Category Archives: Low Budget

The Telephone (1988)

Posted on November 11, 2013 | 4 comments

the telephone 2

By Richard Winters

My Rating: 1 out of 10

4-Word Review: I liked the owl.

Vashti Blue (Whoopi Goldberg) is an out-of-work actress sitting inside her dreary small apartment and having conversations with people over the phone. She also argues through a locked door that she shares with the women next door while waiting for a call from an agent for a job opportunity that never comes.

I am all for experimental cinema, which is the best way to describe this misguided project, but to work it still needs an artistic design and focus and this has none. It pretty much comes off as somebody’s cheap home video where a camera is turned on and then someone is allowed to rant and rave without pause for eighty minutes. Some could blame Rip Torn who is an actor turned first-time director here, but in subsequent interviews he has complained that Whoopi wouldn’t listen to any advice or direction that he gave and pretty much made his presence insignificant.  You could also blame the screenplay, which was written by the very odd pairing of Terry Southern and Harry Nilsson. Southern is best known for penning the screenplay for Dr. Strangelove while Nilsson is a famous singer/songwriter whose best work was doing the song ‘Everybody’s Talking’ that was the theme for the classic film Midnight Cowboy. However, Whoopi took great liberties with the material and ad-libbed a lot, so what was originally put down on paper and what is left on the screen could be minimal.

The conversations that Whoopi has over the phone ranges from lame to ridiculous. One includes calling the police and trying to get them to arrest a video store owner because he rented her a tape of Christmas in July with a scene excised is too absurd to be even remotely amusing. The Whoopi character also incorrectly stated that Frank Capra was the director of the film when it reality it was Preston Sturges.  Goldberg puts on a variety of accents including British, Japanese, Indian, and Southern as well as a few others, but her Irish one is suspect and her impression of John Wayne is terrible.

The apartment set is dull and bleak. The viewer feels trapped and with such little visual design their eyes and thoughts are apt to wander. Cutaways are sorely needed, but there are none. An infuriating moment is when there is a sound of a loud car pile-up outside, but despite this being a visual medium the camera never cuts away to show any of it. This was probably due to budget constraints, but what is even more perplexing is that there are sounds of people screaming, police sirens and even rioting and then a half minute later it all suddenly stops for no explained reason.

The supporting cast is eclectic but wasted. Noted character actor Severn Darden, in his last film role, appears in a brief bland bit as Whoopi’s neighbor. Elliot Gould gets a few minutes as Whoopi’s former agent and seems to be seriously slumming as he was a headline star during the seventies and now sadly stuck in this. John Heard is the only one who comes off best as a caustic, brash telephone repairman.

Whoopi’s two pets upstage the human cast by a mile. Her pet owl is very cute and I dug the goldfish particularly when he gets sucked down the drain of her bathtub and she must use a plunger to save him, which is the only time there is any action in the entire movie.

My Rating: 1 out of 10

Released: January 22, 1988

Runtime: 1Hour 20Minutes (The DVD cover states it’s 1Hour 36Minutes, but it is wrong.)

Rated R

Director: Rip Torn

Studio: New World Pictures

Available: VHS, DVD

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Posted in 80's Movies, Black Comedy, Low Budget, Obscure Movies, Offbeat

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Death Race 2000 (1975)

Posted on November 1, 2013 | 5 comments

death race 2000

By Richard Winters

My Rating: 5 out of 10

4-Word Review: New meaning to roadkill.

Based on the novel ‘The Racer’ by Ib Melchior the year is 2000 and a highly rated cross-country race takes place on television between many colorful individuals. There is Frankenstein (David Carradine) who has lost an arm and a leg in past races and must wear a leather mask to cover up his facial scarring. Then there is his chief rival Machine Gun Joe Viterbo (Sylvester Stallone) and also Calamity Jane (Mary Woronov) Nero the Hero (Martin Kove) and Matilda the Hun (Roberta Collins). Of course this is no ordinary race as crossing the finish line isn’t really as important as how many innocent bystanders they can kill along the way.

The idea is outrageous and for the most part director Paul Bartel manages to pull it off especially within the limitations of the budget. There are real kick-ass car explosions here and none of that computerized crap, which in itself gives it a few extra points. I liked the scene were an actual car is seen dropping down a steep cliff and how they were able to block off long sections of highways in order to be the only cars on the road. Some of the dark humor is funny although more so in the beginning. The best moment is when a group of doctors and nurses wheel up some elderly patients onto the middle of the roadway in order to be slaughtered by the racers as part of the their annual ‘euthanasia day’.

Sly is really funny. I know some critics have gotten on him over the years about his acting, but here he steals it from his costars and the film wouldn’t have been as effective without him. Carradine is pretty good in his part and his more subdued acting style makes a nice contrast to Stallone’s flamboyant one. The two even end up in a nice fist fight. However, I liked the idea of having the Carradine character being this walking gimp of a man so intoxicated with winning that he continues to drive and compete even as his body falls apart. Having him take of his mask and look completely normal and making that all a sham was disappointing and took away the unique gritty mystic of the character.

The initial treatment of the script was written by producer Roger Corman and then Bartel was hired in to put a more humorous spin on it. Although I like the idea of having some comedy I still wanted more gore and grittiness. Instead it becomes too campy and cartoonish and losing the potential edge that it has at the beginning. There also needed to be more of a focus on the race itself. As it is it goes too fast with pit stop segments that bogged the whole thing down. They manage to get from New York to St. Louis in one day, which if going on I-70 would be 953 miles and doesn’t seem possible even at high speeds. There is also a question of the speed of these cars. Supposedly they are ‘real fast’, but there is one segment where Joe tries to run down a kindly fisherman and the guy is able to out run the car for quite a distance before he is hit, so they can’t be all that fast.

There is also a secondary storyline involving an underground group called the People’s army that is trying to sabotage the race and put an end to it. Initially I felt this thread would allow for more intrigue, but instead it makes the whole thing too over-the-top. The short running time doesn’t allow for such a convoluted plot and the whole thing would have been better served had they stuck to the race and racers personalities itself. The sappy ‘feel-good’ twist ending is terrible and ruins whatever potential edge the film had.

My Rating: 5 out of 10

Released: April 27, 1975

Runtime: 1Hour 20Minutes

Rated R

Director: Paul Bartel

Studio: New World Pictures

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 70's Movies, Action/Adventure, Black Comedy, Campy Comedy, Cult, Fast Cars/Car Chase, Low Budget, Movies Based on Novels, Movies with Nudity

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Nightmare (1981)

Posted on October 23, 2013 | Leave a comment

nightmare 2

By Richard Winters

My Rating: 4 out of 10

4-Word Review: This one gets grisly.

George Tatum (Baird Stafford) is a middle-aged man tormented by strange nightmares where he sees himself as a young child decapitating with an ax an older man and his female lover. The dreams have had such an adverse effect on him that it has sent him to the mental hospital, but now the doctors consider him cured and send him back out into the real world, but the dreams continue pushing him into a psychotic state where he murders a woman that he meets and then eventually starts menacing a family.

This film while not being a particularly good movie and still straddled with a lot of the expected low budget limitations has managed to achieve a strong cult following as well as a limited Blue Underground 30th Anniversary release due mainly to its explicit violence. While the body count isn’t high the gore is nasty and effective. One scene involves George knifing a woman and the camera cutting in real close to her slashed neck and we hear her literally gurgling on her own blood and then watch as he licks her blood off his hands in an aroused manner. The scene where the boy cuts the head off another woman is also well handled despite the fact that it looks too much like an empty mannequin’s head. Writer/director Romano Scavolini approaches it with an artistic flair and it works. Watching the boy, who couldn’t be much older than 10, drenched in blood and looking menacingly into a mirror is the film’s creepiest moment.

The wide array of locales also helps and takes this a step above most other films of this genre and time period. Scenes are shot on-location all the way from New York to South Carolina, Georgia, and even Florida where there is a nifty segment inside an abandoned house. I found George’s trip to an old-fashioned New York adult theater to be the most captivating. I liked the part where the male customers put a quarter in a slot, which raised a small yellow door that allowed the men to peer through a window at a stripper dancing, but instead of seeing it from the male point-of-view we see it from the stripper’s. I got a kick out of seeing several of these guys looking all wide-eyed at this naked woman through their little windows and as their time ran out and the little yellow door began to slide down over their peep holes they would strained their necks as far as they could through with what little opening was left to continue to gaze at her as long as possible.

The dialogue and characterizations were less cardboard than the usual slasher film. However, outside of the gore it is not very suspenseful. The scares are derivative and too much time is spent on the bratty C.J. trying to spook his babysitter and mother.

Although the film keeps things plausible for the most part I was a bit confused why the doctors at the hospital didn’t know about George’s violent past or why he was menacing the certain family that he was. They were able to track down his whereabouts and car, so why were they not able to do the same with his criminal and family background? Having this loophole hurts the film as it ends up seeming poorly thought out.

nightmare 1

My Rating: 4 out of 10

Released: October 23, 1981

Runtime: 1Hour 37Minutes

Not Rated

Director: Romano Scavolini

Studio: 21st Century Film Corporation

Available: DVD, Amazon Instant Video, YouTube

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Posted in 80's Movies, Cult, Exploitation, Horror, Low Budget, Movies that take place in the Big Apple, Movies that take place in the South, Movies with Nudity, Slasher/Gore

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Dear Dead Delilah (1972)

Posted on October 18, 2013 | Leave a comment

dear dead delilah

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Greedy family gets hacked.

Delilah (Agnes Moorehead) is the matriarch of a large southern family who brings together the other members to tell them that her deceased husband’s gambling earnings of $600,000 is hidden somewhere on the premises. Desperate and greedy everyone goes on the hunt for it, but find they are being slaughtered one-by-one by an ax-wielding maniac.

As low budget horror movies go this one is about as poorly produced as you can get. This was John Farris’s first and so far last foray behind the camera. He is most famous for authoring ‘The Fury’, which was later made into a hit movie, but as a director he shows no visual ability. The scenes are poorly staged and the sets are illuminated by a bright unfiltered light that makes the center of every room in every scene look like it is under a spotlight. The scenes drone on with over-the-top characterizations of greedy family members and one-dimensional monotonous talk about money. The southern setting seems hooky almost like an amateurish attempt at Tennessee Williams. The scares and tension are non-existent and the film is an embarrassment to anyone having anything to do with it, which includes Bill Justis and his terrible music score.

It doesn’t help matters that the 1986 Embassy VHS issue of this film, which is as of this date the only source where this film can be seen, is terrible. The negative has a lot of scratches and the color is dark and faded making it look almost like someone’s forgotten home movie.

Moorehead, whose last film this was, is the one gem. She wears a brown wig and the only cast member who speaks in a Southern accent that sounds genuine. Her constant frowning facial expression is entertaining and helps enliven this otherwise poor excuse of a film with every scene that she is in.  She shares several scenes with Will Geer who plays her estate attorney. The two co-starred earlier that same year in an episode of ‘Bewitched’ where Geer played George Washington brought back to life by Esmerelda.

The film does boast some graphic murders that seem well ahead of its time in the grisly department. One of the best ones is when a female sitting in a wheelchair gets decapitated and the viewer sees her head lying on the ground next to her still quivering, blood spurting body. The opening sequence has a daughter speaking with her mother while the old lady has an ax sticking out of her head and her severed arm lying on the floor, which the daughter nonchalantly steps over like it is no big deal. The part near the end where a man gets shot through the back of his head and the bullet come out through his right eye socket is impressive as well.

My Rating: 2 out of 10

Released: June 16, 1972

Runtime: 1Hour 37Minutes

Rated R

Director: John Farris

Studio: Southern Star Entertainment

Available: VHS

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Posted in 70's Movies, Horror, Low Budget, Movies that take place in the South, Obscure Movies, Slasher/Gore

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My Bloody Valentine (1981)

Posted on October 17, 2013 | 1 comment

my bloody valentine

By Richard Winters

My Rating: 2 out of 10

4-Word Review: A Killer with heart.

After 20 years a small Canadian mining town of Valentine Bluffs has decided to hold another Valentine’s Day Dance. The previous ones were canceled due to one ending in bloodshed by a psychotic mine worker named Harold Warden. Now he is locked away so they think it is safe except the killings start happening again and this time the killer tears the hearts out of the victims and delivers them in heart shaped boxes to their relatives.

This movie has a cool looking poster and a deliciously macabre concept and has also attained a strong cult following including Quinton Tarantino, but I unfortunately was not impressed with it. I found it to be excruciatingly boring and a major strain just to sit through. The direction and writing are uninspired creating predictable scenarios and delivering all the expected teen slasher movie clichés with a monotonous regularity.  Nothing is distinctive or scary and it fails to deliver any suspense or tension. It can’t even make effective use of its unique mine shaft setting. The final sequence takes place there, but it is nothing spectacular. The constant delivering of human hearts in candy style boxes soon loses its effect and eventually becomes stupid especially with the corny poems written on the attached note cards.

The young victims are dull and stereotypical. They look like caricatures from all the other slasher horror films except here they speak with thick Canadian accents. One of them looks like an overweight version of Meathead from ‘All in the Family’. There is also a ‘class clown’ type of character that resembles very closely the ‘class clown’ character from Friday the 13th . Here he does nothing but crack dumb jokes and watching him eventually get decapitated is the film’s single most gratifying moment.

The sheriff character is a real loser. He wears a big belt buckle and dopey haircut that makes him appear to be some middle-aged buffoon who has just stepped out of the 60’s. His logic is also flawed. He decides not to warn the town that a killer is on the loose even after he has killed a couple of people as he is afraid it will create too much of a panic, so instead he waits until seven more people die and the citizens all go into a panic anyways.

Usually in even the poorest of horror films the killings and gore can at least keep things entertaining on a tacky level and yet here they are as dull as everything else. Also, since when has going into a dark and dingy cave been considered a great place to have sex? To me it seems absurd and yet several of the teen couples go into the mine for distinctly that purpose.

Remade in 2009.

My Rating: 2 out of 10

Released:  February 11, 1981

Runtime: 1Hour 30Minutes

Rated R

Director: George Mihalka

Studio: Paramount

Available: VHS, DVD, Blu-ray, Amazon Instant Video

 

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Posted in 80's Movies, Cold Climate/Wintertime Movies, Cult, Foreign Films, Horror, Low Budget, Movies from Canada, Movies with a rural setting, Slasher/Gore

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Mausoleum (1983)

Posted on October 16, 2013 | Leave a comment

mausoleum 2

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Beautiful lady is possessed.

At her mother’s gravesite a young Susan feels compelled to go inside a Mausoleum and there she comes into contact with evil spirits who possess her and allow her the ability to destroy those around her that she does not like. She becomes an adult and marries, but her husband Oliver (Marjoe Gortner) begins to suspect that something isn’t right with her and tells Simon her psychiatrist (Norman Burton) who reads up on a book of ancient rituals to rid her of the spirits before it is too late.

This film is a tired rip-off of not only The Exorcist, but all the rip-offs that came after it. The special effects are cheesy and the mechanical direction fails to add anything new to the genre. The brief bursts of horror are intercut with long, drawn out dramatic segments that go nowhere. The heavy-handed musical score is annoying and the budget is well on the cheap side. Susan’s transformations and murders quickly become mundane and redundant.

The acting is especially bad and in some ways the worst part about the movie. All the performers deliver their lines in a hollow sounding, robotic way. Gortner makes for a weak ‘good-guy’. I might be able to handle him as a psycho, but as a lead he is terrible. I was glad to see his character get killed and just wished it had been sooner. LaWanda Page best known as Aunt Esther from ‘Sanford and Son’ TV-Show adds some levity as the couple’s maid and even says a few very choice four-letter words.

This would be a good candidate for Mystery Science Theater 3000, but hard to take seriously on its own. Even lovers of tacky cinema will be challenged to get through it. This is the type of bad movie that gives other bad movies a bad name.

My Rating: 2 out of 10

Released: May 3, 1983

Runtime: 1Hour 36Minutes

Rated R

Director: Michael Dugan

Studio: MPM

Available: VHS, DVD (Region 1 & 2)

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Posted in 80's Movies, Horror, Low Budget, Slasher/Gore

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Chopping Mall (1986)

Posted on October 15, 2013 | 1 comment

chopping mall

By Richard Winters

My Rating: 3 out of 10

4-Word Review: Killer robots on prowl.

A new high-tech shopping mall installs robots as their night security team. They are programmed to apprehend and subdue any intruders, or anyone not showing them their security badge. A bunch of teenagers who work at the mall during the day decide to hang out and party there at night, but find that the robots have run amuck and are now trying to kill them. Locked into the place for the whole night the teens try fighting them off while desperately looking for a way out.

This was writer/director Jim Wynorski’s second feature and the beginning of an almost assembly line string of direct-to-video/B-movie features that of this writing now equals 94 and many of them done under a pseudonym. Wynorski shows some flair by injecting comedy into the proceedings including an engaging opening sequence done over the credits that includes a lot of sight gags and a good up-tempo synthesized score that fits the mood and action. There are also some fun cameos including Paul Bartel and Mary Woronov who appear at the beginning and recreate their roles from the hilarious cult hit Eating Raoul. You can also spot Mel Welles from Little Shop of Horrors fame as well as perennial B-movie favorites Dick Miller as a janitor and Gerrit Graham as a technician.

It was filmed at an actual mall in Sherman Oaks, California, which makes for an interesting backdrop and good authenticity. I also liked how the teens, both the men and women, are very resourceful and come up with different and elaborate ways to combat the robots. The female cast is attractive with a decent amount of nudity. The special effects aren’t bad either. I was impressed with the exploding head sequence as well as the burning body moment. My only quibble in this area is that they were able to break the glass of the storefront windows, which happens several times during the course of the film, much, much too easily.

The biggest problem with the film is that it just isn’t scary or suspenseful enough. The only time there was any real tension is towards the end when the Kelli Maroney character hides underneath some shelves at a pet store and is forced to keep quiet from the lurking robot while a  snake and spiders crawl all over her. Despite some interesting directorial touches it still comes off as mechanical and formulaic and even though the running time is short I still found myself getting quite bored with it. There is also never any explanation for why the robots go haywire, which I felt was a major oversight.

My Rating: 3 out of 10

Released: March 21, 1986

Runtime: 1Hour 17Minutes

Rated R

Director: Jim Wynorski

Studio: Concorde Pictures

Available: DVD, Amazon Instant Video, YouTube

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Posted in 80's Movies, Cult, Dry Humor, Horror, Low Budget, Movies with Nudity, Slasher/Gore

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Don’t Go in the Woods (1981)

Posted on October 10, 2013 | 2 comments

don't go in the woods

By Richard Winters

My Rating: 0 out of 10

4-Word Review: Don’t watch this movie.

Excruciatingly bad on all levels this film could very well rank as the worst horror movie/slasher film of all time and given how many bad ones there are that is really saying something. The story, or what little there is of it, features four college-aged hikers, two men and two women, spending an idyllic weekend in the woods of a state park. Little do they know that a madman is on the loose and killing people at a frantic pace. When he catches up with them they run, scream, and then get sliced up.

The acting itself is the real horror. Usually even a real low budget film will at least have a few B-names in the cast whether they were famous at one time and now slumming, or an up-and-coming star, but this has neither. Most of the cast never appeared in another film and watching them perform here will tell you why. Of course having them straddled with stale, stilted dialogue that has no conversational quality doesn’t help and the proceedings would have been better off had director James Bryan allowed them to ad-lib.

The gory special effects are unimaginative and pathetic. It is edited in such a way that it is very hard to follow what exactly is happening to the victims and the majority of it basically entails gobs of red blood splattering everywhere and little else.

The killer is laughable and dressed in a Neanderthal getup that makes him look like a cross between a caveman and what a Minnesota Vikings fan wears to a football game. His cartoonish laugh is annoying and the isolated, decrepit cabin that he resides in seems too reminiscent to Jason’s hangout in Friday the 13th Part 2. There is also never any explanation, even at the very end, as to who the hell this guy is, how he got there, or where he is from.

This film also has one of the ugliest female casts of any horror film I have seen. Usually films of this genre cast a couple of Playboy Playmates or Penthouse Pets in the mix as eye candy to help liven things up during the slow parts, but this one instead has the two female leads with such short haircuts that they almost look like boys. There is also no nudity, which in this instance is probably a good thing.

Outside of a cheesy song played over the closing credits the film lacks any type of music score. In some ways like in I Spit on Your Grave this can help accentuate the cinema-vertite grittiness, but here it makes an already cheap production seem even cheaper. Some music could have helped cover-up the constant sound of birds cooing in the background, which eventually got annoying. The dialogue was also dubbed in during post production, which gives it even more of an amateurish quality.

The director of this one has absolutely no talent or ability. Your average fifth-grader could pump out something better than this.

My Rating: 0 out of 10

Released: September 1, 1981

Runtime: 1Hour 22Minutes

Rated R

Director: James Bryan

Studio: Seymour Borde and Associates

Available: DVD, YouTube

2 Comments

Posted in 80's Movies, Horror, Low Budget, Movies with a rural setting, Outdoors, Slasher/Gore

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Squirm (1976)

Posted on October 8, 2013 | Leave a comment

squirm

By Richard Winters

My Rating: 7 out of 10

4-Word Review:  Worms invade a town.

A thunderstorm knocks down some power lines, which creates a surge amongst the worms in the earth and prompts them to come out of the dirt and go on the attack. Thousands upon thousands of them descend onto a small southern town filling up stores and homes and viciously biting those that get in their way.

A bizarre but interesting idea for a horror movie that manages to succeed mainly because it keeps it relatively believable. The worms stay regular size and the rationale behind it has some logical backing. It does take a while to get going and the real scares don’t occur until the very end. The subplot involving the tracking down of some skeletal remains doesn’t add anything, but the film is well crafted enough to build a weird atmosphere. The climax which features a home filled from floor to ceiling with millions of squirming worms is a unique sight.

R. A. Dow, who plays Roger the bad guy, is equally memorable. He looks menacing to begin with, but when he falls into a pile of the worms and gets all sorts of them eating into his face and he starts to look genuinely frightening. He then goes through the rest of the picture as this creepy worm-like man that is enhanced by the excellent make-up effects by the renowned Rick Baker.

Don Scardino makes for an interesting good guy/lead. He is not brawny, good looking, or even cool, but instead brainy and at certain points quite timid. At times he gets a bit too wussy, but he is at least a refreshing change to the blow-dried stud muffin. He resembles the film’s writer/director Jeff Lieberman and may have been cast simply for that reason.

Patricia Pearcy is capable as the love interest. She is a bit too country and certainly no beauty, but manages to be distinctive nonetheless. Fran Higgins as her younger sister Alma possesses one of the homelier looking faces you will ever see. Having her paint her nails and wear high heels so she can look ‘sexy’ seems almost cruelly comical.

The opening storm segment is weak with the falling power lines looking too much like they are miniature replicas. Lieberman’s recreation of the small town southern people is clichéd and stilted. The music is effective except for a part where a child sings a creepy little tune that doesn’t quite work or fit.

The close-ups of the worms are awesome, but I didn’t care for the sound effects used that sounds like squealing pigs. The noise effects created to resemble their squirming comes-off too much like sloshing water.

Overall the film manages to be effective. It’s certainly no classic, but successfully original.

My Rating: 7 out of 10

Released: July 30, 1976

Runtime: 1Hour 30Minutes

Rated R

Director: Jeff Lieberman

Studio: American International Pictures

Available: VHS, DVD

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Posted in 70's Movies, Horror, Low Budget, Movies that take place in the South, Offbeat

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A Nightmare on Elm Street (1984)

Posted on October 7, 2013 | 7 comments

nightmare on elm street

By Richard Winters

My Rating: 7 out of 10

4-Word Review: Freddy’s in their dreams.

Teenager Nancy (Heather Langenkamp) starts having nightmares about a strange man (Robert Englund) with burned skin, a green and red sweater and wearing a glove with sharp finger-like blades. She finds out that her friends are having the same type of dream and that this man is a former child murderer named Fred Krueger who is reaching out from his grave to attack them.

This movie has been parodied and imitated so much over the years that one forgets what an original idea this was. Writer/director Wes Craven uses stark, shadowy lighting and a distinctive music score to build a great horror atmosphere. The name Freddy Krueger, which he named after a childhood bully of his, is inspired. The scene where he appears in a dark alley as a midget with extremely long arms is a creepy image and possibly the scariest moment in the film. The pace is good and the scenarios imaginative making this well above average when compared to a typical 80’s slasher film and a definite classic.

The special effects are also quite creative and although not completely successful still a lot of fun to watch.  I loved the whole bathtub scene as well as the segment where Glen (Johnny Depp) gets sucked inside his bed, which creates a big hole in his mattress where a giant flow of blood comes gushing out of it and covers the entire ceiling and walls of his room. It may not make complete sense, but cool to look at nonetheless. The part where Tina (Amanda Wyss) gets pushed up the wall and ceiling of her room by an invisible force while being slashed is quite scary to watch despite the fact that when a close-up is shown of her skin getting cut it looks more like it is made a of clay and her bloodied body on the floor appears like it where drenched with a bucket of red paint.

heather 2

Langenkamp is fantastic in the lead and I would nominate her as the all-time best heroine of a slasher film. Her face is beautiful, but also quite expressive and she seems to show genuine emotion and far exceeds the typical cardboard scream queen. Her presence and not that of the villainous Freddy, whose screen time here is more limited than you think, is what carries the film. There is also a fun in-joke when she looks in a mirror and states “God, I look like I am 20”, which is funny since despite playing a teen character she really was 20 at the time of the shooting.  (I realize on the DVD commentary she states that she was 18 or 19, but the truth is she was born July 17, 1964 and this was filmed between June and July of 1984, so she was either 20 or very, very close.)

It’s great seeing Johnny Depp in his film debut. He still looks boyish at 50, but here looks like he is barely 10 years old. It is amusing seeing him play a sort-of doofus and he also gets a good line when after hearing Tina and her boyfriend having sex in the other room states “Reality sucks”.

amanda wyss

I also enjoyed Wyss for her amazing piercing blue eyes, but having her willingly go to bed with Rod (Jsu Garcia) an obnoxious, crass, Fonzi wannabe makes her character seem kind of stupid.

John Saxon is competent as Nancy’s father who also works as the town’s police chief, but I couldn’t say the same for Ronee Blakley as the mother. She was unforgettable with her brilliant performance in Nashville, but seemed to be miscast in every film that she did afterwards and it should probably be no surprise that she hasn’t been in any film since 1990. I also didn’t care for her sprayed-on tan look either.

Despite being an enjoyable film there are a few logical inconsistencies that I feel should be addressed. One is that I would argue it is virtually impossible for someone to know that they are in a dream when they are dreaming even though the characters here do. It should also have been better explained how the Freddy character is able to come out of the dream and into real-life, which gets confusing.  The part where Nancy states that she hasn’t slept in seven nights, but doesn’t show any physical or psychological signs of it are too much of a stretch.  Also, I had to chuckle at the part where Nancy comes home to find that her mother has had bars placed on all the windows of the home for added security, but then doesn’t bother to lock the front door as Nancy is able to walk inside without having to use a key.

My Rating: 7 out of 10

Released: November 16, 1984

Runtime: 1Hour 31Minutes

Rated R

Director: Wes Craven

Studio: New Line Cinema

Available: VHS, DVD, Blu-ray, Amazon Instant Video

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Posted in 80's Movies, Adolescence/High School, Cult, Horror, Low Budget, Slasher/Gore

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