Tag Archives: Martha Coolidge

Real Genius (1985)

By Richard Winters

My Rating: 6 out of 10

4-Word Review: House full of popcorn.

Mitch (Gabriel Jarret) is a 15-year-old prodigy who attends college at a young age and rooms with Chris (Val Kilmer). The two though don’t hit-it-off as Chris is rebellious and irreverent while Mitch takes his studies seriously but doesn’t know how to have any fun. Both are assigned to work on a project called ‘Crossbow’ that is headed by an arrogant Professor Jerry Hathway (William Atherton). Neither student realizes that the laser project has been commissioned by the CIA that will allow them to commit political assassinations from outer space. Once they find this out, they band together to infiltrate the headquarters in order to corrupt the weapon and not allow it to function properly.

The film is best known as being the second starring vehicle for Val Kilmer who plays the type of smart ass that some may find amusing while others could consider it obnoxious. While he does have his moments, I did find it hard to believe that he was ever the studious type, which he insists he was during a ‘heart-to-heart’ conversation with Mitch and only became the goof-off after burnout, but if that really were the case the viewer should’ve seen that versus having it described. Since he plays the party personality so well it’s hard to imagine him being any other way and it would’ve been interesting to have witnessed the transition.

The real star is Mitch, and I’m surprised why he wasn’t given top billing as he’s more three dimensional, relatable, and has a genuine character arch while Kilmer seems brought in mainly just for comic relief and throw some spice into the proceedings. Atheron is a major scene-stealer that almost knocks the other two out playing the snobby jerk of all jerks, in an even more pronounced way than in Ghostbusters, which I didn’t think could be topped and in fact he plays it so well you don’t see the acting and begin to wonder if that’s the way he really is and in his case start to fear being potentially typecast.

While these characters are all engaging in their unique ways the supporting cast doesn’t work as well. Mitch’s parents, played by Paul Tuller and Joanne Baron, are just too dumb to be believed particularly when Atherton asks in snarky fashion if their son is adopted and for them not to catch-on that he’s insulting them was for me not plausible. Jordan, played by Michelle Meyrink, I felt was a bit over-the-top as she’s this super nerdy girl who spends seemingly every waking moment working on her inventions making it almost like it was a compulsion and it would’ve been nice seeing, at least for a few seconds, her doing something else.

The way Mitch, who has a crush on her, and she consummate their fledgling relationship gets completely botched. For one thing it didn’t need to turn sexual as I thought it worked better having things evolve between them slowly and not have it get serious until after school year was over and they could focus less on their studying. Either way the genesis that motivates them into sex is when Sherry, played by Patti D’Arbanville, appears in his dorm room and comes-on to him, but there’s no explanation for why she’s there and just popped-in out-of-the-blue. What’s worse is that you never actually see Mitch and Jordan get-it-on as the film cuts away, but seeing them in bed under the covers struggle to do it, as the first time could be quite awkward for many young people, could’ve been comical exposing how these geniuses were dumb at something to the point they decide it’s not worth it.

The pranks, which the film is best known for, are amusing, but seem a bit exaggerated. Coating the dorm floors with ice would cause massive damage once it melted and the water seeped through the floorboards making me believe the pranksters would’ve been kicked out. Same with Kilmer breaking one of the windows in his dorm room, which in the next scene is fixed, but no explanation with who fixed it, or more importantly paid for it. Getting the car of one of the students inside a dorm room was for me a jump-the-shark moment as there was simply no way that vehicle frame would’ve been able to fit through the doorway. Some may argue that because these pranks were based on real incidents that had occurred in other colleges, I’m being overly picky complaining about them, but I suspect they weren’t carried out in the exact same way as shown here, nor is there anything said about the aftermath because once the jokes are over somebody’s going to be paying for it. Here nobody ever gets into trouble or deals with the consequences, but in real-life they would.

Spoiler Alert!

The ending in which the students are able to infiltrate a military complex was wish fulfillment particularly the way they’re able to get in using ID cards they had made themselves, which I’m pretty sure would not have passed professional scrutiny. Just because these kids are smart doesn’t mean they can’t make mistakes or have oversights.

I did however love the house getting filled up with popcorn. Actual popcorn was used and had to be popped continuously for three months and then treated with a fire retardant so as not to combust. A 2009 episode of Mythbusters tried to recreate it and found that it wouldn’t be possible as the popcorn was not able to break glass or knock the home off of its foundation like in the movie, but it’s still a fun sight regardless and the film’s top moment.

My Rating: 6 out of 10

Released: August 7, 1985

Runtime: 1 Hour 46 Minutes

Rated PG

Director: Martha Coolidge

Studio: Tri-Star Pictures

Available: DVD, Blu-ray, 4K, Amazon Video, YouTube

Not a Pretty Picture (1976)

not

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Reenacting a rape incident.

While Martha Coolidge is known today for having directed such 80’s classics as Valley Girl and Joy of Sex she started her career in the 70’s doing documentaries mainly about high school students. After having done three of those she decided to do one that was more personal and dealt with a real-life incident that occurred to her when she was 16 when she got raped on a date with a college student who was 20. While she went about casting the actress to play her as a teen she was shocked to learn that the actress, Michele Manenti, had a similar experience. The film then weaves between reenactments of the date rape and the situations that lead up to it as well as the aftermath. There’s also interviews with the cast members who talk about the emotions they go through while playing the characters including Jim Carrington, who plays the rapist named Curly, who confesses that he thought women secretly wanted to be raped due to his belief that they fantasize about it.

What I got out of the film and enjoyed the most was looking at the acting process and how the performers used elements of their own experiences to help shape the characters that they play. I was genuinely surprised that only one of the cast members, Amy Wright who has a small role as Cindy, ever went on to do another movie. The two stars, who I felt were both outstanding, never acted in anything at least film or TV wise even though I felt they should’ve had long careers. I realize that the acting profession is a very competitive business and what may seem like the cream-of-the-crop in college may not be able to rise to the top in the real-world, but it still seemed sad that they weren’t able to do more, or at least more in front of the camera. It’s also surprising how non-dated this is. The conversations they have both about dating and acting is something that could’ve easily been shot today and just as topical. If it weren’t for them openly smoking indoors in a public setting, which is a major no-no now, you would never have known this was done in the 70’s.

While the conversations that Coolidge has with the cast proves to be insightful the reenactments aren’t as compelling. The scene involving the conversations that the four friends have inside a car has some interesting points, but it goes on too long and gets static. The aftermath where Martha is ridiculed by the other girls at her school and called a ‘whore’ because of the rumors that Curly spreads stating that she was a ‘willing participant’ and the stressful moments she has when she doesn’t get her period and fears she may be pregnant are quite dramatic, but the most important scene, the rape itself, gets botched. All the other recreated scenes where done as if in real-time and with sets that replicated the era, which was 1962, but with the rape it’s staged as a rehearsal with Martha and the other stagehands clearly in view as it occurs and Coolidge constantly stops the action to have them redo the scene several times in order to get it right, but this takes the viewer out of the moment and mutes the emotional impact. In hindsight I think they should’ve done the entire recreation, both the rape and what lead up to it as well as the aftermath, first and then went to the behind-the-scenes footage afterwards instead of inter-cutting it, which may have been novel for the time, but eventually gets off-putting.

The film’s focus was apparently intended to be on Martha and her reactions at seeing her own rape get played-out as the camera keeps panning back to her face as she watches the actors perform it and then at the end she describes her feelings in a emotional way. While I’m sure this was a tough thing for her to do I still felt it would’ve been more encompassing to have it about all the other women, including the actress in this film, that this has happened to and how men in that time period were able to get away with it and never had to be accountable. That to me was more disturbing and the film ends up missing that point, or not hitting-it-home hard enough, and thus isn’t as strong, or ground-breaking as it could’ve been.

My Rating: 5 out of 10

Released: March 31, 1976

Runtime: 1 Hour 23 Minutes

Not Rated

Director: Martha Coolidge

Studio: Coolidge Productions

Available: Vimeo