Category Archives: Mystery

Dogs (1976)

dogs

By Richard Winters

My Rating: 3 out of 10

4-Word Review: The Dogs go crazy.

In a small California town the dogs begin to act strangely as these lovable pets are now turning on their owners and going on the attack while acquiring a pack mentality that puts fear into everyone. Harlan (David McCallum) is a professor at a nearby college who along with Michael (George Wyner) who is an expert in animal behavior search for answers while also fighting for their own lives from the onslaught of the attacks.

The film has some potential as actor-turned-director Burt Brinkerhoff adds shades of playfulness to the proceedings. I liked the segment where children bring their pet dogs to a formal showing only to be chased away by the suddenly evil mutts. The mob scenes are somewhat impressive as Brinkerhoff holds a handheld camera right in the middle of the group, which helps accentuate the chaos and fear. The extras who can usually be pretty poor actors in most movies actually seem scared here and give off genuine screams of terror. The scene where the college students become trapped in a library with the vicious dogs staring at them through a glass wall is kind of creepy as is the sound of their howling.

The special effects aren’t quite as successful. The shots of all the human carnage looks very much like people lying perfectly still with spots of food coloring thrown on their clothes.  The shot of a mutilated steer’s head is equally fake looking and it stays on it for too long although the dog attacks themselves are okay. My favorite is when a sweet old lady, which is played by Elizabeth Kerr who later went on to co-star in the ‘Mork and Mindy’ TV-series gets ambushed and eaten by a group of dogs, which includes her own cute little pooch and then dragged away.

McCallum, who is best known for starring in the 60’s spy show ‘The Man from U.N.C.L.E’ as well as ‘NCIS’, is weak in the lead role and whose presence almost seems transparent. He’s made to look like he is a part of the counter-culture with a beard and long hair, but instead comes off looking like some homeless guy that was dragged in off the streets. Sandra McCabe as his female counterpart is pretty pathetic and seems good for having a perpetually frightened look etched on her face, but not much else. Linda Gray who makes her official film debut and is cast in a smaller role should have been given the lead over McCabe as she shows much more flair.

The film’s biggest transgression though it that it never bothers to explain the reason for the dog’s strange behavior there is a brief conversation about some ‘secret experiments’ going on, but nothing that ever gets detailed or exposed. The lack of any true resolution or explanation is not only frustrating, but also makes watching this a rather pointless experience. The film also runs only 82 minutes despite the DVD cover stating that it is 91.

My Rating: 3 out of 10

Released: June 29, 1976

Runtime: 1Hour 22Minutes

Rated R

Director: Burt Brinkerhoff

Studio: American Cinema Releasing

Available: DVD

Rollover (1981)

rollover 1

By Richard Winters

My Rating: 3 out of 10

4-Word Review: What’s in account 21214?

Hubbell Smith (Kris Kristofferson) is the newly appointed president of Borough National a bank that is in desperate need of money. He meets Lee Winters (Jane Fonda) the recent widow of the former chairman of Winterchem Enterprises who is looking to obtain a loan in order to purchase a Spanish processing plant. Hubbell broker’s the $500 million deal with some Arab investors and uses the finder’s fee portion to keep his bank solvent, but suspicions are raised when the money goes into a secret account named 21214 that no one knows anything about and can’t access. When Hubbell does some investigating he finds troubling answers that could lead to economic world collapse.

Director Alan J. Pakula approaches this thing like it is another Klute using not only the same star as that one, but similar type of music. Some of the camera work is dazzling and artsy, but I wondered if this was done to help enhance the script, or simply camouflage all of its holes. The story itself is too talky with a heavy reliance of financial business dealings that could become confusing for the average viewer. The two main characters are rather generic and their passionate making-out is tedious instead of sexy. The action is minimal, which includes a scene where Fonda gets trapped in a limo that is driven by a bad guy that had the potential for being exciting, but unfortunately gets underplayed.

Kristofferson with his Texas drawl is an awfully odd casting choice for a hot shot Wall Street businessman. He grows on you as the movie progresses particularly with the way he remains cool and detached even as his business dealings go horribly awry, but I still felt there were a hundred other actors that would have been better suited for the role.

Fonda is excellent and in many ways badly outplays her costar. Her character though doesn’t make a lot of sense as she is supposedly this famous and highly respected actress, much like Fonda herself and yet wants to be chairwoman of this chemical company instead of just selling her share of the stock after the death of husband and go back to acting, which to me would seem a lot more fun.

In an effort to keep the plot moving the film takes a few liberties with the plausibility. One of the major ones is when Hubbell wants to find out about the secret account and does so by breaking into the office of his superior where he finds in his desk drawer a notebook that lists the computer passcode, which seemed too convenient. In reality I would think a programmer would have to be hired in order to hack the system, which would have taken longer to play out, but also if done right heighten the tension as well as the believability.

Spoiler Warning!!

The film’s biggest transgression is the ending itself, which has the Arabs pulling the money out of the secret fund, which causes mass worldwide economic turmoil and chaos. Not only does this seem to create a whole new movie, but it also minimizes the two main characters and everything that we watched them do for the past two hours. A much better ending would have had the characters come up with some way to avert the collapse instead of the gloomy pessimistic way that it does take, which seems overblown and hard to believe.

End of Spoiler Warning!

My Rating: 3 out of 10

Released: December 11, 1981

Runtime: 1Hour 56Minutes

Rated R

Director: Alan J. Pakula

Studio: Warner Brothers

Available: VHS, DVD, YouTube, Amazon Instant Video

Alice Sweet Alice (1976)

alice sweet alice

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Murder in the church.

Surprisingly elaborate thriller detailing murders that happen in and around a Catholic church. It focuses specifically on a family whose one daughter Karen (Brooke Shields) is a victim and the other daughter Alice (Paula E. Sheppard) may have been the killer.

This is a well-crafted thriller and much more than just a chance to see a young Brooke Shields. The set design is meticulous with a unique look and sound that is different from just about any other horror film. There are even a few moments of truly creepy imagery. The twisting plot and suspense should be enough to get you caught up in it and keep you guessing.

This is also a multilayered film with a twisted look at the family unit, the 50’s era, and most importantly the Catholic Church. It paints a rather sinister portrait of the church and some of those who attend it while emphasizing the evilness that can unravel behind even the most pristine of pictures. It is harsh, but also revealing and at times even funny.

Sheppard is chilling as the evil sister and makes Patty McCormack from The Bad Seed look like a powder-puff-girl. Her unique eyes grab your attention and help accentuate her character and are able to convey both beauty and mischief at the same time. She falls into her difficult role effortlessly and it’s easy to see why she has gained such a wide cult following even though, to date, she has only done one other movie.

paula 2

Brooke of course was re-billed as the star when her fame shot up afterwards. Yet she doesn’t last past the first half-hour and her presence is really not all that significant.

The film’s first third is gripping, intriguing, and even surprising. The final thirty minutes though is a letdown and pretty much ruins the film as a whole. It gives away its final twist too early and then drags along until it culminates with a rather far-fetched climax. It also leaves open a few loopholes and no real closure.

My Rating: 6 out of 10

Alternate Title: Communion

Released: November 13, 1976

Runtime: 1Hour 38Minutes

Rated R

Director: Alfred Sole

Studio: Allied Artists Pictures

Available: VHS, DVD, Amazon Instant Video

The Runner Stumbles (1979)

the runner stumbles 1

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Priest accused of murder.

Based on actual events the setting is 1911 in a northern Michigan town where Father Brian Rivard (Dick Van Dyke) presides over a small Catholic parish. He feels frustrated at being stuck in such a depressed town where many of the residents are out of work. In comes Sister Rita (Kathleen Quinlan) to help run the school and the Father immediately takes a liking to her youthful enthusiasm and fresh ideas, but gossip and rumors soon abound when it is found that they are spending too much time together and possibly becoming intimate. When the Sister is found murdered it is the Father who is accused and must fight for his life while straddled with an attorney (Beau Bridges) who seems glib and detached.

One of the biggest problems with the film is the miscasting of Van Dyke in the lead. His performance is stiff, wooden and affected. The chemistry between the two stars is non-existent making the romantic angle seem completely unbelievable. The film would have been better served had a younger man that was more Quinlan’s age and trained in method acting been cast in the part.

Quinlan is excellent in her role, but her efforts become lost as they bounce off Van Dyke’s almost corpse-like presence. Maureen Stapleton adds some excellent support and it’s great to see Ray Bolger in his final film role as the intrusive Monsignor. Bridges is also great as the lawyer and the one thing that livens the film up a little. Had his court scenes been more extended it would have helped the picture immensely.

Director Stanley Kramer, whose last film this was, seems to have lost touch with the modern movie goer. The presentation is stagy and the overly melodic soundtrack does not fit the mood and gets overplayed almost like a radio going on in the background that somebody forgot to turn off. The conversations revolving around the predictably stifling atmosphere of the era add little interest and go on too long as do the debates between giving in to human desires versus religious commitments. The surprise ending hardly makes up for a film that is slow and boring and ultimately making it as stale and stagnant as the small town it tries to portray.

My Rating: 2 out of 10

Released: November 16, 1979

Runtime: 1Hour 49Minutes

Rated PG

Director: Stanley Kramer

Studio: 20th Century Fox

Available: VHS

They Might Be Giants (1971)

they might be giants

By Richard Winters

My Rating: 4 out of 10

4-Word Review: He thinks he’s Holmes.

After the death of his wife Justin Playfair (George C. Scott) starts to think he is Sherlock Holmes and begins playing the part by smoking a pipe, wearing a deerstalker cap and playing a violin. His brother Blevins (Lester Rawlins) feels he needs to be institutionalized and hires a psychiatrist named Dr. Watson (Joanne Woodward) to analyze him. Watson finds Justin’s fantasy role-playing to be intriguing and reluctantly begins following him around on his fanciful jaunts to find clues from the evil Professor Moriarty and eventually the two begin a quirky romance.

The film, based on a play written by James Goldman, starts out with some potential. The musical score by John Barry has an interesting ominous quality to it. The idea of pitting the practical minded Dr. against the fanciful Playfair is initially engaging. Watching Woodward getting more and more exacerbated by Scott’s constant whims of fancy and refusal to ever to see reality is funny and lightly satirical. The film though drops off terribly when Watson loses all judgment and falls in love with the man despite the knowledge that he is clearly mentally ill. Watching the two frolic through New York City searching for meaningless clues to a mystery that doesn’t really exist makes the film pointless as well as losing all tension, momentum and plot. Having her fall in love with him at the very end might have worked, but having this otherwise sensible and intelligent woman get sucked into Playfair’s fantasy world so quickly is jarring and unbelievable. What is worse is that initially Playfair seems to be working on a real case and there is even a scene where he gets shot at, but then this side-story is frustratingly dropped without any explanation or conclusion.

Scott is in top form and this is an interesting follow-up to his Patton role that he did just before this. Woodward though steals it. She has never done much comedy in her career, but proves to be quite adept to it here. One of the funniest scenes has her trying feebly to cook a meal for Playfair in her cramped apartment despite having no skill at it.

Anthony Harvey’s direction is okay. I liked the way he captures the downtown streets of Manhattan during the rain. However, the film’s most interesting segment takes place in an all-night grocery store where over a loudspeaker are announcements of great sales and deals despite the fact that there are no customers. Eventually a police chase takes place inside there, which ends up being genuinely amusing on a silly level.

The vague wide-open ending cements this as being a complete waste of time and makes the whole thing a big build up to nothing. I realize that this is intended to be whimsical, but even then there needs to be some grounding and this film has none.

My Rating: 4 out of 10

Released: June 9, 1971

Runtime: 1Hour 38Minutes

Rated G

Director: Anthony Harvey

Studio: Universal

Available: VHS, DVD, Netflix streaming

A Lovely Way to Die (1968)

a lovely way to die

By Richard Winters

My Rating: 6 out of 10

4-Word Review: Cop protects sexy defendant.

Jim Schuyler (Kirk Douglas) is a tough guy cop who leaves his job after his superiors put pressure on him to change the brutal way he treats criminals, which he refuses to do. Tennessee Fredericks (Eli Wallach) a high profile defense lawyer hires Jim to protect his client Rena Westabrook (Sylva Koscina) who is on trial for conspiring with her lover (Kenneth Haigh) to murdering her rich husband. Jim takes a liking to Rena and the two soon begin a torrid affair while he tries desperately to prove that Rena is innocent even though everything points against her.

This film sat in complete obscurity for almost 4 decades having never gotten released on either VHS or DVD until Universal finally made it part of their Vault Series. Why it took so long to get out I don’t know why as it is on the most part pretty good. The mystery is intricate and entertaining and full of unusual twists. The woodsy New Jersey scenery isn’t bad and the large mansions where most of the action takes place are impressive. This film isn’t any different from any of the other myriad crime noir mysteries of that era, but it manages to be slick enough to keep it intriguing until the very end.

The opening credit sequence is a definite drawback as it shows freeze frames of scenes from the film and seems almost like an ad or movie preview that does not help the viewer get into the mood of the story. The music also gets overplayed to the point of being distracting and irritating. It also has too much of a playful tone to it that does not coincide with the dark, moody overtones of the plot or characters.

Douglas who was already in his 50’s at the time of filming looks too old for the part and his love scenes with Koscina look almost like a father and daughter, which comes off as creepy and unnatural. The part would have been better served had it been played by an actor that was at least 20 years younger, which would have made the romantic angle much more believable. Wallach’s attempts at a southern accent are futile, but his arguments and theatrics during the trial are still fun.

The film also offers a great chance to see young up-and-coming stars including Conrad Bain as the prosecuting attorney, Doris Roberts as a snoopy housekeeper and Ralph Waite as the star witness. There is also Philip Bosco and John P. Ryan as bad guys. Richard Castellano is a bartender and David Huddleston is one of his patrons. You can even spot the beautiful Ali MacGraw in her film debut at the very beginning.

My Rating: 6 out of 10

Released: July 12, 1968

Runtime: 1Hour 43Minutes

Not Rated

Director: David Lowell Rich

Studio: Universal

Available: DVD (Universal Vault Series)

Electra Glide in Blue (1973)

electra glide in blue 2

By Richard Winters

My Rating: 9 out of 10

4-Word Review: Motorcycle cop turns detective.

John Wintergreen (Robert Blake) is a motorcycle cop tired of giving out traffic tickets and interested in a more intellectual job like working in the homicide division as a detective. By chance he comes along an isolated desert hut with a dead body in it that appears to have been a suicide, but he is not convinced even though everyone else is. During the coroner’s investigation it is found to indeed have been a murder, which impresses senior detective Harve Poole (Mitchell Ryan) so much that he asks John to become his assistant. At first he is excited about his new opportunity, but finds the position has hidden drawbacks of its own and eventually he becomes just as frustrated with it.

The film shows police work in an offbeat and revealing light. How many cop movies have you seen showing policemen handing out traffic tickets? May sound boring and monotonous, but actually it is just the opposite. The arguments that the drivers give to try and get out of the fine are amusing and very on-target. This film goes well beyond the typical Hollywood prototype of a policeman and instead we get to see real people with a wide variety of personalities that make up the force. There is also a cool motorcycle chase that features wipe-outs done in slow motion.

Director James William Guercio may be better known for his musical contributions, but his directing is spot-on from the first frame until the last. The opening scene has a wonderfully visual style and the photography of the desert landscape is expansive and vivid looking almost like it could have been filmed yesterday. The fact that this is his only film output is a real shame as he has a keen eye for directing that is far better than some veteran directors and it is a waste that he hasn’t done more.

Blake fits into his role solidly and it almost seems like the part was written specifically for him. The visual digs at his short height are cute and I liked seeing the character evolve and the way he becomes disillusioned with Harve, a man he initially admires and eventually tells-off in biting style is well done.

The dialogue has a nice conversational quality to it and John’s exchanges with both and Harve and his police partner Zipper (Billy Green Bush) are excellent. Jeannie Riley who has fallen off the cinematic radar and should not be confused with the singer who sang ‘Harper Valley P.T.A.’ gives quite a good performance as Jolene an alcoholic woman with big Hollywood dreams only to be stuck in a sad little town. The scene where Harve brings John to a bar so can ‘meet his girlfriend’ only to find that John has been sleeping with her too is priceless.

The anger and detachment between the police and the hippies of the day are well captured. The film has a great lyrical quality to it where every shot and scene seems to be a story in itself. The foreshadowing is excellent and the ending scene is not only a bit of a shocker, but also features one of the most amazing tracking shots you will ever see put onto film. A definite classic waiting to be rediscovered.

electra glide in blue 1

My Rating: 9 out of 10

Released: August 19, 1973

Runtime: 1Hour 54Minutes

Rated PG

Director: James William Guerco

Studio: United Artists

Available: VHS, DVD, Blu-ray

The Night of the Generals (1967)

night of the generals

By Richard Winters

My Rating: 5 out of 10

4-Word Review: A general kills prostitutes.

In 1942 during the height of the war a Polish prostitute is found murdered and sexually mutilated. A witness spotted a man leaving her room who was wearing a uniform that had a red stripe running down the side of his pants, which signified that he was a general. Major Grau (Omar Sharif) who is in charge of the investigation decides to interview three generals (Donald Pleasance, Peter O’Toole, Charles Gray) who were in the vicinity and have no alibi, but finds a lot of pressure not to pursue the case and it takes several decades before it finally unravels.

The storyline is compelling enough to keep you intrigued, but the script is talky with not enough action. Certain story threads seemed unnecessary and the film could have been more compact. The actors are mostly all British, but make no effort to speak in German accents despite playing Nazi roles. The music cues that are used whenever an important plot point is revealed or to transition to another scene are too loud and have a generic quality to them that does not appropriately reflect the time period.

O’Toole gives an interesting performance as psychotic ready to fall completely apart. His extreme emphasis on cleanliness especially to those that serve under him and his nervous twitches steal the film as well as a bit where he commands his men to destroy an entire block of a town simply to get at a couple of snipers. His bizarre reaction to a painting of Vincent Van Gogh that he spots in a gallery is intriguing especially when it occurs twice and his blank blue-eyed stare becomes almost piercing.

Sharif does quite well in support and despite being born and raised in Egypt does a convincing job as a Nazi and I think make-up was used to lighten his skin. Tom Courtenay is good as O’Toole’s assistant and the relationship that they form has some interesting subtexts to it.

Joanna Pettet’s appearance however seemed pointless and although the constant sparring she has with her mother (Joan Plowright) was fun it really didn’t add much to an already cluttered narrative. Christopher Plummer also gets stuck in a thankless part where he is seen for less than five minutes before promptly being killed off.

The identity of the killer gets revealed 45 minutes before the end, which hurts the suspense. I also didn’t like that the Sharif character gets killed off and the rest of the investigation is taken over by a Frenchman (Philippe Noiret) which seemed defeating since we had spent so much time siding with the character’s plight to seek justice despite all the obstacles. The film’s very final moment is supposed to be dramatic and poignant, but instead goes over-the-top and becomes weak and strained.

My Rating: 5 out of 10

Released: January 29, 1967

Runtime: 2Hours 25Minutes

Not Rated

Director: Anatole Litvak

Studio: Columbia Pictures

Available: VHS, DVD, Amazon Instant Video

Stunts (1977)

stunts

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Who’s killing the stuntmen?

Glen (Robert Forster) decides to join a movie production working as a stuntman when his brother mysteriously dies while doing a routine stunt. Soon more stuntmen meet similar fates. Will Glen be able to find out who’s behind these deaths before he becomes the next victim?

Director Mark L. Lester has done a lot of these standard low budget flicks and has achieved moderate success with them. The story itself is pretty basic and really doesn’t offer all that much tension or interest, but the pace is brisk and some of the stunt work entertaining. On a low-grade level it is okay.

I love Forster’s blunt, blue collar, say-it-like-it-is attitude and his presence elevates the story immensely. Bruce Glover who is the father of Crispin Glover plays one of the fellow stuntmen. Like his son he usually plays weird and eccentric characters, but here plays a normal one who you are even sympathetic to, which was a surprise turn.

The women characters aren’t locked into any dainty stereotype and are as tough and gruff as the men and I liked it. Fiona Lewis plays a journalist looking to write an article and what makes up the personality of stunt people and why they do it. She curses as much as Forster if not more and although the two eventually get into a relationship after a rocky start they continue to spar, which is fun. The beautiful Joanna Cassidy seems like just one of the guys and does all the same dangerous stunts they do and even knocks two guys flat on the their asses during a barroom brawl.

Candice Rialson doesn’t fare quite as well. Her best assets are with her clothes off and trying to turn her a dramatic actress clunks. She doesn’t even have a single nude scene here, which seemed almost like a waste. However, the segment where she keeps flubbing up her lines and they have to do continual reshoots to the consternation of the director (Malachi Thorne) is amusing.

The DVD issue from Synergy Entertainment, which is the same version you get if you buy or rent it from Amazon Instant is atrocious and looks like it was transferred straight off of a faded VHS tape. To some extent I was willing to forgive it as the graininess help reflect the low budget drive-in feel, but this version also edits out any time a character says the F-word, which got annoying. The picture is so blurry I couldn’t even read the credits to find out who did the catchy title tune ‘Daredevil is Gonna Make an Angel Out of You’, but whoever did it did well as it has a nice gritty beat and fun lyrics.

My Rating: 4 out of 10

Released: June 12, 1977

Runtime: 1Hour 29Minutes

Rated PG

Director: Mark L. Lester

Studio: New Line Cinema

Available: DVD, Amazon Instant Video

Candleshoe (1977)

candleshoe

By Richard Winters

My Rating: 8 out of 10

4-Word Review: Treasure hidden on estate.

            Jodie Foster stars as Casey a teen living on the tough streets of New York and reselling stolen items for a living. Her abilities come to the attention of small-time crook Harry Bundage (Leo McKern) who gets her to pretend that she is the long lost granddaughter of a rich matriarch by the name of Lady St. Edmund (Helen Hayes).  Bundage has become aware through a former servant that worked there that there is a trove of treasure hidden somewhere on the premises and it is up to Casey to follow the clues and find it.

I saw this movie when it was released in 1977 and the only thing I could remember from it was the little boy who would slide across the polished floors of the mansion. It’s a surprisingly elaborate plot for a children’s movie, but one that is engrossing and interesting. The characters are believable and diverse and it is fun seeing them evolve and learn to get along. Parents should find this as enjoyable as the kids. I was impressed with the way the filmmakers never talk down to their young audience and trust that they will be sophisticated enough to pick up on the little nuances and subtitles, which the film does have.  I found myself longing for this type of family entertainment again. It seems like the family films of today either have kids spewing out a lot of crude nasty things, or they are so sugary sweet and benign that they make you want to throw up, but this film nicely straddles the middle and it really works.

Jodie is great in the lead and the movie wouldn’t have worked as well with another actress in the role. The part nicely takes advantage of Foster’s confident, smart, streetwise persona and almost had me believing that the part was written specifically for her. Later I read how the original director for the film, David Swift, dropped out of the project because he felt Foster was ‘all wrong’ for the role even though I felt she was perfect and other viewers should feel the same.

Helen Hayes is okay in her role, however the character isn’t all that interesting, nor has that much to do. It seems like once she won the Academy Award for Airport in 1970, which helped revive her career, these were the typical ‘sweet old lady’ roles she was perpetually offered afterwards. However, when it comes to the caricature of an old lady Hayes is absolutely perfect almost to the point that it is hard to imagine her ever being young.

David Niven, who plays the butler named Priory, is engaging, but was starting to look frail and elderly. He gets a chance to play several different roles including that of the gardener and chauffeur. The Irish accent that he uses for the gardener part sounded very authentic and I was impressed. His best moment comes at the end when he takes on the McKern character in an imaginative and drawn out duel segment and watching his scared and nervous facial expressions during this is amusing.

I liked the other children who play the orphans that Lady St. Edmond adopts. They are cute in a nice genuine way without it being forced especially the young blonde haired boy named Bobby who speaks in a thick cockney accent. Veronica Quilligan plays Cluny one of the older children who are initially an adversary to Casey. She showed the most disciplined and realistic facial reactions to the action around her while the other kids had lost or vapid looks on their faces. Although she appeared to be about 13 or 14, the same age of the character that she played, I was shocked to find that she was actually 21 when the movie was made.

I was surprised that there wasn’t a car chase scene as every Disney movie from the 70’s seemed to have one. The action for what it is worth is sparse, but enjoyable without ever getting too cartoonish. The ending where the kids take on the band of adult crooks is good and the scene where their car is stopped on the tracks and the train comes just inches from Priory, who is shielding the vehicle, before stopping is a near classic.

I think adults who were kids during this era can watch this film again and still find it entertaining. The kids of today should find enjoyable as well although the ideal age would be between 8 and 14 as I think it is too slow paced for anyone younger.  The film also has a good life lesson in regards to teamwork and how working together and taking advantage of each other’s special talents and abilities can help achieve a common goal.

My Rating: 8 out of 10

Released: December 16, 1977

Runtime: 1Hour 41Minutes

Rated G

Director: Norman Tokar

Studio: Buena Vista

Available: VHS, DVD, Amazon Instant Video