By Richard Winters
My Rating: 4 out of 10
4-Word Review: Trying to stop assassination.
When a Soviet leader decides to visit Vancouver the Russian Embassy puts the Canadian authorities on alert about Rudolf Henke (Val Avery) who moved to Canada many years back, but is reported to still hold grudges about the Soviet Union and could be a sniper threat. Timothy Shaver (George Segal) is then secretly hired to kidnap Henke while the Soviet leader is in town and then let him go once that leader has left. However, when Shaver gets to Henke’s apartment he finds out that he has already been abducted by somebody else, which leads him to believe that he is being made a pawn to an even bigger conspiracy and that he may become their next victim.
The story is based on the novel ‘Kosygin is Coming’ by Tom Ardies and the first 45 minutes of this are actually quite diverting. Director Lou Lombardo gave his actors the freedom to ad-lib and he instills some quirky humor, which made me believe this was going to be a new wave-like actioner that deftly mixes in the offbeat perspective with a story that had an intriguing mystery angle.
Unfortunately the second half devolves into cheesy action flick with all the usual formulaic trappings. The biggest problem is introducing the Russian bad guys who speak in inauthentic, corny accents that made them become like caricatures that lessens the tension instead of heightening it. The film would’ve been better served had it not shown the villains at all until the very end and kept things solely focused on Segal as he tries desperately to figure out what is going on while being chased by a mysterious group of people whose motives are unclear.
There are a couple of stupid moments as well. One of them occurs when Segal and his girlfriend played by Cristina Rains return home. She immediately runs into the bathroom to take a pee, but then just as quickly comes back out wearing a strange expression. Segal then walks in to see a dead body of a murdered stranger sitting on the toilet. I know this may make me sound like a sexist to some, but the truth is women have a tendency to scream when they are startled and sometimes for a lot less than an unexpected sight of a corpse in their bathroom, so having her not instinctually scream here (hell even I would’ve probably let out a shrill yell at that point) is dumb.
Another part has Segal and Rains handcuffed and sitting in a backseat of a car that is being driven by one of the Russian bad guys. Segal, in an apparent attempt to escape, kicks the Russian guy in the back of his head, which sends the car reeling off the road and overturning into a ditch. However, this to me seemed dangerous because what guarantees that Segal and Rains wouldn’t be injured when that occurs. As it turns out the driver ends up conveniently dying in the crash, but miraculously the couple get out of the badly banged up car without even a single scratch, which is beating astronomical odds!
Segal wasn’t the best choice for the role. He spent the 70’s decade playing mostly in light comedies and romances, which he is more adept at, but presumably took the part to help stretch his acting resume and avoid being typecast. It doesn’t fully work and there were other actors who would’ve been better able to reflect the film’s gritty tone although watching Segal do mostly his own stunt work as he climbed out to the top of the roof of The Fairmont Hotel in downtown Vancouver does deserve kudos.
The supporting cast proves to be more interesting. I enjoyed seeing Louise Fletcher in her second movie after coming out of a 10-year hiatus. She has only a small role here, but she makes an impression nonetheless and it’s interesting seeing her play a person with such a sunny disposition when later that same year she portrayed the dour Nurse Ratched, which only proves what a talented actress she really is.
Val Avery is equally good in a part that has no lines of dialogue, by his own insistence, but still ends up being a scene stealer not only at the end when he stumbles into a scared crowd while wearing a bomb, but also in an earlier scene where he plays a cruel trick on a group of children playing roller blade hockey in the street.
Unfortunately the rest of the movie doesn’t have enough of a payoff. The action gets overplayed and the blaring music takes away the sophisticated feel and puts it more on the level of a bubblegum TV-show. Some good potential gets marred by an indecisive director who reportedly was suffering from drug addiction at the time and the effects show.
My Rating: 4 out of 10
Released: August 20, 1975
Runtime: 1 Hour 33 Minutes
Director: Lou Lombardo
Studio: AVCO Embassy Pictures