Tag Archives: Robert Cormier

The Chocolate War (1988)

chocolate

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Teen challenges the hierarchy.

Jerry (Ilan Mitchell-Smith) is the new student at an all-boys Catholic School that finds himself insnared into a controversy that wasn’t of his making. Brother Leon (John Glover), the school’s headmaster, promotes a program in which all the students must sell a certain allotment of chocolates in order to bring in much needed revenue for the school. While it’s technically voluntary the students are strongly pressured to take part in it and all of them do except for Jerry who for ten days refuses to get involved. This it turns out was the result of a hazing ritual brought on by a secret fraternity of students known as The Vigils. The idea was for Jerry to prove himself as being mentally strong enough to join the group by standing up to the intimidating Leon. Leon though becomes aware of what’s going on and since he’s in close contact with Archie (Wally Langham), the Vigil’s leader, he forgives the action convinced that once the 10-days are up Jerry will conform like all the others and take part in the sales drive. However, to everyone’s shock this doesn’t happen. Instead, Jerry continues to rebel, and his nonconformity has an infectious quality causing other students to take part, which challenges the strength of the school’s hierarchy to keep everyone in line. 

The film is based on the 1974 novel of the same name by Robert Cormier, which many critics have deemed one of the best young adult novels every written, but also one that routinely shows up as being on the top 10 list of banned or challenged books in high school libraries. It marks the directorial debut of Keith Gordon, who up until this time was better known for his acting particularly his starring role in the horror classic Christine. As a director I think he does a splendid job. I loved the eclectic camera angles, the zooms and hand-held shots. The soundtrack is distinctive featuring songs by artists who allowed their music to be used at a significantly lower price due to the movie’s low budget. The on-location shooting done at an abandoned seminary in Kenmore, Washington is perfect with the gray and dreary Northwest late autumn landscape perfectly reflecting the grim characters and situation. 

The acting is impeccable especially Glover who creates a three-dimensional villain who’s bullying at times, but at other points nervous and insecure. Mitchell-Smith, whose teen heart throb appearance belies is high-pitched voice, which I’ve never cared for and the reason I believe his acting career didn’t last, is quite good mainly because he isn’t forced to say much and instead relies on his reactions to what goes on around him, which in that element he excels. Langham is the perfect composite of the preppie bully particularly with that hairstyle that has ‘attitude’ written all over it, but his best moment is when he picks at a pimple on his arm after he gets off the phone with someone. I had noticed it during his conversation and was almost stunned when he picked at it. So many other teen movies show adolescents with unblemished skin, with maybe only a few geeky kids that have acne, but here one of the ‘cool’ kids was shown with it, which coupled with him actually trying to squeeze, which teens in reality will do, was genuinely groundbreaking and not something I’ve ever seen in any movie before or since. 

While there’s many memorable moments there’s a few loopholes as well. The fact that the students didn’t have any locks on their lockers, and thus allowing the Vigils to put trash into Jerry’s locker, didn’t seem valid as virtually every high school I’ve been in, past or present, does. The running segment dealing with Jerry and his father receiving harassing anonymous calls is quite dated due to now having caller ID, but even then, they could’ve still called the authorities to have their phone line tapped and thus the calls would’ve been traced, which is something you’d think they’d ultimately would do as it continued to occur. It’s also unclear how the students are able to sell the boxes of chocolates and achieve such a high quota. The film intimates they’re using unscrupulous methods, but not explicit enough as to the exact method. 

Spoiler Alert!

The film’s most controversial moment, and one that may have led to it doing poorly at the box office, is the way it changes the original ending. In the book Jerry gets defeated by Archie in the climactic boxing match, but in the movie, Jerry wins, and Archie is subsequently replaced as The Vigil’s leader. Personally, both endings have interesting nuances, so I can’t say I favor one over the other though the movie version does bring out some intriguing elements. However, fans of the novel tend to hate it feeling it was an attempt by Hollywood to give the story a more ‘uplifting’ conclusion. 

My Rating: 7 out of 10

Released: November 18, 1988

Runtime: 1 Hour 40 Minutes

Rated R

Director: Keith Gordon

Studio: MCEG

Available: DVD, Blu-ray, PlutoTV, Tubi

I Am the Cheese (1983)

iam

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Dealing with past memories.

Adam (Robert MacNaughton) is an adolescent boy taking a bike trip through Vermont in order to deliver a present to his father (Don Murray). During his ride memories from the past that had been stuck in his subconscious come to the surface including his on-and-off relationship with Amy (Cynthia Nixon) as well as the sometimes odd behavior of his father. Helping sort through these things including him finding in his father’s desk drawer two different birth certificates with his name on it, is Dr. Brint (Robert Wagner) a therapist at a mental hospital that Adam is currently residing in.

The film is based on the book of the same name written by Robert Cormier, who appears briefly as Amy’s father, who wrote many young adult novels with his best known one being The Chocolate War. The screenplay was written by David Lange, who was also the producer, and the brother of Hope Lange who gets cast as Adam’s mother and is a reunion of sorts for her with Don Murray, who plays Adam’s father, and whom she’d been married two from 1956-62. She had also co-starred with Robert Wagner in The Young Lions in 1957 though here they don’t share any scenes together.

The film, which was the one and only directorial foray of Robert Jiras who worked as a Hollywood make-up artist for many years, is decidedly low budget though since most of the action takes place with Adam on his bike it really doesn’t hurt the effect of the story and the lush summertime New England scenery becomes an added benefit. MacNaughton, who’s better known for playing the older brother in E.T. before leaving the acting business after the 80’s and becoming a mail sorter, is quite good as he effectively channels his character’s inner anxiety and confusion. Nixon is also a stand-out playing against the cliche of a typical teenage girl, who are usually portrayed as being giggly, insecure, and into the latest fads, but instead she is cultured, poised, confident, and smart and she adds a wonderful addition to the movie and it’s just a shame she wasn’t in it more.

The plot follows the book pretty closely including the constant shifting between the present and the past and also the therapy sessions. While I usually like non-linear narratives I initially found this structure off-putting. The publishers in fact felt, when the they read the initial manuscript, that it would too confusing for young readers and pressured Cormier to simplify the structure, which he refused. Despite this it does become genuinely riveting by the second act.

Spoiler Alert!

The twists are good and makes sitting through it worth it though the moment when the bad guys catch-up with Adam and his parents should’ve been played-out more since it’s such a traumatic moment. It’s possible that because this was aimed at teen viewers the producers felt this violent element required being toned down, but crucial scenes like these have to stand-out and the way it gets done here it just doesn’t.

In the film, like in the book, the psychiatric sessions are ultimately revealed to be a sham where Robert Wagner’s character isn’t a doctor at all, but instead part of the government conspiracy to make sure Adam doesn’t know more than he should about his parent’s past as otherwise he would be deemed a ‘risk’ and ‘terminated’. However, in the movie they have Adam escaping from the place and riding off on his bike like he’s now ‘free’, but he really isn’t. He has no job skills, no family, no money, and no place to live. He’s be better off just staying at the clinic even if it was a fake one, as he at least had a roof over his head and food to eat. Being on his own at 16 was unlikely to end well and such a sophisticated government operation such as this one was at some point going to track him down, dead or alive, so the tacked-on ‘happy ending’ doesn’t jive.

My Rating: 6 out of 10

Released: November 11, 1983

Runtime: 1 Hour 36 Minutes

Rated PG

Director: Robert Jiras

Studio: Almi Pictures

Available: VHS, DVD-R