Category Archives: Romance

The Morning After (1986)

the morning after

By Richard Winters

My Rating: 5 out of 10

4-Word Review: She can’t remember anything.

Alex (Jane Fonda) is an out of work actress and alcoholic who is prone to black outs. One morning she wakes up to the find that the man lying beside her has been murdered. She isn’t sure if she did it or not as she can’t remember anything. She cleans up the place and then by chance meets Turner (Jeff Bridges) a former cop who tries to help her prove her innocence.

Starting out right away with her waking up to find the dead body doesn’t work. Some background to the character would have been better as without it the viewer doesn’t particularly care about the character’s predicament. It took me a long while before I could get into it and even then it was only at a lukewarm level. The laid-back and melodic jazz soundtrack doesn’t help. For a thriller it is completely out-of-place and as good as a director as Sidney Lumet is he seems to have problem in that area as the musical score selected for Family Business another film that he did was also a terrible choice.

The film has one interesting twist near the middle, but the pacing is so slow that whatever intrigue it gave me quickly subsided, which is the film’s biggest problem. It doesn’t know if it wants to be a thriller, mystery, drama, or love story. Too much time is spent dealing with Alex’s budding relationship with Turner, which isn’t interesting. By the time they do get back to the mystery you really don’t care anymore. There are also not enough suspects and I had figured out who the culprit was long before the revelation comes about.

Fonda is competent particularly in a teary-eyed emotional sequence where she tries to somehow justify her pathetic self-destructive existence. The character though is unappealing and it may take a while for the viewer to warm up to her if at all. I did like her in the blonde, puffy 80’s hairstyle, but at the half way mark she changes back to her more natural brunette look, which I felt made her look older.

Bridges character helps stabilize Fonda’s and in that regards his presence is helpful, but having them meet by complete chance and then having him get so involved in her quandary seemed implausible. It would have been better and made more sense had he been a longtime friend who she turned to in her time of crisis. Although Raul Julia has a less screen time he still adds a lot more energy than Bridges.

Kathy Bates, Bruce Vilanch, and Frances Bergen (Candice’s Mom) can all be seen in brief bits. I also want to mention Richard Foronjy who nails the caricature of a streetwise big city cop perfectly.

Although the film is now 27 years old it really isn’t too dated. Only two issues in this area come to mind. One is when Alex can’t get any money out of the bank because it is closed due to a holiday and there doesn’t seem to be any such thing as ATM machines. Another occurs when a police investigator asks the Raul Julia character if he is gay by using a derogatory term, which wouldn’t go over today. However, Julia’s comeback line “How bad do you want to know?” is a good one.

My Rating: 5 out of 10

Released: December 25, 1986

Runtime: 1Hour 43Minutes

Rated R

Director: Sidney Lumet

Studio: Lorimar Productions

Available: DVD, Amazon Instant Video

Thief of Hearts (1984)

thief of hearts

By Richard Winters

My Rating: 3 out of 10

4-Word Review: He knows her secrets.

Scott, who is played by actor Steven Bauer looking more like a heartthrob than a common criminal, robs the house of an affluent couple. He takes the diaries of the wife Mickey (Barbara Williams) and begins to read them. He starts to obsess over her and decides to try to woo her by using the knowledge of her ‘secret fantasies’ that he has learned.

Overall this is a draggy, one-dimensional film that is too programmed to the female viewer and eventually becomes like a soap opera. Exploring one’s fantasy world could have been interesting, but this thing barely touches the surface especially since her ‘fantasies’ are so ordinary and predictable that they hardly seem like a secret at all.

The characters are standard and unappealing. There is Janie (Christine Ebersole) the nosy co-worker who always seems ‘horny’. There is also the self- absorbed husband Ray (John Getz) who is such a doofus you wonder how they ever got married in the first place. Mickey our heroine is supposed to be the sensitive and conscientious one. Her perpetually worried and uncomfortable expression is intended to signify this. Yet she surrenders to Scott and his very obvious courting with little or no resistance. She makes her marriage look like it was meaningless and her morals quite dubious. Most viewers probably won’t sympathize with her especially since her marriage really wasn’t that bad and was simply suffering from the typical growing pains.

The sex scenes are a bore and not even worth five cents at a peep show. The music is bland and the songs (by Melissa Manchester) forgettable. The resolution- like ending is too protracted. The film is also humorless, but does have one unintentionally funny scene involving Mickey’s very hooky redecorating of Scott’s otherwise cool looking pad that supposedly makes it look better, but really doesn’t.

The only good thing about this film is David Caruso. He looks different and much younger here. He plays his sleazy rat-like character to the hilt and gives this dud a real boost of energy and should be mandatory viewing for any Caruso fan.

My Rating: 3 out of 10

Released: October 19, 1984

Runtime: 1Hour 40Minutes

Rated R

Director: Douglas Day Stewart

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video

Working Girl (1988)

working girl

By Richard Winters

My Rating: 6 out of 10

4-Word Review: She’s moving on up.

Tess (Melanie Griffith) is a 30-year-old secretary working at an acquisition and investment firm on Wall Street and looking to move her way up. She comes up with an investment strategy for one of the company’s clients and passes the idea off to her boss Katherine (Sigourney Weaver) who says she’ll run the idea by some of her superiors. A few days later Katherine tells Tess that her idea was not well received and then Katherine goes on a skiing trip and breaks her leg. In her absence Tess looks after Katherine’s house and finds a memo on Katherine’s home computer were she tries to make Tess’s investment idea seem like her own. Tess decides to get her revenge by pretending to have more authority than she does and going directly to the client with her idea. In the process she meets fellow executive Jack (Harrison Ford) who helps her with her ploy while also starting up a romance with her.

The movie starts out well creating a believable office atmosphere that nicely balances the humor that keeps everything on a realistic believable level. Too many times office comedies have characterizations that are too broad, which thankfully is not the case here. The romance between Jack and Tess is not forced and the sparkle they share seems real and does not bog down the story like in certain films, but instead helps compel it.

Unfortunately the second half falls too much into the same old formula. The climatic showdown is protracted and contrived. Certain twists are thrown in that instead of making the story more interesting helps only to make it less believable. The wrap-up is too neat and tidy as well as having a Frank Capraesque quality that get poured on too strong ultimately making this film despite its good start fluffy and superficial.

Griffith does well in the lead. She plays a character that is relatable and likable although I did feel that she becomes discouraged a little too easily. I also didn’t like the way that she goes back to her boyfriend Mick (Alec Baldwin) even after she caught him cheating on her, which to me seemed to make her weak. Although the film features a plethora of women with the puffy 80’s hairstyle (for some reason you will probably see more of that hairstyle here than in just about any other 80’s movie) I felt it looked great on her. The scene where she is walking down the street after she has it cut short and wave put in it makes her look almost exactly like her mother Tippi Hedren in The Birds.

Ford is again impressive while he takes a role that tests his acting range and on-screen persona. Instead of being the dominating self-assured character that he usually is he instead is more pensive and subdued while letting the women around dominate the proceedings. He is also quite amusing. The scene where he warns Tess about his potentially messy apartment is funny as is the part where he puts on a new dress shirt while still in his office. However, his best moment comes with the amusing way he gets himself out of a jam when he is caught going to the bathroom while inside the stall of a ladies restroom.

Baldwin is perfect as the no-good boyfriend. He looks downright boyish here almost like he is barely out of puberty. He also gets the film’s best line, which occurs when Tess walks in on him in bed with a naked woman on top of him and he states “This is not what it looks like.”

The only performance that I did have a problem with was Joan Cusack as Tess’s friend Cyn. Her Brooklyn accent is much too heavy and her puffy hairstyle looks larger than her entire head. Her eye shadow gives her almost a clown-like appearance and whether she was intended for comic-relief or not nothing she says is funny.

Carly Simon scores with her rousing theme ‘Let the River Run’, which won the Academy Award. The aerial shot of the Statue of Liberty that is shown at the beginning as well as the Manhatten skyline captured during the closing credits ties in nicely with Carly’s vocals.

Spoiler Alert!

The twist which comes during the second half where it is found that Jack is secretly seeing Katherine as his girlfriend was too much of a coincidence that did not make the story more interesting. There is clearly no chemistry between Katherine and Jack in their scene together and it is the one spot in the film where things get overblown. It also makes Weaver’s character needlessly campy and deluded. Having Tess accidently drop her day planner literally at Katherine’s feet, which is where she finds out about Tess’s involvement with Jack is way, way, waaaaaaaaaaaaaaay too convenient and a serious sign of weak and uninspired writing on behalf of screenwriter Kevin Wade.

My Rating: 6 out of 10

Released: December 21, 1988

Runtime: 1Hour 53Minutes

Rated R

Director: Mike Nichols

Studio: 20th Century Fox

Available: VHS, DVD, Amazon Instant Video

Witness (1985)

witness

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Hiding out on farm.

Samuel (Lukas Haas) is a young Amish boy traveling with his mother Rachel (Kelly McGillis) by train to Baltimore to visit her sister. At the train station he leaves to go to the restroom where he witnesses a murder committed by McFee (Danny Glover) a narcotics cop gone bad. John Book (Harrison Ford) is the policeman investigating the case and when he realizes that there is an internal cover-up and he is now being targeted for blowing the whistle he goes into hiding with the boy and his mother at the farm home of Rachel’s grandfather Eli (Jan Rubes). There John learns to adjust to the Amish lifestyle while forming feelings for Rachel who displays the same for him, but McFee and his henchman doggedly pursue John in an attempt to silence him permanently.

The script by Earl K. Wallace and William Kelley deservedly won the Academy Award and is perfect blend of riveting cop drama and cultural understanding and one of the few films to deal with the Amish culture. It manages to tackle the subject in a non-sensationalistic manner that for the most part shows the Amish community in a positive, but still realistic light. The scenes showing the Amish men getting together and working as a team to hoist up a barn is exhilarating. The part where John punches out a brash heckler who looks exactly like current Baltimore Ravens head coach John Harbaugh who is harassing the peaceful people is satisfying as well. The film does also manage to look a bit at the negative side of the religion namely the shunning where if one of their members does not conform completely to their rigid doctrine then they will be literally shunned by the rest of their community even their own family members, which Rachel is told she risks simply by being, in their eyes, too friendly with John.

I remember at the time some critics complained about the scene where Rachel is bathing and turns around to find John peering at her and instead of covering herself up just stands there and exposes both of her breasts. Many people felt that this was not realistic. That a women raised on modesty would not just throw it all away and expose herself to a man who she was not married to and not a part of their community even if she did have some feelings for him and I have to agree. Although I did like the quiet sensuality of the scene I did not feel it was right for his type of picture, but fortunately it is the only time that it ever gets ‘Hollywoodnized’ and for the most part is pretty respectful.

The balance between the potential love angle and the action is surprisingly well done. The film may have one too many romantic moments, but otherwise the pacing is solid. The climatic showdown inside the barn had me on the edge of my seat and one of the best and most creative action finales for a cop movie that I have seen.

Ford is engaging as ever and it is surprising that his role here is his first and so far only time that he has ever been nominated for best actor. It is fun watching him learn how to milk a cow as well as seeing him dressed in an Amish suit with the pants not quite long enough.

Josef Sommar also gives an interesting performance as one of the bad guys. Instead of being the villain that becomes more confident, brazen, evil, and vicious as the pressure mounts he instead begins to behave in a more panicked and confused manner, which is an interesting take on the age-old formula.

Of course the real star of the film has to be Haas who is perfectly cast. He is cute and adorable without it ever having to be forced, or clichéd and one of the main reasons that this film has become so endearing.

The film also features Viggo Mortensen in a non-speaking part as one of the Amish men and Patti Lupone has a brief bit as John’s sister who begrudgingly agrees to take in Rachel and her son for the night in her home. Her reaction when Rachel tells her that she is Amish is subtly amusing.

My Rating: 8 out of 10

Released: February 8, 1985

Runtime: 1Hour 52Minutes

Rated R

Director: Peter Weir

Studio: Paramount

Available: VHS, DVD, Amazon Instant Video

Tall Story (1960)

tall story

By Richard Winters

My Rating: 6 out of 10

4-Word Review: The game is rigged.

June Ryder (Jane Fonda) is a boy-crazy college coed who has her sights set on Ray Blent (Anthony Perkins) the star of the school’s basketball team. Ray ends up being as infatuated with June as she is with him and the two decide to get married, but before they do they purchase a motor home from Ray’s friend Fred (Tom Laughlin). Unfortunately they don’t have enough of the required money until a mysterious stranger gives Ray $2,500 to blow the upcoming game his team has with the Russians, which puts Ray in a difficult quandary.

The film has a nice fluffy appeal and was based on the hit stage play, which in turn was based on the novel ‘The Homecoming Game’ by Howard Nemerov. The college campus atmosphere for its time period seems realistic. It is refreshing to have the adult faculty portrayed as normal human beings relating to the students on a relatively equal level and vice versa as opposed to the trend that started in the 70’s and went full-throttle in the 80’s where adults in these types of films were written as preachy, oppressive, out-of-touch, authoritative humorless pricks. In fact Marc Connelly as Professor Osman was my favorite character as he looked and spoke like a true professor and helped balance the silliness by being the most normal of the bunch. Anne Jackson as the wife of Professor Sullivan (Ray Walston) comes in a close second and has some amusing moments and a few good comeback lines particularly near the end.

Fonda is perfect as a character lost in her own little world and enthusiastically going by the beat of her own drummer while oblivious to the consternation she causes to those around her. Initially the character is written a little too aggressively making her too deluded and like a stalker, but fortunately that gets toned down and she becomes likable enough. Perkins is great as her boyish counterpart and the two even sing a duet together.

The pacing is a bit poor. Initially it is very zany and fast paced making the thing seem almost like a live action cartoon, which doesn’t work at all. The film then slows down and becomes a draggy only to rectify things with a funny conclusion. If you like things that are cute and undemanding then this should work although the sequence in which Ray comes into the game and singlehandedly wins the game after the team is far behind is just too contrived and over-blown for even Hollywood standards. The humor is light and comes in spurts with some of it managing to elicit a few chuckles. One of the few interchanges that I liked consisted of:

June: “Did you know that elephants only mate once every seven years?”

Ray: “There are some that do it every six years.”

June: “They’re nymphomaniacs”

Spoiler Alert!

One of the biggest problems with the film is the ending as Ray decides to play in the game and win it for his team despite keeping the money that he was paid in order to throw it. However, there is just no way a criminal organization would let anyone keep that money especially when the other party did not uphold their end of the bargain. Most likely they would track down Ray and June and exact a very unpleasant revenge. However, the film never even touches on this and instead shows Ray and June buying the motorhome and riding happily off into the sunset while leaving open a major loophole in the process.

My Rating: 6 out of 10

Released: April 6, 1960

Runtime: 1Hour 31Minutes

Not Rated

Director: Joshua Logan

Studio: Warner Brothers

Available: VHS, DVD (Warner Archive), Amazon Instant Video

Gaily, Gaily (1969)

gaily gaily

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Naive fellow becomes wise.

Ben Harvey (Beau Bridges) is a sheltered young man who decides to leave the safe confines of his humble little town and make a go of it in the big city of Chicago in 1910. However, soon after arriving he is robbed of all of his money and then taken in by Lil (Melina Mercouri) a Madame at the local brothel. Ben then gets a job at the city newspaper, but finds corruption at every turn and when he tries to stop it he ends up falling victim to its allure like everyone else.

The first hour is engaging. It features just the right mix of Americana and whimsy. The pace is quick with a wonderfully quirky sense of humor that comes flying fast and furiously. Opening the film by having Ben dreaming of topless women and featuring some very old turn-of-the-century black and white porno pics is funky. I also liked the scene where Ben manages to make all the prostitutes at the bordello he is staying at teary-eyed after reading them a sad story that he had written. The look at Lil’s face when he tells her that his life’s ambition is to ‘change the world’ is a hoot.

Unfortunately the second half deteriorates badly. The scenes become stretched out too long and the attempts are farcical humor lack any cleverness. The side-story about the attempts of a mad scientist Dr. (Charles Tyner) at using a serum he has invented to revive the dead is stupid. The slapstick like chase sequence gets overblown and the whole thing ends on a flat and boring note, which is a shame. The sets and costumes recreating the period atmosphere are wonderful, but put to waste by the silly script. I felt the film could have been more interesting had it taken a more realistic and dramatic route.

Bridges is actually pretty good. He has played the wide-eyed idealist so many times that it becomes a bit annoying, but here he seems to be making fun of it and it works to an extent. However, his extreme naivety at not catching on that the women he is living with are prostitutes is just too over-the-top and makes you almost want to hit him on his head in order to drive some sense into it.

Brian Keith does well playing the type of gruff, brash character that he excels at. George Kennedy though seems stiff and out of place in the setting and does not appear to be particularly adept at comedy.

Mercouri looks to be having a lot of fun here and her singing isn’t bad either. Margot Kidder is fantastic in her film debut and one of the best things about the film. She plays one of Lil’s prostitutes who takes a liking to Ben and I enjoyed how her character goes from being jaded to idealistic and rather naïve. Melodie Johnson is great simply because she is gorgeous to look at. She is now a successful novelist and judging from the pictures on her website is still looking quite attractive.

My Rating: 5 out of 10

Released: December 16, 1969

Runtime: 1Hour 47Minutes

Rated R

Director: Norman Jewison

Studio: United Artists

Available: Amazon Instant Video, Netflix streaming

The Goodbye Girl (1977)

the goodbye girl 2

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Goodbye doesn’t mean forever.

Paula (Marsha Mason) is a ‘dumped on’ single parent, whose live-in boyfriend has just left her, and now must contend with Elliot (Richard Dreyfuss) a rather obnoxious man who is subletting the apartment. Despite long odds the two end up ‘falling in love’ in this rather obvious, mechanical love story that is finely tuned to the female, especially those from that era. (The macho guy viewer will have run out of the room long before David Gates even has a chance to sing his soft rock title tune).

This was made when writer Neil Simon was still considered in vogue, although his patented one-liners are sparse and when they do come they are more cute than funny. This in some ways seems a retooling of his earlier ‘lovers in a New York apartment’ film Barefoot in the Park. Only here it’s a little rougher around the edges so it can appeal to a ‘hip’ audience. No clean-cut, cutesy newlyweds instead these people are more jaded to modern sensibilities and will routinely live with their partner even when they are not quite yet divorced.

If you can get past a rather strong late 70’s feel (gotta love that Fonzi poster hanging in the bedroom) then the characters remain solid and believable. No beautiful models living lavish and exciting lifestyles. These are average people just trying to make ends meet and find a little happiness along the way. It also doesn’t just show them when they are together, but also when they are out and alone in the ‘real world’, which allows us a rounded and sympathetic view of them.

Dreyfuss basically plays his usual opinionated, abrasive self. Whether the viewer sees the intended charm underneath is completely up to their own personal tolerance. His performance is good, but not exactly screaming for an Academy Award, which he won anyway, but then poked fun of it when he later hosted ‘Saturday Night Live’ on May 13, 1978.

Mason, who at the time was married to Simon, is the one who should have won it. Her performance is both believable and fluid. You truly see a lot of everyday people in her characterization and she clearly carries the film.

Quinn Cummings, as Paula’s daughter, is cute without being too precocious. Her sensibilities help compensate for the sometimes emotional immaturity of her adult counterparts. Though it really looks and seems dumb to have a ten year old still smearing food on the edges of her mouth and wearing a big napkin around her neck while eating.

Although I don’t always have a great eye for continuity errors this one has a doozy. When Dreyfuss comes home one night drunk he knocks over a table with a lot of stuff on it. He sticks his head out the window to shout something into the night air and then two seconds later comes back to where the table is standing and everything on it is neatly set.

My Rating: 7 out of 10

Released: November 30, 1977

Runtime: 1Hour 51Minutes

Rated PG

Director: Herbert Ross

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video

Sliding Doors (1998)

sliding doors

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Two scenarios in one.

This movie examines the life of a woman named Helen (Gwyneth Paltrow) who lives in a parallel universe. In one story she makes it through the sliding doors of a train and comes home to find her boyfriend in bed with another woman. In the second story she misses the train and does not find out about the affair.

The novelty keeps your attention for a while as the director Peter Howitt cuts back and forth between the two stories nicely. They evolve in interesting ways, but then instead of veering off into separate directions they start to come together until the one story ends up being pretty much like the other. This then negates the original idea altogether and makes it just another ‘chick flick’. The boyfriend Gerry (John Lynch) has to be one of the most pathetic out there. Not only does he have the audacity to have an affair on the beautiful and sweet Helen, but he does it while she is supporting him so he can sit home all day and write a book! He also seems to be unable to ever stand up for himself and he has a Hugh Grant type hairstyle that seems to only look good on Grant and nobody else. Jeanne Tripplehorn as the other woman is extremely cold and bitchy to the point that you wonder why anyone, even this twit, would want to have a relationship with her. Helen’s other love interest James (John Hannah) is charming in too much of a prepackaged sort of way and at times it seems to come off like he is a stalker even though that is not the intention. Also Paltrow ends up becoming afflicted with the ‘Ali MacGraw syndrome’ as she is shown lying in a hospital bed after a bad accident with no scratches or bruises and looking as beautiful as ever.

On the positive side Paltrow is really pretty to look at and speaks with an effective British accent, which takes a little getting used to, but she does it well. She sports two different hairstyles and looks good in both, but with the second one it starts to make her look exactly like Susan Dey from the 80’s TV-show ‘L.A. Law’.

The movie is fun for a while, even engaging, but eventually it throws in too many dramatic twists. The boyfriend is beyond pathetic and Tripplehorn, as his lover, seems to be running for bitch of the century.

My Rating: 5 out of 10

Released: April 24, 1998

Runtime: 1Hour 39Minutes

Rated R

Director: Peter Howitt

Studio: Miramax Films

Available: DVD, Amazon Instant Video

Murphy’s Romance (1985)

murphys romance 2

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Love blossoms in desert.

Emma (Sally Field) is a divorced mother with teenage son Jake (Corey Haim) who moves to a small Arizona town and try to singlehandedly start up a horse ranch. Once there she meets Murphy (James Garner) an older gentleman who she starts to have feelings for only to have her ex-husband Bobby Jack (Brian Kerwin) show up and try to rekindle their relationship.

This is a very leisurely paced romantic movie that doesn’t add anything new to the genre, but does end up going down like a cold drink on a hot afternoon. The dialogue is snappy and the wrap-up quite pleasing. It keeps things on a realistic level by showing Emma struggling with a lot of chores and financial constraints and thus making it perfectly relatable to those who have moved and tried to start over. It is also nice to see Haim when he was still a cute kid and before he became the 80’s poster boy for trouble child stars. Unlike other romantic comedies there is no one moment that is particularly funny or engaging however the scene involving Bobby Jack and Murphy fighting over Emma during a country dance party is amusing.

On the negative side it tends to be too formulaic. It only gets interesting when the ex-husband arrives, but then the film plays this scenario out in much too obvious a fashion. It would have been better had the ex-husband not been such a prototypical jerk and there had been more conflict and intrigue as to who she would end up choosing.

There is also a scene where Bobby Jack tackles Emma into a mound of hay in an effort to rekindle some of their old passion, but Emma ends up becoming allergic to the hay. Although this was clearly done for obvious laughs it doesn’t seem too believable. This is a woman, who by her own admission, has been working with hay and horses since she was child so this affliction would have become apparent long before then or at least during the several hours that it is shown where they are shoveling it into the stalls. It is possible that she was only faking this reaction in order to get away from him, but if that were the case then it should have been made more clear to the viewer

This is tailor made for the romantic diehards and they should enjoy it even though others may find it only passable.

My Rating: 6 out of 10

Released:  December 25, 1985

Runtime:  1Hour 47Minutes

Rated PG-13

Director: Martin Ritt

Studio: Columbia

Available: VHS, D VD, Amazon Instant Video

Girl with a Suitcase (1961)

girl with a suitcase

By Richard Winters

My Rating: 9 out of 10

4-Word Review: She likes shy guy.

This movie will start off a week long theme of romance movies in celebration of Valentine’s Day, which will be on the 14th. One romance movie from each decade will be reviewed starting with this sleeper from Italy that is well worth seeking out.

The story is about Aida (Claudia Cardinale) a young woman who is abandoned at a gas station after having a fight with her boyfriend. When she eventually tracks him down at his house she finds that she is actually more attracted to his younger brother Lorenzo (Jacques Perrin). Although Aida is more worldly-wise and Lorenzo shy and sheltered the two slowly form a bond that becomes emotionally compelling.

This is one of those films that despite being made over 50 years ago is still amazingly fresh. The characters are believable and reveal different layers of themselves in interesting ways. Claudia has never looked more beautiful and her performance here may be her best. Perrin is also excellent and the viewer cannot help but emphasize with him. The film packs some very powerful scenes and imagery that stays with you long after it is over and it manages to do it in a natural way that never seems forced.

If I have one complaint it is the fact that it becomes bit protracted especially at the end. Shaving the runtime by 30 minutes would have helped and possibly even made it stronger. However, Valerio Zurini’s direction is still top-notch.

The film features two fascinatingly fractured characters that are played to the zenith by the two leads. This is a film that deserves way more attention. The script, direction, and black and white cinematography are superb.

My Rating: 9 out of 10

Released: February 9, 1961

Runtime: 1Hour 55Minutes

Not Rated

Director: Valerio Zurlini

Studio: Ellis Films

Available: VHS, DVD