Category Archives: Thrillers/Suspense

What Ever Happened to Baby Jane? (1962)

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Living in the past.

This is a classic horror film that managed to resurrect the sagging careers of acting legends Bette Davis and Joan Crawford. It also spawned a whole new ‘psychobiddy’ genre of films. The movie is based on the 1960 bestselling novel by Henry Farrell.

The story takes place almost exclusively in an old, rundown Hollywood mansion where two aging, feuding sisters live. Baby Jane Hudson (Davis) was at one time a big child star, but never managed to cross-over to adult roles. She lives in a fantasy world, refusing to move on with her life, and takes out her frustrations on her crippled sister Blanche (Crawford), who at one time was a big movie star until a horrible car accident left her bound to a wheelchair.

The real-life feud and animosity that the two stars had for each other is now legendary. Some of the things the two said about the other is hilariously over-the-top and too many to quote here, but well worth checking out. When you hear of all the incredible things that the two did to each other behind the scenes you almost become amazed that the film was ever able to get made. I wished that a documentary had been filmed examining the movie’s production as that could have been almost more entertaining than the film itself.

All things considered, Davis is nothing short of fabulous here. She should have won the Oscar hands down and she pretty much steals the film. She also wore gaudy make-up that gives her an almost ghost like appearance. Crawford is very good as well, but her role is not as flashy. Sadly for her this was her last hurrah as her alcoholism took its toll and her roles after this were in B-movies while Davis went on strong for the next twenty years.

Of course some may argue that the real star was director Robert Aldrich. I liked the bird’s-eye shot of Blanche spinning around in her wheel chair in frustration and terror. It is brief, but gives the viewer a very unnerving feeling. The scene where Baby Jane does an old rendition of one of her routines that she did as a child in front of a mirror that she has set-up in her living room that is also surrounded by stage lights is a nice directorial touch. The campy opening that takes place in 1917 that shows Baby Jane at her peak is memorable as is the very offbeat climatic sequence on a crowded beach. I also got a real kick out of all the Baby Jane toy dolls.

Victor Buono deserves mention as he was nominated for the supporting Oscar for his role as Edwin Flagg, the fledgling composer who Baby Jane hires to help resurrect her stage show. Although best remembered for his comedic skills he was also quite good in his serious parts and his immense girth always made his presence known. I enjoyed how they form this weird quasi-relationship that is based solely on each other’s lies and delusions.

I did have a few complaints to what seemed to me to be some serious logistical flaws. One is the fact that Blanche is stuck in her upstairs bedroom with no way to get downstairs. You would think that with all the money that they once made that they would’ve been able to afford building either an elevator, or a chair lift. It also seemed implausible to believe that Blanche had been stuck in her bedroom since 1935 when she had her accident, until present day 1962, which is what the film seems to imply. As much as I liked the African-American housekeeper Elvira Stitt (Maidie Norman), who is well aware of Baby Jane’s psychosis and has no trouble standing up to her, I thought it was awfully dumb the way she set down a hammer that she was holding right in front of Baby Jane and then turned her back to her, which allowed her to be attacked that anyone else could have predicted would happen. I also felt there was a little too much background music that at times got a bit melodramatic.

Still, this is a great film that his highly entertaining from beginning to end. With the exception of some of Baby Jane’s ‘dinner surprises’ the film is devoid of any real scares and there is no gore, which may disappoint today’s younger, more jaded viewers. However, the film has a very strong, dark psychological undercurrent, which proves to be immensely fascinating and will be appreciated by those who are more sophisticated. The film’s theme, which is that of Hollywood’s fickle, vicious cycle of fame, is universal and as strong today as it was back then.

It is interesting to note that the director’s 18 year old son William, who appears at the end as a lunch attendant at the beach, produced  29 years later the made –for-TV remake of this film that starred the Redgrave sisters, but was not as good. Also director Aldrich later made two variations of this same story. One was Whatever Happened to Aunt Alice which he produced and starred Geraldine Page and Ruth Gordon and also the British classic The Killing of Sister George which he also directed.

My Rating: 7 out of 10

Released: October 31, 1962

Runtime: 2Hours 14Minutes

Rated NR (Not Rated)

Director: Robert Aldrich

Studio: Warner Brothers

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Open Season (1974)

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Humans are their prey.

This is the type of film that has a really great concept, but ends up being ruined with its poor execution. It is based on the novel ‘The All-Americans’ by David D. Osborn, who also co-wrote the screenplay. The story involves three ‘All-American’ suburban family men (Peter Fonda, Richard Lynch, and John Phillip Law) who once year go on a ‘hunting trip’ except here they hunt people. They typically pick their victims up at random and then drive them to their isolated hunting lodge in the woods. They feed and entertain them for a week and then give them a few supplies as well as a compass and tell them that the highway is twenty-five miles north.  If they are able to make it to the highway they are free and if not the three men will hunt them down like animals. The victims are always given a thirty minute head start, but none of them ever make it. The movie focuses on a man and woman (Alberto de Mendoza, Cornelia Sharpe) that are having an affair and are kidnapped by the three outside of a truck stop.

The beginning is well-done and quite easily the best part of the whole film. It goes back in time to when the three men where in college and accused of gang raping a young lady.  To the shock of the girl’s mother the prosecuting attorney tells them they have no case because these boys are great athletes with stellar reputations and nobody would believe they would do something like that. I liked this part for two reasons. One is the fact that at least we are given some sort of history to these culprits. A lot of movies never do this and you always wonder how these psychos where able to get away with it for so long. At least here we are given a backstory and somewhat plausible one at that.  Many sociopaths have been able to fool people for years simply because they smart enough to play the respectable role in society and bring out their deviance only when it is completely safe to do so. Also, athletes, especially in the past, where given much more leeway and many of their transgressions would get over-looked. So to me this made a lot sense and helped get me into the movie right away. I also liked the imagery used over the opening credits as well as the very haunting music score.

I also liked how the film then cuts to the present day showing the men at a neighborhood block party and interacting with their wives and kids. The three actors are perfect for their parts.  They were all B-actors who’ve made a career playing sleazy characters and fall into the roles easily. Richard Lynch is especially good. In real life he once set himself on fire in 1967 while taking LSD and his scarred, pale, and rough looking face always makes a creepy impression. Director Peter Collinson does some good camera work with detailed bird’s-eye view shots that show how sprawling the forest is and indeed gives the viewer a very remote feeling.

Unfortunately the rest of the film goes downhill. Part of the problem is that there is just too much talking.  In fact the whole middle section is spent with a lot of drawn out conversations that aren’t interesting, or well-written. It saps the tension out of the film until there isn’t any left.  It isn’t until the very end that they finally get around to letting the victims go out into the woods and then tracking them down. However, this too is poorly handled. The action is limited and not well choreographed. The whole sequence goes by too quickly and comes off like it was nothing more than an after-thought that fails to take advantage of its immense forest setting.  In fact for a film with such a sadistic and exploitive theme there is actually very little violence to speak of and no gore at all. The three bad guys also end up becoming quite banal and one-dimensional. They show no distinctive personalities whatsoever as they agree with each other on everything and seem to do nothing more than laugh and guffaw and each other’s juvenile jokes and antics.

If you are interested in watching this film then please don’t read any further as it may be considered a spoiler:

The film’s twist ending is weak as well. It features actor William Holden (a very accomplished actor and why he took this role, which amounts to nothing more than a cameo, I will never know) playing the father of the girl that the three men raped in college. He secretly followed the men on their hunting trip and decides to have his revenge by gunning them down just like they had done to all their victims. Again, the action here is handled in an unexciting and unimaginative way. I couldn’t buy into the fact that these men, who supposedly fought in Vietnam, would panic so quickly and act like a bunch of scared children the minute they found out that they were being shot at. They show no savvy or survival skills and allow themselves to be easily picked-off in an uninspired fashion.

I have always enjoyed Deliverance and I liked how this film used a variation of that theme where instead of the civilized man going out and coming to terms with the savage of the wilderness they instead go into the wilderness to come to terms with their own, inner savage. More action, better tweaking of the characters, and a faster pace and this film could’ve been a cult classic as the ingredients are all there. As it is now though I think it is much too bland to interest or intrigue anybody.

My Rating: 3 out of 10

Released: November 1, 1974

Runtime: 1Hour 44Minutes

Rated R

Director: Peter Collinson

Studio: Columbia Pictures

Available: VHS