By Richard Winters
My Rating: 9 out of 10
4-Word Review: Burned at the stake.
In the year 1634 the governor of Loudon, a small fortified city, dies, making Urbain Grandier (Oliver Reed), a priest with a secretly decadent lifestyle, the one in control. He’s idolized by the townspeople and the head nun at the local convent, Sister Jeanne des Anges (Vanessa Redgrave), secretly has sexual fantasies about him though because she suffers from having a hunch on her back is rarely ever seen outside and Urbain himself doesn’t know she exists. When Urbain secretly marries Madeleine (Gemma Jones) Jeanne becomes jealous causing her to confide to Father Mignon (Murray Melvin) that she’s been possessed by Urbain as well as accusing him of dabbling in witchcraft. This then leads to an inquisition headed by Father Pierre Barre (Michael Gothard) and a public exorcism, which has the nuns in the church strip and perform perverse acts before Urbain and his new wife are arrested and put on trial.
The story is based on the actual event, which was written about in the book ‘The Devils of Loudun’ by Aldous Huxley that was later turned into a stageplay. After the play’s success United Artists became interested in turning it into a movie and signed-on Ken Russell to direct due to his recent success in helming Woman in Love. Russell read the source material and became in his words ‘knocked-out by it’ and ‘wanted others to be knocked-out by it too’. This then compelled him to write an extraordinarily over-the-top script full of sex, violence, and graphic torture that so shocked the studio execs when they read it that they immediately withdrew their initial investment and refused to fund the picture threatening the project from being made even though many of the sets, constructed by set designer Derek Jarman, has already been painstakingly completed, but fortunately for them Warner Brothers swooped-in at the eleventh hour, which allowed the production to proceed.
The film’s release was met with major controversy with many critics of the day, including Roger Ebert who gave the film a very rare 0 star rating, condemning it. Numerous cuts were done in order to edit it down to a version that would allow it to get shown with the original British print running 111 minutes while the American one ran 108. Both were issued with an ‘X’ rating though even these cut out the most controversial scene, known as ‘The Rape of Christ’ segment, in which a group of naked nuns tears down and then performs perverse acts on a giant-sized statue of Jesus. This footage was deemed lost for many years before it was finally restored in a director’s cut version, that runs 117 minutes, that was shown in London in 2002. Yet even today this full version is hard-to-find with Warner Brothers refusing to release it on either DVD, or Blu-ray. They’ve even turned down offers from The Criterion Collection who wanted to buy it. While there was a print Warner released onto VHS back in the 80’s, this same version, got broadcast on Pay-TV, it’s edited in a way that makes the story incomprehensible, and only the director’s cut is fluid enough for the storyline to fully work.
It’s hard to know what genre to put this one into as this isn’t your typical movie and watching it is more like a one-of-a-kind experience that very much lives up to its legend and just as shocking today as it was back then. Yet, outside of all of its outrageousness it is quite effective. Each and every shot is marvelously provocative and the garishly colorful set pieces have a mesmerizing quality. The chief color scheme of white that lines the walls of the inside of the convent seemed to interpret to me the interior of a mental hospital, which helps accentuate the insanity of the frenzied climate. While things are quite over-the-top its ability to capture the mood of the times, the cruel way people treated each other and how they’re all steeped in superstition as well as the dead bodies from the plague that get stacked about, are all on-target and amazingly vivid.
The acting is surreal with both Reed and Redgrave stating in later interviews that they consider their performances here to be the best of their careers. Reed’s work comes-off as especially exhausting as he gets his head shaved and then is ridiculed in a large room full of hundreds of people before burned to death with make-up effects that are so realistic it’s scary. Redgrave, who walks around with her head twisted at a creepy angle, is quite memorable during the scene where she physically punches herself for having sexual fantasies, even puts a crucifix in her mouth at one point and masturbates with a human bone. Dudley Sutton and Murray Melvin with their very unique facial features and Michael Gothard, who initially comes-off with his long wavy hair as an anachronistic hippie flower child, but who becomes aggressively evil as the makeshift exorcism proceeds, all help round-out a most incredible supporting cast.
While the cult following for this remains strong and getting stronger and demand for a proper, director’s cut studio released DVD/Blu-ray is high Warner continues to rebuff the requests. There are though ways to find versions through Bing searches. Streaming services Shudder and Criterion Channel have shown the most complete prints to date, running roughly 111 minutes with most of the controversial scenes, including the Rape of Christ moments though these scenes are of a poorer, grainy and faded color quality since they never went through a professional digital transfer, but overall it’s still one of those movies you should seek-out because not only is it fascinatingly brilliant, but it’s something that could never be made today and a true testament to the wild, unfiltered cinema of the 70’s that will forever make it the groundbreaking, unforgettable decade that it was.
My Rating: 9 out of 10
Released: July 16, 1971
Runtime: 1 Hour 57 Minutes (Director’s Cut)
Rated R (Originally X)
Director: Ken Russell
Studio: Warner Brothers
Available: DVD-R
Scopophilia 