Tag Archives: Jackie Mason

Caddyshack II (1988)

caddyshack2

By Richard Winters

My Rating: 1 out of 10

4-Word Review: A very bad sequel.

Kate (Jessica Lundy) is looking to fit-in with fashionable society by becoming friends with snooty Miffy (Chynna Phillips) whose parents (Robert Stack, Dina Merrill) run the affluent Bushwood Gold Club. Miffy tries to get Kate and Kate’s father Jack (Jackie Mason) to join the club. Kate, wanting to move-up the social ladder, convinces her father to send in an application and since Jack is financially well-off he’s quickly accepted. However, once Jack arrives his oafish personality and gaudy attire make him a turn-off to the other members. Miffy’s parents also don’t like him since he wants to build low income housing in their ritzy neighborhood. Jack is soon kicked-out of the club and told never to return, which causes Jack to buy the course and turn it into an amusement park and the only way Miffy’s family can win it back is if they challenge him to a golf game.

This is another sequel that had no business being made since the original had a perfect ending and no need for any continuation. Harold Ramis, who directed the first one and gets onscreen credit for co-writing this script, was not interested in making it, but eventually decided to dive in at the insistence of Rodney Dangerfield, who had figured prominently in the first film and wanted to take part in another one. Unfortunately Rodney became displeased with the quality of the scripts that were sent to him and eventually bowed out, which caused Ramis to leave the project as well. Bill Murray didn’t want to recreate his role and neither did Michael O’Keefe, while Ted Knight had already passed away leaving only Chevy Chase to return unless you count the gopher who figures more prominently here. Chase, who later regretted being in this, is the only funny thing about it, and seems for the most part to be ad-libbing his lines as it went along.

The biggest problem is that many of the performers add nothing to the story. This is especially true for Dyan Cannon, who at 50 looks great and would be considered these days as a ‘MILF’, but her character serves no other function other than to fall in love with Mason and appears only sporadically. Jonathan Silverman, who fills-in for the role played in the original by Michael O’Keefe, is barely seen and could’ve easily been cut-out. The normally reliable Dan Akroyd, who plays the part that Bill Murray would’ve, is wasted while speaking in a high-pitched voice that is more annoying than funny.

What I found most irritating is the presence of Robert Stack, who is stiff and pale and looking like an old guy with too much plastic surgery. Ted Knight, who played the role in the original at least had a colorful way of conveying his lines, but Stack speaks his lines like an over-rehearsed robot, which makes his presence quickly forgettable. I was also dismayed that he took over the antagonist role from Dina Merrill, as it initially seemed like she’d be the one to be Jackie Mason’s nemesis, which is a shame as a strong, powerful, yet ruthless woman going up against a putzy guy like Mason could’ve brought out some interesting dynamics that gets lost when it’s just between two aging men.

I was also confused why Randy Quaid is in this as he plays Mason’s obnoxious lawyer, but says things that Mason’s character could’ve easily said himself. I suppose in an attempt to make Mason more likable the writer’s decided to give the more edgy lines to Quaid, but the result is throwing in another character that really isn’t necessary. Apparently had Dangerfield agreed to be in it then his friend Sam Kinison would’ve played this role, who would’ve been better.

The film also fails to recreate the day-in-the-life feel of a country club, which is what had made the first one so engaging. In fact there are a lot of scenes that don’t even take place at the golf club. I also couldn’t stand how Mason renovated the place into a tacky miniature gold-like course, which seemed like a desecration and made me actually want Robert Stack to win the final match, so that he, even as much of a jerk that he and his wife were, could’ve turned the place back into a sensible looking golf course that it should’ve been.

My Rating: 1 out of 10

Released: July 22, 1988

Runtime: 1 Hour 38 Minutes

Rated PG

Director: Allan Arkush

Studio: Warner Brothers

Available: DVD, Hulu, Amazon Video, YouTube

The Stoolie (1972)

stoolie1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Con man heads south.

Roger (Jackie Mason) is a small time crook who works with Police Detective Alex (Dan Frazier) to trap other thieves by using bait money that Alex gives to him in other to set-up criminal deals that will eventually lead to their arrest. Roger though feels he’s shown little respect giving him the gumption to take the bait money and run off with it to Miami. Alex relentlessly chases after him, but finds many obstacles while Roger meets-up with a lonely woman named Sheila (Marcia Jean Kurtz) who was ready to jump off a bridge until he talked her out of it. The two eventually fall-in-love and get married only to have Alex appear at their door demanding his bait money back, which Roger has already spent forcing him to come-up with other underhanded ways to steal it back.

This was Mason’s film debut in what has amounted to being a very short-lived film career with only two other starring vehicles to his resume that were spread far apart and include the critically panned Caddyshcack II in 1988, and then Goldberg – P.I. in 2011. While Mason was already an established nightclub comedian at the time his foray into television had been rocky including the infamous ‘Middle Finger incident’ on the October 18, 1964 live broadcast of the ‘Ed Sullivan Show’ that got him banned from appearing on it and effectively blacklisted from going on other shows or movies. While his humor and outspoken politics have made him an acquired taste he comes off here as not only likable, but genuinely endearing. Director John G. Avildsen manages to use Mason’s frumpy physique to his advantage creating a lovable loser type that makes the viewer want to cheer him on from start to finish and really the only reason why this otherwise oddball film is able to work.

Initially I wasn’t sure if the love angle that gets thrown-in halfway through would appeal quite as well, but fortunately Kurtz acts as Mason’s female counterpart even sporting the same curly mop-top making their romance seem organic. I enjoyed too that the after their first meet it doesn’t suddenly cut to showing them immediately in bed together like in so many other 70’s movies, but instead having them touring a parrot farm. In fact the Florida locations get captured well here as Avildsen stays away from the chic side while delving more into it’s emptiness where lonely souls come looking for some happiness.

Frazier is effective and the second act in which the film cuts back and forth between Mason living it up and Frazer doggedly chasing after him is where it gels, but the minute the two get back together it bogs down as there’s no chemistry between them. Mason becomes too much of a passive observer watching Frazier doing all the scheming, but the hero needs to be the one propelling the action. While the charm remains it’s not as strong by the end and the film would’ve been better served had it stayed with the cat-and-mouse theme.

My Rating: 5 out of 10

Released: November 17, 1972

Runtime: 1 Hour 28 Minutes

Not Rated

Director: John G. Avildsen, George Silano

Studio: AVCO Embassy Pictures

Available: DVD-R, Amazon Video

The Jerk (1979)

the jerk

By Richard Winters

My Rating: 7 out of 10

4-Word Review: This is stupidly brilliant.

This is the type of film that looks like it was done by people that were stoned and meant for audiences that were equally stoned. The ‘story’ runs like it was conceived by someone who couldn’t come up with a real plot so they did this instead. The whole thing is as simple and mindless as the character it depicts with no real correlation to anything. Everything is thrown in haphazardly and at times looks like nothing but a very desperate and strained attempt for a laugh. This is coupled by a performance by Steve Martin that is very one-dimensional and even amateurish. He behaves like one of those annoying class clowns looking for attention and yet despite all this it still manages to be funny sometimes really, really funny.

This is a definite precursor to Dumb and Dumber and others like it and in many ways this is still the best as it completely stretches the stupidity axiom. It tests the audience’s perceptions on what is tolerable and logical. This doesn’t just have a couple of guys who are weird everybody and everything is weird. The humor works totally outside of the box. It gets you to laugh at things you didn’t think you would and also gets you to see things differently. It creates a warped world that for the first hour is consistent and fun, but by the second hour it begins to struggle and ultimately overreaches.

Martin’s ‘air head’ routine doesn’t seem too original since he had been using it previously in his stand-up acts and comedy guest stints. His character is too dumb and naive to be believable and there is never any explanation for it. He manages to give his performance a certain endearing quality, which is the only thing that saves it. The opening segment has him growing up a white boy amongst a poor black family, which borders dangerously close to being racist and stereotypical.

There is a good supporting cast, but they seem wasted and many of them only have a few lines. Bernadette Peters, as his love interest, really doesn’t add much however Jackie Mason is pretty good as Martin’s boss at a gas station. Maurice Evans is also fun as Martin’s butler and has an amusing way of responding to his wife’s sudden death. Rob Reiner, the director’s son, appears in a cameo as a truck driver who gives Martin a lift ‘up to the end of the fence.’

Overall this is pretty goofy stuff, but only for those who are in the right frame of mind for it. It’s a simple, scattershot formula that produces some genuine laughs.

My Rating: 7 out of 10

Released: December 14, 1979

Runtime: 1Hour 34Minutes

Rated R

Director: Carl Reiner

Studio: Universal

Available: VHS, DVD, HDDVD, Blu-ray, Amazon Instant Video