Tag Archives: Richard Bradford

Night Game (1989)

nightgame1

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Baseball score and murder.

Mike Seaver (Roy Scheider), a police detective, is put in charge of investigating a series of bizarre murders where women, some of them prostitutes, are murdered along the beaches of Galveston, Texas after each Houston Astros home game where pitcher Silvio Baretto achieves a victory. There are initially no suspects and it all seems to be a coincidence until Seaver ties the clues together and hones in on the killer while quarreling with Witty (Lane Smith) a state investigator brought in to help him with the case, but who has opposing ideas as to how to approach it.

The story is a strange mixture wanting to feed-off of the slasher films of the 80’s while also tying it to a sports themed flick, that was also popular during that decade, but manages to fail on both ends. The killings aren’t imaginative enough to attract a horror audience while the gore is much too graphic for those just looking for a slick thriller and thus both types of viewers will get put-off with this pretty quickly. Fans of sports movies won’t like it either as the baseballs scenes are brief and fleeting. While it’s kind of fun to see the Astros old color bar uniforms as well as watching actual game footage shot inside the old Astrodome, which at one time was coined ‘the 8th wonder of the world’ it hardly seems necessary especially since a TV-movie ‘Murder at the World Series’, which came out in 1977, had a very similar storyline that also included the Astros and Astrodome making this seem like a cheap, uninspired rip-off of that one.

The plot at least, while still dated especially on the technology end, takes a realistic approach to being a detective and how hard it is to find clues that can help piece the case together and lead to an actual suspect. Scheider, who was 57 at the time and looking it, manages to give it some energy and this was helped no less than by casting Richard Bradford as his nervous and pensive superior whose white hair and old school ways helps to offset Scheider’s wrinkles despite the fact that Scheider was in real-life 2 years older. The side stories though dealing with Smith coming in to butt heads with Roy doesn’t get played-up enough to be interesting and Scheider squabbling with his mother-in-law over a color TV that he got her drags the pacing down and hurts the tension of the mystery, which is where the sole focus of the script should’ve stayed.

Spoiler Alert!

What really ruins it though is the stupid ending. For one thing people in big cities, and Houston is the 4th largest one in the US, get murdered all the time, so having a cop able to somehow tie it to when a pitcher wins a game was too much of a stretch as technically there’s likely to be a murder happening somewhere whenever ANY pitcher wins a game and there needed to be more direct clues, like the killer sending cryptic notes to the police, or media, stating what his intentions were for it to realistically come together for the investigators.

The man playing the murderer, Rex Linn, who is supposedly a former pitcher who got cut from the team and then ultimately loses his hand in an accident and has it replaced with a hook, looks more like an disheveled, beer bellied truck driver who never played a sports game in his life. His motivations, to kill someone whenever the pitcher, who replaced him on the rotation, wins a game, in order to steal media attention away from the new pitcher’s success, is poorly thought out. It would’ve made more sense had the disgruntled man gone after the pitcher directly by either threatening his life, or those of his family, or maybe even attempting to kill the general manager, or owner, since they were the ones directly responsible for cutting him instead of no-name hookers who usually don’t get a lot of news attention anyways when they’re killed and thus making the whole premise pretty vapid.

My Rating: 4 out of 10

Released: September 15, 1989

Runtime: 1 Hour 35 Minutes

Rated R

Director: Peter Masterson

Studio: Epic Productions

Available: DVD, Blu-ray, Amazon Video, Tubi

The Legend of Billie Jean (1985)

legend of billie jean 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Teen becomes media sensation.

Billie Jean (Helen Slater) is a teen living in a small Texas town who one day decides to take a ride with her brother Binx (Christina Slater) on his motor scooter to a lake for a swim. Along the way they come into contact with some red neck boys who harass the two and damage the scooter. The police do nothing about it, so Billie Jean decides to approach Pyatt (Richard Bradford) who runs a convenience store and is the father to one of the boys. When she asks him for the money that it will cost to repair it he attempts to sexually assault her and Binx ends up shooting the man in the shoulder. This causes the two to go on the run and creates a statewide car chase, which makes Billie Jean a media hero to thousands of teens nationwide.

The movie is a real mixed bag with strong shifts in tone and no clear point-of-view. It starts out as a rather boring, run-of-the-mill teen bullying flick only to turn into a whimsical tale as the teens go out on the road and have one quirky adventure after another. It’s similar to Steven Spielberg’s The Sugarland Express as both lead characters are females and go on the run from the law in Texas while become inadvertent media darlings in the process. Spielberg’s movie is the better film, but this one delves more into the media angle and could’ve made some strong statements, but unfortunately pulls back and keeps things on too much of a lighthearted, innocuous level instead.

Slater is fantastic in the lead and it’s great seeing the boyish Slater in his film debut. I felt though that Martha Gehman and Yeardley Smith as two teen gals who tag along with the other two on their adventure added nothing and should’ve been cut out completely.

Bradford makes for a pretty good heavy, but I had major issues with Peter Coyote as the sheriff. For one thing when Billie Jean reports that her brother’s bike has been stolen he does not immediately pursue the case, but instead decides to ‘wait on it for a few days’, which seemed like he was not doing the job that the tax payers put him into position to do. Then when the chase expands across the rest of the state he somehow gets in charge of tracking her down, which is ridiculous. Once she crosses over the county line, or gets outside of his jurisdiction then it is up to the authorities from that region to handle it, or the state highway patrol and certainly not some two-bit sheriff from a no-name, hick town.

The scene where Billie Jean saves a boy from his abusive father while hundreds of teens look on is great, but everything else is so-so. The film would’ve worked better had it taken a consistent satirical tone from the beginning and not have been so compelled to conform itself to the more simplistic sensibilities of its targeted teen audience.

My Rating: 6 out of 10

Released: July 19, 1985

Runtime: 1Hour 36Minutes

Rated R

Director: Matthew Robbins

Studio: TriStar Pictures

Available: DVD, Blu-ray, Amazon Instant Video, YouTube

The Mean Season (1985)

mean season

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Killer taunts newspaper reporter.

Feeling burned out from years of reporting on the local crime scene journalist Malcolm (Kurt Russell) has promised his girlfriend Christine (Mariel Hemingway) that he wants to get out of the business and move away to somewhere quiet and less hectic. Just as he’s ready to quit he gets a call from Alan Delour (Richard Jordan) the man who has been committing the recent killings that Malcolm has been covering in his newspaper. Malcolm sees this as a goldmine of information and thus delays his resignation. The two then begin a weird cat-and-mouse relationship until Malcolm becomes more of the story than the killer.

The movie starts out promisingly with a realistic look of the inner-workings of a big city newspaper. The film was shot during the overnight hours in the actual newsroom of The Miami Herald with Herald reporters used both as extras and consultants. Richard Masur makes for the perfect composite of a newsroom editor and I liked how the film shows the behind-the-scenes politics and the thin line reporters’ tow between reporting the news and becoming it.

I loved the on-location shooting done throughout Florida that helps bring out the varied topography of the state. Masur’s view out of his office window is dazzling and the climatic chase through the Everglades is exciting as is the speedboat ride in the swamps. The shot of a distant storm on the edge of an open field nicely juxtaposes the tension and dark story elements. The phrase Mean Season is actually a term used to describe a South Florida summer and gets mentioned in an early scene by a radio announcer as he is giving the weather report.

Russell is solid in the lead and it’s great and a bit unusual to see a protagonist who is not playing the nerd type wearing glasses. The segment where he jumps across a bridge as it’s going up and then watching him tumble down when he reaches the other side is well shot. Jordan makes for a good villain that manages to convey both a sinister side and a vulnerable one. Richard Bradford also deserves mention playing a tough cop that is at times quite abrasive, but also sensitive particularly in a couple of scenes where he comes into contact with scared children, which are two of the best moments in the movie.

The provocative concept has potential, but the film doesn’t go far enough with it. Instead of becoming this searing expose on journalism and the media it timidly steps back and turns into just another run-of-the-mill, by-the-numbers-thriller that becomes predictable, formulaic, and just plain boring during the second half and helps make this movie a big letdown.

My Rating: 4 out of 10

Released: February 15, 1985

Runtime: 1Hour 43Minutes

Rated R

Director: David Borsos

Studio: Orion Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video, YouTube