the heavy more making her almost like a Nurse Ratched, which she could have easily done to perfection, but unfortunately the script doesn’t take advantage of it. I was also disappointed that we never see Crawford ever dealing directly with her patients, which seemed to me should have been necessary.

Stack in the lead is terrible and completely wrong for the part. The role required a man with a more youthful appeal instead of the middle-aged Stack who never displays the kind of sensitivity and compassion that his character supposedly has. Instead he delivers his lines in a stiff and monotone fashion and comes off like he came from the old school of acting.

The scene where his character allows the patients to go to an outdoor park for a picnic and mingle with the staff unsupervised seemed to be pushing the plausibility meter to the extreme. It also makes him look like a complete schmuck who should have known better especially when one of his patients leaves the picnic and runs away while he chases after her in a panic.

The supporting cast is outstanding showcasing many up and coming stars and is one of the major highlights for watching the film. Barbara Barrie is great as the silent and troubled Edna. Janis Paige is excellent as the brassy prostitute Marion. Susan Oliver gives one of her best performances as a young nurse who is just learning how to deal with those with mental illness and Robert Vaughn is also effective as Lorna’s long suffering and confused husband. This is also a great chance to see a young Van Williams before he starred as the Green Hornet as well as the beautiful Sharon Hugueny whose promising acting career was cut short when she was hit years later by a speeding police car.

If you come to this film looking for genuine insight into the illness you will be disappointed as it goes only to the most elementary level into the area of psychiatry. MacLeod’s speeches about how his group therapy can be a ‘cure’ to mental illness are shallow and almost laughable. However, for the era the film manages to be gritty and slick enough to pass as entertainment.

My Rating: 6 out of 10

Released: August 21, 1963

Runtime: 1Hour 37Minutes

Not Rated

Director: Hal Bartlett

Studio: United Artists

Available: VHS, DVD, Amazon Instant Video, Netflix streaming