Tag Archives: Kristoffer Tabori

Journey Through Rosebud (1972)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Draft dodger visits reservation.

Danny (Kristoffer Tabori) travels to a South Dakota Indian reservation as he tries to escape the draft and troubles at home. He meets up with Frank (Robert Forster) who is an Indian living there and who has issues of his own, which is mainly his alcoholism and that at the age of 32 he still lives with his mother in a ramshackle home with no prospects at a secure, good paying job. Danny learns first-hand of the struggles of the modern-day Indian while also take part in some of their rituals and customs.

The film’s best element is the performance by Forster who goes outside his comfort zone by playing a Native American and doing it with conviction. Normally he’s entertaining as a brash-talking tough guys, but here his character is much more restrained and in one sad moment even falls to the ground and begins crawling around in a drunken state while those around him look on with contempt and disdain that is gut-wrenching to see while also exposing his courage as a performer by putting himself in such a pathetic looking state that not all actors would be willing to do even if the script called for it.

Tabori is equally enjoyable and in the few films that I’ve seen him in I’ve become convinced that he was a potentially strong leading man who never quite got his fair shot. His thin frame and youthful age belie a strong inner presence that helps to make his dynamic between Frank and himself potentially interesting, but the film neglects to follow through with it enough.

As for the action there is unfortunately not enough of it. The only time something does occur is when a group of Indians go on private land to rustle and kill cattle, which includes a very grisly shot of them slashing the animal’s throat that may make many viewers uncomfortable. Otherwise it flatlines from the first frame to the last and almost comes off like a minor league educational film dealing with the issues of reservation life than a movie with an actual story. In fact it’s so slow that I started to feel a group of amateurs with good intentions, but limited ability made it, but instead it was directed and written by a couple of Hollywood veterans who should’ve known how to better pace a story, so why that wasn’t done here I don’t know.

The film received a very limited release with the explanation that the studio didn’t think they could find the right target audience for it, but I think it was more to the fact that they knew it was boring and no one, even those that connected with the theme, would want to sit through it. The film is more like some small day trip excursion where someone visits a small no-name town, takes part in benign events there and then leaves without any of it having much impact on them, which is exactly how the viewer feels after watching the movie.

My Rating: 3 out of 10

Released: March 2, 1972

Runtime: 1 Hour 33 Minutes

Rated GP

Director: Tom Gries

Studio: GSF

Available: None at this time.

Making It (1971)

making it 2

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Teen enjoys seducing women.

Phil (Kristoffer Tabori) is a cocky, self-centered teen who uses his good looks to get practically any girl he wants into bed with him. He even has a fling with the wife of his basketball coach, but when he thinks he has gotten one of them pregnant things begin to spiral out-of-control especially when his emotionally fragile mother (Joyce Van Patten) starts to have some ‘problems’ of her own.

Peter Bart’s script, which is based on James Leigh’s novel ‘What Can You Do?’ has some incisive comments, but surprisingly it’s more on being middle age than adolescence. It shows with a depressing clarity what a thankless, pain-in-the-ass the middle age years can be and how people at that stage secretly wish to go back to their teens if only to experience for a fleeting moment the carefreeness and idealism once again.

The on-location shooting done at West Mesa High School in Albuquerque, New Mexico nicely captures the gorgeous, crystal blue skies of that region. The students are made up of actual teens that look and behave very much like teens of today. However, John Erman’s direction is lackluster and flat. Everything is shot in a conventional, unimaginative way with a pace that is slow and only manages to improve towards the end when it becomes dramatic.

Phil’s spirited debate with his English teacher, played by Lawrence Pressman, is engaging as is a rebellious student played by Bob Balaban arguing with his beleaguered principal (David Doyle) about his right not to have to stand at attention during the pledge of allegiance. The film is also famous for the novelty of casting real-life siblings Dick and Joyce Van Patten as lovers and includes a sequence showing him kissing her on the mouth, which had to be awkward to perform let alone rehearse.

Tabori, who is the son of actress Viveca Lindfors and Dirty Harry director Don Siegel shows an impressive amount of composure and maturity for such a young age, but I wasn’t so sure I liked the sound of his voice. Louise Latham, who plays the mother of the girl Phil thinks he might have impregnated, is memorable and had her part been just a wee bit bigger she would have easily stolen the whole thing. She is also involved in the film’s funniest moment where she asks Phil for some weed and thinking she doesn’t know “grass from her ass” he decides to take a regular cigarette, roll it up like a joint, light it and then let her smoke it where she  ends up getting a ‘high’ anyways.

The film’s staple though is its twist ending that is genuinely shocking and most likely to leave even the most jaded viewer’s mouth agape. It could’ve been played out a little more, but remains nasty nonetheless and it’s something you’re guaranteed not to see in any other movie. It is also the one thing that gives this otherwise undistinguished teen flick a kick and probably explains why it has never been released on either VHS or DVD nor ever shown on broadcast network television.

making it 1

My Rating: 5 out of 10

Released: March 21, 1971

Runtime: 1Hour 31Minutes

Rated R

Director: John Erman

Studio: 20th Century Fox

Available: None at this time.