Tag Archives: Red Buttons

When Time Ran Out (1980)

By Richard Winters

My Rating: 0 out of 10

4-Word Review: A big volcanic eruption.

Hank (Paul Newman) works on an oil rig that’s on a small tropical island who becomes concerned that the giant volcano there is ready to erupt. Shelby (William Holden) owns and runs a resort hotel that’s also on the island and is reticent to accept the warnings that Hank gives him as he’s afraid the news might panic his guests and cause undue harm to his business. He’s further backed up by Bob (James Franciscus) who has inherited the island from his father and wants to turn the location into a tourist local. He tries to assure the guests that even if the volcano erupts the hotel will be sturdy enough to withstand it, but Hank openly disagrees and tells those that are willing to listen that they should come with him who will take them to a safer location.

While disaster flicks were quite plentiful during the 70’s and often times ridiculed, I found most of them to be marginally entertaining and sometimes even well done, but this one is quite clearly the absolute worst. The idea for the film was ‘inspired’ by the 1969 novel ‘The Day the World Ended’ by Gordon Thomas, which was the true account of when Mount Pelee erupted in 1902 and killed 30,000 people. Had it stuck to being a historical recreation it might’ve worked, but producer Irwin Allen decided to modernize the setting and characters until nothing from the original story is left making it just another generic formula piece too reminiscent of other better films that had done it before and which offers no substance, or anything new.

The characters are of a stock variety and unable to propel the story. Newman is especially weak, he’s one of my favorite actors, but here it’s quite obvious that his heart wasn’t in it and he’s just phoning it in the whole way. Bisset is also wasted and the secret love affair that they have, she’s supposed to be marrying Holden who proposes to her, isn’t interesting because there’s never any big clash between the two men, so what’s the point of introducing a dramatic element if it comes with no payoff?

The rest of the cast suffer similarly boring dilemmas including Red Buttons who plays a fugitive being tailed by a cop played by Ernest Borgnine. The two are immediately at odds, but then when Borgnine gets injured during the volcanic event Buttons decides to come to his aid. While this is initially touching it ends up getting overplayed as Buttons continues to help him more and more until you forget that they were ever adversaries and the original irony gets completely lost.

Veronica Hamel is wasted here too playing the wife of Franciscus who is apparently unaware that she’s been played throughout her marriage, as he’s been secretly carrying on with another woman. I just can’t believe that she would be that fooled that much. Most women have a sense when something in their relationship is off, and I think she would’ve internally known he was cheating even if she couldn’t prove it. The scene where she’s finally forced to face the harsh reality doesn’t have much energy as all she does is walk away. Having her angrily attack the cheater, or the other women, or maybe even pushed them into the lava when it hits the place, would’ve given it some interesting payoff, instead of it just ending on a flat note like everything else.

Having so many people refuse to go with Newman to seek safety I didn’t buy into. There was nothing special about the hotel, which resembled more like a business building, that would convince me that it was ‘specially built, for volcanoes and would be a safe place to stay. Most people when they’re in a dangerous situation want to be doing something and not just sitting in one place waiting to die and feebly hoping for the best. Granted there still might be some that would choose to stay behind, but I felt it would’ve been a much smaller number and with that in mind we should’ve seen them pay for their bad decision by observing the shocked looks on their faces when the hotel crumbles versus an explosion that gets matted onto the film negative and looks completely fake.

I could almost handle the cardboard characters and storyline if the special effects were at least halfway decent, but they end up being the biggest letdown. Apparently, the budget got slashed significantly halfway through the production forcing them to put up with subpar effects that is just so bad it’s laughable. What’s the point of even doing a disaster flick if the whole source of what we’re supposed to fear, which is the volcano, resembles nothing more than an animated painting? Even the flowing hot lava looks cheesy like it was all done in front of a green screen making the whole crossing the bridge segment, which was intended to be the film’s tension packed highlight, come off as boring and unconvincing.

The only positive thing I can say about it is that Franciscus plays an excellent antagonist. He spent most of his career as generic good guys, so having him go against type for once, was a refreshing change of pace, but unfortunately the rest of the film is so bad that his efforts were largely forgotten and didn’t help propel his career in any type of interesting way.

My Rating: 0 out of 10

Released: March 28, 1980

Runtime: 1 Hours 49 Minutes

Rated PG

Director: James Goldstone

Studio: Warner Brothers

Available: DVD, Amazon Video, YouTube

 

 

Who Killed Mary Whats’ername? (1971)

who killed mary 2

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Who killed the prostitute?

Mickey (Red Buttons) is a retired diabetic boxer who is appalled to learn that a prostitute was killed in her apartment and no one seems to care. He decides to do the investigation himself and even moves in to her old place. He inquiries about her amongst the locals and begins to get a few leads including that of a young filmmaker named Alex (Sam Waterson) who may have inadvertently filmed her leaving with her eventual killer. Soon Mickey’s grown daughter Della (Alice Playten) and Val (Conrad Bain), a man he meets at a bar, are helping him in his quest, but the things they learn only reinforce how unpleasant and dangerous a hooker’s life can be.

I commend the attempt at taking a gritty look at a seedy lifestyle and its open-minded approach to the women who are in it, but the film’s poor execution makes the whole thing come off as quite amateurish and even laughable. Why a man in his 50’s would become so obsessed with finding the killer of a woman he has never known and only reads about in a newspaper is quite hard to fathom. There are probably hundreds of prostitutes that share similarly sad fates, so why get so revved up about this one? The fact that he is able to get his grown daughter and another man he meets randomly at a bar to help him investigate seems equally unbelievable and the way they are conveniently able to find clues and connect-the-dots before solving the case comes off as too easy.

The action sequences, especially the opening one in which we see the prostitute getting killed, are poorly staged and filled with chopping editing that makes it hard-to-follow and phony looking. When the 50-year-old Buttons takes on a gang of young bikers, which are led by Earl Hindman who later became famous for playing the neighbor on ‘Home Improvement’ whose face was always obscured by a fence, it becomes downright silly. Sure the Buttons character has a background in boxing, but that still doesn’t mean he can take on four guys who are twice his size and the sound effects used for the punches are overdone and cartoon-like.

A similar issue occurs when Buttons saves a prostitute from an abusive pimp while Alex films it. The first time this occurs it is mildly diverting, but then when he saves another one, who is being beaten up by some of the old ladies in the neighborhood, it becomes redundant and corny.

The resolution, in which the killer turns out to be someone no one suspected, is flat and forgettable. It is also poorly thought out as he admits to the Buttons character that he killed the two women because he didn’t want any potential witnesses, but then doesn’t bother to kill Buttons or at least make sure he is dead even after he divulges his secret to him. The killer then just casually walks away without ever allowing the viewer to know if he was caught and charged with the crimes.

My Rating: 3 out of 10

Released: November 12, 1971

Runtime: 1Hour 30Minutes

Rated GP

Director: Ernest Pintoff

Studio: Cannon Film Distributors

Available: None at this time.