Tag Archives: Carrie Fisher

The ‘Burbs (1989)

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By Richard Winters

My Rating: 4 out of 10

4-Word Review: New neighbors cause suspicion.

Ray (Tom Hanks) spends his vacation milling about his suburban home while keeping a close eye on his new neighbors that are rarely ever seen, but at night their basement emits strange noises and lights. Mark (Bruce Dern) and Art (Rick Ducommun) are two other men living in the cul-de-sac who notice the same things. Together they decide to form a strategy by finagling their way inside the rundown place and seeing what exactly is going on in there especially after another neighbor, the elderly Walter (Gale Gordon) mysteriously disappears.

Director Joe Dante has had a lot of success at doing films that mixes elements of horror with dark comedy, but this exercise fails almost immediately because there is nothing scary about it. In fact the humor and threadbare story are so innocuous that it becomes downright boring after about the first 10 minutes. The film fails to have much of a second or third act and the light doses of humor and action sprinkled about barely make up for it. The whole thing comes off like something written by an unimaginative novice that was more suited for an episode of an anthology series than a feature film.

Hanks manages to be marginally funny and Carrie Fisher makes for a good anchor as his no-nonsense wife, but Dern gets wasted as what starts out to be an over-the-top caricature of a right-wing gun-toting radical that soon gets as watered down as the rest of the script. He does manage to get in a few of his ‘Dernisms’, which was mainly due to the fact that the actors were allowed to ad-lib their own lines due to the fact that it was shot during a writer’s strike, but the part isn’t half as funny as it could’ve been. Also, in real-life a person like him wouldn’t be married to such a hot-looking younger woman and it would’ve been more impactful had the actress cast as his wife been his physical equal. I also wondered why they had so much free time to spend milling about the neighborhood. Hanks’ character was on vacation, but what was their excuse?

Spoiler Alert!

The ultimate revelation as to who the neighbors are or what they were doing is quite stale and almost like a non-event. If you are actually considering thinking of sitting through this thing just to find out that answer I would suggest that you don’t bother as it’s not in any way worth the effort. Also, there is never any explanation for what the neighbors were really doing, why they have a trunk full of human skulls, or why they would summon the police when they think their house has been broken into.  There is incriminating evidence at their residence, so why bother risking having the police come over to find it? Since they clearly didn’t have any problem killing people why didn’t they just attack the would-be intruders like they had done to their other victims?

End of Spoiler Alert!

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My Rating: 4 out of 10

Released: February 17, 1989

Runtime: 1Hour 41Minutes

Rated PG

Director: Joe Dante

Studio: Universal

Available: DVD, Amazon Video

Shampoo (1975)

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By Richard Winters

My Rating: 9 out of 10

4-Word Review: Hairdresser shags his clients.

George (Warren Beatty) is a successful hairstylist who makes a habit of sleeping with his lady clients. He wants to open up his own beauty salon, but lacks the funds and not enough collateral to qualify for a loan. He is currently sleeping with Felicia (Lee Grant) who tells him to ask her husband Lester (Jack Warden) for the money. Lester is having an affair with Jackie (Julie Christie) who used to be George’s girlfriend. George’s current girlfriend is Jill (Goldie Hawn) who is having the inklings to sleep with Johnny (Tony Bill) since she thinks George is not being faithful to her. Everything comes to head on the night of November 5, 1968 during the election returns when everyone finds out that everyone else has been cheating on them and things get hilariously awkward.

This could quite easily be the best satire on the mores of Southern California culture ever made. The fact that it gets juxtaposed with the election where the same people who voted for an administration that vows to crackdown on the ‘permissive culture’ are the same ones doing the immoral behavior makes a very loud statement on the foibles and hypocrisies of the establishment.

Richard Sylbert was nominated for the Academy Award for his set decoration and he should’ve won as the vibrant and colorful interiors of the plush homes that the characters reside in become almost like a third character and makes you feel like you are right there inside the places with the characters and immersed completely in their world. The spectacular skyline views seen from the window of Lester’s office are equally impressive and I also enjoyed the party sequence, which reflected a true party atmosphere particularly the one attended by members of the counter-culture and the stylized set lighting by a slowly opening refrigerator door that gradually exposes the identities of a couple making love in the dark to the shocked onlookers standing around is outstanding.

The talented female cast is terrific, but a bit misused. Jackie’s meltdown during the election party seemed way overdone. This was a smart woman who would’ve seen through Lester’s thin veneer from the start and therefore wouldn’t have been that ‘traumatized’ when it finally came out in the open.

I was also disappointed that we didn’t see more of Lee Grant’s character. She won the Academy Award for her work here, but there needed to be more of a wrap-up with her as well as a scene showing an ultimate confrontation with her daughter (Carrie Fisher in her film debut) who has a secret fling with George behind her back. However, the shot showing Fisher giving her mother the most hateful and disdainful glare you can imagine that literally burns through the screen is almost a gem in itself.

Despite his many transgressions I found Lester to be strangely likable. His quirky ‘bonding’ with George near the end is cute, but I really wanted to see him jump into the hot tub and smoking some weed with the hippies after they offer him a joint and was disappointed it never came to pass even though it does come close.

Beatty, who co-wrote the screenplay, has his moments too, but they don’t come until the final half-hour, but it’s worth the wait. His ‘confession’ to Jill about what motivates him to sleep with all of his female clients and what he gets out of it is not only funny, but quite revealing to any male with the same traits. His final desperate plea to Jackie at the very end is equally interesting and even a bit surprising.

My only real complaint is the fact that it doesn’t seem like a legitimate ‘60s atmosphere even though that’s when it supposed to take place. The adult characters are too brazen in their actions. The college crowd was the first to embrace the free love philosophy while the middle-agers, who were raised in a more repressed, guilt-ridden era, took longer to catch-up to it. It just reeks too much of the mid ‘70s where by that time ‘everybody was doing it’ particularly in swinging L.A., which is where the time period should’ve stayed. There is also never any explanation for why the fire department comes in to evacuate the guests from the building as they are watching the returns.

Still the message of how people who use other people will eventually end up getting owned by the very same folks that they think they are manipulating is very on-target and amusingly played-out.

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My Rating: 9 out of 10

Released: February 11, 1975

Runtime: 1Hour 49Minutes

Director: Hal Ashby

Studio: Columbia Pictures

Available: DVD, Amazon Video, YouTube