Tag Archives: Helen Hayes

Herbie Rides Again (1974)

Posted on September 30, 2024 | Leave a comment

herbie1

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Saving home from demolition.

Alonzo Hawk (Keenan Wynn) is a rich man who wants to build the world’s tallest sky scrapper on land that is currently occupied by a little firehouse built in 1892 and owned by an old lady named Mrs. Steinmetz (Helen Hayes). So far she’s refused all offers by Alonzo’s lawyers to sell, so Alonzo decides to have his nephew Willoughby (Ken Berry) go visit her as he has a very clean-cut image and hopes his nice-guy approach may be what it takes to persuade her. However, once he’s there he gets introduced by Mrs. Steinmetz former neighbor Nicole (Stefanie Powers) who’s now living with the old day due her place being demolished by Alonzo. When Nicole realizes Willoughby is related to Alonzo she immediately takes a disliking to him and even punches him in the face. Her feelings towards him though begin to change when she gives him a ride in the Volkswagen beetle that Steinmetz is taking care of for its owner while he’s away in Europe racing. Willoughby at first doesn’t believe that the car, who’s named Herbie, has a mind of its own, but soon realizes it does after his trip in it and this eventually gets him to side with Nicole and Steinmetz on the issue they’re having with his uncle and he begins fighting with the other two and Herbie to stop Alonzo from tearing the place down.

This was a rather odd idea for a sequel to the Love Bug that came-out 6 years earlier and had the VW Beetle involved in racing, but now apparently was ‘retired’ and no longer able to race effectively even though in the third entry to the series, which came-out 3 years later he does go back to racing.  The plot here though doesn’t really need the car involved to help propel it, yes the vehicle does ‘come to the rescue’ a few times, but the story could’ve easily worked with just the humans fighting Alonzo in various ways and would’ve been just as funny. To make-up for this the film does show archived footage, which goes on for several minutes, of the car ‘dreaming’ about it’s racing days though some of his race ‘victories’ could be called into question like when it decides to go off the racing track in one and cut through a forest and then back onto the track where it’s now at the front line of the other cars, which most would deem as cheating and not really an honorable win.

Overall though I really didn’t find any of the scenes with the car to be all that interesting. It’s hard to get emotionally attached to some machine that doesn’t speak, or show any expression and the only sign that it’s ‘alive’ is through its car stunts. The fact that it has seemingly no limits to what it can do, at least driving wise, I felt worked against it. To create even the modicum of suspense, or believability, there needs to be some rules to what it can and cannot do and yet here it defies all probability like driving on the side of cliffs without falling off, or being able to somehow pull vehicles, that are much bigger and weigh more, around like it does during a ‘tug-of-war’ scene with a cop car that’s attempting to tow it. It’s even able to smash through walls without receiving any damage to its front-end. I’m okay with the car having a certain ‘personality’, but when the car is able to get out of any predicament in a seeming magical way then there really isn’t any intrigue at all.

The acting by Hayes, Powers, and Wynn are good and I was especially impressed with Wynn’s ability to essentially shout out all of his lines in a consistently snarly way and yet never get any laryngitis and he certainly adds energy to all of his moments. Berry though is so vanilla that he’s just plain boring. It might’ve worked better had he remained loyal to his uncle longer, but he sides with the two ladies so easily that his character quickly becomes quite benign to the point that it would’ve been more interesting to have just the two women, and the car of course, fighting the bad guys and his presence excised from the script completely.

The nightmare segment where Alonzo dreams of being attacked by not only Herbie, but several clones of Herbie whose front hood opens up to reveal a mouth with giant teeth, which also includes a take-off of King Kong, where Alonzo is on top of the Empire State Building as he fights off the Herbie’s that are flying in a circle around him is genuinely inspired and the best part of the movie. Everything else though falls painfully flat including the cheap special effects where the exterior of the firehouse looks like it’s a painting on a back-drop, which I’m sure it was, or the scene where Herbie goes up the Golden Gate Bridge, which you can plainly tell was a miniature model matted onto a picture because as the car goes back down it starts to lose its pixelation and fade-out and disappear into thin air.

My Rating: 3 out of 10

Released: June 6, 1974

Runtime: 1 Hour 28 Minutes

Rated G

Director: Robert Stevenson

Studio: Buena Vista

Available: DVD, Blu-ray, Amazon Video, YouTube

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Posted in 70's Movies, Farce, Movies for the Whole Family, Sequels

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One of Our Dinosaurs is Missing (1975)

Posted on March 27, 2024 | Leave a comment

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By Richard Winters

My Rating: 3 out of 10

4-Word Review: Nannies to the rescue.

Lord Southmere (Derek Nimmo) is on the run from Chinese spies lead by Hnup Wan (Peter Ustinov) after he gets his hands on a microdot that carries top secret information. After escaping the clutches of an assassin disguised as a chauffeur he runs into a nearby building, which happens to be the Natural History Museum. It is there that he hides the microdot in the skeleton of a dinosaur that’s on display. He then bumps into Hattie (Helen Hayes) who used to his nanny and is taking a tour at the museum with other nannies. Southmere tells Hattie about the microfilm inside the dinosaur just before he faints and is captured by the Chinese. Hattie then takes it upon herself, along with her nanny friends Emily (Joan Sims) and Susan (Natasha Pyne) to retrieve the important hidden document and take it to the proper authorities.

The film is based on the 1970 novel of the same name written by David Eliades and Robert Forrest Webb, but with many changes. The book took place in the 70’s in New York City while in the movie the setting is 1920’s London. The book was also intended for an adult audience and had sex and violence in it, which got taken out for the movie, which angered the authors, who later disowned the film, as they felt the plot got too ‘dummied-down and sanitized’ in an effort to appease children viewers.

The movie really has only two amusing moments. One is where the group of nannies get on the tall skeleton of the dinosaur to search for the microfilm, which from simply a visual perspective is goofy to see and most likely will elicit a few chuckles. The second is when Hayes and company steal the dinosaur on the back of a steam lorry and the spies give chase throughout the streets of foggy London, which offers some moments of humorous reaction shots from bystanders. Otherwise there isn’t much else going for it. The opening bit that supposedly takes place in China clearly has an outdoor backdrop that is a painting and looks tacky like it was done by filmmakers that really didn’t have much heart in the material and didn’t care how cheap it came-off looking. The interior lighting is dark and dingy and having the whole plot revolve around the extreme coincidence of the protagonist bumping into his childhood nanny at the most opportune time is a bit much.

The film’s main controversy, at least by today’s standards, is Ustinov’s portrayal of a Chinese spy. To his credit he at least puts more energy into it than he did as Charlie Chan in the 80’s film Charlie Chan and the Curse of the Dragon Queen, where he seemed noticeably uncomfortable and just phoning-it-in. Yet even here nothing his character says or does is funny. The humor is intended to come from the broad caricature, which along with his sing-song sounding delivery quickly becomes tiring. Clive Revill, another white European, also gets into the Asian get-up as Quon Ustinov’s chief rival, but he proves to be just as bland. Why they needed to be Chinese at all is hard to answer as they could’ve easily been Russian, or German and might’ve been better had they taken that route.

Hayes for her part is engaging. Most people think of her as just being this sweet old lady of which she’s the perfect caricature, but here she gives her character a feisty side. I enjoyed seeing her strut, which is far funnier than anything Ustinov does and without even hardly trying. Her ordering the other nannies around like they’re on a big-time mission and her interactions with Natasha Pyne, who plays her polar opposite as this naive and fun-loving youth who approaches the whole thing as some cool diversion, are the only things that help keep it mildly watchable.

The twist ending may make it worth it to some, but overall it’s a second-rate Disney effort that’s so poorly shot and dated. I can’t imagine any kids today could get into it. It seems like the only fans of the film were simply kids back in the 70’s who saw it then and now enjoy watching again simply for nostalgic reasons, but everyone else won’t be missing much if they decide to skip it.

My Rating: 3 out of 10

Released: July 9, 1975

Runtime: 1 Hour 34 Minutes

Rated G

Director: Robert Stevenson

Studio: Buena Vista

Available: DVD (Region 2), Amazon Video, YouTube

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Posted in 70's Movies, Farce, Movies Based on Novels, Movies for the Whole Family, Obscure Movies, Spy/Espionage

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Airport (1970)

Posted on March 18, 2018 | 6 comments

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Terror in the skies.

During a major snowstorm at Chicago’s Lincoln International Airport manager Al Bakersfield (Burt Lancaster) must scramble to keep the place open while trying to get a disabled jet plane that is stuck in the snow off the runway. Meanwhile on a flight headed for Italy there’s the mentally unhinged Guerrero (Van Heflin) sitting with a bomb in his briefcase set to go off and explode the airplane and killing everyone inside, so that his family back home can collect on the insurance money.

The film is based on the best-selling novel by Arthur Hailey and despite some critics, like Pauline Kael, hating it for its soap opera-like dramatics I still came away feeling it was perfect crackerjack entertainment. The characters on the plane are quite diverse with unique problems and personalities making them seem like real people that the viewer becomes genuinely concerned for. The special effects, particularly those done inside the plane, are effective and the film has a nice dramedy balance.

The only drawback, and I hesitate to bring this up as I think they did the best they could’ve done under the circumstances, are the special effects dealing with the snow storm. It was shot at the Minneapolis/St. Paul airport during the winter of 1969, but unfortunately the whole time the film crew was there the weather remained sunny forcing them to eventually have plastic snow shown falling while the in the background the sky remains crystal clear and sunny. The snow shown falling during the nighttime scenes is equally problematic. I resided for many years in the North Country and I know that when it snows at night the sky gives off a bright white glow and it’s never pitch black like it is here.

The film was considered innovative at the time for its use of the split-screen particularly when it would show people talking on the phone to each other. Director George Seaton wisely doesn’t overplay this and uses the device sparingly for the most part however the segment where Lancaster is shown in one square talking to his wife, who is in another square along with their two daughters who each pop-up in their own individual squares it starts to resemble the opening to ‘The Brady Bunch’.

The acting by the female performers is quite strong. I was really impressed with Jean Seberg, her career started back in 1958 when she beat out 18,000 other applicants to get the starring role in Otto Preminger’s Saint Joan despite her lack of acting experience and although her performance in that film was lambasted by the critics I felt here she was solid and she could’ve easily carried the film during the scenes at the airport without Lancaster’s presence, who plays her boss, being needed at all.

Jaqueline Bisset is equally good as the stewardess who knows how to think on her feet.  I liked how this role didn’t take advantage of her looks or sexiness and instead kept it focused solely on her dramatic acting ability and I loved her shoulder length hair cut here as opposed to her really long hair style that she usually sports. Helen Hayes is hammy as the old lady stowaway, which netted her an Oscar, but Maureen Stapleton, who was also nominated for best supporting actress, is quite good too. Her talents lie more in her expressive face particularly the moment when she looks out the airport window and witnesses the plane carrying her husband, who she knows has a bomb, take off.

Dean Martin is excellent on the male end. Typically he comes off as tipsy and laid-back, but here he surprisingly takes the reins and helps propel the picture. George Kennedy is also surprisingly strong. Most of the time his presence amounts to nothing more than token supporting parts, but here he plays the gruff, brash airline mechanic to great effect and could help explain why his character was the only one to appear in all four airport movies.

The film does come off like it was released in the ‘50s instead of the 70s by having a cast that was mostly past their prime, but it’s by far the best disaster flick from the ‘70s, and there were a lot of them, as well as better than any of the three sequels that followed it.

My Rating: 8 out of 10

Released: March 5, 1970

Runtime: 2Hours 17Minutes

Rated G

Director: George Seaton

Studio: Universal

Available: DVD, Blu-ray, Amazon Video

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Posted in 70's Movies, Academy Award Winners for Best Supporting Actress, Cold Climate/Wintertime Movies, Comedy/Drama, Disaster Flicks, Movies Based on Novels, Movies that take place in Chicago

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Candleshoe (1977)

Posted on February 7, 2014 | 1 comment

candleshoe

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Treasure hidden on estate.

            Jodie Foster stars as Casey a teen living on the tough streets of New York and reselling stolen items for a living. Her abilities come to the attention of small-time crook Harry Bundage (Leo McKern) who gets her to pretend that she is the long lost granddaughter of a rich matriarch by the name of Lady St. Edmund (Helen Hayes).  Bundage has become aware through a former servant that worked there that there is a trove of treasure hidden somewhere on the premises and it is up to Casey to follow the clues and find it.

I saw this movie when it was released in 1977 and the only thing I could remember from it was the little boy who would slide across the polished floors of the mansion. It’s a surprisingly elaborate plot for a children’s movie, but one that is engrossing and interesting. The characters are believable and diverse and it is fun seeing them evolve and learn to get along. Parents should find this as enjoyable as the kids. I was impressed with the way the filmmakers never talk down to their young audience and trust that they will be sophisticated enough to pick up on the little nuances and subtitles, which the film does have.  I found myself longing for this type of family entertainment again. It seems like the family films of today either have kids spewing out a lot of crude nasty things, or they are so sugary sweet and benign that they make you want to throw up, but this film nicely straddles the middle and it really works.

Jodie is great in the lead and the movie wouldn’t have worked as well with another actress in the role. The part nicely takes advantage of Foster’s confident, smart, streetwise persona and almost had me believing that the part was written specifically for her. Later I read how the original director for the film, David Swift, dropped out of the project because he felt Foster was ‘all wrong’ for the role even though I felt she was perfect and other viewers should feel the same.

Helen Hayes is okay in her role, however the character isn’t all that interesting, nor has that much to do. It seems like once she won the Academy Award for Airport in 1970, which helped revive her career, these were the typical ‘sweet old lady’ roles she was perpetually offered afterwards. However, when it comes to the caricature of an old lady Hayes is absolutely perfect almost to the point that it is hard to imagine her ever being young.

David Niven, who plays the butler named Priory, is engaging, but was starting to look frail and elderly. He gets a chance to play several different roles including that of the gardener and chauffeur. The Irish accent that he uses for the gardener part sounded very authentic and I was impressed. His best moment comes at the end when he takes on the McKern character in an imaginative and drawn out duel segment and watching his scared and nervous facial expressions during this is amusing.

I liked the other children who play the orphans that Lady St. Edmond adopts. They are cute in a nice genuine way without it being forced especially the young blonde haired boy named Bobby who speaks in a thick cockney accent. Veronica Quilligan plays Cluny one of the older children who are initially an adversary to Casey. She showed the most disciplined and realistic facial reactions to the action around her while the other kids had lost or vapid looks on their faces. Although she appeared to be about 13 or 14, the same age of the character that she played, I was shocked to find that she was actually 21 when the movie was made.

I was surprised that there wasn’t a car chase scene as every Disney movie from the 70’s seemed to have one. The action for what it is worth is sparse, but enjoyable without ever getting too cartoonish. The ending where the kids take on the band of adult crooks is good and the scene where their car is stopped on the tracks and the train comes just inches from Priory, who is shielding the vehicle, before stopping is a near classic.

I think adults who were kids during this era can watch this film again and still find it entertaining. The kids of today should find enjoyable as well although the ideal age would be between 8 and 14 as I think it is too slow paced for anyone younger.  The film also has a good life lesson in regards to teamwork and how working together and taking advantage of each other’s special talents and abilities can help achieve a common goal.

My Rating: 8 out of 10

Released: December 16, 1977

Runtime: 1Hour 41Minutes

Rated G

Director: Norman Tokar

Studio: Buena Vista

Available: VHS, DVD, Amazon Instant Video

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Posted in 70's Movies, Action/Adventure, Comedy, Movies Based on Novels, Movies for the Whole Family, Mystery

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