Category Archives: Movies that take place in Florida

Nobody’s Perfekt (1981)

nobodys perfekt 1

By Richard Winters

My Rating: 0 out of 10

4-Word Review: Crazies fight city hall.

Dibley (Gabe Kaplan) who suffers from unpredictable memory loss, Swaboda (Alex Karras) who thinks his mother is still alive and with him at all times even when she really isn’t and Walter (Robert Klein) who has a split personality that can turn him from a gangster to Bette Davis at any given moment decide to steal an army tank and use it to force the mayor (Arthur Rosenberg) to pay for a new car when their old one gets damaged after driving through one of the city’s potholes. They get Dibley’s girlfriend Carol (Susan Clark) to go along with the scheme and in the process get caught up with a robbery of an armed bankroll truck.

If it was possible to give this thing a negative number rating I would and I seriously considered it, but decided to be generous and give it a 0 even though this thing has to be one of the dumbest comedies ever made. I’ve seen a lot of them, but at least they usually had one or two funny gags even if the rest fell flat, but this one has none. The humor is at a 6-year-old’s level and is painfully stupid from beginning to end without a shred of believability. It also features what has to be one of the slowest, most drawn out and boring car chases ever to be put on film

Mental illness is no laughing matter and the way it gets portrayed here could be considered offensive. Screenwriter Tony Kenrick, who also wrote the novel from which this film is based as well as director Peter Bonerz have clearly not done any research on the topic and portray those afflicted with it in the most sophomoric and benign way possible. In reality these characters would not have been able to hold down regular jobs like they do here and even if they did they would have been quickly fired once their mental problems became easily apparent. They would also most likely be on medications and even institutionalized instead of freely gallivanting around and only seeing an inept shrink (portrayed by Paul Stewart in a very clichéd send-up of Sigmund Freud) once a week who seems to have no insight on how to help them.

The ‘normal’ characters are just as annoyingly stupid. When the trio decide they want to steal a tank from a local plant that makes them they have Kaplan pretend to be from a ‘top secret’ government organization that tricks one of the employees, which is played here by director Bonerz, into believing that his company is secretly selling the tanks to the Soviets without him ever demanding any evidence or proof.

Kaplan may have been a great stand-up comedian and in recent years a good poker player, but as an actor he is one of the worst. In fact I always felt he was  the weakest link in the Welcome Back Kotter show as he always said his lines like he was reading them off of cue cards while constantly conveying a sheepish grin and here he is no better. Former football player Karras and fellow comedian Klein are equally weak. Only Clark is good, but why she would choose to do this after appearing in so much critical acclaimed stuff during the 70’s is a mystery, but she most likely did it to stay close to her then husband Karras and still manages to look great in a bikini.

If the filmmakers really thought that the American public would find this funny then they are the ones suffering from mental illness as only a mentally ill person could possibly find it amusing and if you watch it all the way through you more than likely will become one.

My Rating: 0 out of 10

Released: August 7, 1981

Runtime: 1Hour 36Minutes

Rated PG

Director: Peter Bonerz

Studio: Columbia Pictures

Available: VHS, DVD-R, Amazon Instant Video

Honky Tonk Freeway (1981)

honky tonk freeway 4

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Get off on it!

This exceedingly free-form style narrative follows several different oddball travelers from all areas of the country who converge on the small town of Ticlaw, Florida whose citizens are trying to build an exit ramp off of the freeway or risk having all of their shops and businesses go under.

The unusual narrative device might have worked had it been complimented by material that was more original. Instead it’s rather generic and bland. Things start off well with a biting, edgy flair, but this quickly drops off and becomes only mildly amusing afterwards. Some of it even gets silly with a lot of overused jokes aimed at easy targets. To me the only good moment is when a group of men try to trap a wild rhino into a cage.

Some people have compared this to Nashville; but that film at least had an overrunning theme that tied things together while this one has none and most of the time seems to go nowhere. I did like the script’s underlying concept of the randomness of our existence and where we end up and who meet a lot of times is just up to pure chance, but it doesn’t explore this enough or make any strong statement with it.

It also forces us to follow characters that aren’t captivating or interesting. The caricatures are too broad and their eccentricities go over-the-top. The only one I found slightly memorable is David Rasche as an overzealous pimp constantly trying to recruit women into his business even some nuns!

On the performance end Beverly D’Angelo comes off best as a nymphomaniac struggling to have a relationship with just one man. The rest of the cast though is pretty much wasted especially Hume Cronyn and Jessica Tandy as a bickering old couple. William Devane as the mayor is miscast and speaks in a southern accent that is horrible.

The film also contains a logic loophole as the townspeople blow up the bridge of a nearby busy freeway, which will then force all incoming traffic to exit into the town. This should then conceivably create a traffic overflow with more cars and people coming in than the town is equipped for and yet screenwriter Edward Clinton never bothers to touch on this very real issue and instead keeps things contained to only a few travelers.

I did like the on-location shooting, which was done in the small town of Mount Dora that is just a north of Orlando. Many times when films are made in Florida it is done in Miami or areas along the coasts, so it was nice instead to see something done in the countryside that takes advantage of its interesting and diverse topography.

My Rating: 4 out of 10

Released: August 21, 1981

Runtime: 1Hour 47Minutes

Rated PG

Director: John Schlesinger

Studio: Universal

Available: DVD, Amazon Instant Video, YouTube

All Fall Down (1962)

all fall down

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Don’t idolize older brother.

Berry-Berry (Warren Beatty) is the malcontent son of Annabell and Ralph Willart (Angela Lansbury, Karl Malden) who is unable to hold down a steady job, is in constant brushes with the law, and beats up his girlfriends. Yet women seem attracted to his rugged good looks, his parents continue to dote on him and overlook his flaws and his younger brother Clinton (Brandon De Wilde) idolizes him. All that changes when Echo (Eva Marie Saint) comes to visit. Clinton falls for her, but when she meets Berry-Berry she instead goes for him. When he mistreats her Clinton finally sees his brother for who he is and decides to take matters into his own hands.

Although overall this is a great production one of the biggest problems I had with it is the name for the leading character. Who names their kid Berry-Berry? I have never heard of that name before and it sounds corny and silly even annoying every time it comes out of one of the character’s mouths. I was almost surprised that the actors didn’t crack-up every time they had to say it. I felt there should have been an explanation for it, but none ever comes. In my mind giving a kid that stupid name is probably the whole reason he became so troubled and difficult in his adult life.

As for the character itself I wanted more of a history to see why he became the way he did. There is no backstory and in that regard the film seems weak and even frustrating. Despite being billed as the star Beatty is not really seen all that much especially during the first hour and in some ways the film comes off more like an ensemble drama. Also, having women fall for him after literally just setting their eyes on him seemed exaggerated and overdone.

Beatty has all the necessary leading man qualities, but in this instance I don’t think he was right for the part. His performance is too reserved and aloof. I didn’t see him conveying the deep seated anger that the part demanded. In many ways it is De Wilde who gives a far stronger performance and steals the film. His boyish face and charm makes for a fantastic contrast to Beatty’s.

Lansbury is sensational. She was only in her thirties at the time, but plays a woman in her fifties and does so convincingly as well as putting on a good accent. Two of her best moments come when her husband brings home three homeless men for the holidays and she insists they only want money and not the comfort of human companionship that her husband believes and the way she proves it is amusing. The part near the end where she defends her eldest son despite all his ugly flaws is brief, but strong and one of the film’s defining moments.

Saint is also excellent in support and so is Madame Spivy. She was a bar owner in real life and plays one here. She had a masculine build and a very no-nonsense demeanor, which comes out when she throws the under aged Clinton out of her establishment.

Director John Frankenheimer does well with the material. The on-locations shooting done in Key West, Florida is striking particularly at the beginning. His use of a rain storm makes a particularly strong dramatic sequence even stronger. However, the screenplay was written by William Inge and based on a novel by James Leo Herlihy. Inge was a noted playwright and the script seems more suited for the stage as it is quite talky and lacking in cinematic elements.

My Rating: 7 out of 10

Released: March 28, 1962

Runtime: 1Hour 51Minutes

Not Rated

Director: John Frankenheimer

Studio: MGM

Available: DVD (Warner Archive), Amazon Instant Video