Tag Archives: Dub Taylor

The Great Smokey Roadblock (1977)

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Old man keeps truckin’.

John Howard (Henry Fonda) is an aging truck driver laid up in a hospital while his rig is repossessed. Feeling that his life may soon be ending he decides to escape from the hospital, take back his rig, which he has named Eleanor after the First Lady Eleanor Roosevelt, and go for one last cross-country run. He picks up a spiritual hitch-hiker (Robert Englund) as well as a group of prostitutes who hide in the truck in an effort to escape the law, but the authorities are onto John’s plans and try to stop him before he can complete his trip.

If there is one reason to watch this otherwise flat and forgettable flick it is for the performance of Fonda, who despite his ailing health still had what it took and easily commands the screen from his other co-stars. In fact Fonda creates such a strong presence that many of the ‘colorful’ supporting characters could’ve been scrapped completely as the most enjoyable moments come with Fonda conversing with Englund who has a diametrically different personality and perspective, as the two drive down the highway.

Eileen Brennan lends good support in a rare dramatic role and it’s fun seeing Susan Sarandon, who also co-produced, playing a minor part as one of the prostitutes. She looks so young here and it was hard to believe that only a decade later she would have aged so much that she would be playing a prostitute again in Bull Durham albeit a much more mature one.

Dub Taylor is enjoyable as a crazy, hick, which he has done many, many times before and it should’ve gotten old by now, but he always exudes so much energy in his parts that its highly diverting anyways. However, the efforts by Austin Pendleton, John Byner, and Valerie Curtain aren’t as entertaining and the motivations of their characters so unclear that it would’ve been better had they not been in it at all.

The only action comes when John takes his truck and crashes it through a police barrier, which gets shown in slow-motion. Whether a truck would’ve actually been able to plow through several police cars and not cause any injuries or fatalities and no significant damage to the rig itself is highly dubious and only helps to prove how trite and whimsical this whole thing is.

There are moments when the film seems to be straining for something deeper, but it never gets there. There are so many other, far better road movies out there that this one doesn’t even deserve an honorable mention. Writer/director John Leone is clearly working over-his-head here and it’s no surprise that this was his only feature in a movie that amounts to being a passable time waster at best and nothing more.

Alternate Titles: The Last of the Cowboys, The Goodbye Run

My Rating: 4 out of 10

Released: September 7, 1977

Runtime: 1 Hour 44 Minutes

Rated PG

Director: John Leone

Studio: American Cinema Releasing

Available: DVD

Hearts of the West (1975)

hearts of the west

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Budding writer travels west.

Lewis (Jeff Bridges) is a young man who dreams of becoming a famous western writer. He applies for and is accepted into a college that will supposedly teach him all he needs to know about the western-style novel. Unfortunately when he travels to where the college supposedly is he finds that it doesn’t really exist and is nothing more than a big scam run by two con-men (Richard B. Shull, Anthony James) who fleece thousands of dollars from unsuspecting people just like Lewis. They even try to rob Lewis further when he temporarily stays at a boarding house and is asleep, but he manages to escape from them by jumping into their running car, which has all of the money that they’ve stolen inside of it, and drives off into the desert. There he comes upon a western movie set and soon lands a job as a stunt man before quickly moving up the ladder into a western star while the bad guys continue to tail him and are determined to get back their money.

The film’s charm comes from its ability to mix the harsh realities of the movie business with a terrific sense of quirky comedy. Even better is that it avoids the condescending attitude that some period pieces have. The characters are not portrayed as being overtly naïve, sheltered or uneducated and instead come off as real people who just so happen to have lived in a different time period and although the recreation of the period isn’t exactly authentic it still gives one a good, general sense of the way things most likely were.

Bridges gives one of his best performances in a role perfectly suited to his persona as a naïve, wide-eyed young man full of ideals, but lacking in real-world sensibilities. The part where he is in a bathtub when the bad guys burst in on him reminded me of his similar scene in The Big Lebowski.

Blythe Danner makes for a solid love interest and I was amazed at how in certain shots she does very much look like her more famous daughter Gwyneth. Andy Griffith is great as well and becomes one of the more memorable parts of the film as Lewis’ duplicitous friend Howard.

The supporting cast is filled with recognizable faces that are on top of their game and make the most of their small roles including the always engaging Dub Taylor as a postal employee. There is even Woodrow Parfrey as a film producer, who for some reason appears unbilled.

The comedy is consistently amusing and directed by a man who had a flair for this type of material. The script, by Rob Thompson, remains fresh by introducing different twists along the way in a period piece that wipes away the nostalgic charm just enough to keep it real, but still remains cute.

My Rating: 7 out of 10

Released: October 8, 1975

Runtime: 1Hour 42Minutes

Rated PG

Director: Howard Zieff

Studio: MGM

Available: DVD (Warner Archive), Amazon Instant Video, YouTube

Poor Pretty Eddie (1975)

poor pretty eddie 1

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Wrong turn to hickville.

Liz Weatherly (Leslie Uggams) was simply looking for a break from her hectic touring schedule and a chance to take some nature photos when her car breaks down on a lonely southern dirt road near an isolated lodge run by an aging, overweight lush (Shelley Winters) and her much younger boyfriend Eddie (Michael Christian). Eddie recognizes Liz as being a famous singer and since he has dreams of that nature as well tries to convince her to help him get his foot-in-the-door, but his talents do not match his ambitions and he fails to impress her. He then delays the repairing of her car hoping to wear her down and work things into a sexual relationship. When she resists this he rapes her and traps her at the remote hotel with no vehicle for escape. When she goes to the police the backwoods sheriff (Slim Pickens) humiliates her further, which crumbles her inner strength and makes her feel like a droid to the perversion around her that ultimately has her forced into a shotgun wedding.

This turgid drama is full of provocative southern gothic elements and wallows in areas that others fear to tread. The creative camerawork and backdrop sounds are impressive especially for a low budget film and the slow motion violence adds an evocative touch that stays with you long after it’s over. The character’s sexual repression gets relayed in an equally interesting way by showing scenes of them sucking and slurping their food like it’s a sexual substitute.

poor pretty eddie 3

Prolific character actor Pickens gets one of his best roles as the slimy hick sheriff in a part he seems almost born to play and Dub Taylor is spot-on as a self-imposed backwoods judge who creates a makeshift trial in the middle of his ragtag bar while also amusingly comparing Yankees to hemorrhoids. Ted Cassidy is good as well and makes a strong impression despite having limited lines.

I was not as impressed with the female performances as star Uggams comes off as too cold and one-dimensionally rigid without showing any type of preliminary vulnerability. Winters is competent as always, but playing a lonely, aging, pathetic woman begging for love is too similar to the character that she played in Lolita and making it seem more like typecasting.

The climactic bloody shootout is fun, but ends up being more of a spectacle than anything.  B.W. Sandefur’s script lacks any type of twist, introduces psychological elements that it fails to follow through on and wades in tired southern stereotypes making this a warped piece of ‘70s cinema that falls just short of being a cult classic.

poor pretty eddie 2

My Rating: 6 out of 10

Alternate Titles: Redneck County, Heartbreak Hotel, Black Vengeance

Released: June 16, 1975

Runtime: 1Hour 22Minutes

Rated R

Director: Richard Robinson, David Worth

Studio: WestAmerican Films

Available: DVD