Tag Archives: John Sturges

The Eagle Has Landed (1976)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Plotting to kidnap Churchill.

During World War II Nazi Colonel Radl (Robert Duvall) is hired to study the feasibility of kidnapping British Prime Minister Winston Churchill and bringing him back to Germany. At first he considers it an impossible task, but then learns that Churchill is set to visit an airfield in an English village where one of their German sleeper agents resides. He then hires paratrooper Kurt Steiner (Michael Caine) to lead the mission inside the village, but the plan quickly unravels forcing the soldiers to make a daring escape before the allied troops arrive.

This marks the final film directed by John Sturges who was noted for helming his share of action flicks and westerns. The film’s handsome production offers plush scenery, on-location shooting and some wonderful bird’s-eye-views. One could enjoy the movie on this level alone as well as its ability to focus more the actual planning of the mission than the fighting. It has a sort of behind-the-scenes approach to all of the thought and effort that goes into the strategy of war as opposed to the physical on the ground aspect. The film also takes a surprisingly humanistic approach to the Nazis portraying them more as regular human beings who just so happen to be fighting on the wrong side as opposed to the robotic, demonic persona that they’re given in most other war films.

The film’s faults lies in that it’s too leisurely paced. The planning stage allows for some interesting insight, but could’ve been trimmed while the action is sudden and jarring and only popping up near the end when it should’ve been introduced earlier. There is never any real danger to Churhill as the plan goes awry long before he arrives. Since the whole thing was fictional anyways then why not have the soldiers surround whatever building Churchill was in and thus making it seem at least that he might really get captured before having their plan unravel. The way it gets done here the viewer’s energy is strangely geared at seeing the bad guys escape capture, which is off-putting as is the gimmicky ending that makes everything that is shown previously seem insignificant.

The cast is impressive, but mostly underused. Duvall, who speaks with a dubious German accent, takes up most of the screen-time during the first half and then pretty much disappears altogether during the second part. Caine, who doesn’t speak with a German accent, or at least any that is detectable, seems stiff and uncomfortable in an uninteresting role that does not take advantage of his talents. Apparently he was originally offered the role of Liam Devlin who was a member of the IRA, but Caine refused it due to his personal political beliefs and was thus given the Steiner role on the rebound.

Larry Hagman, mostly known for his TV work, gets an amusingly showy bit as the inept Colonel Potts who tries to lead the US Army Rangers on a mission to rescue the village’s town folk who are held hostage by the soldiers. While the part takes full advantage of Hagman’s comic ability to play a hyper, emotionally frazzled character it seems out of place in this type of movie and almost turns the film dangerously close to becoming an ill-advised comedy.

Donald Sutherland ends up becoming the scene stealer as Liam Devlin who with his hair dyed red really looks Irish and speaks with an authentic sounding Irish accent. The character also has an unusual ability to whistle and then move his finger in a way that subdues an aggressive dog by seemingly putting it under a sort-of hypnotic spell. Whether anyone could really do this, or is there is some truth in what the character does here I don’t know, but it would be interesting to find out.

My Rating: 7 out of 10

Release: December 25, 1976

Runtime: 2Hours 3Minutes

Rated PG

Director: John Sturges

Studio: Columbia Pictures

Available: DVD, Blu-ray, Amazon Video, YouTube

Joe Kidd (1972)

joe kidd

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Bounty hunter tracks revolutionary.

Joe Kidd (Clint Eastwood) is a bounty hunter sitting in jail on trumped up charges. As he is about to have his case heard the courthouse is invaded by Luis Chama (John Saxon) and his band of Mexican revolutionaries who are angered that their U.S. land claims have been denied. They threaten a full scale war against the American government and suddenly Kidd finds himself in the middle when powerful landowner Frank Harlan (Robert Duvall) wants to use Kidd’s abilities to track Chama down so that he can kill him before he can ferment any more unrest. Kidd and Frank do not like each other, but Kidd reluctantly goes along while planning at some point to stop Frank and his men before they can do anymore harm.

If there is one thing to take from this film it is Duvall’s performance. This is the movie where he really came into his own and his career transitioned from small character parts and guest spots in TV-shows to an all-around dynamic lead actor. His presence here is commanding and he plays the bad guy with such zeal that it ends up taking over the entire picture while smothering the usually reliable Eastwood until he and his character become bland and transparent.

Unfortunately the script written by Elmore Leonard cannot match the same energy or creativity. It starts out well and has all the rugged ingredients one expects from a good western and it’s even directed by John Sturges who’s noted for putting together great action flicks, but unfortunately at some point it goes flat and this is mainly because there is not much of a second or third act. The scenario itself is too predictable and gets played out in a mechanical, by-the-numbers fashion. It is also devoid of much action. The part where Kidd uses his telescope rifle to pick off a shooter at long range that the others can’t is okay, but the scene where he derails a train and sends it crashing through a saloon seems implausible and not as exciting to see as it may sound.

I enjoyed Kidd’s antagonistic relationship with Lamarr (Don Stroud) who is one of Harlan’s men and a young, long haired cocksure guy that immediately gets a vendetta against the more stoic Kidd, which adds some zest, but then the film squashes it too soon by having Kidd kill Lamarr in a rather unimaginative and uneventful way. In fact the whole climactic finish works in the same way with Kidd mechanically knocking off each of Harlan’s men in a fashion similar to what Gary Cooper did to the bad guys in High Noon, which was a far better movie. Kidd’s final shootout with Harlan is a particular letdown and should’ve been played out more while only helping to cement this as one of Eastwood’s weakest and more forgettable westerns that he has done.

My Rating: 3 out of 10

Released: July 14, 1972

Runtime: 1Hour 28Minutes

Rated PG

Director: John Sturges

Studio: Universal

Available: VHS, DVD, Blu-ray, Amazon Instant Video