Category Archives: 80’s Movies

License to Drive (1988)

license to drive

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Driving without a license.

Les Anderson (Corey Haim) is in a jam. He has flunked the written portion of his driving exam and therefore has his license denied, but a really hot girl by the name of Mercedes Lane (Heather Graham) wants to go out with him and he needs some wheels to get there. So, after his parents (Richard Masur, Carol Kane) have fallen asleep he decides to ‘borrow’ his grandfather’s car and chaos results, which forces him to return home with the vehicle in less than pristine condition.

This film was quite controversial when it was first released as it contains a scene involving an intoxicated man (Henry Allan Miller) getting behind the wheel of Les’s car and driving it, which critics felt was ‘promoting’ drunk driving, or at the very least making light of it. To me the biggest problem with the segment is the fact that the driver gets into the car with the keys somehow in the ignition even though Les and his friends are in the back of the car using those very same keys to open up the trunk, so unless they had two sets of keys, which is never stated, it then flunks the logic test. I also thought the scene where Les tries to jump from one speeding car to another while out on the freeway was just as dangerous and more hair raising than funny.

Haim in my opinion is the best thing about the film. I know he got the reputation of being a Hollywood ‘bad boy’, but the kid does have a certain appeal. This was his second pairing with Corey Feldman, who I didn’t like as much as he came off more as a crude ‘80s teen caricature. This also marks Heather Graham’s official film debut since her uncredited appearance in Mrs. Soffel four years earlier did not have any speaking lines and here she is terrific. I also found Masur and Kane to be quite appealing as the parents who resemble real human beings and not like the grown-ups in some ‘80’s teen movies where they are portrayed as being oppressive, overbearing, out-of-touch jerks.

The humor though is only mildly amusing and how the Les character could’ve missed the answers on the test is hard to imagine as they relied on basic common sense that just about anyone could’ve answered. The film also fails to have the same whimsical quality as Adventures in Babysitting which came out around the same time and had the same adventurous night-on-the-town concept.

If you’re looking for an amiable time filler for a slow evening than this may do the trick, but overall it’s just an innocuous ‘80’s teen programmer at best.

My Rating: 5 out of 10

Released: July 6, 1988

Runtime: 1Hour 29Minutes

Rated PG-13

Director: Greg Beeman

Studio: 20th Century Fox

Available: VHS, DVD, Blu-ray, Amazon Instant Video

The Secret of My Success (1987)

secret of my success

By Richard Winters

My Rating: 3 out of 10

4-Word Review: He has lofty ambitions.

Brantley Foster (Michael J. Fox) has just graduated from high school and wants to take a stab at the big city. He has a nice job lined up, but when he gets there he finds that they’ve become victims of a hostile corporate takeover and his position is no longer available. His mother (Elizabeth Franz) tells him about his rich Uncle Howard Prescott (Richard Jordan) who is a CEO of a major firm. Brantley meets with him and manages to get a job in the mailroom, but then comes up with a scheme where he masquerades as a company executive while romancing an attractive boss (Helen Slater) and even his uncle’s wife (Margaret Whitton).

Fox is terrific in the lead and his engaging and likable presence makes up to some degree for the film’s other numerous shortcomings. There are a few funny scenes including the one where Brantley pretends to be an orchestra conductor by using the sound of a couple making love in the next apartment as his ‘music’. The bird’s eye shot of a group of executives jogging around a track that is situated on a roof of a Manhattan skyscraper is fantastic and my favorite moment of the whole film. Brantley’s scheme though is ridiculously over-the-top with no chance of ever successfully occurring in the real world, which makes the story less entertaining since the believability factor gets thrown out to the point that it becomes a completely inane farce by the end.

The humor is also too broad and would’ve worked better had it tried instead to be more subtle. A good example of this is where Brantley gives a limo ride to Howard’s wife Vera. Initially Vera is quite cold and bitchy towards him, but then he throws her a line of how he’d feel like ‘the luckiest man in the world if he awoke each morning with a beautiful woman like her lying next to him’, which is enough to ‘melt’ her cold exterior and have her invite him back to her place where she shamelessly comes onto him and even goes skinny dipping with him in her backyard pool. Yet I’d imagine an attractive, rich woman such as herself would get lines like that thrown at her all the time by other men and how would she know that Brantley, whom she had just met, wasn’t any different than the rest of them and simply looking for a way to get her between the sheets or at her money. There is no way a woman of that age and social pedigree would foolishly let down her guard that quickly and easily especially for a line that is rather unimaginative and corny.

I realize this is supposed to be a wish-fulfillment fantasy, but it goes overboard and too much of a good thing is never good. The so-called ‘American Dream’ is all about persevering and overcoming hardships and obstacles not like it is here where we have some wet-behind-the-ears kid who magically has all the answers while essentially cheating his way to the top in record time without even breaking a sweat and making everyone else who actually works for a living look like complete fools in the process.

A little grit and realism would’ve helped and at least given it some much needed balance, but instead it’s completely lacking, which ultimately makes it shallow, superficial and silly and not worth the time.

My Rating: 3 out of 10

Released: April 10, 1987

Runtime: 1Hour 51Minutes

Rated PG

Director: Herbert Ross

Studio: Universal

Available: VHS, DVD, Blu-ray (Region B/2), Amazon Instant Video

The Initiation (1984)

initiation

By Richard Winters

My Rating: 2 out of 10

4-Word Review: She has reoccurring nightmares.

Kelly Fairchild (Daphne Zuniga) is a college student plagued with reoccurring nightmares as well as suffering from amnesia in which she cannot remember anything that occurred before she was nine. She meets Peter (James Read) who runs a department dealing with sleep research. She hopes he can help her interpret these dreams, but her parents (Clu Gulager, Vera Miles) are greatly opposed to the idea. As these dreams continue to get worse she also gets involved in a sorority in which as part of an initiation ritual she along with her sorority sisters are required to break into her father’s department store and steal some items, but as they do they become stalked and eventually killed by a mysterious killer.

Zuniga makes for an appealing lead and is pretty much the only good thing about the movie as the story itself isn’t too interesting. It becomes clear from the start that the man she sees burning in her dreams is really her father and that the Gulager character was her mom’s lover who is now posing as her father while her real one got carted off to the mental hospital and having to watch someone spend almost two hours trying to figure out something that the viewer already knows isn’t compelling.

The plot is also full of a hundred and one loopholes including the fact that her father had to be institutionalized after received burns over forty percent of his body even though this rarely if ever occurs with real-world burn victims. How Kelly gets her amnesia is confusing as well since we later learn she never really did fall out of a treehouse like she had initially thought. The scene where the Gulager character gets murdered in his own drive way, but the mother does not find out about it until several days later is equally ridiculous because the killer immediately drives away with the dead body with no time to clean up, so the mother would’ve seen all the blood when she went into her own car, but apparently doesn’t.

There is also a scene involving one of the sorority sisters named Marsha (Marilyn Kagan) who tells the others about getting sexually violated by an older man when she was younger, which is not necessary since she is not a main character and what she describes has no connection to the main story. What is even worse is that after telling the others about it she then ‘miraculously’ loses her lifelong frigidity and is ‘cured’ from her horrible memories while also immediately hopping into bed with one of the frat boys, which becomes an insult to rape victims everywhere.

Spoiler Alert!

The film’s ending though is the most annoying. Halfway in I thought I had figured it out by guessing that it was actually Zuniga who was doing the killing. Well it turns out that I was half-right as it is really her twin sister, but there is no indication of this with anything that occurs earlier and still does not explain how it connects to Kelly’s amnesia, nightmares, or lost father. If anyone who has watched this movie can explain how this makes any sense I would appreciate it because it comes off as really dumb otherwise.

End of Spoiler Alert!

My Rating: 2 out of 10

Released: December 17, 1984

Runtime: 1Hour 37Minutes

Rated R

Director: Larry Stewart

Studio: New World Pictures

Available: DVD, Amazon Instant Video

The Dorm that Dripped Blood (1982)

the dorm that dripped blood

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Yet another slasher flick.

If, based on its misleading title, you’re figuring this thing will be filled with hot sorority babes having their late night beer parties ruined by an unscrupulous masked killer who does unethical things with an ax then you’ll be sorely disappointed as that is not what you’ll get here. Instead you’ll be treated to a story about five volunteers who clean out an abandoned dorm that looks more like a business building, so that it can be renovated into apartments. During the process they become menaced by a mysterious killer who begins hacking them off one-by-one.

This movie’s one and only claim to fame is that it marks the film debut of Daphne Zuniga who gets promptly killed off within the first 15 minutes by having her head run over by a car! The rest of the cast is not up to the acting standards of a high school play including leading lady Laurie Lapinski whose monotone delivery does nothing to enliven the proceedings.

The gore is okay and probably the only reason I’m giving it 2 points. The scene where the killer beats a man’s head in with a bat looks pretty realistic and the part where he drills into another man’s skull isn’t bad either. The tension though, or what little there is of it, is hurt by having long stretches that feature nothing but extraneous dialogue and wooden characters.

Some fans of the film will point to its so-called surprise ending as a redeeming element. Yes, the identity of the killer is not who you’re expecting, but you know that from the start since the character of the mentally unstable John Hemmit (Woody Roll) is too obviously pushed as being the suspect from the beginning, so you know it has to be someone else. Finding out who the real killer is not interesting as it has no real connection to anything that came earlier and was pretty much done in a random way where the writer/director choose a character you’d least expect, so it would seem like a ‘great revelation’, but with no other logic behind it.

Dull and uninspired this is yet another in a long line of rip-off slasher flicks that adds nothing unique or interesting to the genre and unless you want to see Zuniga in an early performance it’s not worth seeking out.

the dorm that dripped blood 3

Alternate Titles: Death Dorm, Pranks

My Rating: 2 out of 10

Released: April 12, 1982

Runtime: 1Hour 28Minutes

Rated R

Directors: Stephen Carpenter, Jeffrey Obrow

Studio: New Image

Available: DVD, Blu-ray, Amazon Instant Video

Death Ship (1980)

death ship 2

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Ghost ship haunts ocean.

Members of a luxury ocean liner collide with a mysterious ship that comes out of nowhere. The liner sinks, but a few of the passengers manage to survive by boarding on a raft and going out to sea. After a few days of being afloat in the watery abyss they come into contact with the ship that they collided with. Having no other options they board the vessel only to find that no one else is on it. At first they are relived, but then creepy things begin to occur making them feel that it may be haunted. When the ship begins killing off members of the group one-by-one the remaining people look for a way off, but find nothing available.

The film starts out okay with a likable enough cast filled with veteran B-actors. The collision and subsequent sinking of the luxury liner as some definite tinges of The Poseidon Adventure to it and I’ll give props to the shot showing a grand piano crashing several stories down as well as the way the engine room quickly and realistically fills up with water. The ghost ship has a nice threatening quality and is shot in a way that gives it effective creepiness and makes it like a third character.

The performers do their best and giver earnest performances although it’s hard to believe that any of them could possibly have taken the material seriously and could only have been doing this for the money. I did not like the way George Kennedy’s character goes from being this surly prick of a sea captain to a man possessed by the evil spirits of the ship as I liked the way his character’s disagreeable personality meshed with the others and made the group dynamics a little more interesting.

The ultimate problem with the film though is the fact that there is no second or third act and the whole concept would’ve worked much better as a thirty minute episode of ‘The Twilight Zone’ instead of trying to stretch it out to feature film length. There are just so many creepy shots of the ship, foreboding music and scared reactions of the cast one can take before it all becomes quite old and redundant.  

The ending is unsatisfying and doesn’t explain anything. Yes, we understand this is a ship once used by the Nazi’s to torture victims, but why is it haunting these waters and why did it decide to collide with the ocean liner and if it has collided with other ships then why hasn’t it been detected by world governments and possibly gone under attack by armies in an attempt to subdue it? Again, as a creepy short story or an episode of an anthology series it might’ve worked, but as a film it is boring, one-dimensional and lacking any type of unique spin.

My Rating: 2 out of 10

Released: March 7, 1980

Runtime: 1Hour 31Minutes

Rated R

Director: Alvin Rakoff

Studio: Astral Films

Available: DVD

Shocker (1989)

shocker

By Richard Winters

My Rating: 1 out of 10

4-Word Review: Serial killer becomes electric.

Horace Pinker (Mitch Pileggi) is a serial killer who’s dabbled in black magic, which allows him to kill people without getting caught. Lt. Don Parker (Michael Murphy) is trying to track him down and when he starts to get too close Horace then kills Parker’s family. Parker’s adopted son Jonathan (Peter Berg), who was not present when the murders occurred, begins to have visions where he appears as Horace is committing the atrocities and he uses his new found ability to track Pinker down and eventually get him arrested, but Horace continues to dabble in black magic even in his jail cell, which allows him to survive the electric chair and go on killing people by entering into the bodies of his latest victims.

I couldn’t help but feel as I watched this that writer/director Wes Craven, in his drive to create another Nightmare on Elm Street franchise, completely sold out on this one by writing a script with a voodoo logic that may satisfy a 13-year-old, but will send any discerning adult’s head spinning. For one thing there is no real explanation of how this sleazy, low-life chump that works as a TV repair man was able to attain the powers that he does and simply saying he ‘dabbled in black magic’ says nothing as many other people have done the same, but never achieved these same cataclysmic results.

There is also the issue of Jonathan’s girlfriend’s necklace being the one thing that can supposedly ‘stop’ Horace, but why as this is nothing more than a flimsy piece of jewelry made by humans. And since when do spirits, evil or otherwise come connected with physical defects as Horace continues to walk around with the limp that he had in his old body even when he goes into someone else’s. Clearly this thing is making up its own rules as it goes along and proceeds to get even more convoluted until it gets downright confusing by the end.

Berg is a complete bore in the lead and it’s easy to see why he subsequently left acting and got into directing of which he has had better success. The role of Pinker isn’t any better, but this is more because of the way the character is written. Having a bad guy behave like a one-dimensional psycho killing machine isn’t scary or interesting and a background to the character was needed, but never comes.

The part where Pinker and Jonathan get stuck inside an episode of ‘Leave it to Beaver’ is funny as is the segment where Pinker inhabits the body of a 6-year-old girl, but otherwise it’s a complete mess. Normally it would’ve been a career killer for most directors, but it still managed to make enough money at the box office to keep Craven’s name off the studio’s black list and the film that he did after this The People under the Stairs is considered by many to be a vast improvement.

My Rating: 1 out of 10

Released: October 27, 1989

Runtime: 1Hour 51Minutes

Rated R

Director: Wes Craven

Studio: Universal

Available: VHS, DVD, Blu-ray, Amazon Instant Video

Hard Rock Zombies (1985)

hard rock zombies

By Richard Winters

My Rating: 2 out of 10

4-Word Review: Rock band becomes zombified.

An up-and-coming rock band travels to a small town for their next gig. There the lead singer falls for a young girl named Cassie (Jennifer Coe) while also catching the wrath of the town’s conservative residents who still feel that rock n’ roll is the ‘devil’s music’. The place also harbors Adolph Hitler (Jack Bliesener) who has been secretly hiding out there under a disguise while plotting his next world takeover. After the band members are killed by the evil Nazis they come back to life in the form of zombies killing everyone else and turning the whole town into one big zombie fest.

I have to admit the zombie popularity that has entranced so many people and formed its own special niche escapes me as I find the whole concept to be rather boring. However, certain films like Shaun of the Dead have managed to reinvent the formula by mixing hip humor with a good amount of realistic gore and thus satisfying both the gore hounds and those looking for a laugh. This film tries to do the same, but fails miserable as the humor is corny and the special effects are poor to pathetic.

In fact I was stunned that a well-known director who did some other successful projects was involved with this or even willing to have his name listed on the credits as it’s extraordinarily amateurish and looking like it was put together by novices while drunk. Had it been even remotely more polished, or written by someone who had actually watched zombie movies and appreciated them, it might have worked.

The members who make up the band show no acting ability and having to listen to their generic sounding songs that seem to go forever is another problem and one that almost turns this mess into an annoying music video instead. The second half in which they come back as zombies doesn’t improve things as they still continue to play their songs and worse yet begin to resemble the rock group KISS with their makeup and in fact the similarity is so extreme that I was surprised they weren’t sued.

The zombie parodies are numerous and seemingly never-ending. The majority of them aren’t very good, but this one may very well take the prize as being the worst.

My Rating: 2 out of 10

Released: August 28, 1985

Runtime: 1Hour 38Minutes

Rated R

Director: Krishna Shah

Studio: Cannon Film Distributors

Available: DVD

Deadly Friend (1986)

deadly friend 1

By Richard Winters

My Rating: 1 out of 10

4-Word Review: He resurrects his girlfriend.

Paul (Matthew Labyorteaux) is a teen with a genius I.Q. who teaches classes on robotics at a local university. His next-door neighbor is Samantha (Kristy Swanson) a beautiful teen girl who is tormented and abused by her alcoholic father (Richard Marcus). When she becomes brain dead after falling down the stairs during one of her father’s rages Paul tries to bring her back to life by implementing the microchip from his robot’s brain into hers. However, instead of the pretty, sweet girl that she once was she is now a killing machine getting back at anyone who ever wronged her and Paul becomes unable to stop her.

The film suffers severely as a result of the studio having a different idea on the direction they wanted to take it versus what director Wes Craven or its screenwriter Bruce Joel Rubin had. Craven and Rubin wanted an offbeat love story while the producers pushed for the conventional ‘80s horror. The result is a mishmash of different genres that throws in everything from blood and gore to silly robots that do cutesy things and look better suited for a kid-friendly Disney movie.

The plot has a logic loophole as well as the reincarnated Samantha somehow gains super human strength, which makes no sense. She may have the robot’s brain, but it’s still her same body, so whatever strength the robot had would not transition to her since he was made from mechanical parts. The part where she lifts a biker dude over her head would probably have broken her back and I wasn’t sure what the dark circles around her eyes was so supposed to mean. Was this to represent that she was slowly dying and decaying? If so then her skin should be rotting and peeling off and not just looking like someone who went a little overboard with the eye shadow.

The misguided nightmare segments are another issue. The scene where Samantha dreams that she stabs her father in the stomach with a broken glass vase that causes blood to rush out of him appears more like an erect penis pissing out blood. The moment where Paul sees Samantha’s dead and burned father’s head popping out of his bed is too reminiscent of A Nightmare on Elm Street and comes off looking like Craven was going to the same well too often.

The characters are dull and poorly fleshed out. Paul is too clean cut and the fact that he is super smart at everything becomes annoying. Samantha seems overly passive and sheltered and her loathsome father becomes nothing more than a walking, talking cliché trucked straight in from Redneckville.

Spoiler Alert!

The ending is by far the worst part as it features Paul coming into the morgue after Samantha has been killed and then having her inexplicable and without explanation turn into a robot. Whether this was simply a dream or a misguided attempt to turn the plotline into some sort of sequel is unclear, but it helps cement this as a complete catastrophe despite its good production values and a perfect testament to what happens when the producer and director are not on the same page.

End of Spoiler Alert!

deadly friend 2

My Rating: 1 out of 10

Released: October 10, 1986

Runtime: 1Hour 31Minutes

Rated R

Director: Wes Craven

Studio: Warner Brothers

Available: VHS, DVD, Amazon Instant Video, YouTube 

The Changeling (1980)

the changeling

By Richard Winters

My Rating: 4 out of 10

4-Word Review: Dead child haunts house.

Still grieving from the sudden loss of his family in a freak accident composer John Russell (George C. Scott) decides to move to the Pacific Northwest where he finds a large stately mansion to move into. He feels it would be the perfect place to reflect and continue with his work, but instead realizes that it is haunted by a child who was murdered there years earlier. With the help of Claire (Trish Van Devere) who had procured the property for him they investigate its history and find that there is a connection between the killing and an influential senator (Melvyn Douglas).

One of the aspects about this film that I did like was that it was given a big budget and the on-location shooting that was done from New York, Seattle and even Toronto gives it a strong visual backdrop and makes it light years ahead of the average horror film that is usually crippled from the start by its meager funding. The mansion is impressive at least the outside of it, which was actually only a façade that was constructed when they couldn’t find a real one to fit their needs. However, the idea that a single man would move into such a large place seems ridiculous and there’s nothing that says ghosts can’t haunt small homes that would be more practical place for one person to live in.

Scott gives an unusual performance in that he shows little of a frightened reaction when the scares occur. To some extent I liked this as the screams and shocked expressions in most horror movies become overdone, but when a vision of a ghostly boy appears in a bathtub and all Scott does is calmly back away it seems to be underplaying it a bit too much.

I also felt that Van Devere’s character was unnecessary and was put in only because she was Scott’s real-life wife at the time, but it seemed unrealistic that a real estate agent who was merely an acquaintance to John would get so wrapped up in his quandary or even believe him to begin with. No relationship is ever implied, but it would have made more sense had the character been written in as a girlfriend.

I realize there are those that consider this to be a ‘really scary’ movie, but I found it to be pretty flat. The ‘scares’ as it where consist of nothing more than a child’s ball rolling down a staircase twice, whispery voices, a runaway wheelchair and a few doors slamming. There is also a fiery finale that borders on the hooky and a tacky séance and if that is enough to keep you up all night then have at it.

Spoiler Alert!

The idea that this child, who was sickly and if he died before his 21st birthday the family fortune would go to charity, so the father kills him and has him replaced with another child who later grows into being this powerful aging senator, didn’t make sense in that I didn’t see where the ‘justice’ was in getting back at the senator who had nothing to do with the killing or even knew about it. He was simply an innocent child taken from an orphanage and the product of a nefarious scheme by the father, so why not go after the dead soul of the murdering father and leave the senator alone? The senator dies from a heart attack that we are lead to believe was caused by the ghostly presence of the angry child, which to some extent makes the protagonists look like the bad guys since they were the ones that precipitated the meeting that lead to the death and instead should’ve tried to prevent it.

I was also confused by the whole backstory about John’s family being killed in a roadside accident that begins the movie since it really didn’t have much to do with the main plot and could’ve easily been left out completely.

End of Spoiler Alert!

I first saw this film over 20 years ago and wasn’t all that impressed with it then and I’m still not. I realize it has its legion of fans, but to me it’s just an average ghost story and far from being a classic.

My Rating: 4 out of 10

Released: March 28, 1980

Runtime: 1Hour 46Minutes

Rated R

Director: Peter Medak

Studio: Associated Film Distribution (AFD)

Available: VHS, DVD

Deadly Blessing (1981)

deadly blessing

By Richard Winters

My Rating: 5 out of 10

4-Word Review: Murder in bible country.

When her husband is killed in a mysterious tractor accident Martha (Maren Jensen) must try to forge on alone while living on an isolated farm surrounded by a religious sect known as The Hittites who show great disdain towards her due to the fact that she is not one of them. Lana and Vicky (Sharon Stone, Susan Buckner) are two of her friends who come to visit and offer solace. Soon more deaths and strange events begin to occur convincing them that the feared incubus, which is a male demon who descends onto female victims as they sleep, may soon be approaching.

This low budget foray, which was filmed in both Ohio and Texas and directed by Wes Craven, is competent enough to hold the viewer’s attention despite a convoluted story that goes on longer than it should. The best part of the film is its female cast, which to date marks the last acting role for both Jensen and Buckner as well as the first speaking part for Stone. Jensen, whose nude scenes were done by a body double, is okay, but Stone is the better actress and looks just as beautiful today as she did back then. In case you thought that actors didn’t earn their pay she certainly does here by allowing a live spider, albeit with its teeth removed, to fall into her mouth during a creepy nightmare segment that I’m not sure I would’ve been up to myself. The film also features Lisa Hartman and the ageless Lois Nettleton as her mother.

The shocks are trite and the creepiness at only a minimum. However, the segment where a large snake crawls into the bathtub while Jensen is in it had me creeped out and the scene involving Buckner having her car set on fire while she is still inside is good too, but both of these segments are similar to ones that Craven used in his later films making me believe that his horror concepts had a definite limit.

The Hittites, which are presumably so strict that they make the Amish look like ‘swingers’, are too one-dimensional and their leader, which gets played stoically by Ernest Borgnine, seems unusually hateful.  I can’t say that there aren’t religious sect leaders that are like him, but I don’t believe they would be so outwardly hostile to people from outside his group and would try to put on more of a kindly façade. I also thought the idea of the Buckner character starting a relationship with one of the Hittite boys, which is played by Jeff East, was unrealistic as they came from such vastly different backgrounds that trying to form any lasting bond or connection would be expectedly slim.

Michael Berryman as one of the more aggressive sect members gives an energetic performance and the fact that Craven advertises another one of his other projects, the TV-Movie Summer of Fear, on a theater marquee during a segment shot in the town, deserves a few merits, but what I really liked was the completely unexpected surprise ending that helps the film rise above the usual ‘80s horror and was something that was forced onto Craven by the producers and not actually of his own devising.

deadly blessing 2

My Rating: 5 out of 10

Released: August 14, 1981

Runtime: 1Hour 42Minutes

Rated R

Director: Wes Craven

Studio: United Artists

Available: VHS, DVD, Blu-ray, Amazon Instant Video