Tag Archives: Hollis McLaren

Outrageous! (1977)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Female impersonator befriends schizophrenic.

Robin (Craig Russell) works as a gay hairstylist during the day, but longs to be up on stage as a female impersonator.¬† Liza (Hollis McLaren) is a schizophrenic who leaves the hospital she was confine in and moves in with Robin her longtime friend. Both find ways to help each other with their problems, which allows Robin the confidence to finally get on stage in drag as Tallulah Bankhead, which makes him an instant hit and gets him a paid gig in New York City. However, when he moves away Liza’s condition worsens forcing Robin to decide what’s more important: his budding career, or his friendship.

The film is based on the shorty story ‘Making It’ by Margaret Gibson, which in turn was based on her experiences dealing with mental illness and her real-life friendship with Craig Russell whom she roomed with in 1971. The story nicely tackles the challenges of dealing with mental illness and how Robin’s support helps Liza overcome her demons that the other professional Dr’s and counselors that she sees don’t because they only view her as just another patient instead of a person.

The grainy, low budget quality works to the film’s advantage as it brings out the fringe, economically disadvantaged lifestyle that the two lived in while McLaren’s performance shies away from the cliches of mentally illness causing the viewer to see her as a regular everyday person, not just some ‘crazy’, valiantly fighting a nasty illness that she can’t always control.

The segments dealing with Russell’s onstage act are quite entertaining as well though when I first saw this film decades ago I found these moments to be off-putting as they turned it more into a documentary, or a comedy special that took the focus away from the actual essence of the story, which was the friendship. However, upon second viewing I liked the way it captures the gay club scene that was unique to that time period. Russell’s impersonations where he does Barbra Striesand, Judy Garland, Mae West and Bette Midler just to name a few are outstanding. I’ve seen some female impersonator acts before, but Russell’s far outshines any of the others I’ve ever watched as he gets the body language, voice, and facial expressions of the people he’s playing just right to the point that he completely disappears into the women characters until you can’t tell the difference.

While the film does have many touching moments I felt it should’ve shown how Robin and Liza first met instead of having it start with them already knowing each other when she moves in with him. Since they are such an odd pair capturing how and where this unique relationship all started and what element brought them together seemed crucial, but we never see it nor does it even get addressed in conversation. Having this backstory could’ve helped the film stay a little more centered on the relationship as well and prevented the over reliance on Russell’s stage routine, which while quite good, still takes up a bit more of the runtime than it should’ve.

My Rating: 7 out of 10

Released: July 31, 1977

Runtime: 1 Hour 36 Minutes

Rated R

Director: Richard Benner

Studio: Canadian Film Development Corporation

Available: DVD, Amazon Video

Sunday in the Country (1974)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Farmer holds robbers hostage.

Adam Smith (Ernest Borgnine) is a Canadian farmer living in a rural home who becomes aware via the radio of reports of three bank robbers (Cec Linder, Louis Zorich, Michael J. Pollard) on the run in the area who’ve just killed a young man and his girlfriend who were his friends. He prepares for their arrival and when they come he shoots and kills one of them while taking the other two into his cellar where he hangs them on meat hooks. Smith’s granddaughter Lucy (Hollis McLaren) finds this treatment inhumane and wants to call the police, but Adam won’t let her and the two quarrel until he locks her in her room, but she escapes and runs for help, which enrages Adam even more.

The film almost gets ruined by an obnoxious musical score that is so heavily tinged with country twang that it seems almost like a parody of itself and makes the entire production come off as cheesy and amateurish. It would’ve been better without any music at all as it ends up taking you out of the action like having someone sitting beside you and rudely talking and not letting you concentrate on what’s happening on the screen.

As for the story it makes some good observations about just how thin the line can sometimes be between the good guy, or those that feel they’re morally justified to inflict whatever style justice they deem necessary, and the so-called bad guy. Unfortunately the character arch of the protagonist happens too quickly without much of a back story explaining why this otherwise law abiding farmer would deviate so quickly into an abuser. What makes him different from others who would’ve called the police? Just saying that he’s ‘old fashioned’ and ‘from a different era’ I didn’t feel was enough of an explanation.

With the exception of Pollard the robbers aren’t intimidating enough and it some ways came off as pathetic and not like professional crooks at all. This might’ve been intentional on the filmmaker’s part in an effort to make the viewer more sympathetic to their quandary once they are held hostage, but in the process it lessens the tension and makes them seem not as threatening.

Borgnine does a terrific job through his facial expressions of showing the character’s inner turmoil as well as constantly exposing his human side even as he forges ahead to doing some not-so-nice things. McLaren is also superb and her interactions with Borgnine are the most compelling aspect of the film.

Pollard is great here too and I was surprised as he’s not always able to find roles that match his unique talents and sometimes has been relegated to thankless and forgettable supporting parts, but here he’s viscous with a most creepy sounding laugh.

Unfortunately the eye-for-an-eye concept doesn’t get examined enough and the film could’ve gone a lot farther with it than it does. It still manages to bring out many interesting issues but the story should be remade and without the corny soundtrack.

Alternate Titles: Vengeance is Mine, Blood for Blood

My Rating: 4 out of 10

Released: November 22, 1974

Runtime: 1 Hour 33 Minutes

Rated R

Director: John Trent

Studio: Impact Films

Available: Amazon Video