Tag Archives: Harold Ramis

Ghostbusters II (1989)

ghostbusters 3

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Called back into action.

It’s been 5 years since our team of Ghostbusters (Bill Murray, Harold Ramis, Dan Aykroyd) saved New York City from impending ghostly doom only to be thanked by getting sued for all the damage they created in the process, which promptly sent them out of business. Now though there are signs of an even worse attack from the supernatural in the form of an ectoplasmic river underneath New York, which is being strengthened by all of the negative energy from the citizens that live there. Can our team of heroes put on their uniforms once more and save the city from yet another ghostly attack while also coming to the aid of Dana (Sigourney Weaver) who finds that an ancient sorcerer (Wilhelm Von Homburg) is trying to possess her newborn child?

The premise pretty much starts the film out on bad footing and it’s never able to recover. The idea that they’d be driven out of business by a barrage of lawsuits didn’t make much sense to me. The ghosts that were terrorizing Dana’s apartment building in the first film were witnessed by thousands of spectators as they stood outside on the ground and watched the three men drive them away, so they should’ve been viewed as heroes and those that tried to sue them would’ve been vilified. Besides it was the mayor (David Margulies) who gave them the permission to do whatever they needed to do to take the ghosts out, so if anyone was to be a target for the lawsuits it would’ve been his office and the city. What is even worse is that after the first 40 minutes the story eventually goes back to the original premise where the team becomes popular again and their services are in-demand, so why couldn’t the film simply started from that point as it makes the entire first act come off like a complete waste of time otherwise.

Although it’s great to see Janet Margolin, who plays a prosecuting attorney, in her last film appearance, the court room scenes are static and not right for this type of genre. The ghosts are not scary or frightening like they were in the first one either and instead come off as cartoonish and boring.

Murray gets pigeonholed in a dull routine where he spends most of the time trying to desperately rekindle his romance with Dana, which isn’t interesting. Ramis and Aykroyd seemed more intent on stealing back some of Murray’s thunder by not having him come along on a few of their missions including a long segment where they discover the evil river underneath the city, which is just not as funny without Murray there.

Weaver pretty much just goes through the motions in a part that really does not allow her much to do. I was also confused as to why she had been a musician in the first film, but in this one she had strangely crossed over into being a painter. Rick Moranis and Annie Potts are equally wasted and forced into a makeshift romance simply because the writers didn’t know what else to do with them.

William Atherton, who was so good at playing the prissy, arrogant heavy in the first film, gets sorely missed. Kurt Fuller tries to take up his slack, but he is not as effective. Former wrestler von Homburg plays the evil sorcerer, but his voice ended up being dubbed by Max von Sydow, which made me wonder why they didn’t just cast him in the villainess role to begin with since he was the far better actor.

Just about all the jokes fall flat and the climactic finish which features an animated Statue of Liberty is really lame. The story is never able to gain any traction or momentum, doesn’t add any new or interesting angle to the theme and should’ve been trashed before it was even made.

My Rating: June 16, 1989

Runtime: 1Hour 48Minutes

Rated PG

Director: Ivan Reitman

Studio: Columbia Pictures

Available: DVD, Blu-ray, 4K Ultra HD, Amazon Instant Video

Ghostbusters (1984)

ghostbusters 2

By Richard Winters

My Rating: 9 out of 10

4-Word Review: Who ya gonna call?

Due to this film’s recent reboot set for official release tomorrow I thought it would be great to look back at the one that started it all. I haven’t seen the remake and have no plans to, so this review will concentrate solely on the original. However, if you have seen both feel free to leave a comment comparing the two and telling us which one you liked better.

The story here centers on Peter (Bill Murray), Ray (Dan Aykroyd) and Egon (Harold Ramis) who are three parapsychologists who lose their jobs at Columbia University and decide to open up their own paranormal extermination service out of an old, abandoned firehouse. At first business is slow, but it quickly picks up once they capture a particularly pesky ghost known as slimmer from a ritzy Manhattan hotel. Soon they find themselves the center of demand and media attention. Dana (Sigourney Weaver) is a cellist who finds her apartment to be haunted and the womanizing Peter becomes smitten with her and is quick to come to her aid only for her to end up becoming possessed by the demon. The three then must use all of their abilities and weapons to try and stop it as well as the plethora of other ghouls who were mistakenly released into New York’s atmosphere when an aggressive EPA agent (William Atherton) forced them to shut down their ghost containment system.

I saw this film when it was first released and found it to be hilarious, but was worried that after all these years it might not come off as well, but to my surprise it hasn’t aged at all and is still quite fresh and inventive. Usually even in the best of comedies there will be jokes that fall flat, but here every one of them hits-the-bullseye and I enjoyed how the creative script see-saws the humor from the subtle to the over-the-top. The plot is imaginative, but manages to create and stick to its own logic that is consistently clever and amusing, but never silly.

The special effects are also impressive. Usually in comical films the ghosts or monsters are made to be benign and goofy, but here they are frightening, which again helps keep the story from ever getting one-dimensional.

Murray’s glib and detached persona is at a peak level and his throwaway lines, which were almost all improvised, are gems. Aykroyd and Ramis, who wrote the script, wisely step back and give Murray full control to steal the spotlight, which he does effortlessly.

The supporting cast is equally great. I never considered Weaver particularly suited for a role as a love interest, but her sharp, caustic manner works as a nice contrast to Murray’s smart-ass presence. She also becomes quite sexy during the scenes when she turns into a demon. Rick Moranis as her nerdy neighbor is hilarious and has some of the funniest moments in the film particularly the scene he has at a party he throws in his apartment and the way he introduces each guest as they arrive.

Ray Parker Jr.’s theme song is the icing-on-the-cake in a film where amazingly everything clicks perfectly. Why the studio heads felt there was a need to revamp this franchise is a mystery. I realize they are running out of ideas and feel the urge to retool what has been successfully done before in order to appeal to the ‘new generation’ of filmgoers, but this is one classic that should’ve been left alone.

ghostbusters 1

My Rating: 9 out of 10

Released: June 8, 1984

Runtime: 1Hour 45Minutes

Rated PG

Director: Ivan Reitman

Studio: Columbia Pictures

Available: DVD, Blu-ray, 4K Ultra HD DVD, Amazon Instant Video, YouTube

Baby Boom (1987)

baby boom

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Yuppie inherits a baby.

J.C. Wiatt (Diane Keaton) is a successful businesswoman who has risen to the top of the corporate world by being quite literally ‘married-to-her-job’, which is just fine with her boss (Sam Wanamaker) as he is the same way and demands nothing less. Out-of-the-blue she gets a call that a distant relative has died and sent her an inheritance. She initially thinks it’s money only to find to her shock that it’s a baby girl instead. J.C. lacks any parenting skills and has difficulty even putting on a diaper, let alone knowing the right sized one to buy. Her annoyance slowly grows to bonding as she finds raising a young one has rewards far greater than her previous yuppie lifestyle could offer.

The premise for this thing is whacked. What kind of halfway normal parent would write a will that has their child shipped off to a distant relative that they haven’t had contact with since 1954 in the event of their death? Certainly there had to have been some close friend or family member that they knew of who would’ve been far more appropriate and could’ve been forewarned that they were the intended god parent. It’s almost like the parents just threw the child off a cliff and hoped someone down below would catch her.

The Harold Ramis character should’ve been chucked from the beginning. He plays her live-in boyfriend, but if someone is working 70 to 80 hours a week then they would have little time for a social life let alone a normal, healthy romantic relationship. The idea is to show that this character’s life is imbalanced, so might as well portray her as being alone and desperate need for genuine human contact making the baby’s presence all the more significant.  Ramis disappears quickly as he bails on her the minute she decides to keep the kid, so why bother introducing him at all?

Although likable I didn’t feel Keaton was the best choice for the part. The character is given the nickname of ‘tiger lady’, but to me that would signify having traits that are cold, steely and bitchy, but Keaton never displays these. Cybil Shephard or Candice Bergen with her Murphy Brown persona would’ve been a better pick and made the character’s transition from cutthroat businesswoman to loving mommy all the more vivid.

The film does have some funny bits and the twin girls who play the part of the infant are cute and respond well to the camera. I even enjoyed when J.C. begins to bond with the girl, but Bill Conti’s musical score gets overplayed during these segments and his cutesy melody gives these otherwise  touching moments too much of a heavy-handed feel.

I certainly liked the message, but writer/director Charles Shyer tries too hard to get it across. Having the character suddenly move out to the country seemed too severe of a shift. This is the type of person who thrived in a big city atmosphere and I don’t think she’d ever fully adjust to the slow pace of the rural lifestyle, which makes this plot twist, in a movie that goes on too long to begin with, come off as a misguided tangent that isn’t interesting or believable and the ending itself is too idealistic.

My Rating: 5 out of 10

Released: October 30, 1987

Runtime: 1Hour 50Minutes

Rated PG

Director: Charles Shyer

Studio: United Artists

Available: DVD, Amazon Instant Video