Johnny Cool (1963)

Posted on August 12, 2012 | 2 comments

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Top of crime world.

                Johnny Cool (Henry Silva) is really Giordano a man who grew to mythical proportions as an outlaw in a small Italian village after killing off some soldiers who tried to rape his mother. His exploits come to the attention of  Colini (Marc Lawrence) who has been exiled to Sicily because of his gangster past. He stages a fake assassination of Giordano in order to kidnap him and train him to go back to the United States and kill off the men that ordered his downfall. Johnny does this, but then becomes even more powerful than Colini was and soon he is both feared and hunted by the crime world.

The film, which was directed by William Asher, is nicely paced. I liked the fast, gripping action, the pounding music, and raw approach. The black and white photography nicely accentuates the gritty subject matter. Although it may seem a bit tame by today’s standards I still found most of it to be intense and uncompromising especially the ending.

Lots and lots of famous faces pop up everywhere, which is fun for a bit, but then takes you out of the story as it seems to become more like ‘spot the star’. Some of the cameos are small and pointless while others are more interesting. Sammy Davis Jr. has a tense scene playing a man with an eye patch who must role a specific number with the dice or be blown away by Johnny’s gun, which is aimed directly at his temple. Joey Bishop is funny as a fast talking used car salesman and his feeble attempts at making a play at the beautiful Dare (Elizabeth Montgomery). John McGiver is equally fun as a perplexed store manager who brings in a woman to his office after finding that she has been writing a lot of bad checks. The exchange he has with her is a perfect example of why sexual innuendos where a lot more interesting and creative back in the old days when the standard didn’t allow them to be as crass and vulgar as they are now. Here the lady states “I can make those bad checks good.” And McGiver responds after eyeing her figure “Yes, I think you can!”

Telly Savalas is wasted. The man is a great character actor especially as a villain. Playing a tough crime boss from Brooklyn is his forte and he could have really gone with it had they given him a bigger part. Marc Lawrence is equally evil as Colini and showing him only in one scene and then disappearing was disappointing. Jim Backus’s appearance was a mistake. A funny, talented man for sure, but I didn’t like that he did his Mr. Magoo laugh several times here as it did not fit the gritty mood.

Henry Silva has proven to be a great villain throughout his career, but in this role it just doesn’t work. His eyes have a weird type of stare that makes it look like he has been drugged. He delivers his lines in a monotone fashion. The character becomes overblown and some may find his use of the karate chop to be a bit cheesy. He kills a man on an escalator amidst a crowded airport and is able to get away. There are several other scenes where he is able to somehow get into a secure area and kill off people without any explanation for how he was able to do it.

Elizabeth Montgomery, who was at the time the wife of the director, is fantastic. She plays a brunette and does well with a multi-faceted character that goes from helpless victim to conniving double-crosser. She is shown in several scenes wearing no make-up and I liked the naturalistic quality. My only quibble is the scene where she gets roughed up by some gangsters, but the only mark left on her is a bruise on a shoulder even though a few bruises, scratches, and cuts on the face would have been not only more believable, but visually more effective.

My Rating: 7 out of 10

Released: October 2, 1963

Runtime: 1Hour 43Minutes

Rated NR (Not Rated)

Director: William Asher

Studio: United Artists

Available: DVD, Netflix streaming

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Posted in 60's Movies, Action/Adventure, Black & White, Drama, Gangster Movies, Movies Based on Novels

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Silver Bears (1978)

Posted on August 10, 2012 | 3 comments

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Investing in Silver Mine.

This is an engaging, lighthearted look at the complex inner-workings of financial institutions and markets and how a group of con-men try to exploit it. The plot is elaborate and although it is easy to follow as you are watching it, as long as you are paying close attention, it is hard and even convoluted to explain, but I will try my best.

The basic premise works like this: Doc Fletcher (Michael Caine) is hired by underground kingpin Joe Fiore (Martin Balsam) to open a phony bank which they can use as a front for their laundered money. When they get there they find that the building is some rundown offices on top of a restaurant. Prince di Siracusa (Louis Jourdan) then tells them of a silver mine in Iran that is run by his distant cousins Agha (David Warner) and Shireen (Stephanie Audran).  Doc decides the bank can invest in the mine and use the money to create a better building premises as well as attracting rich investors. The silver in the mine begins to flood the market causing a drop in value at the London Stock Exchange and forces Charles Cook (Charles Gray) to decide to buy out the bank that is funding the mine in order to then close the mine. To do this he contacts the President of the First National Bank of California (Joss Ackland) who is looking to expand his business in Europe. The bank president sends Donald Luckman (Tom Smothers) out to negotiate a sale of the bank with Doc, but without telling Doc the true reason why. This makes Doc suspicious and to find out their true motives he decides to seduce Donald’s beautiful and free-spirited wife Debbie (Cybil Shepard). Once she divulges their secret things really get going in a high-spirited fashion.

The catalyst of the comedy comes through the many different ‘negotiating’ sessions that take place throughout the film all of which prove to be quite amusing. The first is when Doc negotiates with Agha about a suitable deposit Agha must give to the bank in order to obtain a bank loan even though the bank has no money to give. The second is when Donald tries to bargain with Doc on a selling price for the bank and the third is when Doc tries to intimidate Crime boss Joe into not accepting Donald’s offer. The final one at the end is where all the characters chase Charles around his mansion in order to get settlements to their deals, which have by then soured.

The characters are charming and delightful. Caine is superb as always playing a man who would like to be a lot more ruthless and intimidating if he weren’t surrounded by a bunch of incompetents. Jourdan is suave as the Prince and the two leads share very contrasting personalities and styles, which makes their conversations and budding friendship interesting.

This movie is also a great chance to see Jay Leno in a rare acting role. I’d say being a talk show host is more his repartee, but he is energetic enough here to remain amiable and seeing him with a big mop of curly black hair is almost worth the price itself. Shepard is fantastic and the one thing that gives the film some zest. She is best known for her bitchy roles of which she is very good, but her she plays a fun-loving hippie type and is hilarious. Although this movie is a bit hard to find fans of Shepard should really seek this out as they won’t be disappointed.

Smothers is okay as the meticulous accountant who thinks he has all the bases covered until he gets an unsettling surprise at the end. Usually he is stuck playing characters on the dim-witted side, so it was nice to see him in something that was a slight change of pace. Although Balsam’s screen time is brief I still got a kick out of the way he would look at pictures showing the bloody corpses of the victims he had ordered killed while he ate his breakfast.

The film was shot on-location in such places as Switzerland and Morocco and although it does show some of the exotic topography of the regions it wasn’t enough and I wanted to see more. The musical score is terrible and resembles a show tune from the big band era that does not fit with the mood, or action of the story. I also didn’t find it enticing to have the film begin by focusing the camera onto the naked rears of a bunch of fat, middle-aged men as they get into a hot tub.

For those looking for a diverting, original comedy that emphasizes the subtle and dryly humorous exchanges between business partners then this little known gem should hit the spot.

My Rating: 6 out of 10

Released: April 21, 1978

Runtime: 1Hour 53Minutes

Rated PG

Director: Ivan Passer

Studio: Columbia Pictures

Available: VHS

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Posted in 70's Movies, Dry Humor, Movies Based on Novels, Obscure Movies

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Young Doctors in Love (1982)

Posted on August 6, 2012 | Leave a comment

By Richard Winters

My Rating: 5 out of 10

4-Word Review: He tastes the urine.

This is pretty much what you would expect from Gary Marshall, Penny’s brother, and creator of such loud comedies as the TV-show ‘Laverne and Shirley’. Here though the majority of the jokes actually work. Yes it’s still juvenile and crude with nothing real amazing, but if you come in with moderate expectations you might be pleasantly surprised.

There are of course the expected bombs sprinkled throughout. The worst bit features Michael Richards as a hit man going after another patient who is a member of a crime family. Richards is always funny, sometimes just when he is standing there, however the gag gets stretched out too far. It becomes redundant and cartoonish almost like a poor man’s version of a Wiley E. Coyote cartoon.

The worst thing is that the comedy has no edge to it. It’s modeled after Airplane, but doesn’t have the same satirical jabs. It should have done to old medical TV-shows what Airplane did to disaster movies. Here it just tries to be cute with a vaudeville mindset that becomes too soft, good- natured, and one-dimensional and ends up leaving you with an empty feeling. This is too bad because old shows like ‘Marcus Welby M.D.  are just begging to be made fun of.

Michael McKean and Sean Young look much, much younger and make for a cute couple. This is before all of Young’s troubles and dismal direct to video movie roles. She was still considered the promising up and coming starlet and she looks pretty and has a terrific figure to boot.

Harry Dean Stanton is a real surprise. Usually he is given low key roles, but here he is a wacky guy that is hilarious especially in a very funny ‘urine tasting’ segment. Hector Elizondo is also in rare form playing a man disguised as a woman and just seeing him in a dress is amazing.

Dabney Coleman though is wasted. He is well cast, but having him go completely bonkers at the end seems dumb. The worst travesty is with former ‘Avengers’ star Patrick Macnee. At first it seems like inspired casting to have such a proper English gentlemen in the middle of complete chaos. However, after the first few minutes he pretty much disappears and this is a shame because they could have done a lot more with his character.

My Rating: 5 out of 10

Released: July 16, 1982

Runtime: 1Hour 36Minutes

Rated R

Director: Garry Marshall

Studio: 20th Century Fox

Available: VHS, DVD

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Posted in 80's Movies, Farce, Movies with a Hospital setting

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4 for Texas (1963)

Posted on August 5, 2012 | Leave a comment

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Frank and Dino vehicle.

            Sharp-shooter Zack Thomas (Frank Sinatra) and Joe Jarrett (Dean Martin) fight over a cache of money they come upon after fighting off Matson (Charles Bronson) and his gang from a stage coach attack. Eventually Jarrett takes the money and makes his way to Galveston were the two meet up again and continue their bickering. When Joe fixes up an old riverboat and proceeds to turn it into a casino Zack tries to take it over, but not until Matson tracks him down to seek revenge.

The movie opens nicely with a snappy segment between the quarreling Zack and Joe trapped all alone in the middle of the desert. Their banter is great and it makes the most of each star’s appeal. However, after this the movie proceeds to die and very long, slow death. Absolutely nothing gels and the fragmented story lacks any type of singular voice, or vision. The film is also devoid of much action. There is a fistfight that Zack and Joe have at the end, but from the longshots it is clear that stunt doubles are being used for both men, which kind of takes the fun out of it. There is some potential when the two decide to combine their forces to take on Matson and his gang, but this finale moves along too hastily and the action is as uninspired as the rest of the film.

Martin is engaging and he is one of the film’s few bright spots. Sinatra though is stiff and out-of-place and shows no flair for lighthearted comedy. Apparently director Robert Aldrich and Sinatra did not get along at all and it shows.

The female co-stars don’t fare much better. Anita Eckberg who plays Zack’s love interest Elya amounts to not much more than a tired walk-on. The character has little to say or do and minimal connection to the main plot. Ursala Andress as Joe’s girlfriend Maxine fares better simply because she looks great. I’d say she is more striking here than she was in her most famous role in Dr. No.  Her low-cut dress is tantalizing and her tan, curved features have never looked better. The problem though is that there are a few drawn-out romantic scenes between both couples that makes a slow movie drag even more.

Talented character actor Victor Buono is excellent as bank president Harvey Burden. I was impressed with how he managed to hold his own with the rest of the cast despite the fact that he was much younger than all of them. Bronson is effective in the bad guy role and he makes a more interesting villain than he ever did as a good guy.

The Three Stooges appear in a cameo and do their predictable shtick that is strained and forced. Jack Elam who is a veteran support player in many westerns and has a very distinctive cross-eyed gaze is shockingly killed off right at the beginning, which was stupid.

This movie is a perfect example of a big Hollywood production relying too heavily on the star power of its two leads without first having an interesting script for them to work with. The production values are high and it is watchable, but plays itself out in a meandering and pointless fashion.

My Rating: 4 out of 10

Released: December 25, 1963

Runtime: 2Hours 4Minutes

Rated NR (Not Rated)

Director: Robert Aldrich

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

 

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Posted in 60's Movies, Comedy, Westerns

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The Telephone Book (1971)

Posted on August 3, 2012 | Leave a comment

By Richard Winters

My Rating: 7 out of 10

4-Word Review: She likes obscene calls.

            Due to the recent death of writer/director Nelson Lyon on July 17th I felt it was time to dig up my old copy of this bizarre underground cult flick and give it another view. I stated in another review I made about this film that I considered it The Gone with the Wind of underground moviemaking and I still stand behind it. The film is hampered by its low budget and black and white photography, but I was impressed with it creative camera angles, editing, set design and music. Lyon showed a genuine vision and made the most out of what little resources he had. Even the content, which could be seen as pornographic by some, is presented in such a quick paced and diverting style that it becomes engaging and amusing.

The basic premise deals with Alice (Sarah Kennedy) an over-sexed young blonde living alone in an apartment with walls lined with wall paper that has hundreds of pictures of people in various sex acts. One day she gets a call from an obscene phone caller and she falls in love with him because it was the ‘most sweetest and most beautiful dirty call’ she had ever received and although she had received other obscene calls in her life this one ‘had class’. She becomes obsessed with meeting the man. He tells her that his name is John Smith and that he is ‘in the book’.  She goes through the telephone book to call him up, but because she lives in New York City she realizes there are a lot of John Smiths. The rest of the film deals with her encounters of all the various John Smiths that she meets as well as her climatic meeting with the real John Smith and the very weird conversation that she has with him.

The film’s structure is basically made up of a lot of vignettes all dealing with various forms of perversity. Some famous character actors appear in cameos and some of which prove to be quite outrageous and funny. Barry Morse best known for playing Lieutenant Gerard in the 1960’s TV-series ‘The Fugitive’ has one of the film’s best moments playing Har Poon ‘the greatest stag movie actor of all-time’. He has a scene where 10 naked ladies, at least that is how many I was able to count, all jump on top of him and begin sucking on his various body parts. There is Roger C. Carmel as a psychiatrist who enjoys exposing himself to ladies on a subway train, but when Alice decides to do the same thing in return he becomes shocked and repulsed. Character actress Lucy Lee Flippan makes her film debut here as a ‘reformed’ obscene phone caller who describes how when her husband was away at work and her kids where at school she would call up men at their jobs and talk dirty to them while masturbating  with a banana. There is also William Hickey playing a man suffering from a permanent and incurable erection.

The best appearance though comes from Norman Rose famous for narrating many films. Here he appears wearing a mask of a pig and playing the actual obscene phone caller. He describes how he calls 4 different women a night every week of the year except for two when he goes on vacation to ‘get out of the grind’. He also explains how he has perfected his obscene phone skills to the point that he could seduce the president of the United States if he wanted to, but doesn’t because he has ‘no political ambitions’. The conversation gets weirder including telling Alice about his foray into becoming an astronaut while he seductively washes her hair, but Lyon’s use of imagery during this segment keeps it interesting and even memorable. My only complaint would be that I wished he had taken off the mask so we could have seen what he really looked like.

The film ends with an eye popping animation segment dealing with a giant headless naked woman who squats down and has sex with a sky scrapper that needs to be seen to be believed. This is also the only part of the film that is in color.

Despite the fact that it was all done on a shoestring budget and with no character development I had few complaints although I didn’t understand how the obscene caller was always able to call up Alice and get a hold of her even when she was not at home and at someone else’s place. This was of course before cellphones, but I suppose demanding logic from a film that otherwise revels in the absurd would prove futile. The film did not do well on its initial run, but was rereleased in 2011 to much more positive reviews both here and in Europe. Through word of mouth it is expected to gain the cult following it deserves and maybe eventually a DVD or Blu-ray release.

Kennedy is delightful in the lead, but her appeal may depend on one’s personal tolerance. She looks and acts almost exactly like Goldie Hawn and was her replacement on the ‘Laugh-In’ show when Hawn left to concentrate on her movie career. I enjoyed Kennedy’s giddiness and child-like enthusiasm to all the perversions around her, but her voice sounds like she has sucked in helium and could prove annoying to some.

My Rating: 7 out of 10

Released: October 3, 1971

Runtime: 1Hour 24Minutes

Rated X

Director: Nelson Lyon

Studio: Rosebud Films

Available: VHS, DVD, Blu-ray 

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Posted in 70's Movies, Animation, Black & White, Crude Comedy, Cult, Low Budget, Movies that take place in the Big Apple, Movies with Nudity, Obscure Movies, Quirky, Sex

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Batman (1989)

Posted on July 30, 2012 | Leave a comment

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Where is Adam West?

The attempt at moving the Batman theme from the campiness of the TV series to a darker edge proves successful. Director Tim Burton’s vision of Gotham is terrific. It has a sort of weird mixture of the 1940’s and the modern day and the look is original. It is so gray and dark it seems almost like purgatory and having the citizens celebrate its 200th anniversary may be the best joke of the film.

The story nicely starts out showing how Bruce Wayne (Michael Keaton) became acclimated with this Batman character and how initially he wasn’t perceived as being a good guy. It also explains how as a little boy he witnessed his parent’s murder. Yet it doesn’t go far enough and questions still abound. Like who built the Batmobile and that very immense bat cave? Are we to believe that Bruce Wayne and his kindly butler Alfred (Michael Gough) did it all by themselves?! It would have also have been nice if they had shown what specifically inspired him to take the identity of the bat. Still it’s good that some actual bats are shown and in a brief frame even come flying right at you!

The story is slick, but nothing spectacular. Such a big budgeted and much hyped movie almost cries for a more expansive storyline. Something along the lines of a James Bond plot with some megalomaniac aspiring for world domination or destruction. Having the Joker (Jack Nicholson) simply kill people with his toxic make up seems both silly and tacky. The climatic finale in the bell tower borrows too many elements from other showdowns and is too rehearsed.

Keaton looks uncomfortable in the lead. He shows no energy or charisma and is absolutely stiff in his Batman costume. Nicholson has a little more spunk and in a way seems to be a perfect fit. Yet Cesar Romero from the TV series had a much better laugh and Nicholson’s laugh seems forced. Kim Basinger makes a nice addition as the love/sex interest. She creates a nice balance between the two adversaries. It is interesting to note though that while everyone else refuses to wear make-up (including the newscasters) because of the Jokers toxins she is still seen with plenty of it on.

Overall this is a nice attempt at keeping the theme more true to its comic book origins. It doesn’t come together completely though and is in desperate need of a more singular voice. The second feature in this series Batman Returns is far better.

Watch for Lee Wallace as the mayor of Gotham as he looks like an absolute shoe-in for former New York Mayor Ed Koch especially from a distance. Also William Hootkins has absolutely the best voice for any big city policeman character.

My Rating: 6 out of 10

Released: June 23, 1989

Runtime: 2Hours 6Minutes

Director: Tim Burton

Studio: Warner Brothers

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Action/Adventure, Cult, Dry Humor, Moody/Stylish, Surreal/Fantasy

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Harper (1966)

Posted on July 28, 2012 | 4 comments

By Richard Winters

My Rating: 9 out of 10

4-Word Review: New-age private eye.

            Detective Lew Harper (Paul Newman) is hired by Mrs. Sampson (Lauren Bacall) a rich woman whose husband has gone missing. She wants a private eye to find him instead of the police due to the fact that her husband was involved in certain illegal business activities, which she doesn’t want to come to light. Harper finds himself immersed in a complex web of intrigue dealing with an array of shady characters, twists, and danger.

Newman is terrific and the Harper character is the perfect private eye for modern audiences. Watching him get out of bed in his dingy, cluttered apartment at the beginning and get ready for the day is excellent and builds characterization in a visual, subtle, and believable way. His cool, laid-back, and detached demeanor is a great contrast to the hyper, jaded, high-strung L.A. types that make up the assortment of suspects. His cynical style attaches the viewer to him right from the start and the banter that he has with everyone is marvelous.

The supporting characters are superb as well and very well-defined. Bacall gets one of her better later career roles as the bitchy eccentric wife. She gets quite a few quotable zingers particularly between her and her step daughter Miranda (Pamela Tiffin) that are close to classic. I also got a kick out of Shelley Winters playing a parody of herself as a way past her prime Hollywood star who is now overweight and an alcoholic. Harper’s attempts to get information out of her by pretending to be a hick who is totally mesmerized by her is quite amusing.

Director Jack Smight is at his directorial peak here. The on-location shooting is splendid. I particularly enjoyed the modernistic building that fronts as a church, but is really used as a cover for criminal activity. It sits out on a sandy hilltop and leaves a strong visual impression as does Harper and Miranda’s car ride along a very winding desert highway to get there. I also liked his ability to capture an abandoned airplane hangar making it almost as evocative to the eye as the foot chase that happens in it. The whole production is consistently slick with color schemes, set design and editing that are all top notch.

William Goldman’s script, which is based on the novel by Ross Macdonald is sensational and one of his best in his already legendary career. The dialogue is sharp one can view it for the lines alone and might need to re-watch it again simply to pick-up on all of them as there are so many your liable to miss some. The mystery is also intriguing and nicely layered to the point that it will keep you guessing and impossible to figure out and fortunately there is a minimum of loopholes. I saw this before and knew the outcome, but still found it an enjoyable and involving ride.

My complaints are few and fortunately do not taint the quality of the picture, which is otherwise high. I didn’t like that Harper had an ex-wife Susan (Janet Leigh) who he is constantly trying to win back. The woman seemed a bit cold and snippy and not the type I would think Harper would fall for, or want to put up with. Having him act so needy to win back her affections hurt the ruggedness of the character who is appealing because of his independent and self-assured nature. There is another scene where a man is shot dead and Harper goes through his coat pockets in order to get some clues to his identity. He finds a matchbook listing a nightclub, which Harper goes to in order to ask questions from the patrons, but I kept thinking it would have been much easier had he just went through the victim’s pants pocket and taking out his wallet and looked at his driver’s license.

If you are looking for a nifty mystery done in the best crime noir tradition then they don’t come much better than this.

My Rating: 9 out of 10

Released: February 23, 1966

Runtime: 2Hours 1Minute

Rated NR (Not Rated)

Director: Jack Smight

Studio: Warner Brothers

Available:  DVD, Amazon Instant Video

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Posted in 60's Movies, Classic, Dry Humor, Kidnapping Movies, Movies Based on Novels, Mystery

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The Drowning Pool (1975)

Posted on July 27, 2012 | 1 comment

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Way too much water.

            Detective Lew Harper (Paul Newman) travels to New Orleans in order to help Iris (Joanne Woodward) an old love of his who has now married and living in a large southern mansion that is controlled by her husband’s domineering mother Olivia (Coral Browne). Iris asks Harper to track down a former servant who she has fired and is now sending notes to her husband threatening to describe one of her elicit affairs. Initially Harper thinks it will be a simple straightforward case, but finds many twists and turns including the presence of an oil company looking to buy the land the mansion sits on for drilling. There is also Iris’s over-sexed teen daughter Schuyler (Melanie Griffith) who is always present when there is any trouble as well as the town’s sheriff Broussard (Tony Franciosa) who takes an unusual interest in the well fare of Iris and her daughter.

By itself this is an okay mystery although it takes a while getting there and there are too many characters popping in out of nowhere threatening harm to Harper to point that almost becomes formulaic. Compared to the first Harper this film pales in comparison. It lacks the snappy dialogue that made the first one so fun. The supporting characters are not as well defined, or as interesting and the overall production values are not as slick. I was amazed that with a script written by Tracy Keenan Wynn, Walter Hill, and Lorenzo Semple Jr. that it could be so overall ordinary, but it is. That doesn’t mean it is not passable, or entertaining, but it lacks the zing from the first.

I also didn’t like the change of location. Harper with his very detached approach worked better with the jaded Hollywood types. Here he just seems out-of-place. The mansion setting is boring and predictable. However, the scene where Harper is taken by boat along a swamp and to a pit bull farm where the animals are trained for dog fighting is special.

As for the supporting characters Richard Jaeckel, who has appeared with Newman before in several good scenes including the drowning one in Sometimes a Great Notion, is good as ‘bullet head’ a corrupt policeman who is constantly harassing Harper. Harper later turns the tables playing a game of Russian roulette with him that is great. Murray Hamilton is also quite good as the evil oil baron Kilbourne and the all red jumpsuit that he appears in is something else.

On the female end you have to love Melanie Griffith as the devious, nympho teen. She plays that type of part so well that I don’t think there is any other actress that could ever do it better. I did not like Gail Strickland as Mavis who is Kilbourne’s wife.  When we first see her she is a conniving, cocky, flirtatious woman, but then in a later scene turns into a whimpering, whiny mess begging Harper for help when she barely knows him. This extreme contrast didn’t work with me and I thought that a woman who marries a rich, but shady businessman and has been involved in some underhanded maneuverings herself should have a little better ‘plan B’ in place and not sink to such a pathetic helpless level the minute things unravel. Woodward is wasted in a boring role that allows for very little range. I wished she had played Strickland’s part as I think she would’ve made it more interesting.

The one scene that really stands out and makes this movie special is the part where Harper and Mavis are trapped in a hypo-therapy room in an old, abandoned asylum. Newman does most of his stunts here including being sprayed by a fire hose while locked in a strait jacket. The sequence where they plug up all the drains and then turn on all the showers in an attempt to float up the pool of water and escape out the skylight is amazing as is the moment where the gallons of water comes rushing through the door toppling furniture and people. This scene is incredible on many levels and should make it into the top twenty of best movie moments ever.

My Rating: 7 out of 10

Released: June 25, 1975

Runtime: 1Hour 48Minutes

Rated PG

Director: Stuart Rosenberg

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

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Posted in 70's Movies, Action/Adventure, Movies Based on Novels, Movies that take place in the South, Mystery, Sequels

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Goodbye Pork Pie (1981)

Posted on July 23, 2012 | 1 comment

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Minis are very durable.

A middle aged man named John (Tony Barry) whose wife has just left him and an unemployed nineteen year old named Gerry (Kelly Johnson) come together through circumstance and trek across New Zealand in a yellow mini while desperately trying to elude the police.

The film has a wonderfully carefree approach and anyone who has ever wanted to ‘drop out’ or stick it to authority will most assuredly enjoy this. There are some clever chase sequences involving the mini with the best coming at a Wellington shopping center. There are also a couple of good running bits including a stressed out vacationing couple dealing with their noisy kids and police officer doing a sexual role playing game with his wife while on duty. The vast age difference between the two main characters is refreshingly different from most ‘buddy’ movies and Johnson, as the younger one of the pair, is excellent. He shows a lot of star making appeal and it is amazing that his film career never flourished. Claire Olberman is gorgeous as a hitch-hiker that they pick up along the way and she closely resembles 80’s adult film star Stacey Donovan and it is a real shame that she doesn’t stay with them throughout the entire film. I also must mention the music score, which has a nice distinct quality to it.

On the negative side I felt Barry in the role of the middle aged man was a little too laid back in his performance. He needed to show more stress and tension, especially when he is put into such crazy and hectic scenarios. I felt his mellowness hurt the film’s believability and even to some extent the excitement. The ending is not very satisfying and seems like the screenwriter wrote himself into a hole that he didn’t know how to get out of. The police are made to look too hopeless and helpless and the film goes overboard in its attempts to mock them.

Despite some flaws this is a road movie the way all road movies should be. It is fun and engaging and will bring out the free spirit in anyone. Although small the minis are a durable and fast car and this film makes prime use of their abilities almost as well as the original The Italian Job did. It also features some great stunt work that most viewers should find impressive.

My Rating: 8 out of 10

Released: February 6, 1981

Runtime: 1Hour 45Minutes

Rated R

Director: Geoff Murphy

Studio: Greg Lynch Film Distributors

Available: VHS, DVD

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Posted in 80's Movies, Action/Adventure, Buddy Movies, Comedy, Cult, Fast Cars/Car Chase, Foreign Films, Offbeat, Road Movies

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Luv (1967)

Posted on July 21, 2012 | 2 comments

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Jump off the bridge.

            Based on the play by Murray Schisgal the film follows the exploits of Harry Berlin (Jack Lemmon) a hopeless neurotic who tries to commit suicide by jumping off a bridge only to be saved by his long lost friend Milt (Peter Falk). Milt wants to use Harry to have him fall in love with his wife Ellen, so that way she will agree to a divorce and free him up to get with a hot young blonde named Linda (Nina Wayne).  Things initially work as planned. Harry and Ellen fall in love and marry and Milt does the same with Linda, but then Milt and Ellen find that they are not compatible with their new mates and long to get back together. The problem is that Harry refuses to grant a divorce forcing them to try and coax him back out on the bridge, so he will finally jump off it and get out of their way.

Lemmon’s performance is the best thing about this otherwise strange experiment. He is like his Felix Unger character put on speed. His weird quirks and idiosyncrasies help propel the story to newer and more absurd heights. In his more straight comedies Lemmon has always seemed a bit benign and showing a nervous energy that is more annoying than funny. Here though he falls into his comic niche bringing out the bizarreness of his character with an almost creepy clarity. I thought it was interesting that although he was a leading man he chose to do an ensemble comedy. Although this film can be deemed a failure I still found it commendable that he was willing to test his acting range and image by taking on an unusual role.

Falk doesn’t fare as well. I thought it was great that he reteamed with Lemmon after performing with him in The Great Race, but his character really isn’t all that funny. May is usually great with sardonic material and has made a career out of performing and writing this kind of stuff, but she really isn’t given all that much to say that is amusing. I liked her charts that she creates for both Milt and Harry measuring all the hours they have been married with all the hours that they have had sex, which has a nice goofy element. Wayne is attractive, but her high, squeaky voice can quickly become annoying. Her acting abilities are limited and she clearly seems outclassed by her supporting counterparts. Had a stronger more established actress been cast in the role it certainly would have helped.

Director Clive Donner doesn’t show a good feel for the material. There are certain parts that are funny like when Ellen and Harry spend their honeymoon at Niagara Falls attacking and physically hurting each other just to see if the other will still love them afterwards. I also liked some of the potshots at modern day suburbia, but other than that this thing falls flat. There are too many scenes that go on forever with jokes and comic bits that are more stupid than clever. The opening sequence has a nice distinctive jazz score along with a montage of kitschy artwork and there is interesting camera work and editing during a sequence at an amusement park, but the rest of it becomes a filmed stage play. The pacing is slow and devoid of the unique directorial flair that could make an offbeat thing like this work. The climactic scene at the bridge is particularly strained and helps cement this as a hopeless misfire.

This movie is probably best known for being the film debut of Harrison Ford who has one word of dialogue and appears as an irate motorist who punches Harry in the face. I wished there had been more of him as although it is very brief he is one of the best things in it.

My Rating: 4 out of 10

Released: July 26, 1967

Runtime: 1Hour 33Minutes

Rated NR (Not Rated)

Director: Clive Donner

Studio: Columbia

Available: VHS, DVD

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Posted in 60's Movies, Black Comedy, Movies Based on Stageplays, Obscure Movies, Quirky

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