By Richard Winters
My Rating: 8 out of 10
4-Word Review: He searches for direction.
Adam Gaines (Michael Douglas) is a Professor of Semantics at a local California college and although his future looks bright and stable he can’t help but feel ‘processed’ and bored. When his aunt dies he travels to Missouri to attend her funeral and then on whim decides to stay there for the summer while working a rugged job clearing out a forest in order to install power lines. He also meets and falls in love with the attractive Jeri Jo (Lee Purcell), but then just as things seem to becoming together he suddenly gets the itch to leave and start a new adventure somewhere else.
This is the type of character study that they just don’t seem to make anymore, which is creating characters that are not satisfied with society’s ‘perks’ and still feeling the need to go off and find themselves, which films of that era emphasized as being more important. Filmed on-location in Cameron and Excelsior Springs, Missouri the Midwest gets captured in authentic detail. The population is portrayed as being conservative and limited, but not hick or stupid. The film also has a lot of quiet moments with no dialogue, which helps recreate the heartland’s slower and more neighborly atmosphere.
Purcell, in her film debut, is outstanding as a typical small-town girl with just enough sexiness and flirtation to be alluring, but ultimately unable to break away from her local roots and share Adam’s more expansive worldly views. Louise Latham as her conniving mother is also good as is Joe Don Baker as a field hand who befriends Adam despite having vastly different intellectual backgrounds. It’s also great seeing Meg Foster in film debut popping up early as one of Adam’s girlfriends and sporting not only her incredibly exotic pair of eyes, but her topless body as well.
Adam’s conversation with Grayson Hall’s character during the funeral where she tries to mask her inability to understand the word ‘semantics’ is amusing and I also enjoyed his ‘debate’ with Dana Elcar’s character in regards to Blow Up and the other ‘filthy’ movies of the modern generation. The scene where the laborers go to a bar and pick-up some ‘hot chicks’ is fun as well, but the film’s best moment comes at the end when a routine trip to a convenience store to pick up some ice cream becomes unexpectedly captivating and climaxes with a memorable final shot.
My Rating: 8 out of 10
Released: September 22, 1970
Runtime: 1Hour 40Minutes
Director: Robert Scheerer
Studio: National General Pictures
Posted in 70's Movies, Drama, Movies with a rural setting, Movies with Nudity, Obscure Movies
Tagged Dana Elcar, Entertainment, Grayson Hall, Joe Don Baker, Lee Purcell, Louise Latham, Meg Foster, Michael Douglas, Movies, Review
By Richard Winters
My Rating: 6 out of 10
4-Word Review: Flawed clergyman loves women.
Lawrence Shannon (Richard Burton) loses his job as a clergyman when rumors surface of indiscretions he had with a young female parishioner, which pushes him to preach a ranting sermon at the pulpit that eventually drives all the members of the congregation out of the building. He then gets a job as a tour guide in Mexico and has the chore of leading a bus load of middle-aged women around the country. Charlotte (Sue Lyon) is a young nymph who takes a liking to Lawrence much to the chagrin of her over-protective chaperon Judith Fellowes (Grayson Hall). When Charlotte is caught in Lawrence’s bedroom late at night Ms. Fellowes promises that she will have it reported and get him fired. Unable to handle a another potential job loss Lawrence takes the bus load of women to an isolated seaside hotel run by Maxine (Ava Gardner) an old friend of his. He hopes that by somehow trapping them there he will be able to convince Ms. Fellowes to drop the charges, but along the way he meets Hannah (Deborah Kerr) who he starts to fall in-love with.
Unlike most of Tennesse William’s other plays this one, at least the first half, is full of energy and comical nuance. I found the group of ladies and Lawrence’s exasperated dealings with them to be quite amusing and the film moves along at an engaging pace. The second half though bogs down with more of William’s signature brooding drama that ends up hurting the flow. In many ways this film seems like two movies in one and the difference in tone and pace never gels. Despite a good nighttime conversation between Kerr and Burton I kept hoping the ladies and Ms. Fellowes would come back and felt the film was weaker without them.
Legendary director John Huston hits most of the right buttons here although it is not his best work. I was surprised and impressed to learn that Maxine’s hotel was built specifically for the production in an otherwise deserted region of the country. The building had an authentic old look and helped give the film added style and personality. I had mixed feelings with the black and white photography. On one had it helps bring out the dark recesses of its flawed characters and accentuate the moodiness of William’s script, but it also takes away from the exotic beauty of the locale.
Burton is good as usual and playing the part of an emotionally fractured, alcoholic character seems right up his alley. Gardner is great as the brassy Maxine and the scene of her making out with her two young, shirtless, maraca playing male assistants along the beach late at night is genuinely steamy. Kerr is in fine form as well and her more restrained demeanor makes a nice contrast to Gardner’s.
Lyon’s acting isn’t quite up to her costars and she seems particularly out of her league during her scene with Burton, but in the looks department she is unmatched. She is more filled-out and mature than in Lolita and in many ways even hotter. The scene of close-up shots of her moving her hips to a tune at a Mexican bar may excite some of the male viewers.
The under-rated Hall is excellent in her role as the heavy. Her craggy face and personality are perfect for the part and it rightly got her a supporting actress nomination.
In the final analysis this is not a bad version of Tennessee William’s material, but not a great one either.
My Rating: 6 out of 10
Released: August 6, 1964
Runtime: 1Hour 58Minutes
Director: John Huston
Available: VHS, DVD, Amazon Instant Video
Posted in 60's Movies, Black & White, Comedy/Drama, Movies Based on Stageplays, Movies with a rural setting
Tagged Ava Gardner, Deborah Kerr, Entertainment, Grayson Hall, John Huston, Movies, Review, Richard Burton, Sue Lyon, Tennessee Williams