Tag Archives: Lee Majors

Steel (1979)

steel

By Richard Winters

My Rating: 4 out of 10

4-Word Review: They build a skyscraper.

Big Lew (George Kennedy) runs a construction company that builds skyscrapers and is under pressure to get his most recent project, which will be one of the tallest he’s ever been put in charge of making, completed under budget. While climbing onto a metal high beam, one of the other workers with him freezes and refuses to come down. Lew attempts to relax him, but in the process, he loses his balance and falls to his death. Cass (Jennifer O’Neill) is put in temporary charge, but she’s overwhelmed with the demands and thus goes to Mike (Lee Majors) to help take over the project and make sure it gets done in time. Mike used to be a part of the hard-hat team, but an accident caused him to become afraid of heights and forced him to take a job as a truck driver, but when the daughter of an old friend comes calling, he can’t refuse. He assembles a motley crew of misfits who all have eccentric personalities but also know how to build tall buildings and do it right even when put under grueling circumstances. Not all of them know about Mike’s fear and he tries to hide it from them due his concern that they might not respect him anymore if they found it, but while he struggles to keep everyone working at a near impossible pace he must also fight-off the likes of Eddie (Harris Yulin) who’s been tapped by a criminal conglomerate to do whatever he can to hijack the efforts of Mike’s crew and make sure the building is never finished.

The film is for the most part just a TV-movie if not for one brief moment when a prostitute gets into the truck that Lee Majors is driving and takes-off her shirt. It would’ve been best had it been made for that medium because as a theatrical release it didn’t do well and has been largely forgotten without any DVD, Blu-ray, or even a steaming venue to its name. Infact the only thing that stands it out is what occurred behind-the-scenes as stuntman A.J. Bakunas died when attempting the world record by diving off a construction site at 315 feet from the 22nd story where he reached speeds of 115 mph. The jumped looked perfect, but upon landing the air bag split and he died from the injuries the next day.

While his death was certainly regrettable, his father was a part of the 1.000 onlookers who witnessed it, it was not shot in a way that makes it work in the film. While the footage was kept and edited into the movie you only end up seeing a few seconds of it making it seem like it wasn’t even worth attempting if that’s all that was going to be seen. It was also used to kill-off George Kennedy, it was his character’s fall that the jump was created for, but Kennedy’s hard-ass persona is the one thing that gives the story any color and it’s a shame that he hadn’t stayed in all the way through.

The supporting cast if full of familiar B-movie faces and some of them are quite good, but they’re not in it enough. The movie might’ve been more entertaining had the workers themselves carried it, but instead we get introduced to their quirky temperaments, while Majors busily makes the rounds to beg them to come aboard as his crew, but then after that they’re largely forgotten and instead the focus gets put on Majors who is by far the dullest of the bunch and it would’ve worked better had he not been in it at all. O’Neil had great potential, seeing a woman trying her best to head an all-male crew, most of whom weren’t exactly gentile, could’ve made for some high drama and been considered even groundbreaking and the film clearly misses-the-mark by not having taken that avenue.

The building that was used for the film was the Kinkaid Towers in Lexington, Kentucky, which when compared to major skyscrapers in large cities is quite puny and unimpressive. The opening shot capturing it from the ground-up as its half-built doesn’t help to dispel this feeling and if anything seems rather laughable especially when there’s no other tall building around it, so there’s no cosmopolitan vibe at all to it.  However, the shots showing the men walking on the high beams several stories up with seemingly nothing holding them down is nerve-wracking to watch especially for those who fear heights, so in that vein it succeeds, but with everything else it’s rather flat.

My Rating: 4 out of 10

Released: July 25, 1979

Runtime: 1 Hour 42 Minutes

Rated PG

Director: Steve Carver

Studio: Fawcett-Majors Productions

Available: DVD-R

Strait-Jacket (1964)

strait jacket

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Giving them the ax.

Lucy Harbin (Joan Crawford) comes home early one night from a trip only to find her husband Frank (Lee Majors in his film debut) in bed with another woman. This enrages her so much that she grabs an ax and chops off both of their heads all while in front of her young daughter.  After being institutionalized for 20 years she is released and sent home to live with her now grown daughter Carol (Diane Baker). Unfortunately the ax murders begin happening again and all signs seem to point to Lucy having a bad relapse.

Director William Castle keeps the proceedings compact enough to be entertaining, but borrows too many elements from Psycho and What Ever Happened to Baby Jane? while also adding a few to many gimmicks. Having the setting take place on a rural hog farm gives it a little extra atmosphere. The wrap-up is nice, but halfway through the film I had already figured out the twist ending and thus making the final revelation not as shocking or interesting as I think the filmmakers intended.

I realize the gore factor here is quite sanitized when compared to today’s horror movies and yet the scene where Lucy axes her hubby is actually quite effective. We see the shadow of the husband’s body with his head popping off like a cork coming out of a wine bottle. Instead of cutting away like most other films do it cuts back to Joan’s face where she continues to whack and whack and whack while her eyes get wilder with rage, which in many ways makes this far better and more fun than most other ax wielding movie scenes.

The film also brings out an interesting loophole. Namely the fact that can a woman be considered crazy for wanting to chop off her husband’s head after finding out he is unfaithful or is she simply giving the two-timing cad his just desserts.

Baker is good in support and her face is adorable. Her restrained performance nicely compliments Crawford’s more hammy and histrionic one. In fact some may consider Crawford’s acting to be over-the-top and unintentionally funny, but on a camp level it is fun. I realize both her wig and clacking bracelets become a major plot point, but I disliked both. The wig makes her look too much like an old, haggard version of her famous Mildred Pierce character and the constant clacking from the bracelets becomes annoying.

It was interesting to see Leif Erickson cast as a family friend who tries to work with Lucy and her emotional instability as he was at one time the husband of Frances Farmer an actress who also suffered from mental illness and I kept one wondering the whole time whether he was channeling those experiences into his character here. George Kennedy can also be spotted, but his almost unrecognizable as he has jet black hair here, a much thinner frame, and a pair of buck teeth.

Probably the film’s best gimmick comes at the very end where the famous torch carrying lady on Columbia Pictures logo is seen with her head cut off and having it lying on the ground beside her feet.

Capture 334

My Rating: 6 out of 10

Released: January 19, 1964

Runtime: 1Hour 33Minutes

Not Rated

Director: William Castle

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video